scholarly journals THE PORTRAIT OF SERGEI YESENIN IN ESSAYS-MEMOIRES OF YURY ANNENKOV AND MAXIM GORKY

2020 ◽  
pp. 165-170
Author(s):  
Margarita V. Olyunina
Keyword(s):  
Comparative Analysis ◽  
Functional Methods ◽  
History Of ◽  
Maxim Gorky ◽  
The Individual ◽  
Individual Style

The paper presents a comparative analysis of the methods of creating a verbal portrait in the essay by Maxim Gorky “Sergei Yesenin” and in the memoires of Yury Annenkov “Sergei Yesenin”. The possibility and necessity of comparing the two selected works is explained by both the factual material chosen by the authors (both writers devote their essays to Sergei Yesenin) and similar methods of creating a verbal portrait of the poet, and the context of the style of the era, which is reflected in the works and the individual style of each artist. The aim of this work is to substantiate the genre-style features of the considered verbal image of Sergei Yesenin in the abovementioned works, which allows clarifying the created and already axiomatic image of the poet. The study is built using comparative historical and historical functional methods, the works of Alexander Veselovsky, Yuri Lotman, Yuriy Mineralov, as well as the experience of modern literary scholars involved in the theory and history of verbal painting. In the process of the comparative analysis of the works, it was revealed that Yury Annenkov and Maxim Gorky, recreating the verbal portrait of the poet Sergei Yesenin, was primarily seeking to portray him as an exponent of the tragic era. Capturing the image of the poet Sergei Yesenin, the painter creates his self-portrait, surrounded by his beloved, at the background of the era in which he lived, the writer tries to guide the reader inside the poetry laboratory of ‟nature”.

scholarly journals ХРАМ НАУКИ: МОЗАЇКИ М. А. СТОРОЖЕНКА В ІНТЕР’ЄРАХ ІНСТИТУТУ ТЕОРЕТИЧНОЇ ФІЗИКИ ІМЕНІ М. М. БОГОЛЮБОВА НАН УКРАЇНИ У ФЕОФАНІЇ

2020 ◽  
pp. 166-174
Author(s):  
О. А. Тарасенко ◽  
А. А. Тарасенко ◽  
Н. Р. Кубриш
Keyword(s):  
Theoretical Physics ◽  
Decorative Art ◽  
The People ◽  
History Of ◽  
Modern Level ◽  
Artistic Images ◽  
The Individual ◽  
The Temple ◽  
Individual Style

The purpose of the article is to study the history of creation and ideological content of mosaics MykolaAndrievichStorozhenko (1928–2015) in the interior of the Bogolyubov Institute for Theoretical Physics, NAS of Ukraine, Theophany (1969) in the context of Ukrainian and world heritage of monumental art. The study used historical-cultural, comparative, iconographic and iconologic methods. We rely on the theory of "big time" by M. M. Bakhtin, that allows us to consider the mosaic M. A. Storozhenko with the legacy of world art. The significance of the artistic images of the enlighteners as the apostles of spiritual and scientific knowledge – the pillars of the Temple of Science is shown. Artistic-stylistic analysis revealed the features of the embodiment of the idea of scientific and cultural interconnection of generations of Ukrainian scholars-educators by means of monumental art. The importance of the heritage of national and world art in the addition of the individual style of M. A. Storozhenko is studied. The role of ornament as a national code for the embodiment of the idea of the connection between the clan and the people is revealed. The significance of mosaics in the history of monumental art of Ukraine is determined. The philosophical, cultural and historical content of the monumental compositions of M. A. Storozhenko was studied in conjunction with the problems of national self-identification and polystylism of twentieth-century art. The results of the study are necessary to create the history of monumental decorative art of Ukraine at the modern level of art history.

scholarly journals Vital essence of a human in concepts of the Ob Ugrians and the Udmurts: to the question about Permian-Ugric parallels in mytho-ritual traditions

2020 ◽  
Vol 10 (3) ◽  
pp. 565-574
Author(s):  
T. V. Voldina ◽  
◽  
T. G. Minniyakhmetova ◽  
Keyword(s):  
Comparative Analysis ◽  
Human Life ◽  
Family Relations ◽  
Historical Context ◽  
Complex Problem ◽  
Necessary Condition ◽  
Study Materials ◽  
History Of ◽  
Definition Of ◽  
The Individual

Introduction: the Ob-Ugric and Permian traditions have preserved elements of the ancient mythological consciousness, the study of which together with the available data of related sciences would shed light on the history of the formation of these ethnic cultures traditionally. The solution to such a complex problem is possible on the basis of a comparative analysis of the individual aspects of the perception of the worldview, including its basic values. The authors do not pretend to be unambiguous in their interpretation of limiting themselves for a start to the definition of a single worldview field with the existing of uniqueness, originality and individuality of the cultures of the communities under consideration. Objective: to examine the complexity of the general and specific ideas of the Khanty, Mansi and Udmurts about the components of the human spiritual essence (souls), its characteristic and exceptional properties, including reincarnation, family relations/ties and patronage of descendants under the perception of their traditional worldview of human life and its basic values. Research materials: the research materials are based on (a) the proceedings of the field study materials during interaction with the communities specified which are considered as the primary resources of the study undertaken by the researchers, (b) secondary materials are taken from the scientific articles, book chapters and literature etc. published so far, (c) similar research findings by the scholars in this area of study, and (d) archival resources of the nineteenth and twentieth century. Results and novelty of the research: the study of the ideas about the human soul among the examined ethnicities of the selected communities in this study have their own historical context; nevertheless, a comparative analysis of the findings lead to the novel reflections and conclusions those reveal both universal concepts for the ethnic groups and distinctive/specific characteristics peculiar to the Udmurts or the Ob-Ugrians. The Ugric and Permian people have a clear concept of the presence of two components in a human defined as two souls which are the necessary condition for a life. On the basis of this idea, certain judgments, norms of behavior, and ritual actions have been developed traditionally. The common ideas of these people are also based on the concepts about the role of the ‘mother goddess’ and the influence of the departed on the creation of the life and their ability to endow a newborn with a soul. A distinctive feature of the worldview of the Ob-Ugrians is the presence of a system of ideas about the reincarnation of the souls of the ancestors in descendants and about the connection between the soul and the flower(s) in the worldview of the Udmurts.

scholarly journals Genre of transcription in aspect of composer’s style (on the example of Oleksandr Nazarenko’s creativity)

2021 ◽  
Vol 9 (1) ◽  
pp. 504-507
Author(s):  
Pliuschenko Maksym Yu
Keyword(s):  
Comparative Analysis ◽  
Original Source ◽  
Artistic Interpretation ◽  
Work Model ◽  
The Individual ◽  
Individual Style

This article considers theoretical and practical aspects of research of the transcription genre, grounds its stylistic properties, reliance on the model of other’s performance, double authorship, and action of composer’s interpretation. These issues are projected onto the timbre-texture complex in this genre as the most important factor of transcription. The material of the research was the concert arrangement of F. Lips and the transcription of A. Nazarenko to one original source – the play «Shivering Leaves» by P. Norrbak. Specificity of the analyzed musical material proposed in this article is the comparison of two arrangements – F. Lips and A. Nazarenko – in order to identify the distinctions between them, as well as the revelation of the individual-style spectra of the transcriptions genre in A. Nazarenko’s works. At this, it is noted that in creating the author’s version, A. Nazarenko relied not on the original Waltz by P. Norrbak, but on the F. Lips’ arrangement acting as a work model in this comparative analysis. In the analysis of the two versions, different methods of research are used, besides the comparative one – they are also interpretation, considering the problems of bayan performance; genre, and style, which characterize the compositional and dramatic features, genre-style specificity of musical exponents; organological, contributing to the research of the specificity of the instrument, here – bayan in the context of comparing its expressive possibilities in two plays. His research resulted in the identification of the principal distinctions in methods of artistic interpretation of two authors.

Linguistisches und Stilistisches zum Hendiadyoin

2005 ◽  
Vol 9 (2) ◽  
Author(s):  
Oswald Panagl
Keyword(s):  
The Other ◽  
Other Hand ◽  
Latin Language ◽  
History Of ◽  
Nominal Compounds ◽  
The Individual ◽  
Semantic Properties ◽  
Individual Style

SummaryThis paper deals with the syntactic and semantic properties of the so-called ‘hendiadyoin’ as well as with its value as a stylistic and rhetoric figure. Apart from its qualities as a specimen of pleonasm and abundancy, the hendiadyoin likewise serves as a tool to compensate the relative weakness of Latin to create nominal compounds, especially of determinative type. Casting a glance on the history of the Latin language and on the development of the individual style of some Latin authors, we can make remarkable observations. Whereas the figure is rather rare in early Latin, classical writers and poets give preference to it. Whereas, on the other hand, Cicero in his first texts prefers the combination of substantives with adjective attributes, he likes the hendiadyoin pattern very much in his mature speeches and dialogues.

scholarly journals About «Тілько» and not only in Lesіa Ukrainka’s language creation: in search of idiosyncrasy

2020 ◽  
pp. 100-114
Author(s):  
Svitlana Bohdan
Keyword(s):  
Comparative Analysis ◽  
Research Process ◽  
General Tendency ◽  
Literary Language ◽  
The Status ◽  
Epistolary Texts ◽  
Poetic Texts ◽  
The Individual ◽  
Individual Style

The article elucidates the regularities of the use and functioning features of the lexemes til’ko and til’ky in Lesya Ukrainka’s autographs and published epistolary and poetic texts. The study, using the comparative analysis approach, proves that both lexemes have the status of variants and are fixed in the similar semantic contexts. The actualization of the lexemes in the usus of the Ukrainian language confirms that they are polysemantic by nature and grammatically heterogeneous. The case study has revealed a clear quantitative dominance of using the variant til’ko in autographs. But the form has been repeatedly corrected, mostly in the epistolary texts. The study of the twelve-volume edition of Lesya Ukrainka’s works confirms the statement. Although we come across the use of the lexeme til’ko in the poetic texts, such facts are less frequent and reveal the general tendency of editors to replace the lexeme, arguing the need to avoid this variant, most obviously, due to classifying it as dialectal and atypical in the speech of a person who ought to serve a model of modern literary language. Epistolary texts of the nearest relatives of the Kosachs and Drahomanovs families have been also used in the case study to determine the organicity or, on the contrary, the accidental presence of the lexeme til’ko in the vocabulary of Lesya Ukrainka. It favorably authenticated the naturalness of its use. The key findings of Lesya Ukrainka’s epistolary and poetic microcontexts comparison, both author’s and edited, argue that proofreading not only changes but, in fact, destroys the authentic text, distorts the individual style, and hinders the research process. We are to restore these features in modern editions of Lesya Ukrainka’s works and offer the scholars a genuine, rather than ‘retouched’, individual style of the author.

scholarly journals About the significance of the authorship of artwork in the Radvila Manor during the 18th century

Menotyra ◽  
2019 ◽  
Vol 25 (4) ◽  
Author(s):  
Aistė Paliušytė
Keyword(s):  
Creative Process ◽  
18Th Century ◽  
Common Knowledge ◽  
Art Collections ◽  
History Of ◽  
The Individual ◽  
Individual Style ◽  
Written Sources

Relying on written sources, the article examines the understanding of the authorship of artwork in the Radvila (Radziwiłł) Manor during the 18th century. Various types of sources are analysed: occasional literature, travel descriptions, correspondence of Radvilas’ officials, inventories of art collections, etc. Mentions of the authorship of artwork in the written sources of the manor were encouraged because of the reputation of artists. The assessments of the authorship were based on common knowledge and the experience of observing paintings. When paintings were evaluated, the general characteristics of the work’s quality were usually noted. Only occasionally the individual style of the authors was recognized. The author is primarily seen as tasked with the assurance of the work’s quality. The history of the art commissions by the Radvilas testifies that the understanding of the integrity of an author’s intention was not widespread in the noblemen’s manor. The clients had varying degrees of influence on the creative process. The noblemen often presented sketches and samples for the artists to base their work on. Still, even though the artist was often an implementer of the client’s idea, there were signs that showed the significance not only of the master’s handiwork but also of his mental input. The origins of these ideas came both from the Radvilas themselves and from the most appreciated and the most informed masters in the noblemen’s manor.

scholarly journals The work of Pieter Post in the context of the development of classicism in Dutch painting of the 17th century

2021 ◽  
pp. 164-168
Author(s):  
Ol’ga A. Korol’kova ◽  
Keyword(s):  
Main Part ◽  
17Th Century ◽  
Russian Art ◽  
Dutch Art ◽  
History Of Art ◽  
History Of ◽  
Human Figure ◽  
The Individual ◽  
Artistic Heritage ◽  
Individual Style

The author studied the pictorial heritage of the Dutch artist and architect of the 17th century Pieter Post. In the scientific works of Russian art critics, the master’s work is mentioned in the context of his collaboration with the famous architect Jacob van Campen, even though Post is no less significant in the history of art. This article proposes to concentrate on the analysis of the artist’s canvases, tracing the evolution of his creative manner, which was formed under the influence of the art of the Italians and landscape painters of Holland, which is especially noticeable in the first paintings of Post. With the development of skill, the artist acquires his own style, characterized by an attempt to symmetrically build a composition, the predominance of line over color, the specificity of the interpretation of the human figure, which is due to the spread of the ideas of classicism in Dutch art. The main part of the artistic heritage of Pieter Post is made up of architectural monuments created in the classicist style, however, based on the study of the master’s painting, one can trace the stages of the formation of classicism in Holland in the 17th century and the formation the individual style of Post.

Investigating the Relationship Between Self-Esteem and Stigma Among Young Adults With History of Suicide Attempts

Crisis ◽  
2016 ◽  
Vol 37 (4) ◽  
pp. 265-270 ◽  
Author(s):  
Meshan Lehmann ◽  
Matthew R. Hilimire ◽  
Lawrence H. Yang ◽  
Bruce G. Link ◽  
Jordan E. DeVylder
Keyword(s):  
Young Adults ◽  
Suicide Attempts ◽  
Self Esteem ◽  
High Risk Population ◽  
High Functioning ◽  
People With Mental Illness ◽  
History Of ◽  
The Individual ◽  
The Impact ◽  
The Relationship

Abstract. Background: Self-esteem is a major contributor to risk for repeated suicide attempts. Prior research has shown that awareness of stigma is associated with reduced self-esteem among people with mental illness. No prior studies have examined the association between self-esteem and stereotype awareness among individuals with past suicide attempts. Aims: To understand the relationship between stereotype awareness and self-esteem among young adults who have and have not attempted suicide. Method: Computerized surveys were administered to college students (N = 637). Linear regression analyses were used to test associations between self-esteem and stereotype awareness, attempt history, and their interaction. Results: There was a significant stereotype awareness by attempt interaction (β = –.74, p = .006) in the regression analysis. The interaction was explained by a stronger negative association between stereotype awareness and self-esteem among individuals with past suicide attempts (β = –.50, p = .013) compared with those without attempts (β = –.09, p = .037). Conclusion: Stigma is associated with lower self-esteem within this high-functioning sample of young adults with histories of suicide attempts. Alleviating the impact of stigma at the individual (clinical) or community (public health) levels may improve self-esteem among this high-risk population, which could potentially influence subsequent suicide risk.

Apocrypha from the History of the Jewish Military Union and its Authors

2008 ◽  
pp. 147-176
Author(s):  
Dariusz Libionka
Keyword(s):  
Comparative Analysis ◽  
Critical Analysis ◽  
Communist Regime ◽  
Research Approach ◽  
Warsaw Ghetto ◽  
History Of

This article is an attempt at a critical analysis of the history of the Jewish Fighting Union (JFU) and a presentation of their authors based on documents kept in the archives of the Institute of National Remembrance in Warsaw. The author believes that an uncritical approach and such a treatment of these materials, which were generated under the communist regime and used for political purposes resulted in a perverted and lasting picture of the history of this fighting organisation of Zionists-revisionists both in Poland and Israel. The author has focused on a deconsturction of the most important and best known “testimonies regarding the Warsaw Ghetto Uprising”, the development and JFU participation in this struggle, given by Henryk Iwaƒski, WΠadysΠaw Zajdler, Tadeusz Bednarczyk and Janusz Ketling–Szemley.A comparative analysis of these materials, supplemented by important details of their war-time and postwar biographies, leaves no doubt as to the fact that they should not be analysed in terms of their historical credibility and leads one to conclude that a profound revision of research approach to JFU history is necessary.

Bacon's "Envy": An Evaluation of Punctuation

2018 ◽  
Keyword(s):  
Pivotal Role ◽  
Complex Sentence ◽  
The Individual ◽  
Individual Style

Punctuation plays a pivotal role in enhancing the comprehensibility of a text. It not only abolishes ambiguity from the text but also adorns the individual style of the author. This paper analyses Bacon’s essay “Envy” evaluating the aberrant use of punctuation to understand its impact on the holistic comprehension of the essay. Bacon has deviated in some punctuation marks in different situations. Most deviations occur in the use of the comma and the semicolon. The least deviations occur in the use of the period. Two explanations may be inferred from the analysis: First, what seems to be deviant in this regard was normal in his time; second, he deviates on purpose to make the long, complex sentence clear and easy for the reader.

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