The city and its co-existential chronotope: a diagnostic aspect
The article attempts to substantiate the possibilities of the chronotope as a tool for cultural diagnostics of the city. The angle of the research is chosen due to the current demand for a transdisciplinary approach in the study of a variety of phenomena associated with human existence. In this regard, the city is no exception, its research also involves the use of methodologies which allow combining managerial practices and scientific theories. The city is considered in the article in its «medial existence» as a space of meanings, which makes it possible to use the chronotope as an ontological unit, which can be used as the basis for the cultural diagnostics of the city. Due to the fact that the chronotope connects temporal-topos and semantic criteria into a single structure, different dimensions of the city acquire specific expression, being reflected in various chronotopic invariants (profane, global, innovative, etc.). The author concentrates on the co-existential chronotope which focuses on the present of the city, reflecting its spatio-temporal foundations, within the boundaries of which the life and activity of a person as a consumer of urban spacetime take place. Saturation, concentration and proportionality are suggested as indicators of the co-existential chronotope, which make it possible to carry out culturological diagnostics of the city. Saturation reflects the existing spectrum of spatio-temporal configurations, in which there is a direct reproduction of human life in the city, the realization of human needs and interests, the formation of a person as a city dweller. Concentration indicates the differentiation of the city from the point of view of the «centrality» of the place, determined by its functional purpose. Proportionality allows you to identify the correspondence between the city and its inhabitants, considered in a subjective aspect.