scholarly journals „W półsłowa” i „w półdźwięku”… O relacji Zygmunta Krasińskiego i Fryderyka Chopina

2021 ◽  
pp. 65-87
Author(s):  
Ewa Hoffmann-Piotrowska
Keyword(s):  
Literary Work ◽  
Frederic Chopin ◽  
Musical Notation ◽  
Internal Experience ◽  
The Relationship ◽  
Poetry And Music

The article presents the relationship between Frédéric Chopin and Zygmunt Krasiński both on the biographical level and in the relationship between the word and the sound that Krasiński often wrote about in his letters. A special expression of the dialogue between poetry and music described by the poet are Chopin’s compositions to the words of poets contemporary to him, which is especially true about the words of the motto from Krasiński’s poem Ostatni (The last poem). It is extraordinary in the context of Chopin’s songs as it is not only a musical illustration, but also a sophisticated interpretation of the text through music. The attempts to present poetic content through musical notation presented in the article lead to the conclusion about Chopin as a conscious recipient of a literary work who, like Krasiński, saw in the symbiosis of word and sound the possibility for expressing internal experience.

Kajian Sosiologis Terhadap Tema Lakon ‘Domba-domba Revolusi’ Karya Bambang Soelarto

Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid
Keyword(s):  
Sociological Theory ◽  
Essential Element ◽  
Literary Work ◽  
The Political ◽  
Basic Principles ◽  
Historical Figures ◽  
Sociology Of Art ◽  
The Creation ◽  
Relationship Of ◽  
The Relationship

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis

Musical and Literary Portraiture

2017 ◽  
Author(s):  
Joshua S. Walden
Keyword(s):  
Crucial Role ◽  
Gertrude Stein ◽  
Literary Portraits ◽  
The Relationship ◽  
Poetry And Music

The first chapter examines musical portraits of literary figures. It first explores Virgil Thomson’s multiple works in the genre including his portrait of Gertrude Stein, to interpret the influence of Stein’s modernist literary portraits on Thomson’s compositions. It then turns to Pierre Boulez’s orchestral portrait Pli selon pli: portrait de Mallarmé. Analyzing Boulez’s incorporation of elements of Stéphane Mallarmé’s poetry as well as the complex and idiosyncratic theories regarding the relationship between poetry and music that Mallarmé developed in his essays. Through the discussion of these portraits, the chapter addresses the crucial role of language in the musical representation of identity.

The Documentary Imagination in Twentieth-Century French Literature

2020 ◽  
Author(s):  
Alison James
Keyword(s):  
Twentieth Century ◽  
French Literature ◽  
Literary Work ◽  
Visual Media ◽  
Visual Evidence ◽  
Current Events ◽  
Twentieth Century French Literature ◽  
A Site ◽  
Relationship Of ◽  
The Relationship

This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambivalent documentary imagination, present in works by Gide, Breton, Aragon, Yourcenar, Duras, and Modiano (among others), shapes the relationship of literature to visual media, testimonial discourses, and self-representation. Far from turning away from realism in the twentieth century, French literature often turns to the document as a site of both modernist experiment and engagement with the world.

Relation of Tolerance of Ambiguity to Global and Specific Paranormal Experience

1998 ◽  
Vol 83 (3) ◽  
pp. 807-818 ◽  
Author(s):  
James Houran ◽  
Carl Williams
Keyword(s):  
Drug Use ◽  
Undergraduate Students ◽  
Negative Relation ◽  
Tolerance Of Ambiguity ◽  
Paranormal Beliefs ◽  
Internal Experience ◽  
Relationship Of ◽  
The Relationship ◽  
Paranormal Experience

We examined the relationship of tolerance of ambiguity to severe global factors and specific types of anomalous or paranormal experience. 107 undergraduate students completed MacDonald's 1970 AT-20 and the Anomalous Experiences Inventory of Kumar, Pekala, and Gallagher. Scores on the five subscales of the Anomalous Experiences Inventory correlated differently with tolerance of ambiguity. Global paranormal beliefs, abilities, experiences, and drug use were positively associated with tolerance of ambiguity, whereas a fear of paranormal experience showed a negative relation. The specific types of anomalous experiences that correlated with tolerance of ambiguity often involved internal or physiological experience, e.g., precognitive dreams, memories of reincarnation, visual apparitions, and vestibular alterations. We generally found no effects of age or sex. These results are consistent with the idea that some paranormal experiences are misattributions of internal experience to external (‘paranormal’) sources, a process analogous to mechanisms underpinning delusions and hallucinations.

Jauna slota tīri slauka jeb muižnieka Bernharda Magnusa fon Vulfa tiesas prāva pret mācītāju Frīdrihu Danielu Vāru

2021 ◽  
pp. 122-136
Author(s):  
Ginta Pērle-Sīle
Keyword(s):  
Western Europe ◽  
18Th Century ◽  
Contextual Information ◽  
Social Groups ◽  
Literary Work ◽  
Court Case ◽  
Political Events ◽  
The One ◽  
The Relationship ◽  
Research Show

The subject of this article is a court case between Aumeisteri nobleman Berhard Magnus von Wulf (1732–1784) and the minister of Palsmane and Aumeisteri parishes Friedrich Daniel Wahr (1749–1827) about the suspension of the minister from his duties from 1775 to 1779. The aim of the research is to approach the court case as evidence of the different opinions of several social groups where extreme colonial ideas in Vidzeme meet Enlightenment ideas from Western Europe. At the same time, the court case is a source of contextual information for a better understanding of the development of Wahr’s literary and folkloristic heritage. The research is based on studies of documents found in the Latvian State History Archive that are approached using the culture-historical and comparative methods, thus trying to contextualize certain events in a specific place and time. The results of the research show the Palsmane and Aumeisteri society as typical of the second part of the 18th century. The existence of specific social groups, particularism, and the implementation of colonial attitudes by the local nobility are also evident. The attitude of Wahr towards Latvian peasants shows the influence of Enlightenment, especially his efforts in education. The relationship between the parish and its minister incorporates evidence of a syncretic praxis with pagan and Christian traditions. In the light of political events of that particular time, i. e. peasant rebels in Vidzeme, the court case allows Wulf’s accusations to be treated as an opportunity to decrease the implementation of Enlightenment ideas, thus safeguarding the local nobility’s power. At the same time, the court case is a source of biographic, private, and daily life details. The broad range of the parish territory which was often challenging to navigate, the modest means of the minister, and distancing of the local nobility on the one hand, along with the influence of enlightenment ideas, on the other hand, are the most probable grounding for Wahr’s folkloristic and literary work.

scholarly journals Mythe de beauté et image de soi chez une adolescente dans « Robert des noms propres » d’Amelie Nothomb

FRANCISOLA ◽  
2019 ◽  
Vol 3 (2) ◽  
pp. 153
Author(s):  
Tania INTAN
Keyword(s):  
Descriptive Analysis ◽  
Literary Work ◽  
The Novel ◽  
Main Character ◽  
Mots Clés ◽  
Holistic View ◽  
Self Image ◽  
Wide Range ◽  
French Speaking ◽  
The Relationship

RÉSUMÉ. Cette étude vise donc à prouver surtout la relation entre le ballet, l'anorexie, et l'image de soi chez le personnage principal du roman Robert des Noms Propres, écrit en 2013 par Amélie Nothomb, une auteure francophone de Belgique. Cette recherche utilise la méthode d'analyse descriptive, pour obtenir une vue holistique des problèmes dans l'œuvre littéraire, qui ont été étudié en utilisant l'approche psychologique. Cette écriture est préparée en utilisant un large éventail de documents liés au thème du ballet, l'anorexie, et l'image de soi chez les filles. Le résultat de la recherche montre qu'il existe une relation causale entre ces trois elements cités. Le trouble de l'alimentation s’est montré depuis l’enfance du personnage principal qui devient anorexique en raison d'un traumatisme, les influences de l'environnement, ainsi que les exigences de sa profession en tant que danseuse de ballet. Cette recherche apporte également l’information que l’image de soi chez l’adolescente s’est formé dans les aspects cognitifs, affectifs, et psychomotoriques. Mots-clés : ballet, anorexie, image de soi, adolescente ABSTRACT. This study aims to prove above all the relationship between ballet, anorexia, and self-image in the main character of the novel Robert des Noms Propres, written in 2013 by Amélie Nothomb, a French-speaking author from Belgium. This research uses the method of descriptive analysis, to obtain a holistic view of the problems in the literary work, which were studied using the psychological approach. This writing is prepared using a wide range of documents related to the theme of ballet, anorexia, and self-image in girls. The result of the research shows that there is a causal relationship between these three elements. The eating disorder has been shown since the childhood of the main character who becomes anorexic due to trauma, environmental influences, as well as the demands of her profession as a ballet dancer. This research also brings the information that the adolescent's self-image has formed in the cognitive, affective, and psychomotoric aspects. Keywords: ballet, anorexia, self-image, adolescent girls

scholarly journals Personality Disorder in Terms of Psychology and Linguistics

2021 ◽  
pp. 48-61
Author(s):  
Boris Ju. Norman ◽  
Keyword(s):  
Personality Disorder ◽  
Dissociative Identity Disorder ◽  
Literary Work ◽  
Multiple Personality Disorder ◽  
Triggering Mechanism ◽  
Multiple Personality ◽  
Material Texts ◽  
The Relationship ◽  
And Linguistics ◽  
The Ideal

The article analyzes cases of multiple personality disorder (dissociative identity disorder) and their reflection in fiction. The purpose of the article is to classify various situations and identify the causes and prerequisites for this phenomenon. The process of splitting consciousness is accompanied by certain changes in the individual’s speech. This concerns the choice of words and grammatical forms (especially forms of the person’s category). The collected material (texts of novellas, short stories, poems, and screenplays) gives grounds for some conclusions. The main prerequisites for dissociative identity disorder are the versatility of the personality, the ability to look at it “from the inside” and “from the outside,” as well as the individual’s tendency to constantly evaluate his thoughts and actions. Past violence, severe stress, internal discomfort, etc. can act as a cause (“triggering mechanism”) of the phenomenon under study. The author shows cases of endoscopic and exoscopic disintegration of identity using literary facts. In the latter case, there is a connection with the Freudian concept of the “Ideal I”, which includes an observer. The topic of doubles, which is immensely popular in art, and the relationship between the author of a literary work and his pseudonym are also touched upon.

scholarly journals The Strasbourg Visual Scale: A Novel Method to Assess Visual Hallucinations

2021 ◽  
Vol 12 ◽  
Author(s):  
Anne Giersch ◽  
Thomas Huard ◽  
Sohee Park ◽  
Cherise Rosen
Keyword(s):  
Visual Information ◽  
Subjective Experience ◽  
Physical Property ◽  
Visual Hallucinations ◽  
Visual Scale ◽  
The World ◽  
Novel Method ◽  
Internal Experience ◽  
The Relationship ◽  
Disorders Of The Self

The experience of oneself in the world is based on sensory afferences, enabling us to reach a first-perspective perception of our environment and to differentiate oneself from the world. Visual hallucinations may arise from a difficulty in differentiating one's own mental imagery from externally-induced perceptions. To specify the relationship between hallucinations and the disorders of the self, we need to understand the mechanisms of hallucinations. However, visual hallucinations are often under reported in individuals with psychosis, who sometimes appear to experience difficulties describing them. We developed the “Strasbourg Visual Scale (SVS),” a novel computerized tool that allows us to explore and capture the subjective experience of visual hallucinations by circumventing the difficulties associated with verbal descriptions. This scale reconstructs the hallucinated image of the participants by presenting distinct physical properties of visual information, step-by-step to help them communicate their internal experience. The strategy that underlies the SVS is to present a sequence of images to the participants whose choice at each step provides a feedback toward re-creating the internal image held by them. The SVS displays simple images on a computer screen that provide choices for the participants. Each step focuses on one physical property of an image, and the successive choices made by the participants help them to progressively build an image close to his/her hallucination, similar to the tools commonly used to generate facial composites. The SVS was constructed based on our knowledge of the visual pathways leading to an integrated perception of our environment. We discuss the rationale for the successive steps of the scale, and to which extent it could complement existing scales.

Clothing Matter: Thomas Carlyle’s Sartor Resartus

2018 ◽  
pp. 259-271
Author(s):  
Philipp Erchinger
Keyword(s):  
Scientific Knowledge ◽  
Ways Of Knowing ◽  
Literary Work ◽  
Material World ◽  
Personal Experiences ◽  
Building Activities ◽  
Bridge Building ◽  
The Relationship ◽  
A Performance

The book concludes with a reading of Thomas Carlyle’s Sartor Resartus. For this work can be characterised, the chapter suggests, as a performance of, and meditation on, what the foregoing sections were meant to examine: namely the bridge-building activities or ways of knowing through which personal experiences of the material world come to be dressed in recognisable social or ideal forms. The chapter ends with an attempt to situate the practice-based approach developed in Artful Experiments within a wider theoretical debate about the relationship between literary work and scientific knowledge.

Maskenspiel und Seelensprache

2020 ◽  
Author(s):  
Ingo Müller
Keyword(s):  
International Research ◽  
Research Literature ◽  
Musical Aesthetics ◽  
Musical Compositions ◽  
The Individual ◽  
The Relationship ◽  
Romantic Aesthetics ◽  
Poetry And Music

This two-volume monograph entitled “Maskenspiel und Seelensprache” (Masquerade and the Language of the Soul) addresses the tension between Robert Schumann’s aesthetics of music and Heinrich Heine’s post-Romantic aesthetics of poetry. In volume 1, Ingo Müller examines both the relationship between Schumann’s views on literary Romanticism in terms of musical aesthetics and the specific poetic aesthetic tendencies of Heine’s early poetry. Müller’s subsequent poetry and music analyses of Schumann’s musical compositions for all of Heine’s solo songs highlight the aforementioned tension in detail from both a literary and music studies perspective and allow examples of poetry and music converging and diverging to emerge clearly (volume 2). In this way, this study makes an interdisciplinary contribution to research into Heine’s early poetry and how Schumann set it to music. At the same time, it represents a compendium on Heine’s “Buch der Lieder” (Book of Songs) and Schumann’s music to it, which, in addition to its detailed examinations of the individual works of both men, provides an up-to-date overview of the far-reaching and broad international research literature on this subject.

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