Chitown Loves You

2019 ◽  
Vol 31 (2) ◽  
pp. 127-146 ◽  
Author(s):  
George Villanueva

Donald Trump’s 2016 presidential campaign rhetoric about violence in Chicago spatialized a narrative that branded the city as the poster child of urban disarray. His bombast lacked any contextual understanding of the issue and offered no productive pathways for collective solutions. Alternatively, I argue in this paper that a rising collection of Chicago hip hop artists were producing musical discourses in 2016 that not only challenged Trump’s negative rants, but also spatialized a multilayered narrative of the intersections between hip hop and activism in the city. Through textual analysis of three tracks from three breakout artists in 2016, my goal is to show how hip hop enables audiences to imagine Chicago’s 1) structural resistance to violence in the city’s communities of color, 2) a sense of place and belonging among the city’s youth, and 3) a loving and unapologetic “black liberation” lens to social movements in the city.

Author(s):  
Jonathan Diesselhorst

This article discusses the struggles of urban social movements for a de-neoliberalisation of housing policies in Poulantzian terms as a “condensation of the relationship of forces”. Drawing on an empirical analysis of the “Berliner Mietenvolksentscheid” (Berlin rent referendum), which was partially successful in forcing the city government of Berlin to adopt a more progressive housing policy, the article argues that urban social movements have the capacity to challenge neoliberal housing regimes. However, the specific materiality of the state apparatus and its strategic selectivity both limit the scope of intervention for social movements aiming at empowerment and non-hierarchical decision-making.


2020 ◽  
Vol 4 (4) ◽  
Author(s):  
Nurwan Nurwan ◽  
Ali Hadara ◽  
La Batia

ABSTRAK: Inti pokok masalah dalam penelitian ini meliputi latar belakang gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna, Faktor-faktor yang mendorong gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna, proses gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna dan akibat gerakan sosial masyarakat Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna? Latar belakang gerakan sosial masyarakat Kampung Labaluba yaitu keadaan kampungnya yang hanya terdiri dari beberapa kepala keluarga tiap kampung dan jarak yang jauh masing-masing kampung membuat keadaan masyarakatnya sulit untuk berkomnikasi dan tiap kampung hanya terdiri dari lima sampai dengan tujuh kepala keluarga saja. Kampung ini letaknya paling timur pulau Muna terbentang dari ujung kota Raha sekarang sampai kampung Wakuru yang saat ini. Kondisi ini juga yang menjadi salah satu faktor penyebab kampung ini kurang berkembang baik dibidang ekonomi, sosial politik, pendidikan maupun di bidang kebudayaan. Keadaan ini diperparah lagi dengan sifat dan karakter penduduknya yang masih sangat primitif. Faktor yang mendorong adanya gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna adalah adanya ketidaksesuaian antara keinginan pemerintah setempat dan masyarakat yang mendiami Kampung Labaluba pada waktu itu. Sedangkan proses gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna bermula ketika pemerintah seolah memaksakan kehendaknya kepada rakyat yang menyebabkan rakyat tidak setuju dengan kebijakan tersebut. Akibat yang ditimbulkan dari adanya gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna terbagi dua yaitu akibat positif dan akibat negatif.Kata Kunci: Gerakan Sosial, Factor dan Dampaknya ABSTRACT: The main issues in this study include the background of the social movement of Labaluba Village, Kontumere Village, Kabawo Sub-District, Muna District, Factors that encourage social movements of Labaluba Kampung Sub-village, Kontumere Village, Kabawo Sub-District, Muna District, the social movement process of Labaluba Village, Kontumere Village, Kabawo Sub-District Muna Regency and due to Labaluba community social movements Kontumere Village Kabawo District Muna Regency? The background of the Labaluba Kampung community social movement is that the condition of the village consists of only a few heads of households per village and the distance of each village makes it difficult for the community to communicate and each village only consists of five to seven households. This village is located east of the island of Muna stretching from the edge of the city of Raha now to the current village of Wakuru. This condition is also one of the factors causing the village to be less developed in the economic, social political, educational and cultural fields. This situation is made worse by the very primitive nature and character of the population. The factor that motivated the existence of the social movement of Labaluba Village in Kontumere Village, Kabawo Subdistrict, Muna Regency was the mismatch between the wishes of the local government and the people who inhabited Labaluba Village at that time. While the process of social movements in Labaluba Village, Kontumere Village, Kabawo District, Muna Regency began when the government seemed to impose its will on the people, causing the people to disagree with the policy. The consequences arising from the existence of social movements in Labaluba Village, Kontumere Village, Kabawo District, Muna Regency are divided into two, namely positive and negative effects. Keywords: Social Movements, Factors and their Impacts


2021 ◽  
Vol 33 (4) ◽  
pp. 152-170
Author(s):  
Alex Blue V

This article explores the use of sound, lyrics, and performance as tools for spatial reorientation and reimagining, identity formation and affirmation, and counternarrative or counterarchive in a rapidly gentrifying contemporary Detroit, Michigan. Two discrete, yet discursively linked case studies are presented—performances by the same artist in two different spaces—that exhibit various modes of “flipping,” slang that can refer to multiple transformative practices in contemporary Detroit. These practices include the use of overdetermined spaces, or spaces that have been declared abandoned or vacant, for something other than their original intent—i.e. using a decommissioned automobile plant as a music video set; sampling, which can be understood as using sonic components from previously recorded songs in the creation of new hip-hop beats; buying homes in a state of disrepair, fixing and reselling them at large profits; and inverting meaning itself, via slang or coded language. Additionally Black techniques of sounding and performance are illuminated, with a focus on echo as a mode of co-creation. These various practices are all responses to the growing wave of gentrification that gains momentum in the city daily. The analysis draws primarily from ethnographic research conducted from 2016 to 2018, culling data from participant observation, recorded interviews, informal conversations, field notes, lyrical and video analysis, and the analysis of mediated accounts, both print and online. As the analysis shows, the strategies utilized by artists in Detroit ensure that no matter how much the spaces in Detroit continue to change, and no matter how much an attempt is made to provide racially curated space through various forms of violence, you’re only ever a block from the ‘hood.


2014 ◽  
Vol 3 (06) ◽  
pp. 67-81
Author(s):  
Pablo Tascón España

El presente estudio busca comprender bajo un enfoque naturalista cómo en un periodo denominado por autores de las Ciencias Sociales ( Bajoit, 2009; Sandoval, 2010) de “cambio cultural”, emerge el movimiento Hip Hop y su particular forma de expresión en la ciudad de Punta Arenas. La investigación tiene un objetivo central y busca interpretar la relación entre la expresión contracultural y los jóvenes que son parte de tal, como así también sus significados respecto al ser actores del mismo. La investigación pretende identificar, entonces, la lógica de acción actual de los jóvenes y a su vez dilucidar si existe relación o no con la raíz histórica del movimiento Hip Hop, es decir una expresión de disidencia en razón de la estructura social establecida y las contradicciones que afloran de la misma. The following study aims to understand under the naturalist approach how in a period called for authors of the social sciences (Bajoit, 2009; Sandoval, 2010) of “cultural change”, emerges the Hip Hop movement and its particular form of expression in the city of Punta Arenas. The research has a main objective and seeks to interpret the relation between the expression counterculture and the young people that are part of it, likewise the meaning concerning to be actors of it. The research pretends to identify the logic of current action of the youngsters and at the same time elucidate if there is a relation or not with the historical root of the movement “Hip Hop”, i.e. an expression of dissent aiming with the social structure established and the contradictions that came out from itself.


ILUMINURAS ◽  
2017 ◽  
Vol 18 (44) ◽  
Author(s):  
Guillermo Stefano Rosa Gómez ◽  
Jose Luis Abalos Junior ◽  
Manoel Cláudio Mendes Gonçalves da Rocha

O presente artigo é resultado de um diálogo entre três experiências de produção coletiva de pesquisa etnográfica, que têm em comum os temas juventude, imagem e cidade. Um conjunto de nove etnografias visuais foi realizado a partir de uma parceria entre os pesquisadores associados ao Núcleo de Antropologia Visual (NAVISUAL/PPGAS/UFRGS) e os estudantes da disciplina de Antropologia Visual (2016/1) ministrada ao curso de Ciências Sociais da UFRGS sob a coordenação da antropóloga e professora Cornelia Eckert. As reflexões que aqui apresentamos percorrem um processo de ensino-aprendizagem implicado na experiência dos três autores enquanto estagiários docentes nesta disciplina. A proposta lançada consistiu em um exercício etnográfico a ser desenvolvido ao longo do semestre letivo, tendo como eixo temático as “intervenções artísticas urbanas”, no qual os discentes trabalhariam coletivamente no formato de grupos de trabalho, sob a orientação dos estagiários e pesquisadores do Navisual. Como desdobramento de tais experiências, foi produzida uma expografia compartilhada em parceria com o Departamento de Difusão Cultural (DDC/UFRGS) e o projeto UNIFOTO, que ficou exposta na galeria do Hall da Reitoria da UFRGS entre os meses de agosto e setembro de 2016. Destacamos neste trabalho o diálogo e convergências entre três abordagens que percorrem universos empíricos específicos na cidade de Porto Alegre - as Batalhas de MCs, os itinerários e trajetórias de jovens praticantes de skate, e o evento Feira do Hip Hop - propondo uma abordagem imagética em torno do tema das “intervenções artísticas urbanas”, tendo em vista compreender as formas sensíveis através das quais estes sujeitos experienciam, praticam e transformam o viver urbano.Palavras Chaves: Cidade; Imagem; Juventude; Antropologia Visual; Formas Sensíveis.Youth, Image and city: experiences of ethnographic research with urban youngs in Porto AlegreAbstract  This paper is a result of a dialogue between three experiences of collective ethnographic work which have in common the categories of image, youth and city. A group of nine visual ethnographies was carried departed of a partnership of researchers associated with the “Núcleo de Antropologia Visual (NAVISUAL/PPGAS/UFRGS) and the students of the course of Visual Anthropology assign in Social Science under the coordination of Cornelia Eckert. The reflection that we present here go through a process of learning and teaching, based on the experience of the three autors. The proposal launched consisted in a etnographic exercise to be developped alonge the semester, under the bow of a tematic pivot: "urban artistic intervention".As a result of these experiences, a shared exhibition was produced in partnership with the Department of Cultural Diffusion (DDC / UFRGS) and the UNIFOTO project, which was exhibited in the gallery of the Rectory Hall of UFRGS between August and September 2016. We highlight in this work the dialogue and convergences between three approaches that explore specific empirical universes in the city of Porto Alegre - the MCs Battles, the itineraries and trajectories of young skateboarders, and the Hip Hop Fair - proposing an imaging approach around (Sansot, 1983, Ledrut, 1984; Rocha, 1995) through which these subjects experience, practice and transform urban living.Key words: City. Image. Youth. Visual Anthropology. Sensible Forms.     


Author(s):  
Stephan F. De Beer

In the past decade, significant social movements emerged in South Africa, in response to specific urban challenges of injustice or exclusion. This article will interrogate the meaning of such urban social movements for theological education and the church. Departing from a firm conviction that such movements are irruptions of the poor, in the way described by Gustavo Gutierrez and others, and that movements of liberation residing with, or in a commitment to, the poor, should be the locus of our theological reflection, this article suggests that there is much to be gained from the praxis of urban social movements, in disrupting, informing and shaping the praxis of both theological education and the church. I will give special consideration to Ndifuna Ukwazi and the Reclaim the City campaign in Cape Town, the Social Justice Coalition in Cape Town, and Abahlali baseMjondolo based in Durban, considering these as some of the most important and exciting examples of liberatory praxes in South Africa today. I argue that theological education and educators, and a church committed to the Jesus who came ‘to liberate the oppressed’, ignore these irruptions of the Spirit at our own peril.


2019 ◽  
Vol 16 (31) ◽  
pp. 164-174
Author(s):  
Alexsandra Rodrigues LIMA ◽  
Flávia Cristiane Vieira da SILVA ◽  
José Euzebio SIMÕES NETO

The use of experiments is an important didactic strategy for the chemistry teaching, for motivation and learning of scientific contents, especially when designed in accordance with research teaching, in order to encourage questioning, planning and explanations based on evidence, actions essential for understanding the contents of chemistry. The present work had the objective of evaluating the potential of a continued formation of for chemistry teacher’s workshop, as well as analyzing the impressions of these teachers on experimental work through teaching by investigation. For this, it was conducted the referred workshop focused on the approach of experimentation in a perspective of teaching by investigation with six chemistry teachers of the High School in the city of Serra Talhada, Pernambuco. The application of the workshop occurred in two moments, totaling eight hours. To compose the proposal of continued formation the following activities were used: comics, videos, theoretical classes, presentation of experiments, among other resources. The data were collected from the use of a camera for recording in audio and video, in addition to the material produced by the participating teachers and were analyzed using description/reflection of the actions and discursive textual analysis, respectively. It was possible to perceive the evolution of teachers' conceptions about the use of experimentation in teaching, in a movement of convergence for ideas of work with experimental activities in the perspective of teaching by research


2019 ◽  
Vol 10 (1) ◽  
pp. 193-219
Author(s):  
Fiammetta Bonfigli ◽  
Germano Andre Doederlein Schwartz ◽  
Fabricio Pontin

This work is part of the research project developed by the Observatory on New Social Movements and Law in Brazil at La Salle University, focusing in the city of Porto Alegre and on the occupation of the City Council on July of 2013, which is placed in the context of the protests against the increase of bus fares and for free fare, attempting to understand the relationship between the political organization of the Bloco de Lutas pelo Transporte Publico and its legal group during the eight days of City Council occupation. We conducted semi-structured interviews with members of the occupation in order to clarify the dynamics in the movement and its understanding of the relationship between law and social movements, highlighting the deferment of the eviction order and the elaboration of two Bills as fundamental moments of the relationship between the collective organization of the occupation and its legal team. Este artículo forma parte de un proyecto de investigación desarrollado por el Observatorio de Nuevos Movimientos Sociales y Derecho de la Universidad La Salle de Brasil. Nos centramos en la ciudad de Porto Alegre y en la ocupación de su ayuntamiento en julio de 2013, en el contexto de las protestas contra el aumento de las tarifas de autobús y a favor del transporte gratuito. Intentamos comprender la relación entre la organización política del Bloco de Lutas pelo Transporte Publico y su grupo jurídico durante los ocho días que duró la ocupación. Realizamos entrevistas semiestructuradas con miembros de la ocupación para aclarar las dinámicas del movimiento y cómo entendía la relación entre derecho y movimientos sociales, destacando el aplazamiento de la orden de desalojo y la elaboración de dos leyes como momentos fundamentales de la relación entre la organización colectiva de la ocupación y su equipo jurídico.


2017 ◽  
Vol 6 (3) ◽  
pp. 166
Author(s):  
Alice Vignoli Reis ◽  
Mônica Botelho Alvim

ResumoNossas cidades sãofortemente marcadas por processos de segregação socioespacial que as dividem em territórios  estrangeiros, cada qual com seu universo cultural próprio. Essesestrangeirismos frequentemente colocam desafios às práticas de extensão universitária, ou outras práticas de pesquisa e trabalho que colocam em contato distintos universos culturais. Apartir da experiência de se sentir estrangeira na Favela da Mangueira, que se deu no âmbito de um projeto de extensão universitária vinculado ao Instituto de Psicologia da UFRJ,pretendemos traçar uma reflexão sobre como delimitam-seessas fronteiras urbanas e sobre as possibilidades de invenção do comum em uma cidade dividida, colocando em diálogo nossas experiências no campo com as elaborações de autores da fenomenologia, filosofia política, história, arte e urbanismo. Buscamos colaborar, desta forma, com aqueles que atuam emprojetos de pesquisa-intervenção, extensão universitária, movimentos sociais, ONGs e outras formas de organização social que trabalhem em zonas fronteiriças dentro da cidade.Palavras-chave: Segregação Urbana; Produção do Comum; Estética; Política; Pesquisa-Intervenção.AbstractOur cities are keenly characterized by processes of socio-spatial segregation which divide them into estranged territories, each with its own cultural universe. Such estrangements areoften challenging to university extension practices, as wellas to other work and research practices which foster contact between different cultural universes. Based on our experience of‘feeling like a foreigner’ in the Favela da Mangueira during a university extension project associated with the Institute of Psychology of the Federal University of Rio de Janeiro, we offer a reflection on how urban partitions arise and how we can invent the common in a divided city. We look to make our experiences in the field conversant with the works of authors from different areas, such as phenomenology, political philosophy, history, art and urbanism. Thus, we seek to collaborate with other researchers who direct research-intervention projects, university extension, social movements, NGOs and other types of social organizations working in urban fringe zones.Keywords: Urban Segregation; Production of the Common; Aesthetics; Politics; Research-Intervention.


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