scholarly journals Newest Historiographic Studies of the Ukrainian Icon-Painting of The Last Judgment

2019 ◽  
Vol 22 (3) ◽  
pp. 5-11
Author(s):  
А. К. Григорак
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
21St Century ◽  
Soviet Period ◽  
Historical Sources ◽  
Political Independence ◽  
Modern Age ◽  
Last Judgment ◽  
Nineteenth And Twentieth Centuries ◽  
The Stranger

The analysis of features of iconography, stylistics, coloring and manner of execution of compositions of the Last Judgment is devoted to many scientific works. Despite this, the issue of the peculiarities of symbolism and source potential of the Stranger Judgment icons remains inexhaustible. The article is devoted to the analysis of the latest scientific research of the XXI century. Dedicated to the Ukrainian iconography of the Last Judgment. The main achievements and discoveries in the Work of Researchers are described for the development of the research of the Contemporary Issues in the historical and artistic key words. The potential of Ukrainian iconography research is also determined in the article. Studying the historiographical aspect of the research of Ukrainian icons, the specificity of approaches and areas of analysis of iconographic samples as historical sources by historians and art historians of the XXI century is traced. Historiography of the plot of the Last Judgment of the modern age is presented by the works of several authors: Ivan Himki, Lilya Berezhnoy, Marty Fedak, Lyudmila Milyaeva, etc. Analyzing this topic, we should mention that the literature of the nineteenth and twentieth centuries more focuses on aesthetic, especially on the artistic meaning of icons. Actually, the iconography of this period is formed -first as a branch of history and archeology, and from the end of the nineteenth century, as a branch of art studies. Studies of the twentieth century have some disadvantages caused by the influence of the Soviet period, in which there was no place for the icon just as a spiritual sanctuary, as sources of religious outlook of society. Particularly, this was due to the Marxist-Leninist “methodology”, that is, the approach to the icon as a painting, without taking into account its symbolic significance. With the restoration of Ukraine’s political independence at the end of the ХХ century the anti-religious propaganda was stopped and the community began to return to the spiritual origins, one of which is Christianity, including its components to which icons also belong to the Orthodox tradition. And precisely because of the great importance of the Ukrainian icon painting of the Last Judgment, there are scientific works of the 21st century that make it possible to look at the icon with completely different approach.

The Italian Role in the Construction of the Concept “Pole-Catholic”

2009 ◽  
Vol 24 (2) ◽  
pp. 254-268
Author(s):  
Lidia Jurek
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
National Identity ◽  
Political Independence ◽  
National Movement ◽  
National Imagination ◽  
Nineteenth And Twentieth Centuries ◽  
The Way

In considering the concept of “Pole-Catholic,” it might well be asked not if it had real grounds but in what circumstances it was constructed. Although the Polish national identity in its current shape was “Catholicized” mostly in the twentieth century, the previous age—the nineteenth century—as a time of constant struggle for political independence has been regarded as having the most formative effect on Polish national imagination. This article discusses an important moment in the construction of the concept “Pole-Catholic.” It shows that far before the idea of Roman Dmowski (from the turn of the nineteenth and twentieth centuries), who claimed that only a Catholic was a good Pole, the strong identification of Polish nationalism with Catholicism had been insistently articulated by Polish conservative groups. The discourse of the Catholic Polish nation appeared in (and even dominated) the debate on the Italian Risorgimento. Between 1848 and 1871, discussing the Italian—papal conflict, the conservatives created their religious programme for Poland and took advantage of the popularity of the Italian national movement among Poles to promote it in their writings. Their equation of Polishness with Catholicism appeared to leave a strong trace in the formation of the Polish identity and continues to inform the way in which Poles are perceived nowadays.

scholarly journals FORMATION AND ACTIVITY OF MILITARY AVIATION IN THE UKRAINIAN ARMY (1918–1920): A HISTORIOGRAPHICAL ESSAY

2019 ◽  
Vol 32 ◽  
pp. 196-210
Author(s):  
Sergyi GUBSKYI
Keyword(s):  
Twentieth Century ◽  
Organizational Structure ◽  
Key Words ◽  
21St Century ◽  
Military Operations ◽  
The West ◽  
Economic Interests ◽  
Independent State ◽  
Military Aviation

The article deals with the issues of formation, organizational structure, activities of aviation units of the West Ukrainian National, Hetmanate and the Directory of the Ukrainian People's Republic (1918–1920) in memoir literature and scientific historiographic studies of the 20s of the 20th and the beginning of the 21st century. In these writings of Ukrainian diaspora and domestic authors, the emphasis is on the role of aviation of Ukrainian independent state formations in protecting their sovereignty, territorial integrity and economic interests. A new direction in the study of historiography on this subject is the work devoted to the biographies of Ukrainian aviators of that period. Further scientific developments in this direction will serve as a thorough study of various aspects of the Ukrainian statehood of the first half of the twentieth century. Key words: aviation, Western Ukrainian People's Republic, Hetmanate, Ukrainian People's Republic, memoirs, historiography, independence, flights, military operations, aviators, Poland, bolsheviks, planes, army, Ukrainian scientists.

scholarly journals Islamic perspective on the social cataclysms in the history of Kazakhstan (on the example of the heritage of the school “Zar zaman”)

2020 ◽  
Vol 133 (4) ◽  
pp. 87-99
Author(s):  
N. Nurtazina ◽  
◽  
A. Azmukhanova ◽  
Keyword(s):  
General Characteristic ◽  
Soviet Period ◽  
Political Regime ◽  
Historical Sources ◽  
Political Independence ◽  
The People ◽  
Ethnic Consciousness ◽  
History Of ◽  
The Russian Empire ◽  
The 19Th Century

The texts of traditional poetry «Zar zaman» («the era of sorrow») are a special reflection of the pessimistic, anti-colonial and religious sentiments of the Kazakhs in connection with the negative perception in the collective memory of the colonial system of the Russian Empire on the territory of Kazakhstan. These samples of poetry, which illustrate the Islamic self-consciousness of educated Kazakhs, such as the poets Shortanbai, Dulat, Murat, and others, remained insufficiently studied during the Soviet period. Although over the years of political Independence in Kazakhstan, an objective study of this topic has begun, but in the available studies, a philological approach prevails, and the connection with Islam is not considered. The spiritual heritage of the Kazakh school «Zar zaman» requires deep interdisciplinary research. It is not excluded that they can be used as alternative historical sources in the study of issues of religion, ethnic consciousness and culture of Kazakhs. In these works, created by the Kazakh poets of a religious and philosophical direction that are opposed to the political regime, a peculiar Kazakh historical self-consciousness is reflected, an interesting interpretation of the civilizational conflict between the empire and the nomads is given. At the same time, the general characteristic of the “Zar zaman” school is regret and lamentation over the fact of political defeat from tsarism and the moral degradation of the people in the spirit of the religious and eschatological ideas of Sharia and Sufism. The poetry texts “Zar zaman” are interesting in the context of the discourse on Kazakh Islamic identity related to the 19th century, since the assessment of social cataclysms in them is given in accordance with one of the main plots of the Muslim worldview - the expectation of the End of the World (“Akyr zaman”).

Eating Out in the Nineteenth and Twentieth Centuries: Changes in Food and in Social Identities

2018 ◽  
Author(s):  
Christel Lane
Keyword(s):  
Twentieth Century ◽  
Social Identities ◽  
Rapid Urbanization ◽  
General Terms ◽  
Quality Of Food ◽  
Nineteenth And Twentieth Centuries ◽  
Eating Out ◽  
Gender And Nation ◽  
The Impact

This chapter examines the impact of rapid urbanization and industrialization on food and eating out. It draws attention to the growing standardization of food and, with greater class differentiation, to the growing diversity in eating-out venues. Class, gender, and nation are again used as lenses to understand the different eating-out habits and their symbolic significance. Towards the end of the twentieth century, pubs moved more fully towards embracing dining. However, the quality of food, in general terms, began to improve significantly only towards the end of the century, and hospitality venues also moved towards selling food from diverse national origins.

Alien Internment in John Galsworthy’s ‘The Bright Side’ and ‘The Dog It was that Died’

2021 ◽  
Vol 30 (1) ◽  
pp. 45-61
Author(s):  
Jill Felicity Durey
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Human Nature ◽  
Second World War ◽  
World War ◽  
Historical Sources ◽  
Internment Camp ◽  
Bright Side ◽  
Second World ◽  
John Galsworthy

This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.

Integration of the Tatar communityto Azerbaijani society

2021 ◽  
Vol 69 (08) ◽  
pp. 20-26
Author(s):  
Эллада Амирага гызы Аббасова ◽  
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
International Cooperation ◽  
Ethnic Minorities ◽  
Cultural Exchange ◽  
Common Origin ◽  
The World ◽  
Future Events ◽  
The Republic ◽  
The Relationship

The development of international cooperation in the field of culture is extremely important, since it ensures wide and in-depth interaction between states and peoples, makes a real opportunity for dialogue, unites the cultures of the peoples of the world. Two fraternal countries have actively taken root in international cultural exchange; Azerbaijan and Tatarstan. Azerbaijan is a multicultural country that is home to many peoples and ethnic minorities. Representatives of the peoples inhabiting this region are full citizens of the Republic of Azerbaijan, including the Tatars. The radical transformations that befell these countries at the end of the twentieth century influenced future events and their development. The Azerbaijani and Tatar peoples, whose relations have a long history, are linked by a common origin, similarity of language, culture and traditions. The relationship between the two peoples has strengthened even more during the years of independence. Key words: Tatars in Azerbaijan, activities of the Tatar community, cultural exchange, Tugan-Tel, Yashlek, Ak-Kalfak

scholarly journals World Domination Games and its Impact on the 21st Century

2017 ◽  
Vol II (1) ◽  
pp. 44-56
Author(s):  
Haseeb Ur Rehman Warrich ◽  
Muhammad Rehman ◽  
Sahrish Jamil
Keyword(s):  
Economic Growth ◽  
Twentieth Century ◽  
British Empire ◽  
21St Century ◽  
Profound Impact ◽  
The World ◽  
Sustainable Economic Growth ◽  
And Control ◽  
Great Game ◽  
Game Changer

No other element impacted the historical conditions of the preceding 100 years to such an extent as the war to secure and control the world's reserves of petroleum. Sustainable economic growth after 1873, that discouraged British Empire, arose mechanical economies in Europe. Central Asia remained the object of rivalries and machination by the giant countries of the Europe. World Domination Games started from Pillage Games that lead towards many “Games” such as Great Game, New Great Game, Game Changer and New Game Changer. All prefect countries desire to have a control over the world for the last two centuries. Their efforts turn into numerous clashes and clashes led towards wars. In the twentieth century wars transformed not only their names but also their genetics that has profound impact on the 21st Century. This laid foundation of the emerging new superpowers in every century.

scholarly journals TRACTION CONCEPT «REHABILITATION» IN THE FRENCH MEDICINE SYSTEM

World Science ◽  
2019 ◽  
Vol 2 (5(45)) ◽  
pp. 4-6
Author(s):  
M. Danylevych ◽  
R. Koval ◽  
B. Ivanytska ◽  
Y. Kazimova
Keyword(s):  
Twentieth Century ◽  
Everyday Life ◽  
Birth Defects ◽  
21St Century ◽  
State Power ◽  
Physical Culture ◽  
Social Phenomenon ◽  
Persons With Disabilities ◽  
Congenital Birth Defects ◽  
Tools And Methods

Given the increase on the planet of the number of people with congenital birth defects, technocratization of society, an increase in the number of persons with disabilities was expected at the beginning of the 21st century to one billion consequently, disability is a worldwide social phenomenon, which should be the focus of every country, its bodies of state power and administration, scientists and physicians, psychologists and educators, specialists in physical culture and sports. So, we see that under the concept «réadaptation» (f) in France, a set of tools and methods used by the relevant specialists to rehabilitate persons with disabilities, as well as simply patients, in order to return them to the maximum possible conditions of everyday life. The twentieth century in France is characterized by the creation of a number of organizations whose activities are aimed at working with such people.

scholarly journals A história oral visita o cinema: Que bom te ver viva e Los Rubios

2016 ◽  
Vol 2 (1) ◽  
pp. 118
Author(s):  
Ana Maria Veiga
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
Oral History ◽  
Time History ◽  
Film Maker ◽  
Political Resources ◽  
Palabras Clave ◽  
Brazilian Film ◽  
Siglo Xx

ResumoEste artigo relaciona o cinema, como meio de comunicação, à história oral e seus entrelaçamentos com a história do tempo presente, atentando para os testemunhos, utilizados como recurso estético e político nos filmes Que bom te ver viva, da cineasta brasileira Lúcia Murat, e Los rubios, da argentina Albertina Carri. Podendo ser categorizadas como documentários-ficção, ambas as realizações lidam com os traumas resultantes da violência ditatorial em seus países de origem, na segunda metade do século XX. Em que medida servem estes filmes como fontes para estudos que se apoiam na história oral é o que pretendemos discutir neste artigo. Palavras-chave: Cinema; História oral; Que bom te ver viva; Los rubios AbstractThis article aims to treat cinema, as a way of communication, in its relationship with Oral History and its ties with Present Time History, attempting to testimonies used as aesthetic and political resources inside films like Que bom te ver viva, by the Brazilian film maker Lúcia Murat, and Los rubios, by the Argentine film maker Albertina Carri. Categorized as fictional documentaries, both films deal with the traumas that result of dictatorial violence in their countries of production, in the second half of the twentieth century. How can these films be used as sources of investigation by studies based on Oral History is a question to be answered in this article. Key-words: Cinema; Oral History; Que bom te ver viva; Los rubios ResumenEste artículo relaciona el cine, como medio de comunicación, a la historia oral y sus entrelazamientos con la historia del tiempo presente, al atentar para los testimonios utilizados como recurso estético y político en las películas Que bom te ver viva, de la realizadora brasileña Lúcia Murat, y Los rubios, de la argentina Albertina Carri. Categorizadas como documentales-ficciones, las dos películas se llevan con los traumas resultantes de la violencia dictatorial en sus países de origen, en la segunda mitad del siglo XX. En que medida sirven estas películas como fuentes para los estudios basados en la historia oral es lo que pretendemos discutir en este artículo. Palabras-clave: Cine; Historia oral; Que bom te ver viva; Los rubios. Disponível em:Url:http://opendepot.org/2773/Abrir em (para melhor visualização em dispositivos móveis - Formato Flipbooks):Issuu / Calameo

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