scholarly journals Economic impact of the museum tourism in Barcelona city

2018 ◽  
Vol 16 (2) ◽  
pp. 123-134
Author(s):  
Alber-Pol Miró

The city of Barcelona has become a prime tourist destination thanks to good planning initiated following the Olympic Games in 1992. The Barcelona brand has been consolidating through characteristics such as an important cultural heritage, a situation favorable climatic and significant in the field of fairs and congresses, differentiating it from the rest of the competition both domestic and international investment. One of the points that has been boosted lately has been the cultural tourism, but this is based on the extensive cultural heritage of Barcelona and not in the museum infrastructures. The aim of this study is to provide information on the economic contribution posed by museums to total tourism revenue. From the information provided by the Government of Catalonia, the museums themselves, as well as other studies of matter.ResumenLa ciudad de Barcelona se ha convertido en un destino turístico de primer orden gracias a una buena planificación iniciada a raíz de los Juegos Olímpicos de 1992. La marca Barcelona se ha ido consolidando a través de unas características tales como un importante patrimonio cultural, una situación climática favorable y una inversión considerable en el ámbito de la celebración de ferias y congresos, que la diferencian del resto de la competencia tanto nacional como internacional. Uno de los puntos que se ha potenciado últimamente ha sido el turismo cultural, pero éste se ha basado en el amplio patrimonio cultural de Barcelona y no en las infraestructuras museísticas El objetivo de este estudio es dar información sobre la aportación económica que suponen los museos de la ciudad respecto a los ingresos totales del turismo. A partir de la información suministrada por la Generalitat de Cataluña, los propios museos, así como otros estudios de la materia.ResumoA cidade de Barcelona tornou-se um primo destino turístico graças a um bom planejamento iniciado após os Jogos Olímpicos de 1992. A marca Barcelona tem vindo a consolidar através de características tais como um importante património cultural, uma situação climática favorável e significativa no domínio das feiras e congressos, diferenciando-o do resto da concorrência, tanto o investimento nacional e internacional. Um dos pontos que tem sido impulsionado ultimamente tem sido o turismo cultural, mas isso é baseado na extensa herança cultural de Barcelona e não nas infraestruturas do museu. O objetivo deste estudo é fornecer informações sobre a contribuição econômica representada pelos museus à receita total do turismo. A partir das informações fornecidas pelo Governo da Catalunha, os próprios museus, bem como outros estudos da matéria.

2020 ◽  
Vol 7 (1) ◽  
pp. 48-55
Author(s):  
Yoyon Indrayana

The city of Cirebon has a lot of potential for both tangible and intangible historical cultural heritages, so it is only right that the Cirebon city government makes all the riches of historical cultural heritage as a potential for future tourism. A comprehensive and integrated effort is needed in developing the city of Cirebon as a city for cultural tourism by involving many stakeholders, both from the government, DPRD, private sector, community and also actors of art and culture, so that Cirebon City can become a leading cultural tourism city. The large number of cultural potentials it has compared to other areas in West Java Province, makes Cirebon City has a very big opportunity to become a city for cultural tourism that is superior to others. With so many cultural heritages from various historical periods that are owned, there is no doubt that the superiority of cultural heritage values ​​in the city of Cirebon has a very high value and must be preserved and maintained as part of the effort to preserve the nation's culture. In order to further increase tourism in the city of Cirebon, contemporary tourist destinations need to be developed to serve the desires and tastes of tourists. The Karangwangi Corridor can be a strategy for developing cultural tourism that can be done. Several attempts to make it happen, such as; physical arrangement of roads that are good and beautiful, engineering traffic so they don't get jammed, arrangement of pedestrians so that pedestrians feel comfortable, arrangement of green open spaces so that the area becomes shady, arrangement of street furniture that adds to the aesthetics of the road, arrangement of city lights as lighting, arrangement billboards to be orderly and beautiful, and so on.


2021 ◽  
Vol 10(1) (10(1)) ◽  
pp. 349-375
Author(s):  
José Valverde-Rodaa ◽  
Gema Gomez-Casero ◽  
Tomás López-Guzmán ◽  
Miguel Jesús Medina-Viruel

In recent times, it has been noticed that cultural tourism attracts millions of people. One interesting aspect is the analysis of WHS (World Heritage Site) destinations or cultural destinations that have an inscription WHS. This research has the goal of analysing the different groups of tourists who visit a cultural destination with an inscription WHS, specifically the city of Granada (Spain). For this, segmentation was performed, studying the socio-demographic profile of the tourists and their assessment of the attributes of this destination. For the tourist segmentation, two models have been followed. Four different groups of tourists were found: alternative, cultural, emotional and heritage. In this last one, the relationship between curiosity about the culture of the tourist destination and the heritage visited has a determining role. This study makes an important contribution to the literature regarding the links between the tourist and the historic and monumental heritage they visit and their tourist behaviour.


2017 ◽  
Vol 14 (1) ◽  
pp. 71-89
Author(s):  
Ruchira Das

Olchiki is the indigenous script of Santals, a dominant tribal community of West Bengal, formulated to promote and represent ‘adi’ cultural heritage and traditions in their mother tongue Santali. The script was recognised by the Government of West Bengal in 1978 and was introduced at the primary level of education. However, there have been contestations around its appropriateness as the medium of instruction for the migrant tribal community in the emerging context of the city and globalisation. These discourses have led to the formation of two distinct groups—those who support the introduction of Santali language in Olchiki as a means to formal education and those who resist usage of its script for schooling. In my article, I will present these conflicting views prevailing among the migrant Santals of a settlement called Santragachi, in Kolkata.


2019 ◽  
Vol 4 (7) ◽  
Author(s):  
Ary Sulistyo

<p><em>The function of a city is not only for economic development, but also the city tells the story of the collective memory of its citizens who still exist in their past culture. These culture are the city's cultural resources for tourism. One of them is the Kotatua area of Jakarta, there is a Chinatown area, known as Glodok. This study aims to describe how the Glodok Chinatown cultural area was transformed into an urban tourist destination from the 18th century to the present. This area has many historical attractions or historical tourist destinations such as centers of sacred activity (temples / temples, and churches), as well as profane activity centers (markets, roads / alleys, etc.). Therefore the future development must refer to Law No. 11 of 2010 concerning Cultural Heritage that the use of cultural heritage must be based on protection and development not the other way around. So that it is expected that conservation-based tourism in the Glodok Chinatown area can sustain well without any changes which certainly damage the element of authenticity as Chinatown areas in Jakarta and Indonesia in general.</em><em></em></p><p> </p><p>Keyword: <em>Kotatua, Glodok, City, Cultural Heritage, Tourism</em></p>


Author(s):  
Sonia Mileva ◽  
◽  
Mariana Assenova ◽  
Emil Petrov ◽  
Veneta Gyurova ◽  
...  

Gamified applications are gaining increasing popularity for marketing reasons. The paper explores the specifics of gamed applications for Sofia as a tourist destination based on the cultural and historical heritage of the city. As a result, leading good practices in Europe have been studied and a detailed analysis of the most popular applications for Sofia, their capabilities and limitations has been carried out. Keywords: Gamification, Sofia, In English. Cultural Heritage, Tourist Destination


Author(s):  
AA Gde Bagus Udayana ◽  
Nengah Bawa Atmadja ◽  
I Nyoman Dhana

The regional regulation issued by the Provincial Government Number 2 of 2012 defines that Tri Hita Karana is a Hindu philosophy explaining the three things which contribute to prosperity. Therefore, the promotional media of tourism should be ideally based on the ideology of Tri Hita Karana. However, the fact shows that it has been marginalized in the promotional media of the Bali cultural tourism. In relation to this, three main theories are used in the present study. They are the theory of deconstruction, the theory of practice, and the theory of social reality construction. The qualitative, descriptive, and interpretative methods were employed to analyze the data, which were collected through in-depth interview, observation and documentary study.             Based on the result of the study, it can be concluded that the capitalistic ideology, the ideology of cultural dualism, the ideology of consumerism, the ideology of commercialism, the ideology of totalitarianism, and the ideology of pseudo-social responsibility have been responsible for the marginalization of the ideology of Tri Hita Karana in the promotional media of the Bali cultural tourism. The system used to deconstruct the promotional media of the Bali cultural tourism involves the government, private companies, and the graphic design consultants. They are oriented towards their respective ideology and interest. The ideology and interest-oriented promotional media of the Bali cultural tourism affect the image of Bali as a tourist destination. The implications are as follows: Bali is an area of the culture of tourism; it is an area where postmodern people live; it is an area  where glocalization takes place; it is an area where modern spirituality develops; it is also an area where the identity of the Balinese people and culture is shown not to be in accordance with the fact.


2020 ◽  
Vol 3 (1) ◽  
pp. 28
Author(s):  
R. Gati Reditya Saputra ◽  
Linda Kusumastuti Wardana

Mojo village, located in Mojo, Ngeposari, Semanu, Gunung Kidul. The distance from the city of Yogyakarta is approximately 20 km to the east. There are various types of tourism in this village, ranging from agriculture, nature tourism, cultural tourism, to handicrafts. Nature tourism is also diverse such as Goa Gesing, Goa Jlamprong, Goa Sinden, and Embung Jlamprong. However, there is one of the tourist attractions in the Mojo Tourism Village. However, it is necessary to manage governance from the potential infaq, zakat, and shodaqoh to improve the ability of the community. In terms of planning, there is no governance and transaction income that originates from the income of indigenous people because of the recording and documentation that is not optimal. The direct benefits derived from tax payments to the Government are felt to be lacking. Therefore it is necessary to conduct financial management training and management of zakat, infaq and shodaqoh management for the surrounding community so that it can be used quickly, in accordance with the budget and costs incurred during Zakat, Infaq and Shodaqoh use. By issuing good and documented zakat, infaq and shodaqoh, the manager of the Mojo hamlet will more easily get capital to develop the region's economy. The program to achieve targets and outcomes consists of two areas namely training on ZIS financial management and collection of zakat, infaq and shodaqoh for special communities in the Mojo hamlet. Each plan consists of 2 activities, namely preparation and briefing as well as implementation.Key Word: escalation of working capital, financial governance, ZIS


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Agseora Ediyen ◽  
Shuri Mariasih Gietty Tambunan

In order to be acknowledged as a World Heritage Centre by UNESCO in 2016, the city government transformed Sawahlunto, which used to be an old mining city, into what the government claimed as a culturally touristic mining city. The city had basically been declared as a dead city; however, the government has strategically increased its economics through tourism. This article focuses on the meaning-making process in the construction of the city image(s) basing the process in the discussion of the politics of collective memory and cultural heritage. Data, mainly findings from observations, interviews and textual analysis, were collected from two tourism sites namely Goedang Ransoem Museum and Lubang Tambang Mbah Soero. The aim of the research is to interpret how the people in Sawahlunto make sense of the image construction of the city or even contest it as the government conveyed particular meaning in redefining the city‟s identity. Abidin Kusno‟s conceptualization of collective memory in architecture is mainly used to analyze the architectural elements of the two tourism sites. Furthermore, the analysis also refers to Hobsbawn and Thompson‟s notion of cultural heritage and Leif Edvinson‟s images of the city. Research findings reveal that the city government constructs a dominant meaning of what they convey as cultural heritage by utilizing local laws and the authority from other regions which have more experiences in transforming their city into a city of cultural heritage. On the other hand, the people in Sawahlunto have their own understanding of what their city means for them in relation to their own cultural heritage. All in all, the complexity of the meaning-makitng process in the city‟s transformation between the government and the people could be read as a battleground of contesting discourses.


2020 ◽  
Vol 32 (4) ◽  
pp. 928-945
Author(s):  
Alexei Kraikovski ◽  
Nikita Bogachev ◽  
Ivanna Lomakina

This paper presents the first findings of a research investigation into understudied aspects of the touristic use of St. Petersburg’s cultural heritage, notably the development of the ‘Maritime Capital of Russia’ as a tourist brand. We argue that the effectiveness of this imaginary ‘Maritime City’ entails a complex approach based on the concept of ‘Maritimity’. Through this perspective we consider the numerous maritime heritage sites of the city as a dynamic playground for the cultural play of heritage consumption. Using guidebooks as a key historical source, we demonstrate how and why touristic representations of St. Petersburg’s maritime past have been transformed, and explore the link between the general development of the country between 1980 and 2003 and the maritime element in the vision of St. Petersburg as a tourist destination.


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