Copyright Law Protection Competence in Paying Royalty as Exclusive Rights Substance

2020 ◽  
Vol 9 (3) ◽  
pp. 863
Author(s):  
Evita Isretno ISRAHADI
Keyword(s):  
Research Result ◽  
Profit Sharing ◽  
Copyright Law ◽  
Copyright Holder ◽  
Economic Rights ◽  
Royalty Payment ◽  
Compensation Payment ◽  
Flat Systems ◽  
Period System ◽  
System Compensation

Copyright is considered as a moving and intangible object; therefore, a copyright devolution cannot be done verbally but must be with an authentic deed or Underhand deed. Problem Identification: 1. How does the song copyright devolution mechanism make economic interest for a composer or Copyright Holder? 2. What is the system of song copyright royalty payment in Indonesia? and 3. What should be done by the parties to resolve the royalty payment execution dispute? It is a normative juridical method that must be used. Research Result: It is true that copyright license mechanism, fee retaining or royalty payment is considered as logic consequences that must be done by a licensee over a licenser (Copyright holder). It is because the licensee gets material profits due to the economic rights exploitation over the copyright itself.  There are many varieties or different ways of compensation payment system or indemnification from the licensee to the licenser over one copyright object to another, for instance in song/music is known two different ways such as royalty and flat systems, while in music or song is known several ways, namely by percentage system, period system, profit sharing system,  compensation or  copyright selling system. Royalty payment dispute resolving may come in many ways, and, generally, the dispute resolving forums are available into two forms, such as litigation forum through courts and non-litigation forum out of court.

scholarly journals PENGATURAN PERLINDUNGAN HAK CIPTA PERMAINAN VIDEO

2020 ◽  
Vol 8 (8) ◽  
pp. 1129
Author(s):  
Nusan Indah Permata Sari ◽  
Anak Agung Gede Agung Dharma Kusuma
Keyword(s):  
Video Games ◽  
Scientific Journal ◽  
Legal Protection ◽  
Copyright Law ◽  
Moral Rights ◽  
Copyright Holder ◽  
Economic Rights ◽  
Know How ◽  
Commercial Activities ◽  
Copyright Laws

Tujuan penulisan jurnal ilmiah ini adalah untuk mengetahui pengaturan permainan video dalam Undang-Undang Hak Cipta dan mengetahui bagaimana perlindungan hukum hak cipta terhadap pelanggaran permainan video. Tulisan ini menggunakan metode penelitian hukum normatif dengan menggunakan pendekatan perundang-undangan. Hasil dari penelitian ini menunjukkan bahwa terdapat kekaburan norma pada Undang-Undang Hak Cipta yaitu pada ketentuan pasal 40 ayat (1) huruf r “permainan video”. Kekaburan norma ini terlihat jelas karena tidak adanya penjelasan lebih lanjut terkait dengan pengertian permainan video serta pengklasifikasiannya. Selain itu terlihat jelas pula bahwa terdapat kekosongan norma terkait dengan sanksi bagi pelanggar hak moral pencipta yang tidak dilakukan tidak untuk kegiatan komersiil. Selanjutnya kesimpulan kedua bahwa permainan video merupakan salah satu objek dari suatu ciptaan yang dilindungi oleh Undang-Undang Hak Cipta yang perlindungannya berlaku selama 50 tahun sejak permainan video tersebut dipublikasikan.  Berdasarkan ketentuan pasal 95 Undang-Undang Hak Cipta, pencipta atau pemegang hak cipta atau ahli waris dari pencipta permainan video dapat mengajukan tuntutan ganti rugi ke Pengadilan Niaga kepada pelaku pelanggaran hak ekonomi pencipta permainan video.   The purpose of this scientific journal is to know the rules of the video games in the Copyright law and to know how the copyright legal protection against video games violations. In this paper, the research method used is normative legal research which uses a statutory approach. The result of this journal are indicate there is a blurry norm in Article 40 paragraph letter r of Copyright law. The ambiguity of norm is cleary seen because there is no further explanation related to the understanding of video games and their classification and it is also cleary that there are void norm related to sanction for violators of the creator’s moral rights wich are not carried out not for commercial activities. Then, the second conclusions is that video games are one of the object of a creation that get protection from Copyright laws, the protection os valid for 50 years since the video games was published. Based on the Article 95 of Copyright law, the creator or copyright holder or the heirs of creator of video games can submit compensations claims to the Commersial Court to the perpretators of violations of the economic rights of the video games creator’s.

scholarly journals Hak Cipta Karya Seni Lukis Sebagai Jaminan Fidusia

2021 ◽  
Vol 2 (1) ◽  
pp. 32-36
Author(s):  
Ni Kadek Emy Kencana Wati ◽  
I Nyoman Putu Budiartha ◽  
I Ketut Sukadana
Keyword(s):  
Analytical Form ◽  
Copyright Law ◽  
Moral Rights ◽  
Copyright Holder ◽  
Legal Research ◽  
Conceptual Approach ◽  
Economic Rights ◽  
Law System ◽  
Materials Used ◽  
The Right

The use of copyright for painting artworks in the Intellectual Property Law system in Indonesia provides many benefits for painters as copyright owners or copyright holders. A creator or copyright holder has Economic Rights on his work which includes the right to duplicate, display, and lease his work to third parties. Copyright Law No. 28/2014 states that copyright can be used as an object of Fiduciary security. This study aims to determine the characteristics of the copyright of painting works that can be used as fiduciary guarantees to get credit in banking and to analyze the execution of copyright guarantees of painting works if the debtor defaults The method used is normative legal research with a statutory approach and a conceptual approach, and the sources of legal materials used are primary and secondary legal materials with literature collection techniques which are analyzed in descriptive analytical form. Based on the results of the study, it can be concluded that the characteristics of copyright in painting are providing protection for works of art and providing economic rights for the creators or copyright holders and moral rights for the creators. The execution of copyright guarantees can be done by executorial method in accordance with article 29 of the Fiduciary Law.

Redesigning Indonesia Copyright Act to Accommodate Autonomous Intelligent System: Status Quo and Room for Improvement

2018 ◽  
Vol 9 (3) ◽  
Author(s):  
Laurensia Andrini
Keyword(s):  
Intelligent System ◽  
Legal Framework ◽  
Copyright Law ◽  
Status Quo ◽  
Moral Rights ◽  
Copyright Holder ◽  
Literature Study ◽  
Economic Rights ◽  
Normative Approach ◽  
Duration Of Protection

Abstract It is an undeniable fact that artificial intelligence has been developed up until the point that it requires a very minimum human involvement. In other words, the current development has brought an Autonomous Intelligent System (AIS) into reality. On one hand, an AIS plays a significant role in creating easier life for human being. On the other hand, however, AIS’ existence creates too much challenge for the current legal framework. In the realm of Copyright law, the very fundamental question is based on the fact that AIS can create copyrightable works on its own. It can create songs, music, paintings, or even a cook-book. In such kind of circumstances, scholars have a thought-provoking debate on whether or not AIS shall be given Copyright. It is the purpose of my research to take a look into Indonesia’s current Copyright Act to analyse (i) to what extent Indonesia’s Copyright Act can be utilised to accommodate AIS and (ii) the aspects of Copyright Act need to be improved in order to accommodate AIS in the Indonesia’s Copyright Act. In order to address the research objectives, I use normative approach by way of literature study. The temporary data gathered from my literature study is then analysed qualitatively in order to reach desirable conclusion. This study finds that (i) there is a very minimum provision with regard to AIS in the Indonesia’s Copyright Act. There have been stipulations to determine who shall be entitled to hold copyright upon a creation. However, there has not been any stipulations allowing the possibility for AIS to be regarded as copyright holder; and therefore (ii) the re-design of Indonesia’s Copyright Act need to accommodate the issues of (a) copyrightability of AIS’ work, (b) the moral rights and economic rights given to AIS, as well as (c) the duration of protection if AIS is to be regarded as a copyright holder.

scholarly journals Kajian Hukum Hak Cipta Penggunaan Audio Populer Dalam Pembuatan Vidio Menggunakan Aplikasi Dubsmash

Jurnal Akta ◽  
2018 ◽  
Vol 5 (1) ◽  
pp. 141
Author(s):  
Dimas Hamdanniam ◽  
Akhmad Khisni
Keyword(s):  
Legal Protection ◽  
Copyright Law ◽  
Moral Rights ◽  
Copyright Holder ◽  
Economic Rights ◽  
Legal Provisions ◽  
State Administration ◽  
Directorate General ◽  
Video Creation

ABSTRAKPenelitian ini bertujuan mengkaji dan menganalisa: (1) penggunaan audio populer dalam pembuatan video menggunakan aplikasi dubsmash melanggar hak cipta ditinjau dari UUHC. (2) peran dari Notaris dalam perlindungan hukum terhadap pencipta dalam hal adany penggunaan audio populer yang membuat video menggunakan aplikasi dubsmash tanpa izin (3) kendala dan solusi dalam perlindungan hukum terhadap pencipta.Hasil penelitian ini adalah: (1) Pelanggaran atas penggunaan audio populer dalam pembuatan video menggunakan aplikasi dubsmash ditinjau dari UUHC dapat dikategorikan sebagai perbuatan yang termasuk pelanggaran hak ekonomi dimana Pencipta atau pemegang hak ekonominya terenggut. (2) Peran dari Notaris dalam perlindungan hukum terhadap pencipta dalam hal adanya penggunaan audio populer yang pembuatan video menggunakan aplikasi Dubsmash tanpa izin ditinjau dari UUHC adalah sebagai konsultan yang terdaftar pada Direktorat Jendral. Perlindungan hukum hak cipta terhadap pencipta lagu yang diunduh melalui internet dapat dilakukan dengan cara yaitu secara hukum administrasi negara, hukum pidana dan hukum perdata. (3) Kendalanya adalah terikatannya pencipta aplikasi Dubsmash ketika mengupload dengan ketentuan dari Mobile Motion dan dalam hal penyidikan dilakukan oleh PPNS berdasarkan surat perintah penyidikan yang dikeluarkan oleh pejabat yang memiliki kompetensi terhadap hak cipta. Solusinya adalah dengan upaya preventif dan represif. Upaya preventif dilakukan dengan melakukan pencatatan hak cipta pencipta aplikasi Dubsmash atas karya ciptanya dan peran pihak pemerintah melalui Kementerian Informasi dan Teknologi untuk berperan lebih aktif dan upaya represif dilakukan dengan cara penegakan hukum berdasarkan Pasal 113 Ayat (3) UUHC.Saran dari penelitian ini adalah bagi para editor aplikasi dubsmash hendaknya harus lebih memperhatikan ketentuan hukum dalam bidang Hak Cipta di indonesia sebagaimana diatur dalam UUHC, bagi para masyarakat hendaknya mengindahkan UUHC sehingga hak pencipta dapat dilindungi.Kata kunci : Hak Cipta, Audio Populer, Dubsmash ABSTRACTThe purpose of this study is to examine and analyze: (1) the use of popular audio in video creation using copyright infringing dubsmash apps reviewed from UUHC. (2) the role of a Notary in the legal protection of the creator in terms of the use of popular audio which makes the video use unauthorized dubsmash applications (3) constraints and solutions in the legal protection of the creator.The results of this study are: (1) Violation of the use of popular audio in the making of video using dubsmash application viewed from UUHC can be categorized as an act which includes violation of economic rights where the Creator or his economic rights holder is taken away. (2) The role of the Notary in the legal protection of the creator in the case of the use of the popular audio-making video using the unlicensed Dubsmash app reviewed from UUHC is as a consultant registered with the Directorate General. Such provisions have privileges, as they comply with the principles of the establishment of good legislation. The protection of copyright law against songwriters downloaded through the internet may be done in a manner that is legally state administration, criminal law and civil law. (3) Constraints and solutions in the legal protection of the creator in the form of weakness of the application of compensation sanction to the offender in accordance with the value of the loss of exclusive rights in the form of moral rights and economic rights of the creator and the copyright holder. And the solution is through copyright registration through Notary to obtain legal certainty over the copyrights.Suggestion from this research is for editor of dubsmash application should have to pay more attention to legal provisions in the field of Copyright in Indonesia as regulated in UUHC, for the society should heed UUHC so that the rights of creator can be protected for the sake of nation development.Keywords: Copyright, Popular Audio, Dubsmash

Parody and Moral Rights

2019 ◽  
pp. 167-195 ◽  
Author(s):  
Sabine Jacques
Keyword(s):  
Public Interest ◽  
Copyright Law ◽  
Moral Rights ◽  
Economic Rights ◽  
The Public ◽  
The Relationship ◽  
Personal Interests ◽  
Scope Of Protection

This chapter examines the relationship between parody and an author’s moral rights. It first traces the evolution of the concept of moral rights as a means of providing protection not only of the authors’ personal interests but also the public interest before discussing the reasons why moral rights might conflict with parodies. It considers two competing theories underlying the protection of authorial interests—the ‘monist’ theory and the ‘dualist’ theory—and their implications for the parody exception. It also explains how jurisdictions differ in the nature and scope of protection afforded to moral rights, noting that the parody exception in ‘copyright’ law does not extend to moral rights. The chapter goes on to explore the author’s paternity and integrity rights as well as their right against false attribution. It shows that, in the case of parodies, an overlap exists between the regimes applied to moral and economic rights.

scholarly journals So Dark the Con(tu) of Man: The Quest for a Software Derivative Work Right in Section 117

2008 ◽  
Vol 70 (1) ◽  
Author(s):  
Lateef Mtima
Keyword(s):  
Computer Software ◽  
Copyright Law ◽  
Copyright Holder ◽  
User Adaptation ◽  
New Public ◽  
Derivative Work ◽  
Software Programs ◽  
Exclusive Right ◽  
The Impact ◽  
Judicial Recognition

Computer software programs have various unique characteristics as copyrightable works. Among other things, unlike traditional copyrightable works, it is necessary to copy and often to modify software programs in order to use them. In addition, as functional works, the development of additional programs, an overarching goal of copyright protection, often requires the “efficient reuse” of protected elements of preexisting programs. The copyright law currently provides an ambiguous and contradictory response to these issues. While section 117 of the Copyright Act provides program users with the privilege to prepare “adaptations” of copyrighted programs, section 106 reserves to copyright holders the exclusive right to prepare derivative versions of their programs. This article proposes that user adaptation privileges can be distinguished from, and reconciled with, copyright holder derivative work exclusive rights by virtue of the impact that a user-prepared adaptation will have upon the market for the original copyrighted program: “market benign” adaptations should be treated as privileged adaptations, while “market pernicious” adaptations should be treated as derivative works and therefore, subject to the rights of the copyright holder in the original program. In addition, the “practical-use versus market-impact” balancing rationale used to draw the foregoing distinction can also be used to reconstruct the traditional derivative work right into a narrower “software derivative work right.” This software derivative work right would limit the copyright holder’s exclusive right to that of creating derivative programs that are likely to compete with, or otherwise have an undue impact on the market for, the original copyrighted software program. This would enable judicial recognition of a new “public derivative work privilege” to create non-competitive derivative software programs from preexisting works.

scholarly journals MANAJEMEN USAHA PENANGKAPAN IKAN DI PELABUHAN PERIKANAN PANTAI SADENG KABUPATEN GUNUNG KIDUL

Agro Ekonomi ◽  
2016 ◽  
Vol 25 (2) ◽  
pp. 126
Author(s):  
Resna Trimerani ◽  
Lestari Rahayu Waluyati ◽  
Jamhari Jamhari
Keyword(s):  
Social Capital ◽  
Research Result ◽  
Operating Cost ◽  
Monitoring And Evaluation ◽  
Profit Sharing ◽  
Analysis Tool ◽  
Net Income ◽  
Positive Effects ◽  
Fish Catch ◽  
The Right

This research aims to discover the suitability of the rights and obligations of the owners of the land, the helmsman and the crews; finding out the value of the investment and operating costm the revenue of the owners of the land, the helmsman and the crews profit sharing system and management of fishing attempt; finding out the effect of social capital ( trust, norms, social networks)and non social capital ( education, age, experience) towards the result of fishing. The sample of respondents were the owners of motor vessels using gillnet and handline fishing gears, the helmsman and the crews.Data analysis tool used was the Likert Scale which was then processed using multiple linear regressions. This research result showed that the owners of the land are obliged to provide the means of production and the operating cost during the fishing attempt and has the right to determine their fish catch marketing chain. The helmsman takes full responsibility during the fishing attempt including supervising the crews work, and the crews are obliged to work well during fishing. The systems of revenue sharing is 50%-50%. The ratio of net income towards the cost of the land owners, the helmsman, and the crews is bigger than the interest rate. The phase of the managements of fishing attempt includes planning, organizing, implementing, monitoring, and evaluation. Social capital in the form of trust and norms as well as non-social capital in the form of education and experience give positive effects to inceas fish catch.

scholarly journals The Indigenous People’s Innovation Copyright and Legal Consequences: A case study of the plant chopper machine in Mulia Asih Farmer Group, Central Kalimantan, Indonesia

2021 ◽  
Vol 04 (10) ◽  
Author(s):  
Suriansyah Murhaini ◽  
Keyword(s):  
Crop Production ◽  
Organic Fertilizer ◽  
Copyright Law ◽  
Limited Information ◽  
Economic Rights ◽  
Central Kalimantan ◽  
The Public ◽  
Tourism Activity ◽  
Legal Consequences

Agrotourism is a tourism activity that combines plantation or agricultural activities by offering unique experiences to visitors. Indonesia, which has natural resources in the plantation and agricultural sectors, provides great opportunities for the community, one of which is implemented by the Mulia Asih Farmer Group in Humbang Raya Village, Central Kalimantan. Agricultural and plantation activities require fertilizer as an important component in increasing crop production, and there are even demands for environmentally friendly use of organic fertilizer or compost as an advantage so that people innovate to create organic fertilizer processing machines from the surrounding environment. This article uses a qualitative approach to discuss the findings of local communities and analyze them with the copyright law which regulates the copyright of photographic works and portraits taken without permission. Article 12 paragraph (1) of the Copyright Law regulates economic rights to portraits, there must be written consent from the person being photographed or their heirs for reproduction, distribution, announcements, commercial use, and/or communications used for billboards, advertisements, banners, pamphlets and more. The results of this study show that the public has not realized unintentional errors due to limited information so that the innovations made are claimed to be their own work even though they have previously been discovered by other communities.

scholarly journals BENTUK PERLINDUNGAN HUKUM TERHADAP PEMEGANG HAK TERKAIT (NEIGHBOURING RIGHTS)

2019 ◽  
Vol 3 (1) ◽  
pp. 20-35
Author(s):  
Zulvia Makka
Keyword(s):  
Legal Protection ◽  
Copyright Law ◽  
Moral Rights ◽  
Legal Issue ◽  
Economic Rights ◽  
The Public ◽  
The Law ◽  
Neighbouring Rights ◽  
Scope Of Protection

ABSTRAKHak terkait adalah hak yang berkaitan dengan hak cipta yang merupakan hak ekslusif bagi pelaku pertunjukan, producer fonogram, atau lembaga penyiaran. Berdasarkan pengertian hak terkait tersebut maka dapat dipahami bahwa yang merupakan pemilik hak terkait adalah pelaku pertunjukan, produser fonogram (lebih dikenal sebagai produser rekaman), dan lembaga penyiaran. Perlu adanya perlindungan untuk pelaku karena pelaku pertunjukan memiliki hak moral dan hak ekonomi yang terdapat pada pasal 23 UUHC. Yang memuat pada pelaku pertunjukan yang tidak dapat dihilang atau tidak dapat dihapus dengan alasan apapun. Namun pada prakteknya seringkali hak terkait ini dikesampingkan, karena lingkup perlindungan tidak hanya mencakup hak ekonomi dan hak moral. Permasalahan diatas menimbulkan isi hukum bentuk perlindungan terhadap hak terkait menurut undang-undang Hak Cipta dan perolehan Hak Terkait dalam Hak Cipta Isu hukum ini diteliti dengan menggunakan metode dengan tipe penelitian Normatif.Bentuk pelindungan Hukum terhadap Hak Terkait menurut Undang-Undang Hak Cipta terdiri dari 2 (dua) yaitu, perlindungn hukum preventif dan perlindungan hukum represif. Perolehan hak terkait dalam UUHC yaitu hak moral dan hak ekonomis. Hak moral pelaku pertunjukan merupakan hak yang melekat pada pelaku pertunjukan yang tidak dapat dihilangkan atau tidak dapat dihapus dengan alasan apapun walaupun hak terkait telah dialihkan. Hak Ekonomi Pelaku Pertunjukan adalah suatu hak yang diberikan oleh Undang-undang secara eksklusif kepada Pencipta untuk untuk memanfaatkan keuntungan suatu ciptaan yang biasanya berupa publikasi suatu salinan ciptaan atau fonogram supaya dapat tersedia untuk publik dalam jumlah tertentu. Kata Kunci : Perlindungan, Hak Terkait, Hak Moral, Hak Ekonomi  AbstractRelated rights are rights relating to copyright which are exclusive rights for performers, producer phonograms, or broadcasters. Based on the understanding of related rights, it can be understood that those who are related rights holders are performers, phonogram producers (better known as record producers), and broadcasting institutions. There needs to be protection for the perpetrators because the performers have the moral rights and economic rights contained in article 23 of UUHC. Which includes the performers who cannot be lost or cannot be removed for any reason. But in practice often these related rights are ruled out, because the scope of protection does not only cover economic rights and moral rights. The above issues give rise to the contents of the law in the form of protection of related rights according to the Copyright law and the acquisition of Related Rights in Copyright This legal issue is examined using methods with normative research types.The form of legal protection against Related Rights according to the Copyright Act consists of 2 (two), namely, preventive legal protection and repressive legal protection. The acquisition of related rights in the UUHC is moral rights and economic rights. The moral rights of performers are the rights inherent in the performers who cannot be removed or cannot be removed for any reason even though the related rights have been transferred. The Economic Rights of Performers is a right granted by the Law exclusively to the Creator to utilize the benefits of a work which is usually in the form of the publication of a copy of a work or phonogram so that it can be available to the public in a certain amount. Keywords: Protection, Related Rights, Moral Rights, Economic Rights

scholarly journals PENGARUH KUALITAS PELAYANAN PRIMA (SERVICE EXCELLENCE), PORSI BAGI HASIL DAN TINGKAT PENDAPATAN NASABAH TERHADAP TABUNGAN FIRDAUS PADA PT. BANK ACEH SYARIAH LANGSA

2018 ◽  
Vol 2 (2) ◽  
Author(s):  
Muhammad Safri Antoni
Keyword(s):  
Research Result ◽  
Profit Sharing ◽  
Least Square ◽  
Islamic Banks ◽  
Analysis Model ◽  
Estimation Model ◽  
Ordinary Least Square ◽  
Service Excellence ◽  
Independent Variables ◽  
A Value

This study aimed to test the Influence of Excellent Service Quality, Portion of Profit Sharing and Savings Income Level of Customers of Firdaus Savings at PT. Bank Aceh Syariah Langsa empirically. The method used for data analysis was OLS (Ordinary Least Square) with double linear regression estimation model based on the results of data processing by using Eviews software program. From the research result, R2 value of 0.851 was obtained. This means that approximately 85.1 percent of the proportion of independent variables used could explain the dependent variable variation in that model. Whereas the remaining of 14.9 percent was explained by other variables that were not used in this study. While the estimation results showed that the F-count was greater than the F-table (F-calculated = 22.71 > F-table = 2.67) for the function of the amount of the savings equation. It means that all independent variables used in the estimation of this analysis model namely service, profit sharing, and income jointly gave significant effect on the amount of Firdaus Savings at PT. Bank Aceh Syariah Langsa. Thus the Coefficient of service showed a value of 1.028 which means that the higher the level of service which was equal to 1.028 percent, the savings would increase the amount of Firdaus Savings at PT. Bank Aceh Syariah Langsa for about 1.028 percent and was elastic, the Coefficient of profit sharing showed a value of 1.425 which means that any increase of profit sharing in the yield of 1.425 percent, the savings would increase the amount of Firdaus Savings at PT. Bank Aceh Syariah Langsa for about 1.425 percent and was elastic. The Coefficient of income showed a value of 0.737 which means that any increase in revenues of 0.737 percent, the savings would increase the amount of Firdaus Savings at PT. Bank Aceh Syariah Langsa for about 0.737 percent and was inelastic. Service is one of the dominant factors that affect the amount of savings in Islamic banks, then it must be put into consideration by any Islamic banks to keep improving their services.

Sign in / Sign up

Export Citation Format

Share Document