The Two Manias: A Study of the Evolution of the Modern Concept of Mania

1981 ◽  
Vol 138 (2) ◽  
pp. 89-99 ◽  
Author(s):  
Edward Hare

In the year 1899 there occurred an event which has had great consequence for psychiatry. This was the publication of the sixth edition of Emil Kraepelin's textbook, where he introduced for the first time his distinction between manic-depressive insanity and dementia praecox. It was a distinction which rapidly became accepted almost everywhere in the world, and it still forms the basis of our thinking about the nature of the functional psychoses. Kraepelin's concept of mania was quite different from the concept of mania held during most of the nineteenth century; and so, historically speaking, there are two manias, more or less sharply separated by the Kraepelinian revolution. The purpose of the present essay is to give some account of the term mania in its pre-Kraepelinian sense and of the events which led Kraepelin to his new concept; and also (in Part II) to put forward a new idea of why this revolution came about.

2021 ◽  
pp. 303-323
Author(s):  
Christian Klees ◽  
Christoph Kugelmeier

Seneca’s dramas brood in the shadows of the Attic tragedies, which are frequently played in theatres all over the world. To this day, it is controversial whether Seneca’s plays were intended for the stage or only for recitation. But the enormous after-effect of these texts in the literature devoted to European theatre (above all in Shakespeare) shows that they themselves are not only part of our cultural heritage, but that it is worthwhile to consider how one might propose a more contemporary staging of these works in order to afford an authentic reception for the first time – and indeed, for a broader public. Admittedly, the texts can and will only find a larger audience if Seneca’s recitation dramas are brought to the contemporary stage in a form and language appropriate to this audience. In a project undertaken by Saarbrücken Classical Philology since 2011, for the first time directly playable German translations are to be produced for this purpose. These take into account the dramaturgical peculiarities of the plays by negotiating between philological considerations and the requirements of performance itself. At the same time, philologically flawless translations of the Latin text into German emerge as the crux of the matter. The present essay will discuss this multiplex process of translation on the basis of an example already tested in a stage performance and in the light of various theories of translation


Muzikologija ◽  
2005 ◽  
pp. 101-117
Author(s):  
Aikaterini Romanou

In this article the writer investigates the relations between perceptions of the East and the West in nineteenth century Greece, their connection to national identity, to the language question and to political tendencies. The composer Manoles Kalomoires was influenced by a group of progressive intellectuals striving to liberate Greek literature and language from its dependence on Ancient Greek legacy, a dependence motivated by Western idealists (who saw in the Greek Revolution of 1821 a renaissance of Ancient Greece). Most were educated in the West, but promoted an oriental image of Greeks. Kalomoires' musical expression of this image was inspired by Rimsky-Korsakov's Sheherazade and the Golden Cockerel. In 1909-910 he wrote an unfinished opera, Mavrianos and the King, on the model of the Golden Cockerel. He later used this music in his best known opera, The Mother's Ring (1917). In the present article the similarities in the three works are for the first time shown. An essential influence from Rimsky-Korsakov's work is the contrast between the world of freedom, nature and fantasy and that of oppression.


2021 ◽  
pp. 89-120
Author(s):  
Ian Bradley

By now widely recognized as England’s leading composer, Arthur Sullivan devoted the first half of the 1870s to sacred works, including a massive Te Deum to celebrate the recovery of the Prince of Wales from typhoid fever (1872), his most significant oratorio, The Light of the World (1873), forty-two original hymn tunes and seventy-five hymn tune arrangements and numerous sacred songs and ballads. The Light of the World broke significant new ground by dispensing with a narrator and for the first time in English oratorio making Jesus a real character who appeared and sang and interacted with other characters. As well as acting as editor for a major Anglican hymnal, Church Hymns and Tunes (1874), Sullivan wrote numerous hymn tunes, including the ever-popular ST GERTRUDE for ‘Onward, Christian soldiers’ and NOEL for ‘It came upon the midnight clear’. He may also have had a hand in ST CLEMENT for ‘The day, Thou gavest, Lord, is ended’. In 1877, sitting at the bedside of his dying brother, he wrote the tune for his sacred ballad, ‘The Lost Chord’ which became the best-selling song of the last quarter of the nineteenth century.


1975 ◽  
Vol 5 (1) ◽  
pp. 95-120 ◽  
Author(s):  
Silvio Almeida ◽  
David Baytelman ◽  
Jacques Chonchol ◽  
Joseph Collins ◽  
Susan George ◽  
...  

The widespread bad harvests of 1972 in various regions of the world, the consequent reduction in grain reserves, the rapid rise in food prices almost everywhere and its impact on inflation, all have served to draw renewed attention to the problem of hunger which affects millions of human beings in the world today. During the 1974 United Nations World Food Conference many important matters relating to this problem were debated: the creation of international grain reserves; problems concerning world trade of foodstuffs; the current difficulties with certain key agricultural production factors, such as fertilizers; the necessity for organizing a worldwide information system on the situation; and prospects of various harvests and threats of famine in underdeveloped countries. It is often the case that discussion of the hunger problem does not correspond to the gravity of the crisis; true causes of the present situation are not examined, and measures are not adopted that will once and for all–for the first time–abolish hunger. In view of the prospect that the real issues are often ignored, the Transnational Institute provides this analysis in an attempt to clarify what must be done to abolish hunger in the belief that this is within the reach of humanity when and if we are determined to end the irrationalities of the present economic system and the relations of domination which some individuals and countries seek to continue.


Author(s):  
Anne O'Connor

Finding Time for the Old Stone Age explores a century of colorful debate over the age of our earliest ancestors. In the mid nineteenth century curious stone implements were found alongside the bones of extinct animals. Humans were evidently more ancient than had been supposed--but just how old were they? There were several clocks for Stone-Age (or Palaeolithic) time, and it would prove difficult to synchronize them. Conflicting timescales were drawn from the fields of geology, palaeontology, anthropology, and archaeology. Anne O'Connor draws on a wealth of lively, personal correspondence to explain the nature of these arguments. The trail leads from Britain to Continental Europe, Africa, and Asia, and extends beyond the world of professors, museum keepers, and officers of the Geological Survey: wine sellers, diamond merchants, papermakers, and clerks also proposed timescales for the Palaeolithic. This book brings their stories to light for the first time--stories that offer an intriguing insight into how knowledge was built up about the ancient British past.


1984 ◽  
Vol 16 (2) ◽  
pp. 161-175 ◽  
Author(s):  
Thomas Philipp

The aim of the present essay is to explore some of the relations between the socioeconomic and political transformation which occurred in Syria during the eighteenth century and the development of a new view of the world and the self as it came to be expressed in the writings of several Arab historians at the beginning of the nineteenth century. Of particular interest in this context is the question of whether and when a clear departure from traditional patterns of society and thought can be discerned.


Author(s):  
Madeleine Leisk

The late nineteenth century represented a unique period for art production as artists searched for a solution to the restrictive style of the royal art academies and new ways to represent contemporary society. With the increasing connectedness of the world during this time, due to trade, came a renewed interest in the world outside of Europe with world fairs and international exhibitions. This international intrigue was manifested in Europe through an obsession with material objects from exotic cultures. Japanese objects were of particular interest as Japan had recently been opened to the West for the first time since the sixteenth century. Exotic material culture provided the unique and contemporary approach to art that European artists were searching for. One of the most popular and visually represented aspects of exotic material culture during the nineteenth century were Japanese kimonos which artists used as an erotic symbol. My research will examine the social and cultural factors that led to the eroticization, and often fetishization, of an entire culture through the misrepresentation of a single culturally significant object. These factors include a colonialist interest in the exotic, the eroticization of Japanese prints featuring kimonos, associations between kimonos and Geishas, and the use of kimonos in Europe as a boudoir garment. This prolific eroticization of the kimono in nineteenth-century European art is just one of many cases of the appropriation of foreign cultures through culturally specific objects, an issue that still prevails today. 


2016 ◽  
Vol 50 (5) ◽  
pp. 1576-1618 ◽  
Author(s):  
JYOTI MOHAN

AbstractIn the last century the French presented their race-neutral policies as evidence of their colour blindness. Yet they were among the foremost proponents of race theory and racial hierarchy, which propelled the colonial machine of the nineteenth century. This article examines the role of French academics in creating a position for India in the racial imagination for the first time in history. It examines the motivations behind such a focus on India and the resulting response from Britain, the colonial ruler. The works of Paul Topinard, Louis Rousselet, Arthur Gobineau, and Gustave le Bon are situated in the colonial and political context of the mid-nineteenth century to demonstrate not only that it was the French, and not the Germans, who placed India on an Aryan pedestal, but that this move was propelled by the dream of an unfulfilled French empire in India.


Author(s):  
Anusha P ◽  
Bankar Nandkishor J ◽  
Karan Jain ◽  
Ramdas Brahmane ◽  
Dhrubha Hari Chandi

INTRODUCTION: India being the second highly populated nation in the world. HIV/AIDS has acquired pandemic proportion in the world. Estimate by WHO for current infection rate in Asia. India has the third largest HIV epidemic in the world. HIV prevalence in the age group 15-49 yrs was an estimate of 0.2%. India has been classified as an intermediate in the Hepatitis B Virus (HBV) endemic (HBsAg carriage 2-7%) zone with the second largest global pool of chronic HBV infections. Safety assessment of the blood supply, the quality of screening measures and the risk of transfusion transmitted infectious diseases (TTIs) in any country can be estimated by scrutinizing the files of blood donors. After the introduction of the blood banks and improved storage facilities, it became more extensively used. Blood is one of the major sources of TTIs like hepatitis B, hepatitis C, HIV, syphilis, and many other blood borne diseases. Disclosure of these threats brought a dramatic change in attitude of physicians and patients about blood transfusion. The objective of this study is to determine the seroprevalence of transfusion transmitted infections amidst voluntary blood donors at a rural tertiary healthcare teaching hospital in Chhattisgarh. MATERIAL AND METHODS: This retrospective study was carried out in Chandulal Chandrakar Memorial Medical College, Kachandur, Durg. Blood donors were volunteers, or and commercial donors who donated the blood and paid by patients, their families, or friends to replace blood used or expected to be used for patients from the blood bank of the hospital. After proper donation of blood routine screening of blood was carried out according to standard protocol. Laboratory diagnosis of HIV 1 and HIV 2 was carried out by ELISA test. Hepatitis B surface antigen was screened by using ELISA. RESULTS: A total of 1915 consecutive blood donors’ sera were screened at Chandulal Chandrakar Memorial Medical College, blood bank during study period. Of these 1914 were male and 1 female. The mean age of patients was found to be 29.34 years with standard deviation (SD) of 11.65 Years. Among all blood donors in present study, 759(39.63%) were first time donors and 1156(60.37%) were repeated donors. 1 patient was HIV positive in first donation group while 3 (75%) were positive in repeat donation group. 7 (38.9%) were HBsAg positive in in first donation group while 11(61.1%) were positive in repeat donation group. Two patients in first donation group had dual infection of HIV and HBsAg. CONCLUSION: Seropositivity was high in repeated donors as compared to first time donors. The incidence of HIV is observed to be 0.2% and that of HBsAg is 0.94%. Strict selection of blood donors should be done to avoid transfusion-transmissible infections during the window period.


ENTOMON ◽  
2020 ◽  
Vol 44 (4) ◽  
pp. 311-314
Author(s):  
A. Roobakkumar ◽  
H.G. Seetharama ◽  
P. Krishna Reddy ◽  
M.S. Uma ◽  
A. P. Ranjith

Rinamba opacicollis Cameron (Hymenoptera: Braconidae) was collected from Chikkamagaluru, Karnataka, India for the first time from the larvae of white stem borer, Xylotrechus quadripes Chevrolat infesting arabica coffee. Its role in the biological or integrated control of X. quadripes remains to be evaluated. White stem borer could be the first host record of this parasitoid all over the world.


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