scholarly journals Genre of transcription in aspect of composer’s style (on the example of Oleksandr Nazarenko’s creativity)

2021 ◽  
Vol 9 (1) ◽  
pp. 504-507
Author(s):  
Pliuschenko Maksym Yu
Keyword(s):  
Comparative Analysis ◽  
Original Source ◽  
Artistic Interpretation ◽  
Work Model ◽  
The Individual ◽  
Individual Style

This article considers theoretical and practical aspects of research of the transcription genre, grounds its stylistic properties, reliance on the model of other’s performance, double authorship, and action of composer’s interpretation. These issues are projected onto the timbre-texture complex in this genre as the most important factor of transcription. The material of the research was the concert arrangement of F. Lips and the transcription of A. Nazarenko to one original source – the play «Shivering Leaves» by P. Norrbak. Specificity of the analyzed musical material proposed in this article is the comparison of two arrangements – F. Lips and A. Nazarenko – in order to identify the distinctions between them, as well as the revelation of the individual-style spectra of the transcriptions genre in A. Nazarenko’s works. At this, it is noted that in creating the author’s version, A. Nazarenko relied not on the original Waltz by P. Norrbak, but on the F. Lips’ arrangement acting as a work model in this comparative analysis. In the analysis of the two versions, different methods of research are used, besides the comparative one – they are also interpretation, considering the problems of bayan performance; genre, and style, which characterize the compositional and dramatic features, genre-style specificity of musical exponents; organological, contributing to the research of the specificity of the instrument, here – bayan in the context of comparing its expressive possibilities in two plays. His research resulted in the identification of the principal distinctions in methods of artistic interpretation of two authors.

scholarly journals THE PORTRAIT OF SERGEI YESENIN IN ESSAYS-MEMOIRES OF YURY ANNENKOV AND MAXIM GORKY

2020 ◽  
pp. 165-170
Author(s):  
Margarita V. Olyunina
Keyword(s):  
Comparative Analysis ◽  
Functional Methods ◽  
History Of ◽  
Maxim Gorky ◽  
The Individual ◽  
Individual Style

The paper presents a comparative analysis of the methods of creating a verbal portrait in the essay by Maxim Gorky “Sergei Yesenin” and in the memoires of Yury Annenkov “Sergei Yesenin”. The possibility and necessity of comparing the two selected works is explained by both the factual material chosen by the authors (both writers devote their essays to Sergei Yesenin) and similar methods of creating a verbal portrait of the poet, and the context of the style of the era, which is reflected in the works and the individual style of each artist. The aim of this work is to substantiate the genre-style features of the considered verbal image of Sergei Yesenin in the abovementioned works, which allows clarifying the created and already axiomatic image of the poet. The study is built using comparative historical and historical functional methods, the works of Alexander Veselovsky, Yuri Lotman, Yuriy Mineralov, as well as the experience of modern literary scholars involved in the theory and history of verbal painting. In the process of the comparative analysis of the works, it was revealed that Yury Annenkov and Maxim Gorky, recreating the verbal portrait of the poet Sergei Yesenin, was primarily seeking to portray him as an exponent of the tragic era. Capturing the image of the poet Sergei Yesenin, the painter creates his self-portrait, surrounded by his beloved, at the background of the era in which he lived, the writer tries to guide the reader inside the poetry laboratory of ‟nature”.

scholarly journals About «Тілько» and not only in Lesіa Ukrainka’s language creation: in search of idiosyncrasy

2020 ◽  
pp. 100-114
Author(s):  
Svitlana Bohdan
Keyword(s):  
Comparative Analysis ◽  
Research Process ◽  
General Tendency ◽  
Literary Language ◽  
The Status ◽  
Epistolary Texts ◽  
Poetic Texts ◽  
The Individual ◽  
Individual Style

The article elucidates the regularities of the use and functioning features of the lexemes til’ko and til’ky in Lesya Ukrainka’s autographs and published epistolary and poetic texts. The study, using the comparative analysis approach, proves that both lexemes have the status of variants and are fixed in the similar semantic contexts. The actualization of the lexemes in the usus of the Ukrainian language confirms that they are polysemantic by nature and grammatically heterogeneous. The case study has revealed a clear quantitative dominance of using the variant til’ko in autographs. But the form has been repeatedly corrected, mostly in the epistolary texts. The study of the twelve-volume edition of Lesya Ukrainka’s works confirms the statement. Although we come across the use of the lexeme til’ko in the poetic texts, such facts are less frequent and reveal the general tendency of editors to replace the lexeme, arguing the need to avoid this variant, most obviously, due to classifying it as dialectal and atypical in the speech of a person who ought to serve a model of modern literary language. Epistolary texts of the nearest relatives of the Kosachs and Drahomanovs families have been also used in the case study to determine the organicity or, on the contrary, the accidental presence of the lexeme til’ko in the vocabulary of Lesya Ukrainka. It favorably authenticated the naturalness of its use. The key findings of Lesya Ukrainka’s epistolary and poetic microcontexts comparison, both author’s and edited, argue that proofreading not only changes but, in fact, destroys the authentic text, distorts the individual style, and hinders the research process. We are to restore these features in modern editions of Lesya Ukrainka’s works and offer the scholars a genuine, rather than ‘retouched’, individual style of the author.

scholarly journals The Image of the Lost Home in the Works of Kazuo Ishiguro

2019 ◽  
pp. 25-41
Author(s):  
Myroslava Dovhanych
Keyword(s):  
Sacred Space ◽  
Personal Space ◽  
Kazuo Ishiguro ◽  
Cultural Concepts ◽  
The World ◽  
Artistic Interpretation ◽  
The Individual ◽  
Modern Era ◽  
Individual Style

The image of home has been examined and the peculiarities of the artistic interpretation of this symbol in the novels of a British novelist of Japanese origin Kazuo Ishiguro have been revealed in the article. The essence of the category “image” has been determined; the symbolic significance of home in the life of a person has been analyzed; the differences between the interpretation of the archetypal image of home within the framework of European and Japanese cultures have been indicated; the role of the house in the literary works of K. Ishiguro has been considered, which makes it possible to understand the individual style of the author more deeply. Conducted investigation proved that the image of home belongs to the central spiritual and cultural concepts in any social environment. Home comfort is the dominant of people’s life, although not always realized. The house serves as sacred space for an individual or the whole family in the novels of K. Ishiguro. The loss of one’s own safe home leads to the feeling of loneliness, hopelessness, absurdity of existence, and also transmits the mood and state of spirit of the modern era. Representation of home is closely linked with the problem of identity, since the house embodies the loss of the unity of perception of the world and one’s place in it as a result of emigration. The feature of Ishiguro’s novels is that the house personal space exists only in the memories of heroes.

Bacon's "Envy": An Evaluation of Punctuation

2018 ◽  
Keyword(s):  
Pivotal Role ◽  
Complex Sentence ◽  
The Individual ◽  
Individual Style

Punctuation plays a pivotal role in enhancing the comprehensibility of a text. It not only abolishes ambiguity from the text but also adorns the individual style of the author. This paper analyses Bacon’s essay “Envy” evaluating the aberrant use of punctuation to understand its impact on the holistic comprehension of the essay. Bacon has deviated in some punctuation marks in different situations. Most deviations occur in the use of the comma and the semicolon. The least deviations occur in the use of the period. Two explanations may be inferred from the analysis: First, what seems to be deviant in this regard was normal in his time; second, he deviates on purpose to make the long, complex sentence clear and easy for the reader.

Semantic and stylistic aspects of using geographical vocabulary in Emily Dickinson’s verse

2018 ◽  
pp. 95-99
Author(s):  
В. В. Колівошко ◽  
Keyword(s):  
Emily Dickinson ◽  
Unique Color ◽  
Research Questions ◽  
The Individual ◽  
Empirical Methodology ◽  
Qualitative Characteristics ◽  
Individual Style

This article reports a study according to the tenets of empirical methodology in addressing research questions. The project tests the principles of using geographical vocabulary in Emily Dickinson’s verse. It focuses on the study of stylistic and semantic aspects of the usage of geographical vocabulary. The results demonstrate the quantitative and qualitative characteristics of the usage of geographical vocabulary. Emily Dickinson’s poems are full of geographical names, which she uses with both positive and negative connotations. As we can see, the negative connotations prevail. The results point out how Emily Dickinson manipulates geographical names at all levels of the language. In addition, the findings indicate specific color gamma of Emily Dickinson’s poems. The use of colors is different for each geographical object; especially it applies to the names of countries, towns etc. Emily Dickinson associates every continent with its own unique color. These findings demonstrate the individual style of Emily Dickinson, which is distinctive among other poets.

Impact of the divorce experience on the marital and family mindsets

2018 ◽  
pp. 88-96
Author(s):  
Елена Лактюхина ◽  
Elena Laktyukhina ◽  
Георгий Антонов ◽  
Georgy Antonov
Keyword(s):  
Comparative Analysis ◽  
Demographic Characteristics ◽  
Representative Sampling ◽  
First Marriage ◽  
Active Population ◽  
Volgograd Region ◽  
The Social ◽  
Marriage Stability ◽  
Main Factors ◽  
The Individual

The article presents a comparative analysis of marital and family mindsets of two categories of the demographically active population of modern Russia: (1) individuals that have no experience of a divorce and (2) those who have already experienced one or more official termination of a marriage. The empirical base of the analysis is the data of the author’s questionnaire survey conducted by representative sampling in Volgograd and Volgograd Region in 2015–2016. The analysis was made on the following basic empiric indicators: optimal (from the viewpoint of the respondents) age for the first marriage, frequency of mentioning marital and family statuses as the respondents describe their own social and demographic “portrait”, legitimate causes of a divorce and a number of others. It is found that, in the case of sufficiently strong traditional marital and family mindsets, perception of marital norms is adjusted, if an “abnormal” event (such as a divorce) occurs in the individual’s life course. At the same time, perception of the marriage stability is less variable and does not depend on the social and demographic characteristics of the respondents, including the presence/absence of a marriage termination experience. The “strongest” factor that affects the change of the marital and family mindsets is age. With age (and, consequently, experience accumulation), importance of the majority of main factors capable of preventing the individual from a divorce decreases and, therefore, the risk of such event increases.

scholarly journals Research on the Relationship between Shared Leadership and Individual Creativity-Qualitative Comparative Analysis on the Basis of Clear Set

2021 ◽  
Vol 13 (10) ◽  
pp. 5445
Author(s):  
Muyun Sun ◽  
Jigan Wang ◽  
Ting Wen
Keyword(s):  
Comparative Analysis ◽  
Environmental Factors ◽  
Shared Leadership ◽  
Management Practices ◽  
Qualitative Comparative Analysis ◽  
Necessary Condition ◽  
The Individual ◽  
The Impact ◽  
The Relationship ◽  
Sufficient And Necessary Condition

Creativity is the key to obtaining and maintaining competitiveness of modern organizations, and it has attracted much attention from academic circles and management practices. Shared leadership is believed to effectively influence team output. However, research on the impact of individual creativity is still in its infancy. This study adopts the qualitative comparative analysis method, taking 1584 individuals as the research objects, underpinned by a questionnaire-based survey. It investigates the influence of the team’s shared leadership network elements and organizational environmental factors on the individual creativity. We have found that there are six combination of conditions of shared leadership and organizational environmental factors constituting sufficient combination of conditions to increase or decrease individual creativity. Moreover, we have noticed that the low network density of shared leadership is a sufficient and necessary condition of reducing individual creativity. Our results also provide management suggestions for practical activities during the team management.

PRAGMATIC POTENTIAL OF AUTHOR’S AND TRANSFORMED PHRASEOLOGIES IN THE WORK OF CARLOS RUIZ ZAFÓN «THE PRISONER OF HEAVEN»

2021 ◽  
pp. 18-28
Author(s):  
A. Yu. Bovsunivska A. Yu.
Keyword(s):  
Emotional State ◽  
Spanish Language ◽  
The Novel ◽  
Unique Combination ◽  
Textual Space ◽  
Different Types ◽  
General Linguistic ◽  
The Individual ◽  
Pragmatic Aspects ◽  
Individual Style

The article is devoted to the study of pragmatic aspects of the use of phraseology in the textual space of Carlos Ruiz Safón’s novel «Prisoner of Heaven». One of the defining features of the individual style of this well-known modern Spanish writer is the metaphoricity and figuration of aristic expression, the saturation of the text with phraseological units that play a significant role in creating a pragmatic charge of the work of art. Along with general linguistic phraseological units, which include commonly-used vocabulary, the author uses dialectal and authorial phraseological units, which is a feature of his individual style. All three designated groups of phraseological units mostly reflect the negative psychophysical and emotional state of the characters. The author uses dialectal, individually-authorial and modified phraseological units, which is a feature of his individual style. It is determined that transformation is one of the most productive and most effective ways to update linguistic means in works of art. Author’s modification of FU leads to a change in the semantics and structure of expression, gives it a more expressive or emotional coloring. Transformed phraseology is limited to individual usage and is subject to the context of the work. Modified FUs in the Zafón’s artistic space acquire certain aesthetic and artistic qualities. Their modification is mainly to create the desired stylistic effect – to achieve emotional or expressive expression, which increases the reader’s interest, focuses on the content, issues of the work, as well as reveals the potential expressive potential of the Spanish language. In the transformed FUs, not just a new meaning is traced, but a combination of the well-known and the occasional. The unique combination of different types of phraseological units in the novel is considered a manifestation of individual style and makes a representation of the individually-authorial linguistic picture of the world more expressive.

Volkswille: Reale Substanz oder notwendige Fiktion?

Der Staat ◽  
2020 ◽  
Vol 59 (3) ◽  
pp. 371-396
Author(s):  
Shu-Perng Hwang
Keyword(s):  
Comparative Analysis ◽  
Right Wing ◽  
The Real ◽  
The People ◽  
The Will ◽  
Right Wing Populism ◽  
The Individual

Angesichts des markanten Aufstiegs des Rechtspopulismus in den vergangenen Jahren drängt sich die Frage immer wieder auf, ob oder inwiefern das Parlament den eigentlichen Volkswillen (noch) vertreten kann, und wie im Zeitalter der Globalisierung und Digitalisierung der eigentliche Volkswille überhaupt festzustellen und effektiv durchzusetzen ist. In dieser Hinsicht steht das Vertrauen in die Fähigkeit des Parlaments, den wahren Volkswillen herauszubilden und zu artikulieren, erneut vor großen Herausforderungen. Durch eine vergleichende Analyse zwischen den Demokratietheorien Böckenfördes und Kelsens zeigt der vorliegende Beitrag, weshalb und inwiefern das weitverbreitete Verständnis des Volkswillens und dessen Rolle in der parlamentarischen Demokratie gerade vor dem heutigen Hintergrund eine kritische Besinnung verdient. Es wird argumentiert, dass gerade in demokratischer Hinsicht nicht die Suche nach dem „wahren Volkswillen“, sondern nach wie vor die Gewährleistung der Menschen- bzw. Grundrechte der Einzelnen und insbesondere der Minderheiten von zentraler Bedeutung sein soll. In view of the spread of right-wing populism in recent years, the question as to how the will of the people is to be ascertained and expressed has attracted much attention in constitutional scholarship. In particular, the issue of whether or to what extent the parliament is (still) capable of representing and demonstrating the will of the people has been repeatedly discussed and debated. Through a comparative analysis of Böckenförde’s und Kelsen’s democratic theories, this article critically examines the problems of the widespread understanding of the will of the people as a real-empirical existence and its significance for the realization of democracy. Accordingly, it points out why and in what sense the reference to the so-called real will of the people would undermine rather than promote democracy. This article concludes by arguing that, precisely for the sake of democracy, what is crucial is not to determine what the “real will of the people” is, but rather to guarantee the freedom of the individual and especially of the minorities.

PRINCIPLES AND GUIDELINES FOR THE IMPLEMENTATION OF BIOECONOMY STRATEGIES

2020 ◽  
Vol 18 (Suppl.1) ◽  
pp. 473-479
Author(s):  
P. Branzova
Keyword(s):  
Comparative Analysis ◽  
The Individual

The report examines existing bioeconomy strategies. The principles and guidelines of the individual countries for the implementation of the strategies are considered. A comparative analysis of the strategies was made. Based on this, the principles and guidelines for the implementation of the strategies for the bioeconomy of individual countries are derived.

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