scholarly journals Extracts of three letters : The one of M. Hugens, about a new invention of very exact and portative watches, serving to find the longitudes both at sea and Land: The second, of Dr . Swammerdam, touching an un-usual rupture of the the mercentery: The third, containing some observations of Mr. Lister about the star-stones ; together with Mr Rays annotations thereon.

1675 ◽  
Vol 10 (112) ◽  
pp. 272-279
Keyword(s):  
The One ◽  

The watches of this Invention being made in small, shall serve for very exact Pocket-watches, and when made greater, shall be useful every where else and particularly to find the Longitudes both by Sea and Land, forasmuch as their movement is regulated by a principle of Equality, as that of Pendulum's is Cycloid, and that no kind of carriage shall be able to stop them.

Author(s):  
Eystein Dahl ◽  
Antonio Fábregas

Zero or null morphology refers to morphological units that are devoid of phonological content. Whether such entities should be postulated is one of the most controversial issues in morphological theory, with disagreements in how the concept should be delimited, what would count as an instance of zero morphology inside a particular theory, and whether such objects should be allowed even as mere analytical instruments. With respect to the first problem, given that zero morphology is a hypothesis that comes from certain analyses, delimiting what counts as a zero morpheme is not a trivial matter. The concept must be carefully differentiated from others that intuitively also involve situations where there is no overt morphological marking: cumulative morphology, phonological deletion, etc. About the second issue, what counts as null can also depend on the specific theories where the proposal is made. In the strict sense, zero morphology involves a complete morphosyntactic representation that is associated to zero phonological content, but there are other notions of zero morphology that differ from the one discussed here, such as absolute absence of morphological expression, in addition to specific theory-internal interpretations of what counts as null. Thus, it is also important to consider the different ways in which something can be morphologically silent. Finally, with respect to the third side of the debate, arguments are made for and against zero morphology, notably from the perspectives of falsifiability, acquisition, and psycholinguistics. Of particular impact is the question of which properties a theory should have in order to block the possibility that zero morphology exists, and conversely the properties that theories that accept zero morphology associate to null morphemes. An important ingredient in this debate has to do with two empirical domains: zero derivation and paradigmatic uniformity. Ultimately, the plausibility that zero morphemes exist or not depends on the success at accounting for these two empirical patterns in a better way than theories that ban zero morphology.


Zograf ◽  
2006 ◽  
pp. 219-228 ◽  
Author(s):  
Bojan Miljkovic

The History was written in Moscow in 1558/1559, as a compilation of the accounts of Hilandar monks who visited the Russian court, seeking charity and aid for the monastery, and describes the miracles that took place through the icons of Hilandar. The majority of miracles occurred during processions in the monastery and its vicinity, but there were some that happened before certain icons arrived in the Serbian monastery on Mount Athos. The latter deserve special attention, since they provide great help in shedding light on the place of origin, appearance and on the time when those icons arrived in the monastery, as is the case with the once deeply revered processional icon of the Theotokos Avramiotissa with the Prophet Elijah on the reverse side and, especially, the Theotokos Tricheirousa. The History confirms information from other sources, about this icon having been made in Skopje, and proves that the icon arrived in the monastery on the eve of the fall of Skopje to the Turks in 1392. It also describes its appearance - the Theotokos Hodegetria with the third arm painted below the one with which the Mother of God held the infant. As the earliest testimony about the existence of the cult of the Theotokos Tricheirousa in Hilandar, the text written in Moscow clearly singles out the initial story from the multitude of subsequent legends that have been told about it. The icon no longer exists and was replaced in the third quarter of the 18th century with the icon that is nowadays honoured as the Tricheirousa. Two more processional icons from the Hilandar katholikon can reliably be recognised in the text of the History the Theotokos Popska and Saint George, whereas for the others, some of which certainly no longer exist, this text does not provide sufficient data to identify them. Besides icons, the History also describes the most precious relics connected with the passion of Christ and other valuable works of art which are kept in the monastery in the present day, such as the crystal cross with the blood of Christ, a cross made of the Holy Wood on which Christ was crucified, a well-known Venetian diptych or the lavishly decorated Greek evangeliarion No. 105. In the mid-16th century, these objects were believed to have been brought by the founder of the monastery, Saint Sava, from his travels, as gifts to the monastery. Listed at the end of this interesting text are the gifts which Tsar Ivan IV the Terrible and the members of his family presented to the monks of Hilandar during their earlier visits to the Russian court.


Author(s):  
Vadim Vladislavovich Maiko ◽  

This paper is the first to address the problem of the presence of Byzantine imports in the material culture of Bosporos from the second half of the thirteenth and fourteenth centuries. So far the degree of “Byzantinization” of the coastal towns in the eastern Taurica, which were finally absorbed by the Golden Horde in the third quarter of the thirteenth century and remained in its structure to the mid-fifteenth century, is a topical issue in the mediaeval Crimean studies. Although the greatest part of the artefacts made in Byzantium, represented mostly by ceramic ware and discovered in the thirteenth-fourteenth century horizons and buildings of Sougdaia, has already been introduced into the scholarship, parallel finds from Bosporos never became the subject of analysis. The reason is the poor studying of the latter and almost complete absence of published materials. The materials of large-scale protective excavations conducted in Kerch in 2018 certainly deserve attention. The vast majority of these finds date from the seventh to twelfth centuries. However, the materials from the second half of the thirteenth and fourteenth centuries stand out to become the subject of this paper. Unfortunately, they are highly fragmented, but allowing the one to determine Byzantine imports and to compare their composition and quantity with similar products of Sougdaia.


2004 ◽  
Vol 34 (136) ◽  
pp. 455-468
Author(s):  
Hartwig Berger

The article discusses the future of mobility in the light of energy resources. Fossil fuel will not be available for a long time - not to mention its growing environmental and political conflicts. In analysing the potential of biofuel it is argued that the high demands of modern mobility can hardly be fulfilled in the future. Furthermore, the change into using biofuel will probably lead to increasing conflicts between the fuel market and the food market, as well as to conflicts with regional agricultural networks in the third world. Petrol imperialism might be replaced by bio imperialism. Therefore, mobility on a solar base pursues a double strategy of raising efficiency on the one hand and strongly reducing mobility itself on the other.


2011 ◽  
Vol 13 (2) ◽  
pp. 201-171
Author(s):  
Nāṣir Al-Dīn Abū Khaḍīr

The ʿUthmānic way of writing (al-rasm al-ʿUthmānī) is a science that specialises in the writing of Qur'anic words in accordance with a specific ‘pattern’. It follows the writing style of the Companions at the time of the third caliph, ʿUthmān b. ʿAffān, and was attributed to ʿUthmān on the basis that he was the one who ordered the collection and copying of the Qur'an into the actual muṣḥaf. This article aims to expound on the two fundamental functions of al-rasm al-ʿUthmānī: that of paying regard to the ‘correct’ pronunciation of the words in the muṣḥaf, and the pursuit of the preclusion of ambiguity which may arise in the mind of the reader and his auditor. There is a further practical aim for this study: to show the connection between modern orthography and the ʿUthmānic rasm in order that we, nowadays, are thereby able to overcome the problems faced by calligraphers and writers of the past in their different ages and cultures.


2012 ◽  
Vol 3 (1) ◽  
pp. 63-73 ◽  
Author(s):  
I. Csáky ◽  
F. Kalmár

Abstract Nowadays the facades of newly built buildings have significant glazed surfaces. The solar gains in these buildings can produce discomfort caused by direct solar radiation on the one hand and by the higher indoor air temperature on the other hand. The amplitude of the indoor air temperature variation depends on the glazed area, orientation of the facade and heat storage capacity of the building. This paper presents the results of a simulation, which were made in the Passol Laboratory of University of Debrecen in order to define the internal temperature variation. The simulation proved that the highest amplitudes of the internal temperature are obtained for East orientation of the facade. The upper acceptable limit of the internal air temperature is exceeded for each analyzed orientation: North, South, East, West. Comparing different building structures, according to the obtained results, in case of the heavy structure more cooling hours are obtained, but the energy consumption for cooling is lower.


2013 ◽  
pp. 32-47
Author(s):  
S. V. Osipov

Geobotanical mapping of the territory in riverheads Bureya of 4500 sq.km is carried out and the map of a actual vegetation cover of scale 1 : 200 000 is prepared. The legend of the map is presented in the form of the text with three-level hierarchy of classes. At the heart of structure of a legend of the map such regularities of a vegetation cover, as its latitudinal zonality / altitudinal belts, situation in a relief and dynamic series lie. The largest divisions of the legend reflect, first, change of large classes of mesocombinations of vegetation at the level of belts and, secondly, distinction in a boreal - forestry belt between a vegetation cover of tops and slopes of mountains, on the one hand, and the bottoms of river valleys, with another. Divisions of the legend of the second level reflect, first, vegetation changes in the form of high-rise and barrier changes of subbelts, secondly, distinctions of a vegetation cover in different geomorphological conditions (small and average river valleys, northern slopes, etc.). Divisions of the legend of the second level correspond to dynamic series of units of the third level. Essential addition to it are block diagrams of dynamics of a vegetation cover.


Author(s):  
В. Зинько ◽  
V. Zin'ko ◽  
А. Зверев ◽  
A. Zverev ◽  
М. Федин ◽  
...  

The seismoacoustical investigations was made in the western part of the Kerch strait (Azov sea) near Kamysh-Burun spit. The fracture zone with dislocated sedimentary rocks layers and buried erosional surface was revealed to the west of spit. Three seismofacial units was revealed to the east of spit. The first unit was modern sedimentary cover. The second ones has cross-bedding features and was, probably, the part of early generation of Kamysh-Burun spit, which lied to the east of its modern position. The lower border of the second unit is the erosional surface supposed of phanagorian age. The third unit is screened by acoustic shedows in large part.


Author(s):  
Patrick Colm Hogan

The introduction first sets out some preliminary definitions of sex, sexuality, and gender. It then turns from the sexual part of Sexual Identities to the identity part. A great deal of confusion results from failing to distinguish between identity in the sense of a category with which one identifies (categorial identity) and identity in the sense of a set of patterns that characterize one’s cognition, emotion, and behavior (practical identity). The second section gives a brief summary of this difference. The third and fourth sections sketch the relation of the book to social constructionism and queer theory, on the one hand, and evolutionary-cognitive approaches to sex, sexuality, and gender, on the other. The fifth section outlines the value of literature in not only illustrating, but advancing a research program in sex, sexuality, and gender identity. Finally, the introduction provides an overview of the chapters in this volume.


Author(s):  
Nora Goldschmidt ◽  
Barbara Graziosi

The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.


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