scholarly journals Re-Discovering the Ingenuity of Contemporary Malaysian Mosques’ Architecturral Characterisitic As One of the Prime Symbol of South-Asian Islamic Tourism Hub

2020 ◽  
Author(s):  
Nangkula Utaberta ◽  
Azmal Sabil ◽  
Nayeem Asif

To develop Malaysia into the most popular Islamic tourism hub in the world, it is important to identify and promote the uniqueness of Malaysia in terms of tourist spots, facilities and Muslim-friendly practices. Currently Malaysia faces tough competition with similar Islamic tourism hubs such as Turkey and the UAE. Staying ahead in this race requires efficient ‘Rebranding’ of the tourist spots and facilities. Malaysia’s tourism potential is enhanced by its rich cultural diversity. This is reflected by the wide range of architectural styles that contribute to Malaysia’s unique architecture. This is particularly evident in the country’s mosques which are constructed in various styles reflecting colonial, modernism and modern contemporary stylistic influences inspired by a number of ethnic subcultures, foreign influences, technology utilization, and the political environment. In this research, three contemporary mosques have been selected for investigation. Generally, the architectural styles of the modern mosque can be grouped into two categories. The first category contains the modern styles which emphasize the advancement in building technology and engineering (i.e. Masjid Tunku Mizan Zainal Abidin). The second category covers the Islamic influences found in countries including Turkey, the Middle East, and Northern Africa (i.e. Masjid Putra). This research will attempt to formulate framework to re-evaluate the classifications for these two categories, before suggesting how these distinctive features might encourage Islamic tourism in Malaysia.   Keyword: Tourism, Uniqueness, Contemporary Malaysian Mosque.

2019 ◽  
pp. 5-11
Author(s):  
H. V. Vdovychenko

The article classifies and highlights three stages spanning the last hundred years – pre-Soviet, Soviet and post-Soviet, of research and mythol- ogization of the life and creation of P.Tychyna, using the example of studying the philosophical attitudes of his early work in the Ukrainian state, the Ukrainian SSR, Ukraine and abroad. The specifics of the formation of the mentioned stages during 1918 – 2019 were systematically considered on materials, including little-known, studies of more than fifty representatives of domestic and foreing tychynology, as well as a wide range of materi- als of the poetic, prosaic, scientific-journalistic and epistolary heritage of P. Tychyna and his contemporary colleagues. In the context of this review an attempt was made of critical interdisciplinary analysis – cultural and philosophical and literary, of the ideological foundations and the results of the modernist and postmodern mythologization of the early creativity of P. Tychyna as the leading creator and symbol of Ukrainian Modernist and Socialist-Realistic literature and, in general, cultural development. The article identifies three leading aspects of defining and studying the philosophical foundations of P. Tychyna's early work in the twentieth – early twenty first centuries: 1) the absence of the formulation and systematic development of the topic in P. Tychyna studies, except for the initial attempts at each of its stages, so far; 2) the narrow specialty of individual attempts at such research, first of all, almost entirely literary or linguistic, but not professional philosophical and cultural philosophical; 3) the dominant conditionality of the major achievements of almost all of these studies, mainly the Soviet period, the political environment of the development of national humanities and, as a consequence, the consistent isolationist-Soviet-anti-European mythology of P. Tychyna's creative figure and heritage. In view of this, the development of this topic in the context of an interdisciplinary, critically-demythologizing scientific search, formed in the contemporary P. Tychyna studies, has been identified as promising.


2008 ◽  
Vol 7 (2) ◽  
pp. 1
Author(s):  
B. Syed Fazlul Huq

This paper draws on "China and India: Macroeconomic prospects and problems." China and India had similar development strategies prior to their breaking out of their deliberate insulation from the world economy and the ushering in of market-oriented economic reforms and liberalization. China began reforming its closed, centrally planned, non-market economy in 1978. India always had a large private sector and functioning markets, which were subject to rigid, state control until the hesitant and piecemeal reforms of the 1980s. These became systemic and far broader after India experienced a severe macroeconomic crisis in 1991. The political environment under which reforms were initiated and implemented in the two countries and their consequences were very different. India continues to be an open, participatory, multiparty democracy, while China has an authoritarian, one party regime, though it is liberalizing policies. China and India have a lot to gain, both from trading with each other and cooperating in the WTO. Each can learn from the other's policies, their successes and failures. This paper discusses a subset of economic issues common to both countries without touching on others, such as privatization of SOEs, reforms of the labour market (e.g., dealing with the "hokou" system in China and labour laws in India), financial sector reforms and, above all, political reforms. Although it may sound chauvinistic and naive, there is no doubt that China can learn a lot from the functioning of a vibrant, but somewhat chaotic, multiparty participatory democracy in India. After all, as the Chinese become richer and economically free, they are likely to demand personal and political freedoms. Hopefully, the Communist Party of China will anticipate and accommodate such demands, as it seems to have started doing already.


2019 ◽  
Vol 53 (06) ◽  
pp. 1762-1796
Author(s):  
MASHAL SAIF

AbstractThis article examines the Indian poet-philosopher Muhammad Iqbal's appropriation by three Nadwat al-‘Ulama scholars: Sayyid Sulayman Nadwi (d. 1953), Abu'l-Hasan ‘Ali Nadwi (d. 1999), and ‘Abd al-Salam Nadwi (d. 1956). It argues that the particular depictions of Iqbal by the Nadwa ‘ulama can be mapped onto larger evolutions within the institute. The early Nadwa ‘alim Sulayman Nadwi imagines Iqbal as a Muslim leader par excellence. A more conservative understanding of Islam emerged with the later Nadwa ‘ulama. They emphasize traditional theological ideas, particular modes of piety, and ritualistic actions. The article suggests that the later Nadwa ‘ulama’s writings on Iqbal are reflective of this particular understanding of Islam and morality, although there are two distinct responses to the poet. The above examination of the Nadwa is placed within its broader historical context. In so doing, the article contends that the impact of the political milieu in India must be taken into account to understand shifts in the Nadwa and South Asian Islam more broadly. It also asserts that the political environment in South Asia influenced Iqbal's reception by the Nadwa ‘ulama as well as by Muslims in South Asia and beyond. Additionally, this article argues that all three works by the Nadwa ‘ulama are subjective portrayals informed by the social imaginaries of their authors. In fact, in a broader sense, all works of narrative historiography are subjective accounts. This realization problematizes the boundaries between the categories of historiography and hagiography, and this research calls for a rethinking of these tensions.


Author(s):  
Sika A. Dagbovie-Mullins ◽  
Eric Berlatsky

As a Muslim Pakistani-American whose parents are immigrants, Kamala Khan occupies a neither/nor position familiar in both American “mulatto” literature and in postcolonial immigrant literature, wherein the mixed-race character is frequently marginalized, alienated, and Other. She is one of many examples in contemporary superhero comics both of an increased attention to the representation of people of color, and of a potentially ahistorical/apolitical postracialism. Ms. Marvel’s metaphorical mixed-racedness serves to place her in the vicinity of the postracial or in the lineage of the “multicultural” which preceded it, a vision of the world (or at least the nation) wherein race no longer has political significance, but is instead merely a signifier of multiculturalism. The political facts of being a Muslim and/or South Asian in America, and particularly in Jersey City, are either underplayed or ignored throughout Khan’s first Ms. Marvel series.


1998 ◽  
Vol 31 (1) ◽  
pp. 43-55 ◽  
Author(s):  
William Zimmerman

The effects of divergent historical experiences, of differential exposure to the world outside the former Soviet Union, and of divergent industrial structure–all point in the direction of enormous attitudinal and evaluative cleavages across the regions of Ukraine. When we compare regional differences in perspectives on the political economy in Ukraine and views about whether Russia and Ukraine should be separate states, these differences are readily discernible. By extending the scope of items examined and by making explicit comparisons between data from Ukrainian and Russian samples, however, we achieve a somewhat more optimistic view about the prospects for community building in Ukraine. The relatively consensual assessment of citizenship conditions and the wide range of foreign policy matters about which dispositions of Ukrainians are separable from those of persons from regions reported in this paper provide some evidence of an emerging Ukranian political community.


Author(s):  
Michal Mádr ◽  
Luděk Kouba

The main aim of the paper is to identify and quantify the influence of the political environment on the inflows of foreign direct investment in emerging markets. The paper defines emerging markets as Middle Income Countries according to the evaluation of the World Bank. Our sample of countries contains 78 states. The reference period focuses on the period of 1996–2012 due to data availability. The evaluation of the political environment is based on three dimensions: the quality of democracy, political instability and the level of corruption, which are related to three subcomponents of the concept, Governance Matters, provided by the World Bank. The paper distinguishes between two types of political instability omitted in thematic literature, elite and non-elite. The former represents non-violent instability (minority governments, tension related to the holding of elections) while the latter deals with violent forms of instability (civil wars, coups, ethnic and religious riots). The paper uses panel data regression analysis for the purpose of identification and quantification. The research uses fixed effects model with a cluster option. According to the results, the influence of the political environment on FDI is not entirely unequivocal in emerging markets; nevertheless, there is a statistically significant dimension – political instability (both parts). The quality of democracy and the level of corruption are significant only in some cases. The paper combines indicators frequently occurring in empirical literature (the Corruption Perception Index, Freedom in the World, Governance Matters) with alternative proxies (the Herfindahl Index Government, the Political Terror Scale, the State Fragility Index), which seem to be a perspective for a future research.


2014 ◽  
Vol 58 (3) ◽  
pp. 39-68 ◽  
Author(s):  
Arzu Öztürkmen

The performances that were part of the Gezi Park protests in Istanbul, Turkey, during the summer of 2013, proliferated via social media and helped spread the protests throughout Turkey and the world. A wide range of performance forms emerged as an urgent public expression of the political frustrations with increasing authoritarianism. From these expressive forms, iconic images caught the public imagination and spread from one genre and media to the next.


Author(s):  
Hüpkes Eva

This chapter examines the term “international financial architecture”, which is of fairly recent origin and has been used only occasionally prior to the Asian crisis. It explains how international financial architecture provides a somewhat misleading impression of the nature of the process by which the institutions and policies that shape the global financial system came into being. It also describes international financial architecture as more of the outcome of an evolutionary process than the product of intelligent design. This chapter highlights changes in the international financial and monetary systems and in the arrangements for providing meaningful and cohesive oversight in response to changes in the world economy and in the political environment. It also analyses the development of a body of normative texts referred to as international financial regulation.


Author(s):  
Janinka Greenwood

Arts-based research encompasses a range of research approaches and strategies that utilize one or more of the arts in investigation. Such approaches have evolved from understandings that life and experiences of the world are multifaceted, and that art offers ways of knowing the world that involve sensory perceptions and emotion as well as intellectual responses. Researchers have used arts for various stages of research. It may be to collect or create data, to interpret or analyze it, to present their findings, or some combination of these. Sometimes arts-based research is used to investigate art making or teaching in or through the arts. Sometimes it is used to explore issues in the wider social sciences. The field is a constantly evolving one, and researchers have evolved diverse ways of using the communicative and interpretative tools that processes with the arts allow. These include ways to initially bypass the need for verbal expression, to explore problems in physically embodied as well as discursive ways, to capture and express ambiguities, liminalities, and complexities, to collaborate in the refining of ideas, to transform audience perceptions, and to create surprise and engage audiences emotionally as well as critically. A common feature within the wide range of approaches is that they involve aesthetic responses. The richness of the opportunities created by the use of arts in conducting and/or reporting research brings accompanying challenges. Among these are the political as well as the epistemological expectations placed on research, the need for audiences of research, and perhaps participants in research, to evolve ways of critically assessing the affect of as well as the information in presentations, the need to develop relevant and useful strategies for peer review of the research as well as the art, and the need to evolve ethical awareness that is consistent with the intentions and power of the arts.


2021 ◽  
Author(s):  
Virginia Oliveros

In countries around the world, politicians distribute patronage jobs to supporters in exchange for a wide range of political services – such as helping with campaigns and electoral mobilization. Patronage employees (clients) engage in these political activities that support politicians (patrons) because their fates are tied to the political fate of their patrons. Although conventional wisdom holds that control of patronage significantly increases an incumbent's chance of staying in power, we actually know very little about how patronage works. Drawing on in-depth interviews, survey data, and survey experiments in Argentina, Virginia Oliveros details the specific mechanisms that explain the effect of patronage on political competition. This fascinating study is the first to provide a systematic analysis of the political activities of mid and low-level public employees in Latin America. It provides a novel explanation of the enforcement of patronage contracts that has wider implications for understanding the functioning of clientelist exchanges.


Sign in / Sign up

Export Citation Format

Share Document