scholarly journals Między Wallenrodem a Irydionem. Rzecz o Rozdzióbią nas kruki, wrony… Stefana Żeromskiego

2016 ◽  
pp. 139-164
Author(s):  
Elżbieta Flis-Czerniak
Keyword(s):  
19Th Century ◽  
Special Role ◽  
Historical Novels ◽  
Literary Works ◽  
Unique Position ◽  
The Aesthetic ◽  
The 19Th Century ◽  
Ideological Construction

In the opinion of the author of this article, Żeromski, showing a tragic picture of the January Uprising in Ravens and Crows Will Peck Us to Pieces, runs very skillfully polemic with the views of Stanislaw Tarnowski, both political and social, which are summarized in the hearing From the experiences and reflections, as well as the aesthetic-literary ones, expressed among other things in the works devoted to Arthur Grottger, Polish romantics or in reviews of Sienkiewicz’s historical novels. Irydion and Konrad Wallenrod play a special role in the intricate network of intertextual references presenting in Żeromski’s story. Count Stanislaw Tarnowski spoke many times about these literary works, occupying a unique position in the minds of Poles living in the 19th century. His writings designate the area of controversy, which is the foundation of imaginative and ideological construction of Żeromski’s story Ravens and Crows Will Peck Us to Pieces.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

scholarly journals PEMIKIRAN JAMALUDDIN AL-AFGHANI (JAMAL AD-DIN AL-AFGHANI) (1838 – 1897 M)

2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
The West ◽  
Unique Position ◽  
Islamic Reform ◽  
Other Hand ◽  
The People ◽  
The One ◽  
The 19Th Century

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 

scholarly journals Socio-Political Aspects of Russian Muslim Pilgrimage to Mecca in the XIX-Th Century

2020 ◽  
Vol 38 (Especial II) ◽  
pp. 47-57
Author(s):  
Anvar Ajratovich Gafarov ◽  
Mariam Arslanovna Galeeva
Keyword(s):  
19Th Century ◽  
Special Role ◽  
System A ◽  
Russian State ◽  
Holy Places ◽  
Expert Assessments ◽  
Confessional Identity ◽  
The Stability ◽  
Political Economic ◽  
The 19Th Century

Starting from the middle of the 16-th century, during the foreign policy expansion increase, the ethno-confessional diversity of the Russian state was steadily increasing. The imperial policy aimed at assimilating non-Russian peoples sharply raised the issue of their identity preservation. For domestic Muslims, an important factor in cultural and confessional identity provision was the preservation and development of their traditional ties with the Islamic world. Various political, economic, cultural, and other contacts maintained with the countries of the Muslim East have become the basis for the stability of the Muslim community in Russia under imperial pressure. In this system, a special role was originally played by the Hajj (Muslim pilgrimage to the holy places in the Hejaz), which the official administration had to reckon with. The aim of the proposed study is to identify socio-political aspects, socio-political conditions, and the specifics of the Hajj implementation in the 19th century. After the analysis of office documentation, travel notes of Muslim pilgrims, and expert assessments of orientalists, the authors concluded that, despite the increasing opposition from the authorities, the significance of the Hajj intensifies in the 19th century. Hajj became not only the factor of opposition to imperial acculturation, but also a channel for presentation the ideas of renewal.

scholarly journals Jardines renacentistas de la Villa Ducal de Benavente. El sueño de una utopía

Imafronte ◽  
2021 ◽  
pp. 1-18
Author(s):  
Jose Miguel Morales Folguera
Keyword(s):  
19Th Century ◽  
El Paso ◽  
Early Years ◽  
Three Generations ◽  
Continuous Care ◽  
Siglo Xix ◽  
The Aesthetic ◽  
The 19Th Century

Construidos por tres generaciones de los condes-duques de Benavente, entre 1499 y 1621, como instrumento de disfrute y de prestigio familiar de la villa ducal, los jardines de Benavente se convirtieron en uno de los jardines renacentistas más importantes de España. Desgraciadamente, los cambios en los gustos estéticos de los herederos, el paso de los ejércitos franceses de Napoleón y el abandono de una naturaleza necesitada de su continuo cuidado, hicieron que los jardines desaparecieran en los primeros años del siglo XIX. En este artículo nos proponemos hacer su reconstrucción ideal, con la utilización de los numerosos textos y de la documentación existente. Built for three generations of the count-dukes of Benavente, between 1499 and 1621, as an instrument of enjoyment and family prestige of the ducal town, the Benavente gardens became one of the most important Renaissance gardens in Spain. Unfortunately, the changes in the aesthetic tastes of the heirs, the destruction wrought by Napoleon's army and the abandonment of a nature in need of their continuous care, caused the gardens to disappear in the early years of the 19th century. In this article we propose to make its ideal reconstruction, with the use of the numerous texts and existing documentation.

scholarly journals Romantyczne wędrówki Polaków po Szwajcarii Saskiej

2019 ◽  
Vol 12 ◽  
pp. 149-175
Author(s):  
Ewa Grzęda
Keyword(s):  
19Th Century ◽  
Travel Literature ◽  
Early 19Th Century ◽  
Polish Literature ◽  
History Of ◽  
Polish Language ◽  
The Aesthetic ◽  
Spatial Imagination ◽  
Aesthetic Sensibility ◽  
The 19Th Century

Romantic wanderings of Poles across Saxon SwitzerlandThe history of Polish tourism in the Elbe Sandstone Mountains as well as the literary and artistic reception of the landscape and culture of Saxon Switzerland have never been discussed in detail. The present article is a research reconnaissance. The beginnings and development of tourism in the region came in the late 18th and early 19th century. The 1800s were marked by the emergence of the first German-language descriptions of Saxon Switzerland, which served as guidebooks at the time. From the very beginning Poles, too, participated in the tourist movement in the area. The author of the article seeks to follow the increasing interest in Saxon Switzerland and the appearance of the first descriptions of the region in Polish literature and culture. She provides a detailed analysis of Polish-language accounts of micro-trips to the Elbe Sandstone Mountains by Andrzej Edward Koźmian, Stanisław Deszert, Antoni Edward Odyniec, Klementyna Hoffman née Tańska and a poem by Maciej Bogusz Stęczyński. As the analysis demonstrates, in the first half of the 19th century Poles liked to visit these relatively low mountains in Central Europe and tourism in the region is clearly part of the history of Polish mountain tourism. Thanks to unique aesthetic and natural values of the mountains, full of varied rocky formations, reception of their landscape had an impact of the development of the aesthetic sensibility of Polish Romantics. Direct contact with nature and the landscape of Saxon Switzerland also served an important role in the shaping of spatial imagination of Polish tourists, encouraging them to explore other mountains in Europe and the world, including the Alps. On the other hand thanks to the development of tourist infrastructure in Saxon Switzerland, facilitating trips in the region and making the most attractive spots available to inexperienced tourists, micro-trips to the Elbe Sandstone Mountains marked an important stage in the development of mountain tourism on a popular-recreational level. Polish-language accounts of trips to Saxon Switzerland from the first half of the 20th century are a noteworthy manifestation of the beginnings of Polish travel literature.

The cultural baggage of the desert island

2017 ◽  
Author(s):  
Will Straw
Keyword(s):  
19Th Century ◽  
17Th Century ◽  
Literary Works ◽  
Desert Island ◽  
The 19Th Century ◽  
Cultural Baggage

The notion of the desert island disc has its roots in ideas of travel and self-improvement extending at least as far back as the 17th century. Lists of records to be taken to a desert island follow on from collections of books to be taken on long sea voyages. Descriptions of these collections recur throughout 19th century journalism, then become fashionable in the 1910s and 1920s, when the concept of ‘literature as luggage’ enjoys a brief vogue. By the 1930s, musical recordings begin to take their place alongside lists of literary works, laying the groundwork for Desert Island Discs and other manifestations of a music-oriented turn towards personal musical canons. Noting the ways in which such lists move between expressions of personal affinity and acknowledgements of public canons, the chapter traces the evolution of the travel-list and the shipwreck-list through literature and music from the 19th century onward.

Yuly Aykhenvald’s “Natural Symbolism” (on the Question of the Aesthetic Method)

2021 ◽  
pp. 188-203
Author(s):  
Elena A. Tacho-Godi ◽  
◽  
◽  
Keyword(s):  
Literary Criticism ◽  
19Th Century ◽  
Oscar Wilde ◽  
Philosophy Of Life ◽  
Methodological Principles ◽  
The Aesthetic ◽  
The 19Th Century ◽  
The Relationship

The paper considers the methodological principles of Yu.I. Aykhenvald’s literary criticism. Attention is drawn to the relationship between Aykhenvald’s declared “immanent method” and “principled impressionism” and his own “philosophy of life”. It is proved that Aykhenvald’s version of “impressionism” is much closer to the theory of symbolism than it seemed to contemporaries and researchers. The analysis takes into account both the aesthetic “sympathies” (Apollon Grigoryev, Vladimir Solovyov, Oscar Wilde, Remy de Gourmont, Émile Faguet) and “antipathies” (Vissarion Belinsky, Vasily Rozanov), that influenced Aykhenvald’s interpretation of the heritage of literary critics, philosophers, and writers of the 19th century — Pushkin, Tolstoy, Chekhov.

Legitimating Media: Shakespeare’s Awkward Travels Through Video Games and Twitter

2018 ◽  
Vol 11 (3) ◽  
pp. 418-435 ◽  
Author(s):  
Li Cornfeld ◽  
Victoria Simon ◽  
Jonathan Sterne
Keyword(s):  
Video Games ◽  
19Th Century ◽  
Creative Work ◽  
Interactive Game ◽  
Media Space ◽  
The Aesthetic ◽  
Media Form ◽  
The 19Th Century

Abstract Since the 19th century, Shakespeare references have recurred with surprising consistency in experimental forms of media. This article considers the role of references to and adaptations of Shakespeare texts when a media form takes on a new valence for a set of users in a particular time and place. We consider two different moments at length: a commercial interactive game from 1984 that made novel use of cassettes and sound, and the production and reception of early Twitter adaptations of Shakespeare in 2010. By standing in for the aesthetic possibilities and limits of a changing media space, Shakespearean references and deviations from them serve a key role for artists and critics in debates over the legitimacy and significance of creative work in emergent media. Thus, cultural producers, critics and audiences thus use these sometimes-awkward appearances of Shakespeare as a means of describing their aesthetic potentials and limits.

scholarly journals Perubahan Makna Kata Tengah dalam Hikayat Aceh (1625); Hikayat Siak (1855); dan Belahan Jiwa (2012) (The Change Oof Word Meaning “Tengah” In Hikayat Aceh (1625); Hikayat Siak (1855); And Belahan Jiwa (2012))

JALABAHASA ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 81
Author(s):  
Rissa Yulia Pungkysari
Keyword(s):  
19Th Century ◽  
21St Century ◽  
Lexical Semantics ◽  
Word Meaning ◽  
17Th Century ◽  
Literary Works ◽  
Living Things ◽  
Definition Of ◽  
The 19Th Century ◽  
Bahasa Indonesia

Ibarat makhluk hidup, bahasa mengalami perkembangan yang secara otomatis menghasilkan suatu perubahan. Perubahan dalam bahasa dapat meliputi perubahan dari segi fonologi, morfologi, sintaksis, dan semantik. Penelitian ini membahas perubahan dari segi semantik kata tengah dalam tiga karya sastra yang berbeda periode, yaitu Hikayat Aceh (1625) dari abad ke17, Hikayat Siak (1855) dari abad ke-19, dan Belahan Jiwa (2012) dari abad ke-21. Kalimatkalimat yang mengandung kata tengah dalam ketiga karya sastra diiventarisasi dan dianalisis menggunakan teori Cruse (2000) tentang semantik leksikal dan semantik gramatikal. Berdasarkan hasil analisis, penulis mengidentifikasi lima definisi makna kata tengah dalam karya sastra Hikayat Aceh (1625), Hikayat Siak (1855), dan Belahan Jiwa (2012). Lima definisi makna yang ditemukan meliputi tempat di antara dua tepi, sela/antara, paruh/perdua, sedang, dan sekitar; kira-kira; kurang lebih. Perubahan yang tampak pada pemaknaan kata tengah adalah eliminasi kata tengah yang bermakna sekitar; kira-kira; kurang lebih dalam bahasa Indonesia yang digunakan saat ini.Just like living things, language developes which is automatically produces a change. The changes of language may include the changes in terms of phonology, morphology, syntax, and semantics. This study discusses the semantic changes of the word tengah in three different period of literary works, namely Hikayat Aceh (1625) from the 17th century, Hikayat Siak (1855) from the 19th century, and the Hemisphere (2012) from the 21st century. Sentences which contain the word tengah in all three literary works are collected and analyzed using Cruse's (2000) theory of lexical semantics and grammatical semantics. Based on the results of the analysis, the authors identified five definitions of the meanings of the word tengah in the Hikayat Aceh literature (1625), Hikayat Siak (1855), and Belahan Jiwa (2012). The five definitions of meaning found include tempat di antara dua tepi, sela/antara, paruh/perdua, sedang, and sekitar; kira-kira; kurang lebih. The changes appear in the definition of the word tengah was the elimination of the word tengah which means sekitar; kira-kira; kurang lebih. 

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