scholarly journals Shipping Routes and Spice Trade in Southeast Sulawesi in the 17th and 18th Century

2018 ◽  
Vol 2 (1) ◽  
pp. 31 ◽  
Author(s):  
Susanto Zuhdi

This paper discusses the dynamics of sea voyage and trade formed in the network of Southeast Sulawesi waters in the 17th and 18th century. Buton was chosen as a port that played the role in that network. Southeast Sulawesi as the concept of region will be positioned in the eastern and southern part of Sulawesi network, and other parts of the Nation. In addition to the strategic location connecting Makassar to North Maluku and Central Maluku, also spices as the commodities transported through this line, Buton has its own trade commodities, such as slaves, and iron tools (knives, machetes). Although it is not in large in numbers, cloves from Buton were also the target of VOC. As a collecting center port, Buton plays a role in the network of "feeder point" ports such as Raha and Tukangbesi Islands (now Wakatobi), with the entrepot, Makassar. The changes after Makassar fell into VOC’s hands has made Buton contributing more as a supplier. Although Buton was an ally of VOC, marked by a contract signed in 1613, but in some respects there was resistance, both openly as Buton War in 1755 and rebel against the ban on growing cloves (extirpation) and illegal trade (sluijkhandel). Literature review and tracking down of primary sources in the form of archives and oral tradition are important steps for further study.

2017 ◽  
Vol 22 (2) ◽  
pp. 244-263
Author(s):  
Rafael de Carvalho Mendes ◽  
Max Cirino de Mattos

ABSTRACT This paper presents the partial results of an ongoing research on the proposal of a methodology for the integration between Knowledge Management (KM) and World Class Manufacturing (WCM). The initial investigation of theoretical and conceptual nature aimed at developing a comprehensive and current vision on KM, WCM, and how (or "whether") these constructs relate to one another. The primary sources for the literature review were Web of Science, Scopus, Emerald, Ebsco, SciELO and Spell, and the time frame was 2000 to 2016. The analysis of the selected papers showed that, although the initial WCM model evolved into a "new WCM" in the 2000s, the literature is still focused on the broad conceptual aspects and basic methods and tools, such as Total Quality Process, Total Productive Maintenance and Just-in-Time, conceived in the Toyota Production System, which shows the need for more studies focused on the current scenario of companies associated with the "new WCM" and its Methods and Tools. Only one article explicitly addressing the interaction between KM theories with WCM was found in the databases surveyed, thus reinforcing the lack of theoretical approximation of these constructs.


2014 ◽  
Vol 14 ◽  
pp. 87-147 ◽  
Author(s):  
Florentina Badalanova Geller

Cosmogonies and mythopoesis in the Balkans and beyondCompared and contrasted in this article are three different types of accounts dealing with the cosmogonic and eschatological themes employed in Slavonic and Balkan oral tradition, para-Biblical literature and modern poetry. The focus of analysis is the cluster of motifs attested in the creation narrative of the apocryphal Legend of the Sea of Tiberias. Two versions are examined: the South-Slavonic one discovered in 1845 by V. Grigorovich in the Monastery of Slepche, and the 18th century Russian account from MS № 21.11.3 (fols. 3a–5b) from the Archaeographic Department of the Library of the Academy of Sciences [Библиотека Академии наук, Рукописный отдел] in St. Petersburg, composed most probably by an Old Believer; this manuscript is published here for the first time. Folklore counterparts of the apocryphal Legend of the Sea of Tiberias are treated, with special emphasis on the oral narratives from the Bulgarian diaspora in Bessarabia (God and the Devil Create the World Amicably but then Fall Out). Finally, a poem of the 20th century Bulgarian intellectual Pencho Slaveykov [Пенчо Славейков] from his anthology “On the Island of the Blessed” is discussed; the poem, entitled How God willed the Earth to come to be and what did Satanail do after that? was designated by Slaveykov himself as “a legend of the Bogomils”, and blended within his lyrics are dualistic themes and motifs attested in vernacular Christianity, with the hallmark of Haeresis Bulgarica. Kosmogonie i mitopoetyki na Bałkanach i nie tylkoW artykule zostały porównane trzy typy narracji zawierających wątki kosmogoniczne i eschatologiczne, które funkcjonują w słowiańskiej i bałkańskiej tradycji ustnej, literaturze parabiblijnej oraz poezji doby modernizmu. Przedmiotem uwagi stała się grupa motywów poświadczonych w narracji o stworzeniu, znanej z Legendy o Morzu Tyberiadzkim. Analizom poddane zostały dwie wersje: południowosłowiańska, odkryta w 1845 roku przez W. Grigorowicza w Monastyrze w Slepče, oraz ruska – z XVIII wieku, znajdująca się w kodeksie MS № 21.11.3 (fols. 3a–5b), przechowywanym w Oddziale Rękopisów Biblioteki Akademii Nauk w Sankt Petersburgu – skomponowana najprawdopodobniej w środowisku staroobrzędowców (rękopis ten jest tu publikowany po raz pierwszy). Następnie przeprowadzona została analiza odpowiedników folklorystycznych apokryficznej Legendy o Morzu Tyberiadzkim, ze szczegól­nym uwzględnieniem narracji ustnych funkcjonujących w bułgarskiej diasporze w Besarabii (Bóg i Diabeł tworzą świat w przyjaźni ale potem stają się wrogami). Na końcu został poddany interpretacji poemat z XX wieku autorstwa bułgarskiego modernisty Penczo Sławejkowa [Пенчо Славейков] z antologii Na wyspie błogosławionych [На острова на блажените]; poemat ten, zatytułowany Jak Bóg zezwolił, aby powstała ziemia i co potem uczynił Satanael?, został nazwany przez samego autora „legendą Bogomiłów”, i skompilowany w jego tekstach z dualistycznymi motywami występującymi w chrześcijaństwie tego regionu, a rozpoznawa­nymi jako haeresis bulgarica.


2021 ◽  
Author(s):  
◽  
Megan Ward

<p>Writers on 18th-century musical ornamentation have traditionally focused on the execution of notated ornaments, and on certain disputes arising from ambiguous and contradictory primary sources. Less attention has been given to the addition of ornaments where not prescribed by the composer. Such ornaments can be short, defined, patterns such as trills, turns, and mordents, or larger measured or unmeasured additions known as diminutions, divisions, or passaggi.  Additions of this nature are only in the rarest of cases compulsory. However, the practice of more or less spontaneous embellishment by the performer was so integral to pre-19th-century musical culture that this must have had a significant effect on composition.  The scope of this thesis is loosely defined by its titular composers, covering the period between Georg Muffat‟s later publications in the last years of the 17th century and G.P. Telemann‟s death in 1767. Both lived and worked in the German states, a region which had traditionally looked to Italian models of composition and performance. This period saw a flowering of German composition into its own unique and diverse genre which integrated aspects of various styles, most prominently Italian and French music.  This thesis centres on stringed instruments, but is directly relevant to woodwind players. Many aspects are also transferrable to the keyboard and to vocal music; however, these musicians will find a large volume of more targeted research elsewhere.</p>


2020 ◽  
Vol 4 (2) ◽  
pp. 196-209
Author(s):  
Moh Takwil

Whether or not Islamic education is highly dependent on the quality of leadership that is in it, an Islamic education leader must be able to direct his lead to achieve educational goals. In this journal discusses Al-Ghazali's thoughts about ideal leadership in Islamic education. This study uses literature review through primary sources from Al-Ghazali's thought books and secondary from various sources, then analyzed and criticized using content analysis. The research results obtained are that in substance the leadership must always aim to achieve the pleasure of Allah Almighty. Al-Ghazali always puts on all activities aimed at achieving the pleasure of Allah Almighty. There are four basic components of personal leaders in the world of Islamic education. First he must have managerial skills that are able to make planning, organizing, implementing and evaluating. Second, he must have a trustful and responsible nature. Third, he must be a role model, which is a good example so that his leadership feels comfortable carrying out his orders. The fourth is always in running the leadership bound by syara law.


New Sound ◽  
2015 ◽  
pp. 29-44
Author(s):  
Marina Marković ◽  
Blanka Bogunović

Serbian chant, which was formed on the territory of the Metropolitanate of Karlovci in the late 18th century, has been transmitted primarily by oral tradition for a long time, despite numerous attempts to make church melodies available for liturgical use by producing miscellaneous collections. In the process of the oral transmission of the melodies belonging to the so-called short chant (i. e. less melismatic chant), hymns of the Osmoglasnik (Octoechos) serve as a basis for krojenje (literally: tailoring), which means the adaptation of the melody to a text. Since the procedure of krojenje involves simultaneously detaching Osmoglasnik melodies from their original texts and attaching them to the texts from other liturgical books without notation and realized orally, improvisation is an inherent feature of the krojenje process. Improvisation is an integral part of the creative procedure during the act of performing, even in cases when the musical work is not altogether created by improvisation, as is the case with hymns of contemporary Serbian chant. The relation between krojenje and certain levels of creation, initiated our interdisciplinary - musicological and psychological - research, with the aim of determining the structure of the improvisational process in shaping the melodies in Serbian chant, based on the analysis and application of musical-cognitive structural models.


Hinduism ◽  
2021 ◽  
Author(s):  
Tyler Williams

Believed to have been founded by the saint-poet Svāmī Haridās (d. 1601?) in the late 16th or early 17th century, the Nirañjanī Sampradāy is one of the bhakti communities associated with the so-called nirguṇ sant movement that began in northern India sometime in the 15th century. The Sampradāy, which consists of both monastic initiates and lay followers, flourished during the 17th and 18th centuries in what is now Rajasthan, during which time it also established monastic outposts at locations as distant as Aurangabad and the Narmada River valley. Nirañjanī hagiographical traditions acknowledge the community’s early connections with the Nāth Sampradāya and with the Dādū Panth, another nirguṇ sant tradition that arose at roughly the same time as the Nirañjanī Sampradāy. These close connections are also reflected in the literature, theology, and practices of the sect, which combine Vaishnava bhakti with aspects of yoga as well as elements adapted from Sufi traditions. After the passing of Haridās, the monastic order expanded quickly in a decentralized fashion, with several of Haridās’s direct disciples founding monastic centers and lineages in different parts of Rajasthan (and eventually in Hyderabad as well). Among the later monastic disciples were several prominent saint-poets, including Santadās, Turasīdās, Manoharadās, Bhagavānadās, Dhyānadās, and Harirāmadās. Importantly, the Nirañjanīs also give prominence to Pannājī, an 18th-century female saint, and recognize several other female saints as being part of the tradition. Although the Nirañjanīs themselves were prolific writers, very little material by or about the Nirañjanīs is available in published form. This article lists the few original works of scholarship that have been produced on the Sampradāy in Hindi and in English along with any relevant primary sources that have been published.


Revista CEA ◽  
2021 ◽  
Vol 7 (15) ◽  
pp. e1873
Author(s):  
Tsumma Lazuardini Imamia ◽  
Agus Suman ◽  
Multifiah Multifiah ◽  
Asfi Manzilati

In Islam, money is viewed as a means to measure value and a tool for transactions. This study explains other dimensions of money while also examining its use in the interconnected social and religious phases of human life. Since money is perceived differently across cultures, we conducted a literature review to identify dimensions other than the one considered by Western culture. For this purpose, we used scientific articles, book chapters, and books as the primary sources, which allowed us to obtain a complete and coherent description of the phenomenon under study. According to the results, money not only has a transactional dimension that seeks to maximize profit (as it is mainly conceived by Western culture) but also a social and religious dimension. Giving money can be more satisfying than giving in-kind. In Islam, the money collected is freely spent based on individual needs. In addition, money (dinar and dirham) serves to measure pious deeds when employed as a unit of account in zakat and qurban, as well as in inheritances. In Islam, a proper management of monetary assets can help to link the social and religious dimensions in a coherent manner.


2019 ◽  
Vol 19 ◽  
Author(s):  
Rosana De Moraes Marreco Orsini Brescia

Although theatrical performances were being produced in Portuguese America since the 16th century, it was only in 1719 that the first permanent public theatre was established, offering puppet performances for locals and foreigners who visited the city of Rio de Janeiro. This paper analyses the foundation of the first permanent theatre of Brazil through primary sources and travellers’ journals. The contextualisation of the puppet theatrical activity in the early 18th-century Lisbon is also crucial to our understanding of the importance of this form of art, which figures as one of the most fascinating pages of Portuguese and Brazilian theatre history.


2020 ◽  
Vol 3 (4) ◽  
pp. 388
Author(s):  
Sergei V. Sokolov

The dichotomy of barbarism and progress has long been a focal point for the discussions about Russia’s past and present. The discourse on Russian barbarism had been known in Europe since at least 16th century, but Enlightenment thinkers gave it a new shape by juxtaposing the ancient conception of barbarism with the rather modern idea of progress. In this article, Enlightenment historical writings are examined; the focus is on the question of how Russian history was studied in order to find signs of barbarism and the different guises of progress. The primary sources for the article are mainly Russian historical writings; however, relations and interactions between Russian and European intellectuals, as well as intellectual exchange and influence, are also noted. As there were no word “civilization” in 18th-century Russian, enlightenment was deemed by Russian thinkers as the antipode to barbarism. It is concluded that most Enlightenment writers saw Christianization as a step forward from barbarism in Russian history. Parallels between Russia and Scandinavia as they were drawn by August Schlözer are also analyzed. The article shows how the idea of conflict between barbarism and progress altered the understanding of Russian history in the Enlightenment.


Buddhism ◽  
2010 ◽  
Author(s):  
Klaus Pinte

The disciplinary codes for the training of Buddhist monks (Skt. bhikṣus) and nuns (Skt. bhikṣuṇīs), as well as the institutional regulations for the monastic community (Skt. saṃgha) are collected in the vinaya section of the Buddhist canon (Skt. tripiṭaka), next to doctrinal texts (Skt. sūtra) and philosophical treatises (Skt. śāstra). In Chinese, vinaya is translated pínàiyé (毘奈耶/毘那耶/鼻那夜), syn. lü (律); in Japanese, binaya (毘奈耶/毘那耶/鼻那夜), syn. ritsu (律); and in Tibetan, ’dul-ba. Following Louis Renou and Jean Filliozat, leading vinaya specialists such as Charles Prebish have categorized the vinaya corpus into canonical, paracanonical, and noncanonical literature: (A) canonical literature preserved in the vinaya-piṭaka mainly covers three divisions of texts, generally comprising: (1) sūtravibhaṅga, or the detailed analyses of offenses and respective punitive measures listed in the prātimokṣasūtra, (2) skhandhakas, or regulations for the organization of the Buddhist community, and (3) appendices, mostly comprising summaries of the monastic rules listed in the two previous sections; (B) paracanonical vinaya literature refers to: (1) the set of precepts from the prātimokṣasūtra that is recited every fortnight during the so-called poṣadha ceremony, and (2) karmavācanā texts of correct procedures to settle communal transactions and disputes; and (C) noncanonical vinaya literature covering (1) commentaries and (2) miscellaneous texts, which include translations with unclear school affiliation and other vinaya-related texts. Although they still occupy a rather small niche within the fields of religious or even Buddhist studies, since the 18th century the Buddhist monastic codices—as crystallized in seven seemingly complete vinayas—have been the subject of increasing scholarly attention. These seven vinayas are those of the Theravādins, Mahāsāṃghikas, Mahāsāṃghika-lokottaravādins, Mahīśāsakas, Dharmaguptakas, Sarvāstivādins, and Mūlasarvāstivādins. However, since the Mahāsāṃghika-lokottaravāda tradition may actually be considered an offshoot of the Mahāsāṃghika, the number of schools is sometimes restricted to six or even to five when following the theory on the identity of the Sarvāstivādins and Mūlasarvāstivādis (see Enomoto 2000, cited under Mūlasarvāstivāda-vinaya). In any case, due to its divergent structure, the Mahāsāṃghika-vinaya is opposed to the other vinayas, which allegedly stem from a presectarian vinaya matrix (Skt. mātṛkā) known as the Sthavira tradition, but this is still under discussion. Although surely not comprehensive and remaining open to updates, the major fruits of past Western-language scholarship in vinaya studies are summarized in the bibliographical survey below. The entry focuses on the above-mentioned text traditions and their history, development, and interrelations. The available academic sources on the respective traditions are discussed by first listing general works related to the respective vinaya in question; then, in case of sufficient scholarly attention, subsections on more specific material are included, retaining the before-mentioned division between canonical and paracanonical literature. Regardless of the assumption that the so-called Kāśyapīya and Saṃmitīya traditions may have produced vinayas of their own, the primary material related to those schools is almost entirely lost and, except from such outstanding articles such as Hinüber 1985 (cited under General Overviews), to date there are no substantial monographs on the these two traditions. They therefore are not treated here. Given the author’s research field and unfamiliarity with the Tibetan Buddhist traditions, the primary sources covered in this bibliography are principally Sanskrit fragments and Chinese redactions preserved in the Japanese Taishō period edition of the Buddhist canon.


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