scholarly journals Art of the article and its technical characteristics in the modern age

2020 ◽  
Vol 7 (2) ◽  
pp. 78-86
Author(s):  
Salahuddin Mohd. Shamsuddin ◽  
Siti Sara Binti Hj. Ahmad

Art of the article is one of the expressive arts. It has its own origins, features, and importance. Art of the article can be defined as one of the prose genera that appeared in the modern Arabic literature after its connection to European literature in the eighteenth century, when the art of the article appeared as a separate literary genre, in which the writers deal with the issues related to the aspects of their individual, social, political, religious, literary and scientific lives and environments, with the criticism and analysis. Development of the press helped to develop this literary genus. Some writers became popular and famous through this art, but many of them misused it and failed to build a bridge between them and their readers through this artistic circumstance, which has a limited size, in which the writer can put a specific topic not exceeded from a few pages, where the writer finds a complete freedom in choosing the topic, so that the article contains various topics, but the writer must avoid lengthening in explaining the dimensions of the subject of his article, as the author often deals with what is limited to a specific idea around which the whole article revolves, and tries to reveal and clarify all dimensions that relate to it briefly. We try to shed light on the art of article, its types and forms in terms of its technical characteristics, using the descriptive approach that is more suitable for such topics of the expressive arts.

2021 ◽  
Author(s):  
Yahya Saleh Hassan Dahami

Many central playwrights significantly contributed to the progress and advancement of Arabic drama. They were apt to achieve dramatic illustrations in several Arabic countries all the way through ages and places. Still, this study attempts to shed light on an innovator poet-dramatist who represents many cultures and experiences. It aims at displaying the most significant features of renovation associated with the development of the modern Arabic poetic drama that employs history and social problems to present a vision for Arabic literature in the contemporary age. The researcher adopts the critical-descriptive approach in analyzing the poet-dramatist, Ali Ahmad Ba-Kathir, and two of his poetic dramas. It is mapped with an introductory overview dealing with a concise notion of drama, concentrating predominantly on poetic drama. The foremost part copes with the developer and pioneer Ali Ahmad Ba-Kathir, focusing on his thoughts and experiences in the field. The paper, then, moves ahead to deal with two verse plays as a model of his craftsmanship and mastery. After that, the study finishes with a brief argument and/or recommendations and an end.


Author(s):  
Yahya Saleh Hasan Dahami

Many central playwrights significantly contributed to the progress and advancement of Arabic drama. They were apt to achieve dramatic illustrations in several Arabic countries all the way through ages and places. Still, this study attempts to shed light on an innovator poet-dramatist who represents many cultures and experiences. It aims at displaying the most significant features of renovation associated with the development of the modern Arabic poetic drama that employs history and social problems to present a vision for Arabic literature in the contemporary age. The researcher adopts the critical-descriptive approach in analyzing the poet-dramatist, Ali Ahmad Ba-Kathir, and two of his poetic dramas. It is mapped with an introductory overview dealing with a concise notion of drama, concentrating predominantly on poetic drama. The foremost part copes with the developer and pioneer Ali Ahmad Ba-Kathir, focusing on his thoughts and experiences in the field. The paper, then, moves ahead to deal with two verse plays as a model of his craftsmanship and mastery. After that, the study finishes with a brief argument and/or recommendations and an end.


2019 ◽  
Vol 27 (4) ◽  
pp. 157-179
Author(s):  
Abdulmueen Hassan Balfas Abdulmueen Hassan Balfas

The study examines H?fidh Ibr?h?m's panegyric mad?h poem to the Neo-Classical pioneer poet, Ma?m?d S?m? al-B?r?d?, whose poetry is the cornerstone of the Neo-Classical School in the Modern Arabic literature. The main objective of this study is to understand the status of al-B?r?d? as the precursor of the Arab poetic revival of the modern age and of H?fidh as his successor. The poem acts as a poetic allegiance to al-B?r?d? on one hand, and a supplication for succession on the other. To support the descriptive approach which employs the critical analysis of the poetic texts, the study focuses on significant concepts such as H?fidh Ibr?h?m's panegyric mad?h poem as a poetic contrafaction (Mu'?radha) of al-Mutanabbi's d?liyyah, H?fidh's poetic voice (lyric I), the reconstruction of the traditional qas?dah with its themes and sections, and virtue as an essential factor for leadership in modern Arab community.


2021 ◽  
Vol 3 (4) ◽  
pp. 354-363
Author(s):  
Reham Ershaid Sami NUSAIR ◽  
Omar Jamil Ahmad MUQEDI

Health has become one of the most important concerns in the field of development in various societies, as it is one of the most important factors contributing to achieving sustainable development, because healthy development represents an important element in the process of social and economic development, where real development cannot be achieved without improving health conditions. This study aims to identify the concept of sustainable health development, and the factors that contribute to achieving it, and its future directions, as well as an add value research related to health service facilities and the challenges that prevent achieving sustainability. The two researchers adopted the descriptive approach and deductive analysis of sustainability indicators, by reviewing many scientific sources related to the subject of the study in order to shed light on the sustainable design of health care services


Author(s):  
Richard van Leeuwen

This chapter examines the influence of Alf layla wa layla (A Thousand and One Nights), the ingenious Arabic cycle of stories, on the development of the novel as a literary genre. It shows that the Nights helped shape the European novel in the eighteenth and nineteenth centuries. The chapter first explains how the French translation of the Nights and its popularity in Europe led to its incorporation in world literature, creating an enduring taste for “Orientalism” in many forms. It then considers how the Nights became integrated in modern Arabic literature and how Arabic novels inspired by it were used to criticize social conditions, dictatorial authority, and the lack of freedom of expression. It also discusses the Nights as a source of innovation for the trend of magical realism, as well as its role in the interaction between the Arab world and the West.


1970 ◽  
Vol 15 ◽  
pp. 73-91 ◽  
Author(s):  
Teresa Pepe

The adoption of Internet technology in Egypt has led to the emergence a new literary genre, the ‘autofic-tional blog’. This paper explores how this genre relates to the Arabic understanding of literature, using as examples a number of Egyptian autofictional blogs written between 2005 and 2011. The article shows that the autofictional blog transforms ʾadab into an interactive game to be played among authors and readers, away from the gatekeepers of the literary institutions, such as literary critics and publishers. In this game the author adopts a hybrid genre and mixed styles of Arabic and challenges the readers to take an active role in discovering the identity hidden behind the screen and making their way into the text. The readers, in return, feel entitled to change and contribute to the text in a variety of ways.Keywords: autofictional blog; ʾadab; modern Arabic literature; Egypt


2011 ◽  
Vol 43 (3) ◽  
pp. 385-386 ◽  
Author(s):  
Samah Selim

The three-week uprising in Egypt that ended with the removal of Husni Mubarak on February 11 happened to coincide with the section of my spring course syllabus on the Egyptian novel from Najib Mahfuz to Ahmed Alaidy. As was the case for many of my colleagues and their students, the rapid and awe-inspiring events unfolding daily before us pushed purely academic concerns to the margins of class discussion. This tidal wave of revolutionary politics erupting into the classroom forced me to the realization that my larger syllabus was not simply some neutral or systematic survey of half a century's worth of Arabic literature. I began to think about the largely invisible dystopic intellectual and historical paradigms through which modern Arabic literature is often framed, at least in the United States. The nahḍa/naksa narrative, which compelled many of us to read Arab cultural history of the 20th century as a story of brief “awakening” followed by irredeemable decline and corruption, is clearly no longer tenable in the wake of February 11. This same narrative underpinned the highly self-conscious postmodernism that began to emerge in Egypt in the 1990s and that reached its apogee a couple of decades later at the end of the 2000s, a postmodernism that was celebrated (though by no means universally) as the true beginning of literary modernity and the emancipation of the subject from the dead weight of a past ideological age.


1950 ◽  
Vol 13 (3) ◽  
pp. 616-626
Author(s):  
S. A. Khulusi

In the year 1292/1875 there was born to a mixed Kurdish-Arab family a child who was destined to play a prominent part in modern Arabic literature. He was named Ma'rūf and was the second of two children in the family.No one can say with certainty who was Ma‘rūf’s father because he himself rarely spoke about his family. So far as I am aware, there is not a single reference to his father in his Dīwān. Ma‘rūf’s unwise reticence concerning his family helped his opponents to allege that he was an illegitimate child. The late Tāha ar-Rāwī, the Iraqi philologist, who associated with Ma'rūf for over a quarter of a century, asserted that he avoided answering questions concerning his parentage and, if pressed hard, he would answer briefly and change the subject. The investigations of genealogists led them to the conclusion that his father belonged to the Kurdish tribe of al-Jabbārah, which was acknowledged by all the Kurds as being of ‘Alid origin. If so, then it must have been originally an Arab tribe which migrated to non-Arab districts. His mother is said to have belonged to the tribe of al-Qarāgfūl, a branch of ammar which dwells in the plain regions of Iraq.Rusāfī was brought up in his grandfather's house in the quarter of al-Qarāgūl in Baghdad. A small dark room was allotted to him, which made him inclined to solitude and meditation. In his childhood he was not seen to mix with other children. But his fondness for mechanical instruments led to an accident in which he lost one of his fingers.


2020 ◽  
Vol 2 (5) ◽  
pp. 130-143
Author(s):  
YAHYA SALEH HASAN DAHAMI

Arabic poetry is the heart of all types of literature in all Arabic realms. Consistent with this generalization, it can be right that the development of poetry in the modern age, among Arabs, is a positive measure. At that argument, the same would be focused on modern Saudi literature since it is typically considered a central, authoritative, and undivided part of Arabic poetry. In this paper, the researcher has attempted to illustrate some literary aspects of modern Arabic poetry in the Kingdom of Saudi Arabia as an instance of the greatness of Arabic poetry with a particular reference to a contemporary Saudi poet. The study starts with an introduction to the condition of poetry in Arabia. In the first section of the study, the researcher points up the importance of Arabic poetry as an Arabic literature genre. The second section deals with poetry and literary movement in Saudi Arabia as the central section of the investigation. After that, the task moves ahead to deal with a model of the modern Arabic poetry in the kingdom, Mohammad Hasan Awwad, a modernized rebellious poet with stark poetry, then the researcher, analytically and critically, sheds light on some selected verses of one of the poems of Awwad, Night and Me. The study finishes with a discussion and a brief conclusion. Keywords: Arabic literature, Arabic poetry, free verse, greatness, Kingdom of Saudi Arabia, modernism.


2018 ◽  
Vol 9 (2) ◽  
pp. 43
Author(s):  
Mohammed Ahmed Djehlane

This study tried to dive in the archives relating to Oman in the Algerian contemporary press, (1986-2016), and its goal is to look for the Oman presence in the Algerian press, and its role in consolidating of Algeria's Oman relations in the past and present. Based on the above, we have attempted in this study to analyze the subject - after a systematic approach- in the following topics: 1. Introduction to the interesting of Algerian journalists about Oman in modern-day. 2. Algerian press and the contemporary cultural scene in Oman. 3. Algerian press and document the views of the Algerian and Omani on topical issues. Among the findings of the research is the extrapolation of the huge amount of Algerian press material covered by the period of study. That the reasons of Omani-Algerian relationship extend in the depths of history, back to the second century AH, and she has stimulated the efforts of the press pioneers in Algeria and Zanzibar this relation and contributed to its consolidation in this modern age. The study also concluded that the image of the Sultanate of Oman in this press embodies a mosaic of high cultural characteristics. The first is: Oman's adherence to its religious and Arab identity. The second is: his struggle for his freedom and his struggle against colonialism throughout history. The third is: the wrapping of the Omani people around their political leadership and their pride in their scientists. The fourth: the sense of citizenship and co-existence and the entrenchment of the right to difference. The fifth: focus in the renaissance on the humans before the structures, and finally, the image of the Sultanate of Oman in short is: "Is the originality of history, the renaissance of the future, and a worthy example to study and follow-up".


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