scholarly journals How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century

2020 ◽  
Vol 73 (2) ◽  
pp. 267-325
Author(s):  
Emily H. Green

Written in the form and style of the popular “novel of circulation” (or “it-narrative”), this article examines and provides an experience of the performance practices of eighteenth-century amateur music. It tells the typically complex history of a minor hit, “Come Haste to the Wedding,” a tune that was sung in a 1760s Drury Lane pantomime, rewritten as a rondeau for London publishers, danced as a jig in Irish and Scottish halls, transcribed as a fiddle tune by a captain in the Continental Army, circulated as a flute or guitar melody as far abroad as Calcutta, and collected by a young loyalist in Charleston, South Carolina. I argue that common to all these versions—and among many similar and neglected amateur genres, including sectional variation sets and dance collections—was the practice of desultory reading. The term “desultory” itself comes from the period, and the practice suggested here extrapolates from evidence of readers' experience of approaching literature and periodicals out of order. Many musical texts asked readers to skip between pages and sections, rondeaux chief among them but also instructional treatises. Some of those same treatises, by C. P. E. Bach (1753–62) and Quantz (1752), hint at desultory reading in subtle admonitions. Through a lively engagement with period style, this article outlines a new definition of music reading informed by eighteenth-century language and practical context, a definition attuned to the ocular and physical habits of the era's most plentiful practitioners: domestic performers of domestic music.

2017 ◽  
Vol 80 (4) ◽  
pp. 474-487
Author(s):  
Marie-Pauline Martin

Abstract Today there is a consensus on the definition of the term ‘rococo’: it designates a style both particular and homogeneous, artistically related to the reigns of Louis XV and Louis XVI. But we must not forget that in its primitive formulations, the rococo has no objective existence. As a witty, sneering, and impertinent word, it can adapt itself to the most varied discourses and needs, far beyond references to the eighteenth century. Its malleability guarantees its sparkling success in different languages, but also its highly contradictory uses. By tracing the genealogy of the word ‘rococo’, this article will show that the association of the term with the century of Louis XV is a form of historical discrimination that still prevails widely in the history of the art of the Enlightenment.


Author(s):  
Ahmad S. Dallal

Replete with a cast of giants in Islamic thought and philosophy, Ahmad S. Dallal’s pathbreaking intellectual history of the eighteenth-century Muslim world challenges stale views of this period as one of decline, stagnation, and the engendering of a widespread fundamentalism. Far from being moribund, Dallal argues, the eighteenth century--prior to systematic European encounters--was one of the most fertile eras in Islamic thought. Across vast Islamic territories, Dallal charts in rich detail not only how intellectuals rethought and reorganized religious knowledge but also the reception and impact of their ideas. From the banks of the Ganges to the shores of the Atlantic, commoners and elites alike embraced the appeals of Muslim thinkers who, while preserving classical styles of learning, advocated for general participation by Muslims in the definition of Islam. Dallal also uncovers the regional origins of most reform projects, showing how ideologies were forged in particular sociopolitical contexts. Reformists’ ventures were in large part successful--up until the beginnings of European colonization of the Muslim world. By the nineteenth century, the encounter with Europe changed Islamic discursive culture in significant ways into one that was largely articulated in reaction to the radical challenges of colonialism.


2019 ◽  
Vol 95 (5) ◽  
pp. 1055-1073 ◽  
Author(s):  
Barry J. Ryan

Abstract This article details the evolution of maritime security from the perspective of its impact on the historical architecture of sea space. It argues that, as the fundamental unit of governance, zoning provides keen insight into the mechanics of maritime security. The article observes that Britain's Hovering Acts in the late eighteenth century represent the earliest example of modern zonation at sea and that they exhibit a shift from early modern territorial claims based on imperium and dominium. The article explores the way these hovering zones shaped the rationale underlying contemporary maritime security. It finds that maritime security has effectively relegated national security to a minor spatial belt of state power, while elevating non-traditional understandings of security to the level of global existential threat. The future of maritime security is under construction. Increasingly segmented by interconnecting, overlapping, multi-functional zones that seek to regulate all free movement and usage of the sea, security developments are reorganizing the maritime sphere. Nonetheless, the article argues, despite the novelty of this development, a historical military logic persists in new formations of security-oriented practices of maritime governance.


1981 ◽  
Vol 17 ◽  
pp. 1-32 ◽  
Author(s):  
Nicholas Temperley

The fuging psalm or hymn tune is a form whose existence one would hardly suspect from any history of English music. Yet is was a product of the Church of England, and there are more than six hundred and fifty specimens in English eighteenth-century printed sources alone. Its neglect is readily explained by the fact that it lies on the borderline of art music: the musicians who developed it were obscure country singers without professional training; but at the same time it does not fall within the definition of ‘folk music’ that we have inherited from the Cecil Sharp era, for it is written music designed for rehearsed performance. We may or may not wish to hear or sing these tunes today. But our understanding of eighteenth-century English musical life must be incomplete if it does not take into account a form that was so distinctive and so widely appreciated at the time.


1970 ◽  
Vol 9 (2) ◽  
pp. 71-101 ◽  
Author(s):  
Pat Rogers

The text for this essay comes from Sir Lewis Namier. “One has to steep oneself in the political life of a period,” so the decree reads, “before one can safely speak, or be sure of understanding, its language.” This article is an attempt to supply, not a complete grammar of Augustan politics, but a minor lexicographical entry. Historians sometimes talk as though the most urgent need were for an advanced glossary. The assumption behind this essay is that a more elementary gradus is required. The two key words under review, “party” and “faction,” have always occupied neighbouring berths in the British synonymy. Unfortunately, in the eighteenth-century vocabulary of politics, they became overlapping concepts. Or rather — this is the trouble — they sometimes merged, partially or completely; sometimes they did not; and sometimes they were even employed as antonymous terms. Examples of all these contrary applications are found in the work of Swift and Bolingbroke. As with other lexicographical enquiries, then, usage and abusage must be considered, as well as the simple dictionary definition of these terms.IEdmund Burke is still, in some quarters, valued more highly as a prophet than as a political thinker. His forecasts of the likely course of the Revolution have brought him a reputation for the occult among those who hold his moral views in little esteem, even though he may be regarded, most unfairly, as a sorcerer's apprentice who was engulfed by his own charmed vision.


1990 ◽  
Vol 23 (1) ◽  
pp. 3-24 ◽  
Author(s):  
Michael Ben-Chaim

The concept of electrical conductivity, or, as initially coined by Stephen Gray (1666–1736), ‘electrical communication’, has always been assigned an important role in the history of electrical research. Some thirty-five years after Gray's ‘electrical communication’ acquired wide attention, Priestley employed the concept of conductivity to define physical reality, thus giving a privileged position to the science he himself endeavoured to cultivate. As he argued in the introduction to The History and Present State of Electricity (1767), ‘the electrical fluid is no local, or occasional agent in the theatre of the world. Late discoveries show that its presence and effects are every where … It is not, like magnetism, confined to one kind of bodies, but every thing we know is a conductor or nonconductor of electricity’. Contemporary historians, for example, Heilbron, Home and Hackmann, link the concept of conductivity to a radical transformation of electrical research which pertained to its mode of organization and the definition of its subject-matter, and which culminated in its emergence as a distinctive branch of eighteenth-century ‘experimental philosophy’.


ICR Journal ◽  
2010 ◽  
Vol 2 (1) ◽  
pp. 18-45
Author(s):  
Mohammad Hashim Kamali

The long history of Islamic scholarship on caliphate, shari’ah-oriented policy (siyasah shar'iyyah) and system of government (nizam al-hukm) has yielded a rich legacy which is, nevertheless, beset with uncertainties in conjunction with modern developments on government and constitutional law. Uncertainties have persisted over the basic concept and definition of an Islamic polity and the existence or otherwise of a valid precedent and model for an Islamic state. This is partially caused by a tendency in modern writings to apply the nation-state ideas of eighteenth-century Europe to the events of early Islam some twelve centuries earlier and doubtful parallels that have been attempted to be drawn between them. This article attempts first to identify the causes of the problem and then proceeds with an overview of the evidence in the Qur’an and Sunnah and contributions of a cross-section of schools and scholars on the subject. This is followed by a general characterisation of an Islamic system of rule under five sub-headings, the first of which describing Islamic government whether Islamic state, and Iran in particular, is a theocracy, whether Islam stands for a qualified democracy, and whether it also upholds separation of powers. The last section discusses freedom of religion and religious pluralism in an Islamic polity followed by a conclusion and recommendations.  


2018 ◽  
Vol 79 (4) ◽  
pp. 373-396
Author(s):  
James Mulholland

Abstract For decades scholars have relied on the concept of circulation to explain the operation of texts and to animate the significance of literary studies. Its overuse has elided differences in the virtual relationships created by reading and has blurred empirical details about the production and consumption of texts. Circulation has been turned into a “widespread cultural ideal” and remains one of the least examined stipulations of literary study. For these reasons, reconsidering its role in literary study is essential. The eighteenth century was a vital period for the creation of a modern definition of circulation, so this essay returns to one especially pertinent case from that period, Helenus Scott’s it-narrative The Adventures of a Rupee (1782), which describes the movements of a rupee coin in the world economy. Attending to the linguistic form and publication history of Scott’s novel offers a model of circulation that emphasizes coagulation and stasis rather than liquidity, mobility, and flows. This model explains how texts repeat while altering preexisting forms of circulation, which has consequences for understanding how reading publics arise and reproduce themselves.


2006 ◽  
Vol 75 (4) ◽  
pp. 768-808 ◽  
Author(s):  
Thomas J. Little

Despite the continuing “discovery of southern religious history” and the growing scholarly fascination with southern intellectual and cultural history, historians of the South have devoted all too little attention to the origins of southern evangelicalism in the colonial period. Over the past thirty years or so, they have generally tended to follow the lead of Samuel S. Hill, Jr., arguably the single most important and influential southern religious historian, who concluded in an interpretive survey article that “the history of religion in the South before it was the South … is, in all candor, not very impressive.” In his pioneering Religion in the Old South, for instance, Donald G. Mathews paid but scant attention to the origins of popular Protestantism in the South during the middle decades of the eighteenth century. What is more, he focused almost exclusively on colonial Virginia.


2016 ◽  
Vol 26 (2) ◽  
pp. 184-226 ◽  
Author(s):  
Linford D. Fisher

Abstract“Not Evangelical”! and who is this,With serpent’s tongue, that dares the sentence hiss?1—Day K. Lee, Universalist minister, 1841Recent academic use of the word “evangelical” in American history has been surprisingly static. Drawing upon scholars of “evangelicalism,” historians have been tied to an “essentialist,” or doctrinal, definition of evangelicalism that stretches unbroken from the early eighteenth century to the present. Such ahistorical readings, however, obscure a far more interesting and complex reality. This essay argues that from the Protestant Reformation through the early twentieth century, to be “evangelical” was most often a Protestant-inflected way of being in the world, which at times could have multiple, changing, and contested doctrinal associations. It was a flexible and dynamic idiom, intended to communicate a relative biblical authenticity by those who wielded it. In particular, this essay seeks to recover three overlooked dimensions of the use of the word “evangelical”: first, the firmly Protestant and even anti-Catholic implication of the term that spanned the history of Protestantism from the 1520s to the twentieth century; second, the relative authenticity, “true-Christian” usage, which contained within it a strong “primitivist” impulse with reference to New Testament Christianity; and third, the contested nature of the word, particularly in the nineteenth and early twentieth centuries, when “evangelical” identity supposedly started to become more recognizable.


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