scholarly journals Russian fairy tales in the USA: Alexander Alexeieff’s graphic interpretation and Roman Jacobson’s scientific comprehension

Neophilology ◽  
2021 ◽  
pp. 165-179
Author(s):  
Lola U. Zvonareva ◽  
Oleg V. Zvonarev
Keyword(s):  
Fairy Tales ◽  
Point Of View ◽  
Russian Orthodox ◽  
Creative Work ◽  
Traditional Values ◽  
The Usa ◽  
Roman Jakobson ◽  
Artistic Images ◽  
First Time ◽  
Graphic Interpretation

We analyze the graphic commentaries of Alexander Alexeieff, the illustrator and the first wave emigrant, made for The Russian Fairy tales published in the USA in 1946. We believe A. Alexeieff to have been the second to illustrate The Russian Fairy tales in the USA as Ivan Bilibin, the eminent Russian painter and book illustrator had preceded him. A. Alekseev brought his vision of artistic images to the illustration of The Russian Fairy tales, combining ancient Slavonic motives with Christian symbolism. We assume the publication also to be unique as Roman Jakobson, the well-known philologist an ancient Slavonic and Russian folklore explorer wrote the foreword to the book being cited in Russian for the first time. Having briefly considered R. Jakobson’s life and creative work, we presume it to be quite logical Jacobson to have been baptized according to the Russian Orthodox tradition, as well as to have backed up the theory of Eurasianism. From this point of view, the analyzed edition of The Russian Fairy tales is holistic in content, harmoniously combining the traditional values of the cultural heritage of the Russian world and the work of outstanding figures that developed and propagated its values and enduring significance through their works.

scholarly journals TO THE PROBLEM OF THE MAGNIFICAT GENRE READING IN CREATIVE WORK OF JOHN RUTTER

2019 ◽  
pp. 111-119
Author(s):  
Maryna Varakuta ◽  
Vladimir Dashko
Keyword(s):  
Comparative Methods ◽  
Creative Work ◽  
Musical Culture ◽  
Contemporary World ◽  
Model Based ◽  
Artistic Images ◽  
Canonical Texts ◽  
First Time ◽  
Research Analysis

 The purpose of this article is to uncover some features of realization of the Magnificat genre in the creative work of John Milford Ratter, contemporary world famous composer, conductor, arranger, notes publisher, which received wide recognition, in the first place, as the author of numerous artistic compositions into the sphere of academically professional choral art. The round of scientifically investigative methods relies on a genre-based approach, stylistic and functional approaches of the research analysis. The explorers are also having the process of applying the structurally analytical as well as comparative methods, specialized ways for studying of the above-mentioned problem. The scientific novelty of the article is in the illumination of compositional features, timbre-texture decisions in the Magnificat genre in creative work of John Ratter that until now did not appear in modern domestic musicology research. The authors of represented article are investigating, for the first time, in the Ukrainian musicological thought, the problem concerning succession and regeneration of leading, the most crucial genre indications of Magnificat in compositionally artistic observation by John Milford Ratter. Conclusions. The Magnificat of John Rutter illustrates a new way of reading of this genre by the prime example of an unconventional embodiment of the classic genre model based on the synthesis of canonical and not canonical texts. The choral work attracts by its openness, sincerity, lyric artistic images that can be easily remembered, its melodious and harmonious colours, simplicity for understanding. The composer harmoniously combines traditions and their talented renewal: in this sense, the Magnificat is a model for the musical culture of the second half of the XX century and the beginning of the XXI century.

scholarly journals THE ARTISTIC WORLD OF SOZYRYKO BRITAEV ....

2017 ◽  
Author(s):  
А.Б. БРИТАЕВА ◽  
A.B. BRITAEVA
Keyword(s):  
Children's Literature ◽  
Fairy Tales ◽  
Complex Analysis ◽  
Children’S Literature ◽  
Point Of View ◽  
Synthesis System ◽  
Characteristic Features ◽  
The Individual ◽  
Creative Self ◽  
First Time

В статье на материале произведений С. А. Бритаева, осетинского писателя, сказоч- ника, переводчика, публициста, исследуются основные тенденции развития осетинской детской литературы середины XX в. как подсистемы осетинской художественной словес- ности в целом. Дан комплексный анализ авторских сказок писателя, специфика, «особая художественность» которых заключается в их синтетической природе; через призму ди- алога индивидуально-авторского начала и традиционных сказочных жанрообразующих элементов в различных аспектах (жанровый синтез, система образов, стилистические особенности, авторская позиция) раскрывается художественный мир писателя. С опо- рой на архивные источники впервые введены в научный оборот произведения малой прозы автора, в том числе ряд неопубликованных рассказов. На основе исследования своеобразия творчества автора прослежены основные тенденции и характерные черты развития осе- тинской детской литературы указанного периода, как то: синтез фольклорных средств с собственно литературными (описания, детализация действия, психологизм, пластич- ность изображения), тенденция к переходу от фольклорных типов-обобщений к созданию индивидуализированных характеров; от народно-сказовой формы повествования и тра- диционных способов передачи коллективной точки зрения на мир к усилению творческого самовыражения, своеобразию проявления авторской позиции. The article studies the main courses of evolution of Ossetic children’s literature of the middle of the XX th century as a subsystem of the Ossetic artistic literature in general, namely in the books of S. A. Britaev, the Ossetic writer, storyteller, translator, and publicist. Complex analysis of the author’s fairy tales is given, specifics, «especial artistry» of which lies in their synthetic nature; through the prism of the dialogue of the individual author’s standpoint and the traditional fairy genre-forming elements in various aspects (genre synthesis system of images, stylistic features, and the author’s viewpoint) reveals the artistic world of S. Britaev. The author’s short prose works, including a number of unpublished stories, have been introduced into scientific discourse for the first time on the basis of the archival sources. The main tendencies and characteristic features of the development of this period’s Ossetic children’s literature are traced in researching the originality of the author’s works, such as the synthesis of folklore means with literary ones proper (descriptions, action detailing, psychologism, image plasticity), tendency to change from folklore types-generalizations to creation of individualized characters; from the folk-fantastic forms of narration and traditional ways of transferring the collective point of view of the world to the strengthening of creative self-expression, the originality of the author’s positions.

scholarly journals THE BRIEF SURVEY OF EVOLUTION OF THE RUSSIAN STUDY OF TALES. THE REPRESENTATION OF HERMENEUTICS OF FABULOUS PARADIGMS IN THE CREATIVE WORKS OF A. PUSHKIN

2021 ◽  
pp. 98-166
Author(s):  
Tetyana Vorova
Keyword(s):  
Fairy Tales ◽  
World View ◽  
Point Of View ◽  
Russian Scientist ◽  
The Public ◽  
Russian Literary ◽  
History Of ◽  
New Ideas ◽  
First Time ◽  
History Of Study

The history of study of the Russian literary tales is set out in writing as emergence of tendencies or existence of different schools and their representatives. Every epoch, trend and certain scientists advanced the new ideas carried on by other experts in the process of further development of science. Therefore, the description of the history of study of tales corresponds to the description of evolution of this scientific branch according to some tendencies demonstrating and concentrating certain issues. The study of the literary tales is asserted to be closely associated with the history of the country and the ways of reflection of people’s self-consciousness. The public, literary and scientific interest in the tales came into existence as far back as the XVIII-th c., went through the period of astounding growth in the XIX-th c., the decline in the first half and the renaissance in the second half of the XX-th c. The stable attention to tales is paid at the turn of the XXI-st century. Scientists persistently searched a platform for the systematization of tales, examined the peculiarities of this genre – its main features, characteristics, definitions – in order to distinguish tales from other genres. Both a form of a tale and its content – with the prospective morals – were carefully analysed. The form and the content (or the idea) either were separated or opposed till the scientists came to the brilliant thought of their unity as the form represented a shell in which an idea or a world-view found their expression. A great Russian scientist A. Veselovskiy insisted on the necessity of creating morphology of tales, later this task was performed by the other famous Russian researcher V. Propp. V. Propp did not fix the separate features in poetics of tales but he focused on their structure and composition as a whole. Also, the relation of constant, invariable elements of tales to changeable, variable elements was gradually studied and defined. The modern scientific views are based on the thought that the essence of literary tales as the phenomenon of spiritual culture is likely to be expanded in the process of studying the origin, the development, the interpretation of tales and exceeding the limits of the genre. In the present article the point of view is illustrated that the history of tales is so complex and their study is so difficult that they can hardly ever be kept within the definite bounds. The fairy tales of A. Pushkin have the peculiar attractiveness because they bear the stamp of genius of their creator. The present research in hermeneutics of the Russian literary tales is based on the tales by A. Pushkin as the most capacious hermeneutical paradigms. It should be noted that for the first time an attempt to reveal and interpret their hidden, inherent meanings has been made on the basis of hermeneutics of the works of art.

The motive of God's loss in Ukrainian fairy tales

2001 ◽  
pp. 78-84
Author(s):  
V. Yatchenko
Keyword(s):  
Fairy Tales ◽  
Point Of View

If we approach the analysis of fairy tales from the point of view of revealing in them a metaphysical dimension of human intentions, then in their subjects one can identify several paradigms. The most important of these should include, in particular, the following: the combination of man with the deity (God); the loss of God's person as a result of her violation of some conditions for coexistence with God; the search for the lost man of God and the rejoining of him. These through-world ideological paradigms, embodied in specific themes (plots), may be adjoined in the same tale, and may exist separately, encompassing all of its plot. All the above applies to Ukrainian fairy tales.

Thanato-Laboratorien. Theorien von Tod und Sterben und Elias Canettis Buch gegen den Tod

2020 ◽  
Vol 4 (1) ◽  
pp. 67-86
Author(s):  
Elisabeth Heyne
Keyword(s):  
Human Life ◽  
Death And Dying ◽  
Point Of View ◽  
Visual Images ◽  
Elias Canetti ◽  
History Of ◽  
Series Of Experiments ◽  
First Time ◽  
Textual Form ◽  
Or History

AbstractAlthough visual culture of the 21th century increasingly focuses on representation of death and dying, contemporary discourses still lack a language of death adequate to the event shown by pictures and visual images from an outside point of view. Following this observation, this article suggests a re-reading of 20th century author Elias Canetti. His lifelong notes have been edited and published posthumously for the first time in 2014. Thanks to this edition Canetti's short texts and aphorisms can be focused as a textual laboratory in which he tries to model a language of death on experimental practices of natural sciences. The miniature series of experiments address the problem of death, not representable in discourses of cultural studies, system theory or history of knowledge, and in doing so, Canetti creates liminal texts at the margins of western concepts of (human) life, science and established textual form.

TAMM HORSFALL PROTEIN: THE MEN BEHIND THE EPONYM

2019 ◽  
Vol 23 (2) ◽  
pp. 117-119 ◽  
Author(s):  
D. N. Paskalev ◽  
B. T. Galunska ◽  
D. Petkova-Valkova
Keyword(s):  
Viral Replication ◽  
Research Team ◽  
Molecular Mechanisms ◽  
Thick Ascending Limb ◽  
Rockefeller Institute ◽  
The Usa ◽  
Natural Inhibitor ◽  
Simplex Virus ◽  
First Time ◽  
New Protein

Tamm–Horsfall Protein (uromodulin) is named after Igor Tamm and Franc Horsfall Jr who described it for the first time in 1952. It is a glycoprotein, secreted by the cells in the thick ascending limb of the loop of Henle. This protein will perform a number of important pathophysiological functions, including protection against uroinfections, especially caused by E. Сoli, and protection against formation of calcium concernments in the kidney. Igor Tamm (1922-1995) is an outstanding cytologist, virologist and biochemist. He is one of the pioneers in the study of viral replication. He was born in Estonia and died in the USA. In 1964 he was elected for a professorship in Rockefeller Institute for Medical Research, where has been working continuously. Since 1959, he became a head of the virology lab established by his mentor and co-author Franc Horsfall. In the course of studies on the natural inhibitor of viral replication, Tamm and Horsfall isolated and characterized biochemically a new protein named after their names. Franc Lappin Horsfall Jr (1906-1971) was a well-known clinician and virologist with remarkable achievements in internal medicine. He was born and died in the USA. He worked in the Rockefeller Hospital from 1934 to 1960, then in the Center for Cancer Research at the Sloan-Kettering Institute. Here he was a leader of a research team studying the molecular mechanisms of immunity, the effects of chemotherapy with benzimidazole compounds (together with I. Tamm), coxsackie viruses, herpes simplex virus, etc. 

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

A Nabatean port on the Red Sea: note on the pottery finds from al-Qusayr (al-Wajh, Saudi Arabia)

2020 ◽  
Author(s):  
Caroline Durand
Keyword(s):  
Saudi Arabia ◽  
19Th Century ◽  
Red Sea ◽  
Point Of View ◽  
The Other ◽  
Trade Routes ◽  
Other Hand ◽  
Roman Egypt ◽  
Pottery Sherds ◽  
First Time

Al-Qusayr is located 40 km south of modern al-Wajh, roughly 7 km from the eastern Red Sea shore. This site is known since the mid-19th century, when the explorer R. Burton described it for the first time, in particular the remains of a monumental building so-called al-Qasr. In March 2016, a new survey of the site was undertaken by the al-‘Ula–al-Wajh Survey Project. This survey focused not only on al-Qasr but also on the surrounding site corresponding to the ancient settlement. A surface collection of pottery sherds revealed a striking combination of Mediterranean and Egyptian imports on one hand, and of Nabataean productions on the other hand. This material is particularly homogeneous on the chronological point of view, suggesting a rather limited occupation period for the site. Attesting contacts between Mediterranean merchants, Roman Egypt and the Nabataean kingdom, these new data allow a complete reassessment of the importance of this locality in the Red Sea trade routes during antiquity.

Ground state molecular parameters of phosphine, PH3, from the simultaneous analysis of the high-resolution infrared, microwave and submillimeterwave spectra

1985 ◽  
Vol 50 (11) ◽  
pp. 2480-2492 ◽  
Author(s):  
Soňa Přádná ◽  
Dušan Papoušek ◽  
Jyrki Kauppinen ◽  
Sergei P. Belov ◽  
Andrei F. Krupnov ◽  
...  
Keyword(s):  
Fourier Transform ◽  
High Resolution ◽  
Ground State ◽  
Unitary Transformation ◽  
Point Of View ◽  
Acoustic Detection ◽  
Molecular Parameters ◽  
Microwave Spectrometer ◽  
Fourier Transform Spectra ◽  
First Time

Fourier transform spectra of the ν2 band of PH3 have been remeasured with 0.0045 cm-1 resolution. Ground state combination differences from these data have been fitted simultaneously with the microwave and submillimeterwave data to determine the ground state spectroscopical parameters of PH3 including the parameters of the Δk = ± 3n interactions. The correlation between the latter parameters has been discussed from the point of view of the existence of two equivalent effective rotational operators which are related by a unitary transformation. The ΔJ = 0, +1, ΔK = 0 (A1 ↔ A2, E ↔ E) rotational transitions in the ν2 and ν4 states have been measured for the first time by using a microwave spectrometer and a radiofrequency spectrometer with acoustic detection.

scholarly journals An exceptionally preserved conulariid from Ordovician erratics of Northern European Lowlands

PalZ ◽  
2021 ◽  
Author(s):  
Consuelo Sendino ◽  
Martin M. Bochmann
Keyword(s):  
Internal Structure ◽  
Late Pleistocene ◽  
Point Of View ◽  
Three Dimensions ◽  
Northern European ◽  
Current Location ◽  
Transport Direction ◽  
First Time ◽  
Erratic Boulder

AbstractA conulariid preserved in three dimensions from Ordovician fluvioglacial erratics of the Northern European Lowlands (North German Plain) is described under open nomenclature. It is assigned to the genus Conularia with similarities to Baltoscandian conulariids. The lithology of the erratic boulder and fauna contained in it provide important information on the origin and transport direction of the sediment preserved in a kame from the Saalian glaciation. This paper deals with the site of origin of the boulder in Baltoscandia analysing the comprised palaeofauna, from a palaeostratigraphic and palaeogeographic point of view, from its deposition in Ordovician times until its arrival at its current location in the Late Pleistocene. It also reveals for the first time the internal structure of the conulariid aperture.

Sign in / Sign up

Export Citation Format

Share Document