Features of impact between Eastern and Western Literature

2020 ◽  
Vol 7 (10) ◽  
pp. 169-185
Author(s):  
Salahuddin Mohd. Shamsuddin ◽  
Siti Sara bint Hj. Ahmad

No doubt that modern Arab literature has been influenced by Western literature more than it was influenced by ancient Arabic literature, whether by the missionaries, occupiers, merchants, and investors who arrived at Arab countries or by the scientific missions sent by Arab countries to European capitals or by Arab immigrants to the West. This influence was either through the translation, or through reading in the original languages ​​of Western literature, and this second method was more influential in modern Arabic literature, because translation loses many of the characteristics of artistic literatures that have a close connection with the language.. We mentioned in this research the link between East and West, and between Arab literature and European literature, and the features of impact between them through the process of transferring the literary heritage from East to West through several crossings, and its study to extract the literary and cultural treasures through the efforts of missionaries from Orientalists that were the first nucleus of modern Western civilization. We also dealt with the features of renewal in Arabic literature, Arabic poetry and its schools in the modern era. We focused on the Divan school, the Apollo school and Diaspora School, especially the nature of poetry and truth of free modern realist poetry. We also mentioned the high demand for translated eastern literature in European countries, and its inclusion by the writers, poets and writers in their literary writings. We used the descriptive approach that is always suitable for such literary and critical topics.

Nady Al-Adab ◽  
2019 ◽  
Vol 16 (1) ◽  
pp. 1
Author(s):  
Abdur-Rasheed Mahmoud-Mukadam

The story is an art of prose literature. Arab writers and others have done valuable works of fiction, showing the extent of their artistic ability; however, this art has witnessed in the modern era developed and developed to add to it another form known - in Western literature - poetry story; which has no era - before - in literature Old Arab, and the poems appeared stories woven on the Western vein. After looking at the story in Arabic literature, this article looks at some of the echoes of the Arab story in Arabic literature, with an emphasis on what the thinkers of the city of Eulen produced as a living model reflecting the many stories that were presented at the Arab literature table in Nigeria. For a commendable effort by the writers of Nigeria to expand the Arabic language and create a clear atmosphere for artistic creativity and conscience.


2021 ◽  
Author(s):  
Yahya Saleh Hassan Dahami

Many central playwrights significantly contributed to the progress and advancement of Arabic drama. They were apt to achieve dramatic illustrations in several Arabic countries all the way through ages and places. Still, this study attempts to shed light on an innovator poet-dramatist who represents many cultures and experiences. It aims at displaying the most significant features of renovation associated with the development of the modern Arabic poetic drama that employs history and social problems to present a vision for Arabic literature in the contemporary age. The researcher adopts the critical-descriptive approach in analyzing the poet-dramatist, Ali Ahmad Ba-Kathir, and two of his poetic dramas. It is mapped with an introductory overview dealing with a concise notion of drama, concentrating predominantly on poetic drama. The foremost part copes with the developer and pioneer Ali Ahmad Ba-Kathir, focusing on his thoughts and experiences in the field. The paper, then, moves ahead to deal with two verse plays as a model of his craftsmanship and mastery. After that, the study finishes with a brief argument and/or recommendations and an end.


Author(s):  
Yahya Saleh Hasan Dahami

Many central playwrights significantly contributed to the progress and advancement of Arabic drama. They were apt to achieve dramatic illustrations in several Arabic countries all the way through ages and places. Still, this study attempts to shed light on an innovator poet-dramatist who represents many cultures and experiences. It aims at displaying the most significant features of renovation associated with the development of the modern Arabic poetic drama that employs history and social problems to present a vision for Arabic literature in the contemporary age. The researcher adopts the critical-descriptive approach in analyzing the poet-dramatist, Ali Ahmad Ba-Kathir, and two of his poetic dramas. It is mapped with an introductory overview dealing with a concise notion of drama, concentrating predominantly on poetic drama. The foremost part copes with the developer and pioneer Ali Ahmad Ba-Kathir, focusing on his thoughts and experiences in the field. The paper, then, moves ahead to deal with two verse plays as a model of his craftsmanship and mastery. After that, the study finishes with a brief argument and/or recommendations and an end.


Author(s):  
Mohamed Saeb KHUDAIR ◽  
◽  
Sura Ahmed SALIH ◽  

Believing in our Arab heritage that our Arab heritage needs a second reading that shows its creativity and originality, we chose the story of Hayy Bin Yaqzan, which is considered one of the important literary texts in Andalusia, and many scholars considered it a message that others promised to be a story, and for the purpose of proving that it is a message or a story, we chose to apply narration techniques to it And the other thing is to prove that the stories of ancient Arab literature contain all the elements of narration that Western literature has talked about, meaning that our literature and our writers know these techniques, even if they are without theorizing them, as the West did. The research is divided into several axes: Who is Ibn Tufail? - What is the neighborhood of Bin Yaqzan? What is the purpose of the story and the scholars' opinions about it? - The elements of narration in the story of Hayy bin Yaqzan, which we gave a brief discussion of the meaning of narration and its elements in general and its elements in the story of Hayy bin Yaqzan in particular, and we have dealt with the elements of narration from an event, character, time and place in it, dialogue, style, description and conflict. We support what Muhammad Rajab Bayoumi said in his book (Andalusian Literature: Between Influence and Influence, p.137) "The story of Hayy Bin Yaqzan did not take its full share of analysis and clarification." In conclusion, we hope that we have succeeded in presenting a comprehensive summary of our topic, and that it be in the service of our Arabic literature and scholars.


Author(s):  
محمد ساجد الحق

الشعر المسرحي جزء مهم للأدب العربي وإضافة جديدة في الشعر العربي، وقد عرف الأدب العربي هذا اللون الشعري في العصر الحديث حيث اتجه الناس إليه لأشعاره الموسيقية وعاطفته العميقة، وكانت المحاولة الأولى للشعر المسرحي في الأدب العربي على يد خليل اليازجي، اشهر من قام في هذا المجال هو الشاعر المصري أحمد شوقي، فهو الذي سعى سعيا بالغا لتنمية هذا الفن الرائع وفكر فكرا واسعا في تطوره؛ حيث اشتهر هذا الفن واتسع بمسرحياته الشعرية، وفي الحقيقة كان الشعر المسرحي في الأدب العربي مجهولا حتى أظهره شوقي بين الناس، فيقال له أبو الشعر المسرحي في الأدب العربي، ويعتبره الأدباء والنقاد رائد هذا الفن. واستمرت هذه المحاولات بعد شوقي فتقدم جماعة كبيرة من شعراء بلاد العرب إلى هذا الميدان في العصر الحديث الذين قلدوا شوقي في المواضيع والأساليب واتخذوه إماما لهذا الفن؛ أشهرهم عزيز أباظة وعلي أحمد باكثير وصلاح عبد الصبور، ثم تطور بعد ذلك تطورا تاما حتى وصل إلى مرحلة النضخ والكمال، وتمكن في مكان ممتاز في الأدب العربي للعصر الحديث. الكلمات المفتاحية: الشعر المسرحي، تطور المسرح الشعري، الأدب العربي، ريادة الشعر المسرحي، أحمد شوقي. Abstract Dramatic poetry is an important part of Arabic literature and it is a new contribution to Arabic poetry. Arab people knew this kind of poetry in the modern era, in which they head towards it since it gives them musical rhythm and deep passion of poetry. The first attempt of dramatic poetry in Arabic literature was made by Khalil al-Yaziji, meanwhile the most famous poet in this field is the Egyptian poet, Ahmed Shawqi, who made a great effort to develop dramatic poetry. In fact, it was unknown until Shawqi came and showed it to Arab people. Hence, this kind of poetry achieved much popularity among Arab people and Shawqi has been regarded as the father of dramatic poetry as well. Apart from that, the writers and critics also assumed him as the pioneer of this kind of poetry because of his great contribution. These attempts continued after Shawqi, in which there were large numbers of contemporary Arab poets who came to this field and imitated the styles and methods of Shawqi in writing dramatic poetry. Among the most famous people were Aziz Abaza, Ali Ahmed Bakthir and Salah Abdul Sabour. Then, this kind of poetry develops completely until it reached an advanced stage of artistic maturity; therefore, it managed to have an excellent position in modern Arabic literature.   Keywords: Dramatic poetry, Development of poetical drama, Arabic literature, Pioneer of dramatic poetry, Ahmed Shawqi.


1968 ◽  
Vol 31 (1) ◽  
pp. 28-51
Author(s):  
S. Moreh

The beginning of the twentieth century marked a new and revolutionary stage in the history of Arabic poetry. Through the increasing influence of Western literature, some new genres which show only preliminary signs of emergence in the nineteenth century found official recognition, as in the case of the strophic verse, or experimenting with them was resumed, as in the case of the blank verse (shi'r mursal), which was first practisd by Rizq Allāh Ḥassūn in 1869 and which was revived in 1905, probably unconsciously, by Jamīl Ṣidqī al-Zahāwī (1863–1936), under the name of shi'r mursal.


Author(s):  
عدلي يعقوب ◽  
جمال عبد الغفار إبراهيم بدوي

لقد لحق بالأدب العربي مالحق بغيره من الآداب العالمية بظهور الطباعة وماصاحبها من انتشار الصحافة، وسهولة تداول الكتب والمطبوعات، مما أحدث ثورة في الأساليب الأدبية والقوالب الفنية، وكان المقال هو القالب الفني الأبرز الذي استعاره النثر العربي من الأدب الغربي، إذ استوعب الحاجات الاجتماعية والعصرية، وتنوعت موضوعاته، وكان مناسباً لطبيعة القرّاء التي اتسعت دائرتهم، وصاروا من كافة طبقات المجتمع.  ويتبع الباحثان المنهج الوصفي التحليلي لبيان مدى تأثر الأدب العربي بالأدب الغربي في العصر الحديث، وقد توصل البحث إلى نتائج، منها:  لقد كان ظهور المقال وازدهاره في الأدب العربي تطوراً طبيعياً يواكب متطلبات الحياة، وكان ثمرة لاختراع الطباعة وانتشار الصحف والمجلات، إذ كان الشكل الفني الأكثر موائمة للتعبير عن متطلبات الإنسان في العصر الحديث، بعيداً عما كان يثقل الأشكال الفنية النثرية قبله من محسنات وقيود كثرة جعلتها غير صالحة للتعبير الصحفي عن الحياة والأحداث. الكلمات المفتاحية: النقد الأدبي، النثر الفني، مقال، النهضة الأدبية، الكتابة الديوانية. Abstract Arabic literature has been followed by what had followed other literatures in the world which was the emergence of printing, accompanied with the spread of press journalism, easy circulation of books and publications, that has revolutionized the literary styles and artistic genre. Written article was the most prominent genre that has been adopted by the Arabic prose from the Western literature as it engaged social and present needs, and the topics it covered varied and were suitable with the nature of its readers, whose circle was extensive and they came from all strata of society. The researchers followed the descriptive analytical approach to show the extent of the Western literature’s influence on Arabic literature in the modern era. The result of the study shows results including: the emergence of written article and its advancement in Arabic literature was a natural development in line with the needs of life. It was the fruit of the invention of printing technology and the spread of newspapers and magazines, as it was the most suitable form of art that can be used to express the needs of human beings in the modern era, far from decoratives and rules that burdened the previous literary prose forms, thus made it unfit for the journalistic expression of life and events.  Keywords: literary criticism, literary prose, article, literary revolution, anthology writing.


2019 ◽  
Vol 27 (4) ◽  
pp. 157-179
Author(s):  
Abdulmueen Hassan Balfas Abdulmueen Hassan Balfas

The study examines H?fidh Ibr?h?m's panegyric mad?h poem to the Neo-Classical pioneer poet, Ma?m?d S?m? al-B?r?d?, whose poetry is the cornerstone of the Neo-Classical School in the Modern Arabic literature. The main objective of this study is to understand the status of al-B?r?d? as the precursor of the Arab poetic revival of the modern age and of H?fidh as his successor. The poem acts as a poetic allegiance to al-B?r?d? on one hand, and a supplication for succession on the other. To support the descriptive approach which employs the critical analysis of the poetic texts, the study focuses on significant concepts such as H?fidh Ibr?h?m's panegyric mad?h poem as a poetic contrafaction (Mu'?radha) of al-Mutanabbi's d?liyyah, H?fidh's poetic voice (lyric I), the reconstruction of the traditional qas?dah with its themes and sections, and virtue as an essential factor for leadership in modern Arab community.


2020 ◽  
Vol 7 (2) ◽  
pp. 78-86
Author(s):  
Salahuddin Mohd. Shamsuddin ◽  
Siti Sara Binti Hj. Ahmad

Art of the article is one of the expressive arts. It has its own origins, features, and importance. Art of the article can be defined as one of the prose genera that appeared in the modern Arabic literature after its connection to European literature in the eighteenth century, when the art of the article appeared as a separate literary genre, in which the writers deal with the issues related to the aspects of their individual, social, political, religious, literary and scientific lives and environments, with the criticism and analysis. Development of the press helped to develop this literary genus. Some writers became popular and famous through this art, but many of them misused it and failed to build a bridge between them and their readers through this artistic circumstance, which has a limited size, in which the writer can put a specific topic not exceeded from a few pages, where the writer finds a complete freedom in choosing the topic, so that the article contains various topics, but the writer must avoid lengthening in explaining the dimensions of the subject of his article, as the author often deals with what is limited to a specific idea around which the whole article revolves, and tries to reveal and clarify all dimensions that relate to it briefly. We try to shed light on the art of article, its types and forms in terms of its technical characteristics, using the descriptive approach that is more suitable for such topics of the expressive arts.


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