scholarly journals Investigating the story of the appearance of Fazl Loghman in Masnavi and the kingdom that gave bitter fruit to Chakri in Mantiq al-Tair and Rumi's superiority in the artistic development of the story over Attar

2021 ◽  
Vol 8 (SPE3) ◽  
Author(s):  
Reza Mohamad dost ◽  
Reza Ashrafzadeh ◽  
Mahmud mahdavi damghani
Keyword(s):  
Comparative Literature ◽  
Artistic Development ◽  
Literary Works ◽  
Different Cultures ◽  
High Place ◽  
Bitter Fruit

In order to critique literary works (comparative literature), the works in question are usually criticized from two different cultures, so according to this type of method, the works created in the same culture can be examined together. He found their commonalities and differences and achieved good results. Although Attar and Sanai have played an important role in determining the intellectual policy and drawing of Rumi's mystical model, Rumi's ability in the art of storytelling and his mystical goals from the results of stories have a high place in literature and educational works, although many stories The works he uses are not in his mind and he has a history in his previous works. (Sanai and Attar) But their goals and final results are different. In this article, an attempt has been made to examine the commonalities and differences of the above story from the perspective of storytelling in order to reveal that Rumi has a higher artistic position than Attar in the art of storytelling.

scholarly journals Imagology of Iranians in One Thousand Nights and One Night

2016 ◽  
Vol 4 (1) ◽  
pp. 74
Author(s):  
Ehsan Ghabool ◽  
Mina Ravansalar
Keyword(s):  
Comparative Literature ◽  
Literary Work ◽  
Real Image ◽  
Economic Prosperity ◽  
Literary Works ◽  
Arabic Translation ◽  
The Real ◽  
Similarities And Differences ◽  
Definition Of

Imagology is a branch of comparative literature which explores the image of one nation in the literature of another nation. One Thousand Nights and One Night is among the important books which can show the image of different nations and people such as Indians, Iranians and Arabs. Since the oldest version of the book is in Arabic, it is considered an Arabic literary work though it was translated from a Persian tale in the first place. On this basis the study of the image of Iranians in One Thousand Nights and One Night can be included under the definition of imagology. In this article, first we explain, analyze and study the image of Iranians in the book One Thousand Nights and One Night with respect to 1. anthropology (including entertainments, personification of animals, disapprobation of lies and betrayal of spouses), 2. religious and mythical beliefs (including the belief in daevas and jinnis, magic, fire-worshipping and similar plots), 3. politics (emphasizing the position of vizier and his family in government), 4. economics (emphasizing economic prosperity), then we will compare the collected information with the image of Iranians in credited works and in this way we will identify the similarities and differences of Iranians’ image in One Thousand Nights and One Night and the above-said literary works. Finally we come to this conclusion that the similarities belong to the real image of Iranians in the pre-Islamic days and that differences show the image of post-Islamic Iran which is added through Arabic translation.

If All the Sky were Parchment

PMLA ◽  
1938 ◽  
Vol 53 (4) ◽  
pp. 951-970
Author(s):  
Irving Linn
Keyword(s):  
Comparative Literature ◽  
Western Europe ◽  
Literary Tradition ◽  
Literary Works ◽  
Rhetorical Figure ◽  
The Way

The present paper, though it has a bearing upon the problems of comparative literature, does not deal directly with literary works themselves, but is confined to the study of a single rhetorical figure which made its appearance more than two thousand years ago and still lingers in folk rimes of the present day. This rhetorical figure, which is striking enough to be easily identifiable, can be traced all the way from the Orient to Western Europe and thus serves as a floating straw to mark the currents and eddies in the stream of literary tradition.

scholarly journals A Comparative Study in the (myth of Pygmalion) between Bernard Shaw and Sadeq Hedayat

2019 ◽  
Keyword(s):  
Comparative Literature ◽  
World Literature ◽  
Latin Literature ◽  
Greek Literature ◽  
The World ◽  
Long Time ◽  
The Many ◽  
Bernard Shaw ◽  
Different Cultures ◽  
European Renaissance

In our time, not too long ago, the universities of the world have been fast to take care of the study of an innovative type of technical and human studies, called the science of "comparative literature". Comparative research studies have grown and flourished rapidly in response to the demands of both mental and artistic life. This shows the increasing awareness at both the modern national and the international levels in order to develop through connecting with the international intellectual, nental and artistic currents to nurture ethics and originality. Comparative studies show that the beginning of the comparative literature goes back to the time when the Latin literature was connected to the Greek literature and the comparative literature was shaped in the era of European Renaissance. Today, it is one of the most authentic sciences in universities, with complex branches, due to its being an inevitable result of increasing human awareness and the result of the great demand by the conscious public to benefit from the many human and cognitive aspects provided by the comparative literature through its connection with the heritage of the world literature and unity of the human spirit in its past and present. One of the most important factors of the prosperity of any civilization is the degree of contact with and benefit from other civilizations. Long time ago, different cultures were used to enrich each other, and the relationship between cultures took many forms such as imitation, translation, influencing others, as well as the exchange of information between cultures, in addition to intellectual and cultural invasion and domination. It is impossible to imagine that a particular culture evolved without any contact with other cultures. Instead, any isolated culture certainly suffered from deterioration.

scholarly journals Ipung Novel by Prie Gs and Sang Alkemis Novel by Paulo Coelho (Comparative Literature Study)

2020 ◽  
Vol 1 (1) ◽  
pp. 8-14
Author(s):  
Pana Pramulia ◽  
Nanda Saputra
Keyword(s):  
Qualitative Research ◽  
Comparative Literature ◽  
The Novel ◽  
Literature Study ◽  
Social Situations ◽  
Literary Works ◽  
Research Results ◽  
Comparative Literature Study ◽  
Descriptive Qualitative

Literary works in Indonesia, including novels, both in terms of ideas and content, are heavily influenced by works from abroad. This influence is caused by many things, for example Indonesian writers who idolize foreign writers, similarities in social situations and conditions, or even unplanned similarities because Indonesian writers unconsciously intensively read one of the works of foreign writers. This research attempts to compare the novel Ipung by Prie GS with the novel the Alchemist by Paulo Coelho. Comparisons are only limited to pouring out the ideas, genres, and motives contained in the two novels. This research is a descriptive qualitative research that describes a number of ideas, genres, and motives concerning the basic issues of creation, and the message can be expressed accuratel. Based on the research results, it was stated that the novel Sang Alkemis by Paulo Coelho influenced Prie GS novel Ipung, both in terms of ideas, genres, and motives.

scholarly journals RELASI ANTARTEKS DALAM PENGKAJIAN SASTRA

2016 ◽  
Vol 12 (2) ◽  
Author(s):  
Sumiyadi Sumiyadi
Keyword(s):  
Comparative Literature ◽  
Literary Theory ◽  
The Other ◽  
Literary Studies ◽  
Literary Study ◽  
Textual Studies ◽  
Literary Works ◽  
The Difference

Abstrak Relasi Antarteks dalam Pengkajian Sastra. Relasi antarteks terdapat dalam karya sastra yang di dalamnya membayangkan teks lain. Dalam mengkaji teks demikian, kita biasanya langsung mengkaitkannya dengan konsep intertekstual, padahal konsep tersebut berkaitan dengan teori pascastruktural sehingga dalam pengkajiannya, kita harus mengikuti prinsip-prinsip pascastrukturalisme. Relasi teks juga mensyaratkan kita untuk melakukan kajian bandingan, yang dalam kajian sastra dapat menggunakan konsep sastra bandingan. Kajian sastra bandingan tidak berkaitan dengan salah satu teori. Bahkan, teori apapum dapat dimanfaatkan untuk kepentingan sastra bandingan. Sehubungan dengan relasi teks dalam dunia sastra merupakan fenomena menarik, kemungkinan banyak pihak atau peneliti yang tertarik untuk mengkajinya. Oleh sebab itu, diperlukan landasan teori sastra yang kukuh dan relevan sehingga menghsilkan kajian sastra yang bermakna dengan kadar ilmiah yang dapat dipertanggungjawabkan. Penegasan ciri pembeda antara prinsip kajian sastra bandingan dan prinsip kajian intertekstual dalam tulisan ini merupakan upaya ke arah pengkajian sastra yang demikian.Kata kunci: teks, intertekstual, pascastruktural, sastra bandingan   Abstract Inter-textual Relation in Literary Studies. Inter-texts relation exista in literary works; one work shadows the other. In studying such texts we often immediately link them with the concept of intertextuality that belongs to post-structuralism. Texts relation also requires us to compare literary works using comparative literary study concepts. Comparative literary studies are not related with one specific theory. Any theory can be employed. Texts relation is an iteresting phenomenon that invites many to investigate. For this reason we need a grounded and relevant literary theory that will facilitate insightful and reliable literary studies. The difference between comparative literature principles and inter-textual studies principles are discussed in the article. Keywords: texts, intertextuality, post-structuralism, comparative literature.

THE INFLUENCES OF NATHANIEL HAWTHORNE’S YOUNG GOODMAN BROWN ON BUDI DARMA’S BAMBANG SUBALI BUDIMAN: A COMPARATIVE LITERATURE

2014 ◽  
Vol 1 (1) ◽  
pp. 31
Author(s):  
Mirotin Eka Wahyuningsih
Keyword(s):  
Comparative Literature ◽  
World Literature ◽  
Literature Study ◽  
Literary Works ◽  
Universal Values ◽  
Comparative Literature Study

The purpose of this article is to observe the influence of “Young Goodman Brown” on “Bambang Subali Budiman” applying Comparative Literature Study. The theme of Hypocrisy as the result of the journey of looking for evil inside is the universal values in both works. Although those works have similarities, some elements are different. Furthermore, the differences demonstrate the originality of “Bambang Subali Budiman” as influenced work. The study of Comparative Literature eliminates the gap between Western and Eastern literary works under the coverage of World Literature. Keywords: Comparative Literature, World Literature, Influence relation, Originality

scholarly journals THE SOUND OF EVIL: A PERSPECTIVE OF COMPARATIVE LITERATURE

Paramasastra ◽  
2014 ◽  
Vol 1 (2) ◽  
Author(s):  
Lusia Kristiasih Dwi Purnomosasi
Keyword(s):  
Comparative Literature ◽  
Social Stratification ◽  
Main Character ◽  
Railway Station ◽  
Scarlet Letter ◽  
The Scarlet Letter ◽  
Anna Karenina ◽  
Lady Chatterley's Lover ◽  
The Witch ◽  
Different Cultures

The representation of evil in The Scarlet Letter, Madam Bovary, Anna Karenina, and Lady Chatterley’s  Lover  is  a  choice  to  be  compared  by  the  theory  of  comparative literature of Claudio Guillen.It  is  called  thematology.  It  is  based on  the assumption that a theme will be different as  it is accepted by different cultures. Internationality is applied among others. The evil functions as a representation of a sinner in The Scarlet Letter in line with external marital affairs by the main character. It is due to the belief of  witch  that  leads  to  the  special  woman.  The  witch  as  the  representation  of  evil changes  to  the  beggar  in  Madam  Bovary  and  a  railway  station  officer  in  Anna Karenina. Both  reflect  the different  social  stratification as  the effect of materialism. Lady Chatterley’s Lover  has  transformed  to an  invisible  representation of evil.  It  is the mentality of capitalism. The  transformation of  those evil  in  the novels  is created from the stereotype towards the cursed by society. It deals with the belief and status.

scholarly journals Alma Vênus, de Marco Lucchesi, e o diálogo com A divina comédia.

2021 ◽  
Vol E4 (2021) ◽  
pp. 119-131
Author(s):  
Jânio dos Santos ◽  
Alexandre Andrade
Keyword(s):  
Comparative Literature ◽  
Literary Theory ◽  
Divine Comedy ◽  
Multiple Views ◽  
Literary Works ◽  
Essential Tool ◽  
The Common ◽  
The Way

The present work sought to approach the dialogue between the dantesque classic and contemporary brazilian poetry, more specifically with the carioca poet Marco Lucchesi, as a way of bringing the classic and the contemporary, in their familiarities. We use comparative literature as an essential tool in terms of understanding and identifying the resonant points in different works and poets, and the way that literature is transformed or transfigured within multiple views, but that are familiarized with the idea of the human, of restlessness, of search for directions. In this way, we dedicate our attention to the common points between the two literary works studied, going through philosophy, criticism and literary theory, in order to provide an objective and clear discussion between the classic and the contemporary. With this, we tried to discuss the importance of Divine Comedy in contemporary times by comparing it with the work Alma Vênus (2000), by the brazilian poet Marco Lucchesi

scholarly journals Translation or Intertextuality: A Literature Comparative Analysis of “The Young Dead Soldiers Do Not Speak” by Archibald MacLeish and “Krawang Bekasi” by Chairil Anwar

2020 ◽  
Vol 1 (3) ◽  
pp. 110-117
Author(s):  
Fakhriawan Fathu Rahman ◽  
Fathu Rahman
Keyword(s):  
Comparative Literature ◽  
Comparative Analysis ◽  
Cultural Translation ◽  
Theory Method ◽  
Literature Study ◽  
Literary Works ◽  
Translation Methods ◽  
Comparative Literature Study ◽  
Relationship Of ◽  
Multicultural Perspective

This study aims to pinpoint the relevant relation between two literary works which have a relationship with one another in the perspective of comparative literature studies. Data were gathered through the text deconstruction theory method by means of an intertextuality approach. The method is applied to juxtapose two well-known poems, Krawang Bekasi (Indonesia) and The Young Dead Soldiers Do Not Speak (America), which are suspected of having the same content and theme, but their relations were never revealed. This thematic-based study uses a multicultural perspective and is naturally suitable for comparative literature study. The objective of this study was to reveal the existence of Krawang Bekasi as one of the Indonesian poems written by Chairil Anwar and to demonstrate the cultural translation methods, known as cultural intertexts relation, for finding the intertextuality of two literary works. In fact, by tabling line through line, the intertextuality was found to be workable in comparative literature. As a result, the study shows that Krawang Bekasi by Chairil Anwar is an adaptation which borrows from and transforms The Young Dead Soldiers Do Not Speak by Archibald MacLeish. Thus, the intertextual relationship of these two works is revealed.

Batya Brutin, Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank. Berlin: Walter de Gruyter; Jerusalem: The Hebrew University Magnes Press, 2020. xvi + 213 pp.

2021 ◽  
pp. 283-285
Keyword(s):  
Jewish Identity ◽  
Personal Identification ◽  
Artistic Development ◽  
Artistic Creativity ◽  
Warsaw Ghetto ◽  
The Holocaust ◽  
Hebrew University ◽  
Different Cultures ◽  
State Of Israel ◽  
Anne Frank

This chapter reflects on Batya Brutin's Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank (2020). This volume documents the engagement of artistic creativity with the photographs of the boy with raised hands in the Warsaw ghetto (1943) and those of Anne Frank. In the six chapters detailing the various ways in which artists from different cultures and countries integrated these iconic figures into their oeuvre, Brutin acquaints the reader with dozens of artists who, at some point in their artistic development, opted to “express their thoughts, emotions and perceptions of the Holocaust.” These artists' works touch on various themes elaborated upon by Brutin: the fate of Jewish children in the Holocaust; personal identification with the iconic figures; their use to represent Jewish identity and universal human situations; their uniqueness; their imaginative connection with the state of Israel; and their “facelessness,” “disappearance,” and “disintegration.” Thus, the photographs have been used for decades by artists to perform a function in their art.

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