scholarly journals PSYCHOLINGUISTIC FEATURES OF IMAGINATION AS A COMPONENT OF LUDIC COMPETENCE

2020 ◽  
Vol 2 ◽  
pp. 15-23
Author(s):  
Iuliia Kobzieva ◽  
Iia Gordiienko-Mytrofanova ◽  
Serhii Sauta

Ludic competence is an integral part of the professional competence of would-be psychologists; the psycholinguistic features of imagination are in turn an integral component of the ludic competence. We used the method of applied psycholinguistic research in order to define and explain the psycholinguistic features of imagination as a component of the ludic competence. The main stage of the research was a free association test with the stimulus word “imagination”, as the most elaborated technique of semantic analysis. The psycholinguistic features of imagination as a notion that belongs to the inner world and as a component of the ludic competence were reflected in everyday linguistic consciousness as three core (more than 10 %) semantic clusters: (a) associates that reflect psychological processes and states (54.5 %); (b) associates that are connected with creative activity (25.5 %); and (c) associates that describe the outside world (11 %). Imagination was mostly represented by lexemes with abstract semantics. The semantic content of the word “imagination” did not depend on gender identification. Both male and female respondents showed a positive emotional attitude to the stimulus “imagination” and evaluated it as something positive. Our data confirm that the psycholinguistic experiment and the method of free association, in particular, can be extensively applied beyond linguistics and prove to be rather effective.

2001 ◽  
Vol 24 (3) ◽  
pp. 305-320 ◽  
Author(s):  
Benoit Lemaire ◽  
Philippe Dessus

This paper presents Apex, a system that can automatically assess a student essay based on its content. It relies on Latent Semantic Analysis, a tool which is used to represent the meaning of words as vectors in a high-dimensional space. By comparing an essay and the text of a given course on a semantic basis, our system can measure how well the essay matches the text. Various assessments are presented to the student regarding the topic, the outline and the coherence of the essay. Our experiments yield promising results.


2020 ◽  
Vol 15 ◽  
pp. 49-53
Author(s):  
Iia Gordiienko-Mytrofanova ◽  
Iuliia Kobzieva ◽  
Serhii Sauta

The aim of this study was to reveal and to describe the structure of the verbalized concept of «flirting». The main method of the research was a psycholinguistic experiment. The sample comprised 400 young people (aged 18-35), males and females being equally represented. The concept of «flirting» is represented by eleven clusters, four of them are core: «verbal and non-verbal ways of communication», «forms and ways of interaction», «emotions, feelings, states», and «gender». Two psycholinguistic meanings of «flirting» concept were described: «The stage of courtship with no intimate relation», «Sexual relationship». The semantic content of the concept of «flirting» does not depend on gender identification. The general attitude of the respondents to the stimulus «lightness» is quite positive.


2013 ◽  
Vol 41 (4) ◽  
pp. 424-432 ◽  
Author(s):  
Renira Rampazzo Gambarato

This paper discusses design process as a creative activity along with conceptual correlations of the semiotics developed by Charles Sanders Peirce. The central aim of this paper is to examine one of the most important concepts in Peirce’s theory related to design praxis: the concept of abduction. Abduction is the driving force behind creation and a way of producing new ideas. Peirce’s original concept is fundamental in order to maintain constant commitment to innovation required by design. To transmit messages in a creative way it is more efficient to intensely work with associations by similarity in order to obtain signs rich in information and analogies. Design communicates by all its constituent elements: shape, function, colour, material, technique, technology, etc. Therefore, signs of design share peculiar values of artistic signs as well as those of communicative ones. The associated information is as much aesthetic (shape) as it is semantic (content). The appropriation of Peircean concepts contributes to the understanding of the creative process, which in turn is crucial for understanding new possibilities by means of design.


2016 ◽  
Vol 25 (1) ◽  
pp. 99-120
Author(s):  
Saidurrahman Saidurrahman

Abstract: Knowledge of the presence (ḥuḍūrī) with mystical experience as describe above is deemed the most popular models of knowledge in Islamic philosophy at the same coloring methodology and epistemology of Islam. Through logical arguments, semantic analysis and epistemo¬logy sharp Suhrawardī considered very successfully demonstrate authenticity huduri science as a science model of non-representational. Among the classical epistemological problems that have not been resolved until now -but able to be dissected in clear and distinct- is about the relationship of subject and object of knowledge, that is the problem more acute in modern Western philosophy. What is interesting is when when to review the issues very carefully and consistently Mehdi directing and bringing the students (who interest in Islamic philosophy) into the recesses of the inner world and the dialogue with the depth of their own existence. It is undeniable that Ha'iri Mehdi Yazdi take existentialist philosophy illumination Suhrawardī and MullaṢadrā as a main reference, as he learned the lesson of Plato, Aristotle, Plotinus, Ibn Sīnā, and al-Ṭūsī, citing the idea of a number of Western philosophers were actually familiar with the science huduri that he wanted to offer. However unique, he expertly directs their ideas to the conclusion that it is inevitable for us to acknowledge the existence of non - phenomenal knowledge. Abstrak:Pengetahuan dengan kehadiran (ḥuḍūrī) dibarengai pengalaman mistik seperti yang paprkan diatas dipandang model pengetahuan yang paling populer dalam filsafat Islam sekaligus mewarnai metodologi dan epistemologi Islam. Melalui argumen-argumen logis, analisis semantik dan epistemologi yang tajam Suhrawardī dipandang sangat berhasil mendemonstrasikan keautentikan ilmu huduri sebagai sebuah model ilmu non-representasional. Diantara problem-problem klasik episte-mologis yang belum terselesaikan hingga kini—tetapi mampu dibedah secara clear dan distink—adalah tentang hubungan subjek dan objek pengetahuan, yang problemnya makin akut dalam filsafat Barat modern. Yang menarik adalah ketika ketika mengulas masalah-masalah itu Mehdi sangat cermat dan konsisten mengarahkan dan membawa para murid-muridnya (peminat filsafat Islam) memasuki relung-relung dunia batin dan berdialog dengan kedalaman eksistensi mereka sendiri. Tak dapat dipungkiri bahwa Mehdi Ha’iri Yazdi mengambil filsafat iluminasi Suhrawardī dan eksistensialis MullaṢadrā sebagai acuan utamanya, seraya memetik pelajaran dari Plato, aristoteles, Plotinus, Ibn Sīnā, dan al-Ṭūsī, mengutip gagasan sejumlah filosof Barat yang sebetulnya asing dengan ilmu ḥuḍūrī yang hendak ia tawarkan. Akan tetapi uniknya, dengan piawai ia mengarahkan gagasan-gagasan mereka kepada penarik¬an kesimpulan bahwa adalah tak terelakkan bagi kita untuk mengakui eksistensi pengetahuan non-fenomenal itu. Keywords: ilmu ḥuḍūrī, khazanah, epistemologi, cogito ergo sum, atheisme.


2021 ◽  
Vol 113 ◽  
pp. 00012
Author(s):  
L.I. Abbasova

The article describes specific features of the development of professional competence of future teachers. The development of the professional competence of future teachers on the basis of the personality-centered approach is aimed at changing personal readiness for the process of implementing their future professional and pedagogical activities. Different views of scientists on the definition of “professional competence” are considered. The model of developing personal and professional competence of future teachers is presented, which consists of four components: target; content-organizational; diagnostic and reflexive-prognostic component. The main forms of work with students within the framework of the presented model are interactive technologies for conducting classes, consisting of four components: target; content-organizational; by means of facilitating the processes of self-actualization and self-development, etc. An important role is given to individual work with students, pedagogical support in building individual routes for each future teacher. Independent activity presupposes work on one's own personality, with one’s own inner world for the purpose of self-improvement and use of the Self-Observation Diary. The knowledge and experience gained are further implemented as a result of practical training of students at the bases of specialized organizations. The results of experimental activities on the implementation of the model of development of professional competence of future teachers in practice are described.


2020 ◽  
Author(s):  
И.В. Клюева

Цель статьи – культурологический и искусствоведческий анализ трех портретных изображений выдающейся балерины Серебряного века русской культуры Софьи Федоровой 2-й (1879–1963), созданных С.Д. Эрьзей, М.Д. Рындзюнской и Н.Я. Данько. Материалом исследования являются архивные документы, отечественная периодика 1910-х гг., отзывы критиков и воспоминания современников о балерине. На основе использования сравнительно-исторического, биографического и семиотического методов представлена характеристика личности и творчества Федоровой 2-й, реконструирована ее биография; прослежена история создания трех скульптур, выявлены их художественные особенности и смыслоSвоенаполнение. Автор заключает, что Н. Я. Данько и М.Д. Рындзюнская изображают «дневную» Федорову, главным в их работах является демонстрация красоты и выразительности движений балерины. С.Д. Эрьзя запечатлел «ночную» Федорову: сосредоточив внимание на лице артистки, он сумел в своей скульптуре отразить ее сложный внутренний мир. The main aim of the article is to present an art historical and cultural analysis of three portrait images of Sofia Fedorova II(1879–1963), the outstanding ballerina of the Silver Age of Russian culture, created by masters of Russian sculpture Stepan Erzia (portrait bust, 1915, marble), MarinaRyndzyunskaya (statue, 1916, marble) and Natalya Danko (figurine, 1921, porcelain). The research materials are previously unpublished documents from the archives of Moscow, Saint Petersburg, Saransk, as well as articles from Russian periodicals of the 1910s; reviews of professional critics and memories about the ballerina. Based on the use of comparative historical, biographical, and semiotic methods, the article reconstructs Fedorova’s biography, considers various aspects of the reception of her personality and work by contemporaries: figures of literature (Vyacheslav Ivanov), theater (S. Giatsintova, E. Gogoleva, K. Stanislavsky, V. Telyakovsky), ballet (S. Grigoriev, B. Nizhinskaya), art critics and historians of ballet (Yu. Belyaev, P. Liven, S. Mamontov), other representatives of the humanitarian intelligentsia (S. Grigorov). Sofia Fedorova is known as an unsurpassed performer of characteristic dances in ballet and opera performances, as well as a ballerina who embodied the images of the innovative choreography of A.A. Gorsky and M.M. Fokin. Vyacheslav Ivanov claimed that the ballerina had “two faces”: the “daytime”, “galloping” Fedorova and the “nighttime” Fedorova, whose sphere was the “dark mysticism of the soul”. The author of the article traced the history of the creation of the three sculptures and revealed their artistic features and semantic content. The three sculptors created completely different sculptural images of Fedorova: a monumental marble figure (Ryndzyunskaya), an easel marble bust (Erzia), and a decorative porcelain figurine (Danko). According to the findings of the author of the study, Danko portrays Fedorova as “daytime” and “galloping” (nevertheless, she manages to create an ethereal image). Ryndzyunskaya also shows Fedorova as“daytime”, the sculptor is attracted by the ballerina’s grace, the beauty and expressiveness of her movement: portraying it, she focuses on purely plastic problems. Erzia is the only sculptor of the three who managed to see and capture the “nighttime” Fedorova. He is not interested in the ballerina’s dance, but in her complex deep inner world: he reflects the “dark mysticism” of her soul, conveys the state of tensity and anxiety that engulfed the woman, revealing not only signs of her incipient mental illness, but also her keen sense of the catastrophic state of the world (during World War I and the impending revolution).


Author(s):  
Elena A. Bazhenova ◽  
◽  
Ekaterina E. Dymont ◽  

The article examines the role of Russian perfect verbs in text formation. Based on the texts of modern Russian writers (S. Vasilenko, D. Granin, E. Limonov, V. Pelevin, T. Tolstaya, V. Tokareva, L. Ulitskaya), the functions of the verb forms with perfect meaning in the plot organization of a fiction text are considered. The principal attention is paid to the analysis of the functions of 1) regression of the narrative, 2) progress of the narrative with a pause in the external environment or in the inner world of the character, 3) pause in the narrative. Narrative regression is interpreted as a reference to the past, progress as a perspective of the narrative, and pause as a fixation of the state of the environment or the internal state of the character. It has been established that these functions are realized within the framework of a perfect situation as a functional-semantic field. The nucleus of the field is a perfect verb or passive past participles; the periphery of the field is formed by multi-level language units that actualize the perfect meaning in the context. It has been revealed that the perfect situation has a complex semantic structure, in which three components are holistically represented: pre-perfect state, action, and post-perfect state. This structure allows expressing different types of links: between the temporal plans of the text, between the cause of an event and the consequent state of the event, between a mental action and the object of this action. In a fiction text, each component of syncretic perfect semantics can become a basis for the plot situation. It has been shown that plot- and event-driven functions of perfect verbs are determined by the position of the verb in the complex syntactic whole, by interaction with other predicates, by the syntactic structure, and by the lexical meaning of the verb. In particular, it has been established that the function of regression of the narrative is represented by perfect verbs as a part of complex sentences with temporal, causal, and deliberative subordinate clauses. The function of progress of the narrative with a pause in the external environment is performed by perfect verbs inside a complex syntactic whole. This function may also be realized on the border of two complex syntactic wholes. Progress of the narrative with a pause in the inner world of the character is expressed by mental verbs (ponyal, dogadalsya, osoznal, pochuvstvoval, reshil, etc.). A pause in the narrative is typically expressed by passive past participles. The contextual and semantic analysis of perfect situations allows concluding that perfect verbs have an impact on encoding and decoding of the meaning of the fiction text.


2020 ◽  
Vol 97 (1) ◽  
pp. 11-30
Author(s):  
Renée Jorgensen Bolinger

Sometimes speakers within a linguistic community use a term that they do not conceptualize as a slur, but which other members of that community do. Sometimes these speakers are ignorant or naïve, but not always. This article explores a puzzle raised when some speakers stubbornly maintain that a contested term t is not derogatory. Because the semantic content of a term depends on the language, to say that their use of t is semantically derogatory despite their claims and intentions, we must individuate languages in a way that counts them as speaking our language L, assigns t a determinately derogatory content in L, and still accommodates the other features of slurs’ linguistic profile. Given the difficulty of doing this, there is some reason to give a non-semantic analysis of the derogatory aspect of slurs. The author suggests that rather than dismissing the stubborn as semantically incompetent, we would do better to appeal to expected uptake as moral reasons for the stubborn to adjust their linguistic practices.


2012 ◽  
Vol 38 (3) ◽  
pp. 631-671 ◽  
Author(s):  
Ming Tan ◽  
Wenli Zhou ◽  
Lei Zheng ◽  
Shaojun Wang

This paper presents an attempt at building a large scale distributed composite language model that is formed by seamlessly integrating an n-gram model, a structured language model, and probabilistic latent semantic analysis under a directed Markov random field paradigm to simultaneously account for local word lexical information, mid-range sentence syntactic structure, and long-span document semantic content. The composite language model has been trained by performing a convergent N-best list approximate EM algorithm and a follow-up EM algorithm to improve word prediction power on corpora with up to a billion tokens and stored on a supercomputer. The large scale distributed composite language model gives drastic perplexity reduction over n-grams and achieves significantly better translation quality measured by the Bleu score and “readability” of translations when applied to the task of re-ranking the N-best list from a state-of-the-art parsing-based machine translation system.


1996 ◽  
Vol 27 (1) ◽  
pp. 57-67 ◽  
Author(s):  
Chris Marvin ◽  
Kathleen R. Kasal

The signed communication of five preschool children who are deaf (ages 4:5 to 5:6) was analyzed for its semantic content. Videotaped samples were collected while the children participated in activity-based classroom routines and familiar play themes with teachers and peers in a 2 1/2-hour preschool classroom. The children demonstrated expected limitations in their language skills (mean MLU=2.01) but talked about many of the same topics at school as children of the same age who were not disabled (Marvin, Beukelman, Brockhous, & Kast, 1994). The five children who are deaf generally talked about the here-and-now and themselves and appeared to be heavily influenced by the materials, people, and activities in the immediate environment of the preschool classroom. Talk concerning teachers, peers, class projects, needed supplies and utensils, and food were common and frequent in the children's talk with teachers and peers. Talk concerning temporally displaced topics was less frequent and less common than talk concerning present time frames. Child-initiated utterances were longer in length and more semantically diverse than teacher-prompted utterances. Implications of these findings for preschool deaf educators and speech-language pathologists are discussed.


Sign in / Sign up

Export Citation Format

Share Document