Affect, blankness, theatrics: Rurality and faciality in three Chinese instances

Asian Cinema ◽  
2021 ◽  
Vol 32 (2) ◽  
pp. 145-167 ◽  
Author(s):  
Emily Ng
Keyword(s):  
Film Theory ◽  
Chinese Cinema ◽  
Still Life ◽  
Republic Of China ◽  
Love Story ◽  
Political Aesthetics ◽  
Environmental Transformation ◽  
The Face ◽  
A Site ◽  
Time Image

The face and the close-up have been central to film theory since its early days. If modern visual theories of the face arose in Europe amid urbanization and imperial encounter, in the People's Republic of China (PRC), the political aesthetics of faciality became central to Maoist mass mobilizations of the countryside, in part through collective village film screenings. Bringing together themes of faciality, rurality and anxieties of global encounter, this article considers how the rural has been staged through genres of the face in Chinese cinema and television. Through close readings of the Maoist era The Youth of Our Village, Jia Zhangke’s Still Life and Zhao Benshan Media’s series Rural Love Story, I consider three distinct deployments of the face in depictions of rural and environmental transformation. Thinking with while also departing from Deleuze’s formulations in Cinema 1 and Cinema 2, the article traces an emotively intense face reminiscent of the affection-image, a blank face that operates in part as a time-image and a performative face of what might be called a theatrics-image. Across its readings as a site of affective immediacy, despotic inscription, moral character and social–political manoeuvring, the face offers a multivalent site for political, aesthetic and affective mediation, on- and off-screen.

A Review on Methods of Face Masks Sterilization for Reuse Owing To Crisis During COVID-19

2020 ◽  
Vol 11 (SPL1) ◽  
pp. 1240-1243
Author(s):  
Pradyuman Singh Rajput ◽  
Asish Kumar Saha ◽  
Insiya Gangardiwala ◽  
Anand Vijayakumar Palur Ramakrishnan
Keyword(s):  
Healthcare Workers ◽  
Health Hazard ◽  
Capital City ◽  
Limited Resources ◽  
Protective Equipment ◽  
First Line ◽  
Republic Of China ◽  
Enormous Amount ◽  
The Face ◽  
The Common

The COVID-19 pandemic initially started from the Wuhan capital city of Hubei Province in the People's Republic of China had now led to a severe public health hazard across the globe, the recorded death is approximately 958 thousand globally and counting. With the enormous amount of spread of the disease, a severe crisis for Personal Protective Equipment (PPE) is being noticed across the globe. Face masks being the first line of defence for all the healthcare workers as well for the common public. It became mandatory to wear face masks before entering the patient care area. The countries who are not manufacturing it locally had to depend on other countries for the procurement. As there is a severe supply chain disruption due to the lockdown measures taken by all the countries to contain the disease, so it had become difficult to procure the face masks from the manufacturing countries. The price for these PPEs is also rising at an alarming rate with the increase in the COVID-19 cases and the huge rate of consumption by the healthcare and other sectors. Therefore, with limited resources, the hospital has to run its services. The CDC, WHO and ICMR have released several guidelines from time to time for sterilization and reuse of face masks. This article will discuss the various methods that can be utilized to sterilize the face masks and reuse of it.

scholarly journals A Tocqueville For the North? André Siegfried and Canada

2005 ◽  
Vol 14 (1) ◽  
pp. 117-136 ◽  
Author(s):  
Sean Kennedy
Keyword(s):  
Critical Role ◽  
Second World War ◽  
Traditional Values ◽  
French Canada ◽  
The North ◽  
Vichy Regime ◽  
The Face ◽  
A Site ◽  
French National Identity ◽  
Second World

Abstract This paper argues that André Siegfried’s writings on Canada played a critical role in shaping his vision of French national identity. Siegfried’s studies of Canada have long been praised for their insight, but recent scholarship has emphasized his role in promoting both anti-Americanism and an exclusionary vision of what it meant to be French during the first half of the twentieth century. For Siegfried, Canada represented a site of managed contestation between British and French culture but also an early example of the deleterious effects of Americanization. His problematic view of French Canada as essentially conservative and unchanging in the face of such challenges reinforced his conviction that France itself should remain true to “traditional” values. The exclusionary implications of his ideas were most evident when Siegfried appeared to accommodate himself to the Vichy regime, but they also persisted after the Second World War.

Deleuze and Lola Montès

2020 ◽  
Author(s):  
Richard Rushton
Keyword(s):  
Gilles Deleuze ◽  
Film Studies ◽  
Film Theory ◽  
World Today ◽  
Film Interpretation ◽  
The World ◽  
Time Image

Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.

The Changing Face and Function of Museums

1998 ◽  
Vol 89 (1) ◽  
pp. 47-61 ◽  
Author(s):  
Robin Trotter
Keyword(s):  
Material Culture ◽  
Identity Formation ◽  
Economic Forces ◽  
The Face ◽  
National Museums ◽  
And Function ◽  
A Site ◽  
Internal Pressures ◽  
New Museology

Museums are currently undergoing a number of changes as a repercussion of their histories and professional developments, and of new social and cultural contexts, not to mention as a result of pressure from competition and economic forces. This article explores the current ‘reinvention’ of museums — in particular, national museums — by examining some of the factors of change — some of the major internal pressures that have been the result of museological initiatives and also various exogenous influences. New museology and postcolonialism represent not only separate forces, but also a synthesis of pressures that are not only changing the face, but also the role, of museums, whilst also transforming relationships between museums and their users. A concern of this study is to look at those museums which have a ‘nationalising’ function, and to determine whether changing policies and practices are inhibiting or advance a renegotiation of the relationships between museums and their constituencies. In the last two decades, we have seen some trends confirmed. There has been a move from material culture studies to concern with the ideas contained in objects, whilst the older notion of the museum as a treasure house has given way to a stronger educative role and, more recently, an information centre and also a site of leisure, entertainment and identity-formation. These ‘reinventive’ processes, it is suggested, are closely allied to a postcolonial imperative.

Introduction

2019 ◽  
pp. 1-14
Author(s):  
Mary Augusta Brazelton
Keyword(s):  
Public Health ◽  
Twentieth Century ◽  
Health Campaigns ◽  
Republic Of China ◽  
Mass Immunization ◽  
History Of ◽  
New Ideas ◽  
Concepts Of Disease ◽  
The Individual ◽  
A Site

This introductory chapter provides a background of how mass immunization programs made vaccination a cornerstone of Chinese public health and China a site of consummate biopower, or power over life. Over the twentieth century, through processes of increasing force, vaccines became medical technologies of governance that bound together the individual and the collective, authorities and citizens, and experts and the uneducated. These programs did not just transform public health in China—they helped shape the history of global health. The material and administrative systems of mass immunization on which these health campaigns relied had a longer history than the People's Republic of China itself. The Chinese Communist Party championed as its own invention and dramatically expanded immunization systems that largely predated 1949 and had originated with public health programs developed in southwestern China during the Second Sino-Japanese War from 1937 to 1945. The nationwide implementation of these systems in the 1950s relied on transformations in research, pharmaceutical manufacturing, and concepts of disease that had begun in the first decades of the twentieth century. These processes spanned multiple regime changes, decades of war, and diverse forms of foreign intervention. Most important, they brought with them new ideas about what it meant to be a citizen of China.

Visual Art, Ethical Witnessing, and Resistance

2020 ◽  
pp. 117-140
Author(s):  
William A. Callahan
Keyword(s):  
Visual Art ◽  
International Crises ◽  
Authoritarian State ◽  
Political Aesthetics ◽  
The Social ◽  
Traditional Sense ◽  
Resistance To Power ◽  
Visual Construction ◽  
Ideological Resistance ◽  
A Site

The chapter engages with another popular approach to visual international politics: visuals as a site of resistance to power, both through producing critical artwork and by ethically witnessing international crises. To trace these issues, the chapter analyzes the work of Ai Weiwei, a world-famous artist-activist whose ethical witnessing creatively resists China’s authoritarian party-state. It shows how Ai’s art presents ideological resistance to state power, in both the traditional sense of liberal resistance to authoritarian state oppression and the hermeneutical sense, in which it is necessary to decode his work for its “meaning” as the social construction of the visual. The chapter then considers how Ai’s documentary film Human Flow (2017) provokes transnational resistance through its “visual construction of the social”—and of the global. It thus examines how visual art can serve as an ethical witness to resist reigning political regimes, and how it also can excite affective communities of sense to creatively resist reigning political aesthetics. Chapter 6 thus highlights the need to appreciate the dynamic tension that entangles cultural governance and resistance.

Instructor Presence in Online Distance Classes

2010 ◽  
pp. 1216-1219
Author(s):  
Janet Lear
Keyword(s):  
Student Learning ◽  
Instant Messaging ◽  
Online Environment ◽  
Face To Face ◽  
Instructor Presence ◽  
New Knowledge ◽  
The Face ◽  
Online Distance ◽  
A Site ◽  
E Mail

Instructor presence are words that call to mind a professor at the front of a classroom lecturing to a room full of students. Today the image associated with instructor presence is quite different. The vision is one of an individual engaged with the student, leading, and mentoring students, and facilitating classes either visibly in the classroom or invisibly in the online environment. Instructor presence is a broad phrase that refers to the instructor’s jobs of structuring and presenting the materials as well as providing feedback and engaging with the student academically through e-mail, by telephone, or by instant messaging either text or video. The roles are different but the outcome is the same, student learning. Gone are the days where the instructor was the center of the class, lecturing and passing along knowledge to students. Because today’s learner is actively involved in the building of new knowledge, learning is more student-focused. As the environment changes, the instructor assumes a variety of roles from designer to facilitator to mentor. The new roles are the same for both instructors in the face-to-face classroom and instructors in the online environment. Instructors for classes in the online environment cannot just compile a site for the class with materials available to the students. Instructors need to have an online presence as they facilitate the class mentoring students, providing activities, encouraging students, and communicating with student on a regular basis.

A Necessary Evil: Conceptualizing the Socialist Commodity under Mao

2018 ◽  
Vol 61 (1) ◽  
pp. 23-49 ◽  
Author(s):  
Laurence Coderre
Keyword(s):  
Political Economy ◽  
Cultural Revolution ◽  
Chinese History ◽  
Republic Of China ◽  
Great Leap ◽  
The Face ◽  
Great Leap Forward ◽  
The Great Leap Forward ◽  
Necessary Evil ◽  
The Impact

AbstractThis article traces the conceptual lineage of a statement, made by Mao Zedong and published in 1975, describing the contemporary economic system in the People's Republic of China as a commodity economy. Any surprise we might feel in the face of this verdict says more about our own narrow understanding of the (capitalist) commodity than it does about the political economy of the Cultural Revolution (1966–1976). As I detail in this study, the continued existence and necessity of commodities under socialism had long been an important topic of conversation in Communist circles, with important ramifications for economic planning and political movements. This article focuses on the impact of Stalin's theory of the socialist commodity, as articulated in 1952, on Chinese political economy in the 1950s; Mao's particular engagement with Stalin's work in the context of the Great Leap Forward (1958–1960); and the emergence of a new, less benign view of the socialist commodity in the 1970s. I argue that political economic theory and its study were in fact critical to the Great Leap Forward and Cultural Revolution as mass mobilization campaigns, calling into question much of what we think we know about modern Chinese history and Chinese socialism. The essay is intended to unsettle enduring and uncritical associations between the commodity-form and capitalism. How might we, following on the heels of the theorists I discuss, imagine the commodity otherwise?

“We are all republicans”: Political Articulation and the Production of Nationhood in France's Face Veil Debate

2018 ◽  
Vol 60 (4) ◽  
pp. 938-967 ◽  
Author(s):  
Emily Laxer
Keyword(s):  
Political Parties ◽  
Public Space ◽  
Electoral Politics ◽  
Public Spaces ◽  
Social Identities ◽  
The Political ◽  
Political Boundaries ◽  
The Face ◽  
A Site ◽  
The Relationship

AbstractIn July 2010, following a year-long nationwide debate over Islamic veiling, the French government passed a law prohibiting facial coverings in all public spaces. Prior research attributes this and other restrictive laws to France's republican secular tradition. This article takes a different approach. Building on literature that sees electoral politics as a site for articulating, rather than merely reflecting, social identities, I argue that the 2010 ban arose in significant part out of political parties’ struggles to demarcate the boundaries of legitimate politics in the face of an ultra-right electoral threat. Specifically, I show that in seeking to prevent the ultra-right National Front party from monopolizing the religious signs issue, France's major right and left parties agreed to portray republicanism as requiring the exclusion of face veiling from public space. Because it was forged in conflict, however, the consensus thus generated is highly fractured and unstable. It conceals ongoing conflict, both between and within political parties, over the precise meaning(s) of French republican nationhood. The findings thus underscore the relationship between boundary-drawing in the political sphere and the process of demarcating the cultural and political boundaries of nationhood in contexts of immigrant diversity.

Determination of the Site Occupancy of Holmium in SrTiO3 by Alchemi

1998 ◽  
Vol 4 (S2) ◽  
pp. 582-583
Author(s):  
S. C. Cheng ◽  
A. Hitomi ◽  
C. A. Randall
Keyword(s):  
Site Occupancy ◽  
Dielectric Constants ◽  
Reducing Atmosphere ◽  
Copper Electrodes ◽  
The Face ◽  
Face Centered ◽  
High Dielectric ◽  
A Site ◽  
The Ideal

The perovskite structure is based upon the mineral CaTiO3, which is a pseadocubic at room temperature. The ideal structure has a twelve fold coordinate A-site, and an octahedral coordinated B-site, and the face-centered position being oxygen. The perovskites have been of commercial interest for capacitors owing to their high dielectric constants. The crystal chemistry related to the perovskite based dielectrics multilayer capacitors (MLCs) is of interest in this paper. The MLCs with base metal internal electrodes such as copper and nickel have been studied for many years. To avoid oxidation of the nickel or copper electrodes during sintering, a reducing atmosphere is necessary. However, reduced firing causes two basic problems: an increasing of conductivity of the BaTiO3, dielectrics and limitation on reliability by the migration of oxygen vacancies. The solution for the first problem is to use acceptor dopants, such as MnO and more stable oxide additives, such as CaZrO3 to increase the resistivity of the dielectrics.

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