A study of 1970s Hakkâri handmade shoes: An ethnography

2020 ◽  
Vol 6 (3) ◽  
pp. 329-349 ◽  
Author(s):  
Hasan Buğrul

This study examines the types of shoes that were worn in the 1970s in Hakkâri – a city and province in Turkey close to the Turkish–Iraqi border – and its surroundings, linking them to social status, choice and taste, as well as economic power and the original cultural heritage of the local community. The findings detailed herein are based on samples taken from fieldwork conducted in 32 localities. Severe winter conditions have an important place among the factors that shape the social life of the local people of Hakkâri. In winter, they used to wear snowshoes called ‘leken’ to walk comfortably on snow of 2 m depth. Unlike various types of shoes worn today, there were three types of shoes worn in Hakkâri and its surroundings in the past in addition to snowshoes. The first is the one made of goat hair called ‘reşik’; the second is called ‘lastik’, which has a tyre sole and has knitted sides made of goat’s hair yarn; the third is a shoe called ‘kalik’, made from cattle skin. The characteristics of these have close relations with the material, colour and shape of shoes and the class and status of the people who wore them as well as with traditions and culture of the community. As well as exploring the material and other features of these shoes, similar examples, redesigned and made in other nearby provinces, are compared and discussed. This study is significant in that these traditional handicrafts are at risk of vanishing, as are other handicrafts in other parts of the world, due to the influence of technology and industrialization. By considering the traditional methods of shoe-making in Hakkâri and contextualizing this amongst the practices of other nearby provinces, this study aims to contribute to the promotion of the culture and art of the region and add to the limited literature in this field.

1919 ◽  
Author(s):  
◽  
August Friedolf Larson

Text from page 2: "The following thesis is an investigation into one phase of the social life of Columbia, -- the conditions, of housing. The problem of the investigation is whether the people of Columbia are properly housed. A house to house survey was made in typical sections of the city for the purpose of getting the facts. If we shall discover that conditions are not satisfactory, we shall ask the question, why? Also, we shall seek to know what can be done to make conditions better, and what limits must be recognized in the possibilities of improving the housing situation, for there is much difference in advocating an Utopia and advocating something reasonably possible."


2021 ◽  
Vol 4 (1) ◽  
pp. 37-49
Author(s):  
Putri Noer Aini ◽  
Sri Dewi Wulandari

One of the efforts to reduce poverty is through community asset-based empowerment, as has been done by the people of Pentingsari Village, Yogyakarta. Through the Pentingsari Tourism Village program, people who initially relied on income only from agriculture can now be more prosperous through village nature-based tourism management and the social life of village communities. Various development obstacles can be overcome by carrying out development stages. Therefore, the focus of this study is to determine the stages of asset-based empowerment carried out by the people of Pentingsari Village in 2008 - 2018. This study uses a literature study approach. Empowerment in Pentingsari Village shows a relevance to Christopher Dureau's asset-based empowerment theory. In this study, the findings of community asset-based development in Pentingsari Village from 2008-2018 include the six stages of empowerment. The implementation of these six stages has always involved the local community and has brought positive changes to the community. The implementation of the stage of studying and arranging scenarios (define), the stage of uncovering the past (discovery), and the stage of dreaming of the future are carried out continuously, with the role of the pioneer character being more dominant. After that, the asset mapping stage was carried out in a sustainable and sustainable manner, with the asset mobilization stage and the monitoring stage through routine forums attended by community members and village officials.


JOGED ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 30-41
Author(s):  
Gustira Monita

ABSTRAKTari Guel dipahami sebagai sebuah simbolis gerak yang memberikan interaksi dinamis pada penontonnya, yaitu tentang pembentukan makna dalam realitas kehidupan sehari-hari oleh-orang-orang Gayo. Dalam memahami bentuk keseluruhan ataupun makna yang terkandug di dalamnya Tari Guel lebih mengutamakan rasa. Tari Guel juga dipandang sebagai museum gerak tak benda yang menyimpan banyak sejarah masyarakat Gayo. Guel adalah identitas penting suku Gayo, menyimpan banyak simbol sejarah yang sudah sepatutnya dipecahkan dan diungkapkan. Agar suku Gayo dan keberadaannya tidak hilang terbawa arus modernisasi. Penelitian ini menggunakan pendekatan Antropologi, yang memandang seni sebagai bagian dari aktivitas budaya manusia. Pendekatan Antropologi digunakan untuk melihat konteks, yang akan membedah kehidupan sosial masyarakat dan adat istiadat Gayo, yang berkaitan dengan Tari Guel dan keberadaannya yang masih dijaga serta dilestarikan oleh masyarakat Gayo. Selain itu penelitian ini juga menggunakan pendekatan Koreografis. Pendekatan ini adalah sebagai teks yang digunakan untuk membedah bagaimana bentuk penyajian dan keseluruhan struktur yang terdapat pada Tari Guel.ABSTRACT Guel dance is understood as a symbolic movement that provides dynamic interaction to the audience, namely about the formation of meaning in the reality of daily life by the Gayo people. In understanding the overall form or meaning contained in it, Guel Dance prioritizes taste. The Guel dance is also seen as a museum of intangible objects that holds much of the history of the Gayo people. Guel is an important identity of the Gayo tribe, holding many historical symbols that should be solved and revealed. So that the Gayo tribe and its existence will not be lost in the current of modernization. This research uses the Anthropology approach, which views art as part of human cultural activities. Anthropology is defined as the science of humans, specifically about their origin, race, customs, beliefs in the past, society and culture. Anthropology used as a context, which will dissect the social life of the people and the customs of Gayo, relating to the Guel Dance and its existence which is still preserved and preserved by the Gayo people. Besides this research also uses a choreographic approach. This approach is a text used to dissect the form of presentation and overall structure contained in the Guel Dance.


2018 ◽  
Vol 13 (1) ◽  
pp. 36
Author(s):  
Laura Andri Retno Martini

Folklore is a story of the past that characterizes every nation with its diverse cultures, including the rich culture and history of each nation. The folklore that tells incest is found all over the world. In almost all ethnic groups there is an incest first mythology. Versions are submitted vary, depending on the social life of the community. Bujang Munang and Oedipus are cultural myth stories that have the theme of the origin of the incest ban. Oedipus is a myth that developed in Greece while Bujang Munang is a myth that developed in Nanga Serawai Santang district of West Kalimantan. There is a linkage of the basic structure of the narrative in the story of Oedipus and Bujang Munang. Incest behavior is also not allowed to occur in the norms of life of Greek society and the people of West Kalimantan. There will be unfavorable consequences for incest and surrounding people if the rule is violated.


2014 ◽  
Vol 31 (3) ◽  
pp. 437-449
Author(s):  
Rosangela Werlang ◽  
Jussara Maria Rosa Mendes

This literature review deals with death and the changes in its concept and meanings over time, aiming to relate this to the different social organizations and issues that involve individuality and human finitude. It intends to arouse the reflection about this theme respected by all of us, and related to our own contingency. In this sense, the article provides several perspectives through different authors' voices, seeking to understand how we arrived at this contemporary stage where death must be forgotten at any cost. It is a forbidden subject even inevitably being part of our daily lives, and its guardians must increasingly insure the non-participation and non-involvement of the people. Therefore, understanding the past stages of death, from its proximity to its banishment from the social life, is a necessary condition to analyzing our own end, and the end of our own individuality.


2019 ◽  
pp. 29-46 ◽  
Author(s):  
Maria Mendel

The text is an attempt to describe the contemporary condition of a socialized school (community school). The frame for this description may be observed at present, concurrent processes consisting in its desocialization – on the one hand – and socializing it anew (and new, in new contexts), on the other. This takes place in conditions in which, under the current increasing privatization of public good, “naturally” fragile, because they require constant reinforcement, the foundations of a socialized school seem to crumble in a way undermining its status quo. In such conditions weakened the values that strengthen the idea of universal and equal education, based on social justice and built in a strong relationship with the local dimensions of social life, understood as the basis for practicing democratic commonality, which is crucial for the socialized school. The text uses examples from American space and – in a perspective of the pedagogy of the common places – it leads towards sustainable development and policy of interruption, towards the points showing the importance of the activity of local communities. This meaning is important due to the urgent need for change today, both in the sphere of understanding of the school and the social environment of which it is a part. School, like the local community – connected in mutuality – requires empowerment.


2020 ◽  
Vol 1 (3) ◽  
pp. 236-242
Author(s):  
Barnokhon Kushakova ◽  

This article discusses the conditions, reasons and factors of characterization of religious style as a functional style in the field of linguistics. In addition, religious style and its main peculiarities, its importance in the social life, and the functional features of religious style are highlighted in the article. As a result of our investigation, the following results were obtained: a) the increase in the need for the creation and significance of religious language, particularly religious texts has been scientifically proved; b) the possibility of religious texts to represent the thoughts of the people, culture and world outlook has been verified; c) the specificity of religious language, religious texts has been revealed; d) the development of religious style as a functional style has been grounded.


Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau


1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.


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