Postrzeganie i ocena dzieł sztuki europejskiej XVII i pierwszej połowy XVIII wieku w świetle literatury podróżniczej tego okresu

2021 ◽  
Author(s):  
Małgorzata Wyrzykowska

This publication belongs to the current of research concerning the reception of art in travel literature. Its purpose is to determine how European artworks of the 17th century and the first half of the 18th century were perceived and evaluated by travellers journeying during this period, i.e. contemporarily in relation to works being then created. The terms: art of that period and present-day art are treated conventionally in this work and are used for the determination of artworks being created from the beginning of the 17th century to the end of the first half of the 18th century. Basic research material comprised source texts, written and printed, from the 17th century and the first half of the 18th century, belonging to travel literature. Over fifty relations were analysed, and a criterion of their choice was primarily defined by occurrence in texts the descriptions of artworks from the 17th century and the first half of the 18th century. A method accepted in this work consisted in analysis of the fragments of texts belonging to travel literature in accounts concerning artworks from the 17th century and the first half of the 18th century, and their subsequent interpretation. Recording artworks in the relations by travellers was an important factor and it was considered as detection. Only appearance, along with naming of a work (from the field of architecture, sculpture or painting), the description and evaluative assessments constituted evidence of its conscious perception. Artworks, which turned out to be especially interesting for travellers, were characterised by these people.

Author(s):  
Robert Goree

The expansion of travel transformed Japanese culture during the Edo period (1603–1867). After well over a century of political turmoil, unprecedented stability under Tokugawa rule established the conditions for men and women from all levels of the hierarchical society to travel safely for purposes as varied as the cultural consequences of a country increasingly on the move. Starting in the first half of the 17th century, institutionalized forms of compulsory travel for the highest-ranking samurai and a limited number of elite foreigners made for conspicuous political spectacle and prompted the Tokugawa shogunate to develop and maintain an extensive system of roads, post-towns, checkpoints, and sea routes. Prompted by the economic prosperity of the Genroku era (1688–1704) in the late 17th century, an ever-growing portion of the population, including commoners from cities and villages, took advantage of newfound leisure to embark on journeys for pilgrimage, medical treatment, and sightseeing. This change was accompanied by the expansion of tourism, which grew into a sophisticated commercial enterprise in the 18th century. Poets, writers, painters, performers, and scholars took to the road throughout the Edo period for artistic and intellectual pursuits, often as teachers or students, generating and spreading culture where they went. With an astonishing output of travel literature, guidebooks, maps, and woodblock prints featuring landscapes, a thriving commercial publishing industry, which first blossomed in the Genroku era, used woodblock printing technology to popularize travel in increasingly diverse ways. Together with such influential forms of print, the things that people wore, packed, bought, enjoyed, and rode while traveling formed a rich body of material culture that reveals the lived experience of travel for the duration of Tokugawa rule.


Viatica ◽  
2014 ◽  
Author(s):  
Alain GUYOT ◽  

The article compares a vast period of different depictions of the lived experiences of travellers in Siberia (17th - 20th centuries). Although their initial intentions were similar, the position of writers regarding their experiences radically differs depending on the period. In fact, 17th-century travel literature recounts the arduous conditions of journeying without describing its toll on the body. Descriptions of the physical effects on the body do not truly appear in texts until the 18th century and during the 19th century, probably linked to a new concern for comfort. From then on, rendering the physical and mental effort had an important place in travel discourse.


1990 ◽  
Vol 35 (3) ◽  
pp. 377-420 ◽  
Author(s):  
Rudolf Dekker

SUMMARYFrom the 15th to the 18th century Holland, the most urbanized part of the northern Netherlands, had a tradition of labour action. In this article the informal workers' organizations which existed especially within the textile industry are described. In the 17th century the action forms adjusted themselves to the better coordinated activities of the authorities and employers. After about 1750 this protest tradition disappeared, along with the economic recession which especially struck the traditional industries. Because of this the continuity of the transition from the ancien régime to the modern era which may be discerned in the labour movements of countries like France and England, cannot be found in Holland.


2005 ◽  
Vol 22 (4) ◽  
pp. 503-520 ◽  
Author(s):  
CHRISTOPH WOLFF

ABSTRACT Beginning with remarks on the complementary functions of basic research and interpretive scholarship, the first part of the essay focuses on varying concepts of Bach images, discusses authentic and unauthentic Bach portraits as well as images of the composer's personality, and criticizes the often insufficient regard for basic research. The second part of the article deals with the development of Bach's self-image on the basis of documentary evidence and its interpretation. It suggests that the composer himself contributed significantly during his lifetime to the shape of the emerging ““genius”” image that emerges during the second half of the 18th century and that constitutes the foundation of the icon of ““the man from whom all musical wisdom proceeded”” (Haydn).


2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.


Arabica ◽  
2021 ◽  
Vol 68 (1) ◽  
pp. 1-35
Author(s):  
Naser Dumairieh

Abstract The Ḥiǧāz in the 11th/17th century has long been considered the center of a “revival” movement in ḥadīṯ studies. This assumption has spread widely among scholars of the 11th-/17th- and 12th-/18th-century Islamic world based on the fact that the isnāds of many major ḥadīṯ scholars from almost all parts of the Islamic world from the 11th/17th century onward return to a group of scholars in the Ḥiǧāz. The scholarly group that is assumed to have played a critical role in the flourishing of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz is called the al-Ḥaramayn circle or network. However, to date, there have been no studies that investigate what was actually happening in that century concerning ḥadīṯ studies. Examining the actual ḥadīṯ studies of one of the scholars at the core of al-Ḥaramayn circle, i.e. Ibrāhīm b. Ḥasan al-Kūrānī, will unpack the main interest of Ḥiǧāzī scholars in ḥadīṯ literature, reveal previously unstudied aspects of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz, correct some unexamined assumptions, and situate the ḥadīṯ efforts of scholars of the 11th/17th-century Ḥiǧāz within a general framework of developments within ḥadīṯ studies.


Author(s):  
Kseniia D. Nikolskaia

At the beginning of the 17th century, the Danish East India company (Dansk Østindisk Kompagni) was established in Europe. In particular, Tranquebar (Dansborg fortress) became the stronghold of the Danes in India. In another hundred years, at the very beginning of the 18th century, the first Lutheran missionaries appeared on the Coromandel coast. At this time the Danish Royal mission was established in Tranquebar, funded by king Frederick IV. It consisted mainly of Germans who graduated from the University of the Saxon city of Halle. Those missionaries not only actively preached among the local population, but also studied languages of the region, translated Gospels into local languages and then published it in the printing house they created. They also trained neophytes from among the local children. One of the first missionaries in Tranquebar was pastor Bartholomäus Ziegenbalg, who lived in India from 1706 to 1719. Information about Pastor's activities in the Royal Danish mission has been preserved in his letters and records. These letters and papers were regularly printed in Halle in the reports of the Royal Danish Mission («Ausführliche Berichte an, die von der königlichen dänischen Missionaren aus Ost-Indien»). However, besides letters and reports, this edition constantly published texts of a special kind, called «conversations» (das Gespräch). They looked like dialogues between pastor Bartholomäus Ziegenbalg and local religious authorities. Those brahmans explained the basic principles of the Hindu religion, and their opponent showed them the absurdity of their creed by comparing it with the main tenets of Christianity. The following is a translation of one of these dialogues.


2004 ◽  
Vol 31 (2-3) ◽  
pp. 367-388 ◽  
Author(s):  
Christiane Schlaps

Summary The so-called ‘genius of language’ may be regarded as one of the most influential, and versatile, metalinguistic metaphors used to describe vernacular languages from the 17th century onwards. Over the centuries, philosophers, grammarians, trans­lators and language critics etc. wrote of the ‘genius of language’ in a wide range of text types and with reference to various linguistic positions so that a set of rather diverse types of the concept was created. This paper traces three prominent stages in the development of the ‘genius of language’ argument and, by identifying some of the most frequent types as they evolved in the context of the various linguistic dis­courses, endeavours to show the major transformations of the concept. While early on, discussion of the stylistic and grammatical type of the ‘genius of language’ concentrates on surface features in the languages considered, during the middle of the 18th century, the ‘genius of language’ is relocated to the semantic, interior part of language. With the 19th-century notion of an organological ‘genius of language’, the former static concept is personified and recast in a dynamic form until, taken to its nationalistic extremes, the ‘genius of language’ argument finally ceases to be of any epistemological and scientific value.


2019 ◽  
Vol 18 (5) ◽  
pp. 106-115
Author(s):  
A. P. Borodovsky ◽  
Yu. V. Oborin ◽  
S. L. Savosin

Purpose. This article is aimed at identifying early samples of hand firearms at different Siberian territories (Buriatia, the Upper Ob region). Such facts open new perspectives for studying and reconstructing the process of development and distribution of hand firearms in Northern Asia and helps identify regional peculiarities of this historic phenomenon. Results. One of the earliest firearms found on the territory of Southern Siberia is a bronze barrel of a Chinese hand firearms discovered in the valley of the Dzhida River in Buriatia, which refers to the Ming Epoch (the Yongle period). Judging by a serial number of the gun (50138), it was manufactured at the early period of mass production of hand firearms in China, i. e. in the first quarter of the 15th century. Currently, it is one of the earliest foreign samples of oriental firearms known in Siberia. In the Upper Ob region (in the surroundings of the Biysk Fortress (Ostrog), there was another tube of an early hand firearms found. It is of Russian origin and dates the second half of the 16th – beginning of the 17th century. These samples of Siberian firearms are archaic, which demonstrates a trend of using archaic weapons up to the beginning of the 18th century in the absence or lack of modern firearms. It is quite vividly demonstrated by the materials of the artillery treasure of the Umrevinsky Ostrog (1703). Conclusion. The buffer location of Southern Siberia between the growing territories of the Tsardom of Muscovy and Ming China starting from the 1500s A.D. determined the presence of foreign hand firearms of different origin. As evidenced by written sources, they were numerous on the territories where armed conflicts took place and defensive fortifications (Ostrogs) were subsequently constructed.


Lehahayer ◽  
2021 ◽  
Vol 7 ◽  
pp. 43-69
Author(s):  
Andrzej Gliński

Organization of crafts and trade in the Armenian commune inStanisławów in the 17th and 18th centuries “Orientalization” of artistic taste, which could be observed in 17thcenturyPoland, contributed to the development of crafts and trade in Stanisławów.The owners of the city, the Potocki family, were aware of the benefits that the Armeniansettlement carried. In the second half of the 17th and throughout the 18thcentury, a dozen or so Armenian merchant families from Stanisławów occupiedthemselves with trade in Wallachian and Moldavian farms. Both of these countriesplayed a significant role in the transit of goods from the East. In the last decadesof the 17th century, Stanisławów to some extent replaced in oriental trade KamieniecPodolski, which was then under the Turkish rule. In the 18th century, themain subject of trade for Stanisławów Armenians became oxen and horses, importedfrom Moldova via Pokucie, and then driven to markets in Lublin, Warsawand Gdańsk, or to Silesia. Several Armenian families from Stanisławów also tradedin dried fish from the Danube, morocco leather, silk and wine imported fromHungary. In the second half of the 18th century, trade in textiles and products of Armenian furriery in Stanisławów regressed due to being cut off from the marketsafter the first partition of Poland.


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