scholarly journals CONCEPT OF SPACE IN PHILOSOPHY AND CULTURAL STUDIES OF THE XX CENTURY

2018 ◽  
Vol 8 (4) ◽  
pp. 112-117
Author(s):  
Dmitry N. ORLOV ◽  
Natalia A. ORLOVA

A review of some concepts of man-made space of the twentieth century is given. The main part of the article is devoted to the analysis of the «second nature» in the Soviet and Western European branches of Marxism. The diff erence of approaches and criticism of some points are presented. One of the examples of the linguistic school of - the hermeneutics of Paul Ricoeur and some examples of existential philosophy philosophy are considered. The concepts and approaches common to diff erent schools of philosophical thought are revealed. The connection of philosophical concepts and professional architectural studies is shown. It can be concluded about the general corpus of the space conclusions, which unites the discourses of diff erent schools. The sum of these concepts allows us to form, with further development, a general theory of man-made space.

2000 ◽  
pp. 3-11
Author(s):  
O. O. Romanovsky

In the twentieth century was made grandiose on its scale as an attempt to re-open the idea of ​​development, evolutionism adapted to man - the image and likeness of God, moreover, to influence the further development of man in accordance with the designed purpose - "common good", "the main benefit" (F. Dostoevsky ) Expected result was considered close and easily achievable, so obviously the dependence of "characteristics" from the natural and social environment seemed to be. There was a temptation to create some kind of supersonic "bloc of control" of society, which would "lead" not only a person who had many "disadvantages" but a new, "corrected" person better than the previous one. That is, the idea was to take over (of course, with the help of science) superhuman functions. In this program, three "inorganic" ideas (which are leaked in a world-view paradigm: part of the whole, which was typical of the New Age) organically joined: rationalism, reductionism, and evolutionism.


2021 ◽  
pp. 9-34
Author(s):  
L. M. Alekseeva ◽  
S. L. Mishlanova

An overview of trends in the development of Russian terminology is provided in the article. The issues of the historical roots and stages of development of Russian terminology, the peculiarities of the formation of this science are highlighted, and also the evolution of its main concept “term” is revealed. It is shown that the emergence of terminology as a science correlates with the era of great Russian natural science discoveries, characterized by social challenges. It is noted that one of the prerequisites for the formation of the theory of the term is the Russian philosophical thought of the early twentieth century. An overview of terminological concepts and views is built taking into account the principle of integrity and continuity of the main stages in the development of terminology. The object and subject of terminology in dynamics are shown with an emphasis on the specifics of the development of the term science within the framework of Russian philological science. Particular attention is paid to the description of models of terminological activity in different aspects. It is pointed out that the modern stage of terminology is in the development stage. The main conclusions of the study are formulated and the prospects for the further development of Russian terminology as a science are considered. A long way of development of Russian terminology is presented, demonstrating sufficient grounds for considering it as one of the leading directions of Russian linguistic science. 


Author(s):  
Evan F. Kuehn

This study argues that the core of Ernst Troeltsch’s theological project is an eschatological conception of the Absolute. Troeltsch developed his idea of the Absolute from post-Kantian religious and philosophical thought and applied it to the Christian doctrine of eschatology. Troeltsch’s eschatological Absolute must be understood in the context of questions being raised at the turn of the twentieth century by research on New Testament apocalypticism, as well as by modern critical methodologies in the historical sciences. The study is a revisionist response to common approaches to Troeltsch that read him as introducing problematic historicist and immanentist assumptions into Christian theology. Instead it argues that Troeltsch’s theological modernism presents a compelling account of the meaningfulness of history while retaining a commitment to divine transcendence that is unconditioned by history. As such, his theology remains relevant to theological research today, well beyond theological circles that normally take Troeltsch’s legacy to contribute in a constructive way to their work.


2017 ◽  
Vol 2 (1) ◽  
pp. 109-143
Author(s):  
Ying-kit Chan

AbstractIn late imperial China, an extremely small number of bureaucrats adopted corpse admonition (shijian尸諫) to protest with their death what they regarded as inadequacies or failings in the imperial structure. This article introduces the case of Wu Kedu 吳可讀, who killed himself to protest the designation, by the late Qing empress dowagers Ci'an and Cixi, of Guangxu as the emperor, and as the adopted son of Xianfeng and not as the heir to Tongzhi. The article argues that Wu Kedu's suicide, which was highly praised during and after its time, was an attempt to sway bureaucratic opinion to put a check on the arbitrary power of empress dowagers, but instead had the unintended consequence of reinforcing it. More importantly, Wu Kedu's corpse admonition was a precursor of the outpouring of voices of remonstrance over political issues at the turn of the twentieth century, leading to further development of the Chinese “constitutional agenda.”


2014 ◽  
Vol 36 (2) ◽  
pp. 237-251 ◽  
Author(s):  
John M. Letiche

This article draws attention to the high levels of unemployment in the mercantilist era, a parallel to conditions in the less developed countries at the present time. Understandably, distinguished economists of the twentieth century, writing before the publication of Keynes’ General Theory, tended to underestimate this problem. Actual causes of the high levels of unemployment are examined, including the fluctuating impacts of merchant entrepreneurs, agricultural revolutions, political unrest, and warfare, as well as nutritional deficiencies, which contributed directly to unemployment.


2021 ◽  
pp. 125-149
Author(s):  
K.Yu. Burmistrov

The acquaintance of Maximilian Aleksandrovich Voloshin (1877–1932), one of the central figures in the history of Russian culture in the first third of the twentieth century, with the tradition of Western European esotericism, as well as with the concepts of Jewish Kabbalah, is still poorly understood. At the same time, it is known that they played an important role in his worldview and creativity. The article offers an analysis of several topics related to Kabbalah, which had a noticeable impact on the work of Voloshin. Particular attention is paid to the problem of establishing written sources of borrowings and interpretations of Kabbalistic ideas, clarifying concepts, as well as ways of transmitting elements of Kabbalah among European and Russian esotericists. Through the study of various works of Voloshin, his diary entries, drafts and correspondence, the names of esoteric authors who are especially important for the study of this topic have been identified (E.P. Blavatsky, A. Fabre d'Olivet, A. Franck, Eliphas Levi and etc.). Through a thorough analysis of the methods of perception and transmission of the ideas of Kabbalah among European esotericists, it was shown that, strange as it may seem, the result of studying such sources and their interpretation by Voloshin was a fairly accurate and adequate use of Kabbalistic concepts both in theoretical works and in poetry.


Author(s):  
Анастасия Николаевна Кошечко ◽  
Алина Сергеевна Шилова

Введение. Предпринята попытка исследования рецепции антропологического идеала в романе Ф. М. Достоевского «Братья Карамазовы» русскими религиозными философами порубежной эпохи XIX–XX вв. Аутентичное понимание и интерпретация ключевых идей писателя о человеческом идеале, его ценностях и смысле жизни возможны только в контексте православной антропологии. Важность этого материала не ограничивается осмыслением проблемы антропологического идеала и его влияния на дальнейшее развитие русской религиозно-философской мысли, позволяет исследовать особенности художественного мира романа, в том числе специфику репрезентации в идейном поле произведения авторского начала, мировоззрения писателя. Материал и методы. Материалом исследования послужили работы В. С. Соловьева «Три речи в память Достоевского», В. В. Розанова «Легенда о Великом инквизиторе», Н. А. Бердяева «Миросозерцание Достоевского», Н. О. Лосского «Достоевский и его христианское миропонимание», канонический текст романа Ф. М. Достоевского «Братья Карамазовы». Используются культурно-исторический, сравнительно-сопоставительный, структурно-типологический методы. Результаты и обсуждение. Наука о Достоевском начинается именно с трудов русских религиозных философов и мыслителей конца XIX – начала XX в., которые идеи о сущности человека, его предназначении, идеале делают содержательным ядром своих размышлений. Итоговый роман Великого Пятикнижия «Братья Карамазовы» как квинтэссенция жизненного и творческого пути Достоевского, неразрывно связанный с духовными и аксиологическими императивами православной антропологии, наиболее часто привлекается религиозными философами для рефлексии ключевых доминант собственных философских концепций, анализа и аргументации идей. Этот материал позволяет исследовать особенности художественного мира романа, специфику репрезентации в идейном поле произведения мировоззрения писателя и авторского начала, антропологического идеала, неразрывно связанного для Достоевского с такими духовными и ценностными доминантами, как Христос, Православие, святость, народность, добро и зло, и выявить его влияние на дальнейшее развитие русской религиозно-философской мысли. Заключение. Антропологический идеал Достоевского, по мысли религиозных философов, опирается на православное учение о человеке, раскрывающее как антиномичность человеческой природы (pro et contra в терминологии писателя), так и бытийную ее устремленность к Богу, Истине, потребность в добре, вне которых личность осознает свое не-бытие. Доминантами антропологического идеала писателя, которые находят отражение в трудах религиозных философов, становятся святость, красота как этическая доминанта личности, укорененность в ценностях и смыслах христоцентричной в своих основаниях русской культуры. Introduction. This article attempts to study the reception of the anthropological ideal in the novel by F. M. Dostoevsky “The Brothers Karamazov” by Russian religious philosophers of the late 19th–20th centuries. Authentic understanding and interpretation of the writer’s key ideas about the human ideal, its values and the meaning of life is possible only in the context of Orthodox anthropology. The importance of this material is not limited to comprehending the problem of the anthropological ideal and its influence on the further development of Russian religious and philosophical thought; moreover, it allows one to explore the peculiarities of the artistic world of the novel, including the specifics of the representation of the author’s principle in the ideological field of the work, the peculiarities of the writer’s worldview. Material and methods. The research material was the work of V. S. Solovyov “Three Speeches in memory of Dostoevsky”, V. V. Rozanov “The Legend of the Grand Inquisitor”, N. А. Berdyaeva “Dostoevsky’s worldview”, N. O. Lossky “Dostoevsky and his Christian worldview”, the canonical text of the novel by F. M. Dostoevsky “The Brothers Karamazov”. The work uses cultural and historical, comparative, structural and typological methods. Results and discussion. The science of Dostoevsky begins precisely with the works of Russian religious philosophers and thinkers of the late XIX – early XX centuries, which ideas about the essence of man, his purpose, ideally make him a meaningful core of his thoughts. The final novel of the Great Pentateuch “The Brothers Karamazov” as a quintessence of Dostoevsky’s life and creative path, inextricably connected with the spiritual and axiological imperatives of Orthodox anthropology, is most often attracted by religious philosophers to reflect key dominants of their own philosophical concepts, analyze and argue ideas. This material allows us to explore the features of the artistic world of the novel, the specifics of representation in the ideological field of the work of the writer’s worldview and author’s beginning, the features of the anthropological ideal, inextricably linked for Dostoevsky with such spiritual and value dominants as Christ, Orthodoxy, holiness, nationality, good and evil, and to identify its influence on the further development of Russian religious and philosophical thought. Conclusion. Dostoevsky’s anthropological ideal, according to religious philosophers, is based on the Orthodox doctrine of man, revealing both the antinomy of human nature («pro et contra» in the writer’s terminology) and its previous striving for God, Truth, the need for good, outside of which the person is aware of his non-existence. The dominants of the anthropological ideal of the writer, which are reflected in the works of religious philosophers, are holiness, beauty as the ethical dominant of the person, and reproach in the values and meanings of Christ-centered Russian culture in their foundations.


World Science ◽  
2019 ◽  
Vol 3 (4(44)) ◽  
pp. 34-37
Author(s):  
Ірина Смірнова

In the article by I. Smirnova, the problem of the formation of the style of artistry in the amateur orchestral performance of Ukraine and the functioning of orchestral collectives in the conditions of the formation of artistic amateur activities and in the educational work in Ukraine of the 20th and 3rd years of the 20th century is considered. The urgency of the work is due to the fact that the specificity of the formation of amateur orchestral performance in the Ukrainian musical culture of this period is not sufficiently studied, although it played a prominent role in the further development of domestic amateur collective music. The object of attention was the enlightenment movement in Ukraine in the first half of the twentieth century - one of the brightest phenomena of cultural life of that period.


Author(s):  
Вадим Леонидович Афанасьевский

Предметом статьи является экспликация методологического базиса разработанной французским правоведом Жаном-Луи Бержелем концепции общей теории права. Автор фиксирует, что методология этой конструкции отличается принципиальной спецификой от классического рационализма научного знания. Бержель для разработки проблем теории права использовал импрессионистский метод, принципиально выходящий за рамки научной методологии. Это приводит к тому, что читатель превращается в соавтора, выстраивая свое представление о предмете теории права. Причем фантазия автора и читателя ничем не ограничена, ибо она уходит от исторических трансформаций развития правовой реальности и традиций теоретического правового дискурса. В статье показано, что предложенная методология привела Бержеля к размытости и непроясненности понятийного аппарата и «терминологическому анархизму». Представив свой анализ его концепции общей теории права, автор статьи приходит к выводу, что основанием методологии Бержеля являются характерные для французской социогуманитарной мысли принципы экзистенциальной философии и постмодернистских штудий. Именно в этом коренится отсутствие целостности в теоретических построениях, наличие эклектизма и туманности употребляемых терминов и понятий. В эту парадигму прекрасно укладывается импрессионистский метод, используемый французским правоведом. Если читатель сам определяет понимание читаемого текста, то смысл уже не определяется объективной реальностью. Он выступает проблемой изолированного индивида, находящегося в произвольно выстроенном им фрагментированном мире, в том числе и мире права The subject of the article is the explication of the methodological basis of the concept of the general theory of law developed by the French jurist Jean-Louis Bergel. The author notes that the methodology of this construction differs in fundamental specificity from the classical rationalism of scientific knowledge. Bergel used the impressionist method to develop problems in the theory of law, which fundamentally went beyond the framework of scientific methodology. This leads to the fact that the reader turns into a co-author, building his own idea of the subject of the theory of law. Moreover, the imagination of the author and the reader is not limited by anything, for it moves away from the historical transformations of the development of legal reality and the traditions of theoretical legal discourse. The article shows that the proposed methodology led Bergel to a vague and unclear conceptual apparatus and «terminological anarchism». Having presented his analysis of his concept of the general theory of law, the author of the article comes to the conclusion that the basis of Bergel's methodology is the principles of existential philosophy and postmodern studies that are characteristic of French socio-humanitarian thought. This is the root of the lack of integrity in theoretical constructions, the presence of eclecticism and the vagueness of the terms and concepts used. The impressionistic method used by the French jurist fits perfectly into this paradigm. If the reader himself determines the understanding of the text being read, then the meaning is no longer determined by objective reality. It acts as a problem of an isolated individual who is in a fragmented world arbitrarily built by him, including the world of law


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