scholarly journals Domestic animals as symbols and attributes in Christian iconography: some examples from Croatian sacral art

2015 ◽  
Vol 46 (No. 4) ◽  
pp. 101-107 ◽  
Author(s):  
A. Škrobonja ◽  
I. Kontošić ◽  
J. Bačić ◽  
V. Vučevac-Bajt ◽  
A. Muzur ◽  
...  

The aim of this paper was to register the domestic animals appearing in the iconography of Christian saints and to explain their association. The source of knowledge was literature dealing with hagiographies of saints, sacral iconography and liturgy along with visiting churches, monasteries and museums throughout Croatia. After research in sacral literature and works of art lasting several years, it was observed that the following domestic animals appear as accompanying about seventy Christian saints: bees, bull, camel, cow, dog, donkey, goose, dove, horse, lamb, pig, sheep, steer. Reasons and explanations of their association are most often in practical relations (the animal serves and helps the man). However, in the animal, the most varied symbolic, especially ethical and morality messages are personified very often. Especially interesting are saints honoured as patrons of particular animals and of professionals occupied with animals. In human medicine, they are most frequently protectors from zoonoses, too. In some cases, animals are attributed to saints because of the linguistic association resulting from similarity of the names of animals and saints. In the same way, domestic animals are present in sacral art as a part of ambient decoration, too. In addition, it can also be interesting from the historical and ethnic veterinary point of view. Presented examples show how, by interdisciplinary approach to sacral art and tradition, we can come to other numerous findings surpassing mere religious messages. In this case, these are contributions to the history of veterinary medicine in the widest sense.

Author(s):  
Maryna Streltsova

The precedent of the Kaniv All­Ukraine Symposium “Shevchenkivsky Park” in 2007 laid the foundation for the formation of a new model of the state symposium of national importance. This in conjunction with the municipal symposia subsequently stimulated the introduction of a private model. The objectives of the research, was through an art­study and comparative analysis; taking a representative sample of sculptural ensembles of state and private symposia to determine their specificity, common features and perspectives.As a result of the study, it is acknowledged that neither state nor private symposium models are benchmarked, since they can`t avoid of unsuccessful works of art in terms of their technical performance; or from the point of view of conformity of their concept; nor can they prevent from making mistakes during installation of a sculptural ensemble. Similarly the state format has the potential for development, under the condition of proper financing and balanced cultural policy of the state and local authorities. The general discrepancies between state and private symposia consists of concepts and exposition principles of symposium sculpture parks. Additionally in case of private sculptural symposia, private or public space is exempted from the integral information mission and gives a chance to use this place for rest and contemplation. This explains the greater percentage of abstract sculptural works in the Kaniv symposia. State symposia raise questions of the ethno­national and cultural identity of Ukrainians, dealing with certain "memory places", therefore, they are called to create interpretive works of art; that mentally and spiritually integrate the recipient into the history of a particular environment.So, in both models; the clear formulation of the communicative task and the definition of the exhibition strategy of various spaces are implied. This is illustrated by the nearby Kaniv parks of symposium sculptures — “Knya­ zhaya Hora” and “Shevchenkivsky Park”.


2011 ◽  
Vol 47 (2) ◽  
pp. 73-82 ◽  
Author(s):  
Michael Higginbotham ◽  
Donald Levesque

The endoscope was first developed over 200 yr ago. Endoscopy has since been applied to many disciplines of medicine. Its application to the nervous system was initially slow and not widely accepted and mainly involved the biopsy of tumors and the treatment of hydrocephalus. Several reasons for neuroendoscopy's limited use include inadequate endoscope technology, high skill level required, the advent of the surgical microscope, and the development of other treatments such as ventricular shunting. Over the past 50 yr, improvements in optical glass lenses, fiber optics, and electrical circuitry has led to better equipment and a revival of neuroendoscopy. Neuroendoscopy is now used in many diseases in human medicine including hydrocephalus, neoplasia, and intracranial cysts. This review presents the history of neuroendoscopy, the equipment and technology used, and the possible translation of techniques currently used in human medicine to veterinary medicine.


Discourse ◽  
2020 ◽  
Vol 6 (5) ◽  
pp. 16-28
Author(s):  
A. V. Yurieva

Introduction. As a spatial art, architecture is related to the past, the present and, thanks to its monumentality, is fixed in the foreseeable future. As the history of the study of the categories of space and time in the history of philosophy and science shows us, it is possible to obtain significant results only in the process of their synthetic study. In contemporary studies on the philosophy of architecture we most often encounter close attention to the category of space, which is quite natural. However, the category of temporality is no less important for understanding the architectural heritage.Methodology and sources. The methodological basis of the work is historical, cultural, and semiotic analysis. The main approach is interdisciplinary. The sources used were philosophical  texts  related  to  the  problem  of  time  (P. P.  Gaidenko,  V. I.  Ukolova, A. Ya. Gurevich, A. N. Loy, K. N. Pavlyuts, V. N. Finogentov), theoretical works on architecture (A. V. Nekrasov, K. Nornberg-Schultz, N. A. Ladovsky, Z. Gidion, A. Rappoport), as well as materials in which architects reveal the essence and specifics of their professional activities (R. Bofill, D. Libeskind).Results and discussion. In philosophy, temporality is understood as a collective concept that includes several components. The results of the study are the following conclusions: for the perception of architectural space, the temporal characteristics of both the object and the subject are important; the concept of historical memory contained in the heritage of architecture must be approached as carefully as possible; in temple architecture, through the stability of spatial solutions, the temporal characteristics of the object are preserved; at transitional moments of time, there is often a change in style and its temporal characteristics.Conclusion. Along with the category of space, the category of time in architecture is essential, and should not be of secondary importance in the analysis, development, renovation or preservation of any buildings. The history of architecture shows us the depth and complexity of the category of temporality at different levels. It turns out to be promising to study this problem in an interdisciplinary approach, since it is no longer enough to research it only from the point of view of objectively real forms of existence of matter. There is a need to consider it from the point of view of philosophical and socio-cultural interpretation.


Author(s):  
Robert G. W. Kirk ◽  
Michael Worboys

This article surveys the present position of the animal within the history of human medicine, linking this to work in the history of veterinary medicine, and also speculates on the value of making ‘species’ a central and unifying theme of a new history of medicine. It mentions that re-conceiving medicine as a set of knowledge-practices grounded in interspecies interactions promises to reinvigorate the subject. It draws on a diverse theoretical literature ranging from ‘animal studies’ to ‘post-human’ literature in order to suggest how such an approach could allow us to re-imagine what medicine has been and still may be. This is a timely project as the medical and veterinary professions, after long debating the notion of ‘one medicine’ as ‘a common pool of knowledge in microbiology, immunology, physiology, pathology and epidemiology’, are now calling to develop the field.


2015 ◽  
pp. 151-158
Author(s):  
A. Zaostrovtsev

The review considers the first attempt in the history of Russian economic thought to give a detailed analysis of informal institutions (IF). It recognizes that in general it was successful: the reader gets acquainted with the original classification of institutions (including informal ones) and their genesis. According to the reviewer the best achievement of the author is his interdisciplinary approach to the study of problems and, moreover, his bias on the achievements of social psychology because the model of human behavior in the economic mainstream is rather primitive. The book makes evident that namely this model limits the ability of economists to analyze IF. The reviewer also shares the author’s position that in the analysis of the IF genesis the economists should highlight the uncertainty and reject economic determinism. Further discussion of IF is hardly possible without referring to this book.


2006 ◽  
pp. 112-127 ◽  
Author(s):  
V. Nazarov

The attempts to reconstruct the instruments of interbudget relations take place in all federations. In Russia such attempts are especially popular due to the short history of intergovernmental relations. Thus the review of the ¬international experience of managing interbudget relations to provide economic and social welfare can be useful for present-day Russia. The author develops models of intergovernmental relations from the point of view of making decisions about budget authorities’ distribution. The models that can be better applied in the Russian case are demonstrated.


2008 ◽  
Vol 63 (4) ◽  
pp. 769-770
Author(s):  
Csaba Pléh

Danziger, Kurt: Marking the mind. A history of memory . Cambridge University Press, Cambridge, 2008Farkas, Katalin: The subject’s point of view. Oxford University Press, Oxford, 2008MosoninéFriedJudités TolnaiMárton(szerk.): Tudomány és politika. Typotex, Budapest, 2008Iacobini, Marco: Mirroring people. The new science of how we connect with others. Farrar, Straus and Giroux, New York, 2008Changeux, Jean-Pierre. Du vrai, du beau, du bien.Une nouvelle approche neuronale. Odile Jacob, PárizsGazzaniga_n


2020 ◽  
Vol 4 (1) ◽  
pp. 67-86
Author(s):  
Elisabeth Heyne

AbstractAlthough visual culture of the 21th century increasingly focuses on representation of death and dying, contemporary discourses still lack a language of death adequate to the event shown by pictures and visual images from an outside point of view. Following this observation, this article suggests a re-reading of 20th century author Elias Canetti. His lifelong notes have been edited and published posthumously for the first time in 2014. Thanks to this edition Canetti's short texts and aphorisms can be focused as a textual laboratory in which he tries to model a language of death on experimental practices of natural sciences. The miniature series of experiments address the problem of death, not representable in discourses of cultural studies, system theory or history of knowledge, and in doing so, Canetti creates liminal texts at the margins of western concepts of (human) life, science and established textual form.


2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.


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