scholarly journals Randai as a Social Representation Minangkabau Society of the Past

Humanus ◽  
2020 ◽  
Vol 19 (1) ◽  
pp. 104
Author(s):  
Indrayuda Indrayuda ◽  
Marzam Marzam ◽  
Mohd. Effindi Samsudin
Keyword(s):  
Social Life ◽  
Life Stories ◽  
Social Issues ◽  
Sampling Technique ◽  
Social Representation ◽  
Cultural Learning ◽  
The Past ◽  
The Social ◽  
Cultural Themes ◽  
Object Of Study

Randai Arts is a cultural heritage used by the Minangkabau community as an entertainment which is called Pamenan in Minangkabau language means game. This article will reveal the social representation of the Minangkabau people in the past through the Randai show. As part of traditional Minangkabau performance art, Randai is packaged in a comprehensive form of performance, including motion, music, literature, and theater. Usually the stories shown are about the life stories of people from the past Minangkabau community. This research is a qualitative research using ethnographic and descriptive methods. Informants were selected using the purposive sampling technique, and used complementary instruments namely interview and observation guidelines. Data was collected through interviews, direct observation, and literature studies, as well as documentation studies. The analysis was carried out by adopting ethnographic methods, namely: (1) determining the object of study; (2) conducting domain analysis; (3) conducting taxonomic analysis; (4) conducting part analysis; (5) analyzing cultural themes; and (6) interpreting and concluding. The results of the research revealed that the art of Randai has never presented a story outside of humanitarian issues, namely the story of the social problems of the Minangkabau people of the past until now. This social problem is caused by social crises that often occurred in the past, in social life in Minangkabau. The problem revolves around love, household, and social status. To be cultural learning for the audience, the social issues in the past are brought up again in the story that is delivered in the Randai show.

scholarly journals Deuki Pratha in Nepal: Problems and Changing Beliefs

2020 ◽  
Vol 35 (2) ◽  
pp. 89-102
Author(s):  
Dipendra Bahadur K.C.
Keyword(s):  
Social Life ◽  
Private Property ◽  
Social Issues ◽  
Cultural Beliefs ◽  
Economic Life ◽  
Government Organizations ◽  
The Past ◽  
Life Styles ◽  
The Social ◽  
The Cost

In the far-western region of Nepal, particularly, in Doti, Baitadi and Dadeldhura, deuki pratha has been practiced as a long established tradition. However, Deuki pratha is considered illegal in Nepal. Deukis are offered to different deities by parents or others (wealthier couples). The reason behind deuki pratha rests on the belief that one’s family gets protection and good favour from the gods. Once offered as Deuki, the girl is not allowed to get married and is devoid of the family support. The major duty of Deuki is to serve the goddess and temple such as cleaning and looking after the temple. The study was conducted in Melauli Municipality of Baitadi district in Sudurpaschim province. This paper aims to highlight the social issues due to deuki in the study area. The study aimed to understand the socio-cultural beliefs of deuki tradition in the changing social and cultural contexts from the gender perspective and development. The study was based primarily on qualitative methods. The study revealed that deuki tradition is still practiced, though it is reported to be declined in the recent years. Unlike in the past, with the growing awareness by the joint efforts of government and non-government organizations' agencies, practice of Deuki has declined to a great extent but not abolished yet. There was mixed reaction regarding beliefs upon Deuki tradition among the locals. The study found that Deuki women who had been offered to the deity was unknowingly been isolated, when still as a girl and abused from the society as these came at the cost of personal and social life of women. With the growing awareness, and changing society, the locals and the followers of deuki pratha seem to welcome the changes and attitudes towards deuki pratha. However, the social and economic life styles of deukis are at stake. Though, some deukis own some private property, due to the lack of emotional and social support are bound to live forbidden and isolated life. Unlike, in the past, where deukis received reverence and importance, the perception towards deukis has worsened in the study area often belittled as prostitution and the disgrace to the society.

scholarly journals A new myth regarding the Great Trek: Reinvention of identity in Die pad na skuilhoek [The path toSkuilhoek] by Hans du Plessis.

Literator ◽  
2013 ◽  
Vol 34 (2) ◽  
Author(s):  
Marlies Taljard
Keyword(s):  
Social Issues ◽  
National Identities ◽  
Historical Novels ◽  
The Novel ◽  
Historical Interpretation ◽  
The Past ◽  
The Social ◽  
Social Myth ◽  
The Way

This article aims to illustrate how Hans du Plessis, in his novel Die pad na Skuilhoek [The path to Skuilhoek] (a place of shelter), subverts the way in which history had been presented in historical novels in the past by addressing social issues that contemporary readers find relevant. The first part of the article deals with the social codes that shape the identities of the main characters and how these identities are relevant in terms of the social framework within which the novel is received. In the second place the focus will shift towards Du Plessis’s representation of cultural and national identities. The question: ‘Who were the Afrikaners at the time of the Great Trek?’ will be answered with reference to these identities. In conclusion it will be pointed out how Du Plessis avoids dated practices of historical interpretation by choosing ecocrticism as the ideological framework for his novel and is, in this way, constructing a new social myth about the Great Trek.

Risking Debt for Honor

2017 ◽  
Vol 43 (1) ◽  
pp. 51-71
Author(s):  
Jennifer R. Cash
Keyword(s):  
Social Relations ◽  
Social Life ◽  
Urban Migration ◽  
Long Term Stability ◽  
The Past ◽  
Political Upheaval ◽  
The Social ◽  
Rural Urban Migration ◽  
The Republic

Research on godparenthood has traditionally emphasized its stabilizing effect on social structure. This article, however, focuses attention on how the practices and discourses associated with marital sponsorship in the Republic of Moldova ascribe value to the risks and uncertainties of social life. Moldova has experienced substantial economic, social, and political upheaval during the past two decades of postsocialism, following a longer period of Soviet-era modernization, secularization, and rural–urban migration. In this context, godparenthood has not contributed to the long-term stability of class structure or social relations, but people continue to seek honor and social respect by taking the social and economic risks involved in sponsoring new marriages.

scholarly journals KRITIK SOSIAL BERMUATAN LOKAL BALI DALAM KUMPULAN CERITA NGUNTUL TANAH NUNULÉNGÉK LANGIT KARYA I MADE SUARSA/LOCAL BALINESE SOCIAL CRITICISTS IN THE STORIES COLLECTION OF NGUNTUL TANAH NULÉNGÉK LANGIT BY I MADE SUARSA

Aksara ◽  
2021 ◽  
Vol 32 (2) ◽  
pp. 223-234
Author(s):  
Ni Nyoman Tanjung Turaeni ◽  
Puji Retno Hardiningtyas
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Life ◽  
Social Problems ◽  
Social Inequalities ◽  
Social Issues ◽  
Social Criticism ◽  
Formal Structure ◽  
The Social ◽  
Classi Cation

Abstrak Kritik sosial sebagai sebuah ide atau berbagai bentuk gagasan yang bertolak belakang dengan kenyataan yang tidak sesuai dengan tujuan dan harapan dari tatanan dalam masyarakat. Penelitian ini bertujuan membahas aspek sosial yang meliputi struktur cerita, masalah sosial dan kritik sosial bermuatan lokal Bali yang tercermin dalam kumpulan cerita pendek berbahasa Bali Nguntul Tanah Nulengék Langit karya I Made Suarsa. Metode analisis yang digunakan dalam penelitian ini adalah deskriptif kualitatif dan teknik interpretatif. Dalam pengolahan data dilakukan tahapan klasifikasi, pendeskripsian, penerjemahan, dan penganalisisan data. Untuk mengetahui masalah sosial dan kritik sosial dalam cerpen tersebut, digunakan teori sosiologi sastra dan teori struktural untuk mengetahui struktur formal yang membangun cerita tersebut. Hasil dan pembahasan penelitian ini menunjukkan bahwa kritik sosial yang dapat terhimpun dalam cerita tersebut adalah kritik sosial terhadap kemiskinan, kritik sosial disorganisasi keluarga dan kritik terhadap adat dan tradisi serta serta kehidupan sosial masyarakat Bali. Dengan demikian, lahirnya cerpen karya I Made Suarsa ini memperlihatkan kemegahan pariwisata, masih terdapat ketimpangan sosial dalam masyarakat Bali. Kata kunci: cerpen, kritik sosial, masalah sosial, muatan lokal Bali Abstract Social criticism as an idea or various forms of ideas that are contrary to reality is not in accordance with the goals and expectations of the order in society. This study aims to discuss the social aspects which include story structure, social issues and social criticism with local Balinese content as re ected in a collection of short stories in Balinese language “Nguntul Tanah Nulengék Langit” by I Made Suarsa. The method used in this research is descriptive qualitative and note taking techniques. In data processing, the stages of classi cation, description, translation and data analysis are carried out. To nd out the social problems and social criticism in the short story, the sociology approach of Sapardi Djoko Damono’s view is used and is assisted by a structural approach to determine the formal structure that builds the story. The results of the study show that the social criticisms that can be collected in the story are social criticism of poverty, social criticism of family disorganization and criticism of customs and traditions as well as the social life of Balinese people who seem famous by tourism, but in fact there are still social inequalities in Balinese society. Keywords: social problems, social criticism, short stories 

scholarly journals GURIAH LIMPAPEH

2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida
Keyword(s):  
Social Life ◽  
Open Space ◽  
Final Part ◽  
Behavior Patterns ◽  
Female Behavior ◽  
The Third ◽  
The Past ◽  
The Social ◽  
Main Medium ◽  
The Ideal

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.

scholarly journals Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach

sjesr ◽  
2020 ◽  
Vol 2 (2) ◽  
pp. 125-143
Author(s):  
Raham Dil Khan ◽  
Dr. Khan Sardaraz
Keyword(s):  
Social Issues ◽  
Sampling Technique ◽  
Gender Violence ◽  
Close Reading ◽  
Cultural Perspective ◽  
The Past ◽  
Literary Theories ◽  
Reading Technique ◽  
Similarities And Differences ◽  
Dramatic Monologues

Previous literature is laden with research on Browning’s dramatic monologues from various perspectives. This paper will compare Browning’s dramatic monologues with Derwesh Durrani’s poetry from socio-literary perspective. Literary theories of analogy and variation will be used to find out similarities and differences in their poetry. Two poems from each poet have been selected for analysis through close reading technique on the model of theories of variation and analogy. Stratified sampling technique was used for taking the representative sample from the data. The findings reveals that Darwesh’s poetry exhibits most of the dramatic features of Browning’s dramatic monologues, but his poetry is more poetic, while Browning’s poetry is more dramatic; Browning invigorates the past, Darwesh recreates the present. In addition, Browning’s poems deals with domestic issues like gender violence, love and marriage, Darwesh’s poetry deals with social issues and patriotism, and contrary to Browning, he stands for women’s rights and sensibilities. This paper suggests further studies purely from socio-cultural perspective of Darwesh’s dramatic monologues, which will contribute to the existing literature on dramatic monologues.

Misoprostol on trial: a descriptive study of the criminalization of an essential medicine in Brazil

2021 ◽  
Vol 37 (10) ◽  
Author(s):  
Mariana Prandini Assis
Keyword(s):  
Public Health ◽  
Social Life ◽  
Descriptive Analysis ◽  
Essential Medicine ◽  
Social Consequences ◽  
Informal Markets ◽  
The Past ◽  
Legal Implications ◽  
Life Saving ◽  
The Social

Misoprostol is a medicine with a “double” social life recorded in several places, including Brazil. Within formal and authorized health facilities, it is an essential medicine, used for life-saving obstetric procedures. On the streets, or in online informal markets, misoprostol is treated as a dangerous drug used to induce illegal abortions. In the Brazilian case, despite a rich anthropological and public health analysis of the social consequences of misoprostol’s double life, there are no studies on the legal implications. This article offers such descriptive analysis, presenting and examining a comprehensive dataset of how Brazilian courts have treated misoprostol in the past three decades. It consists of an encompassing mapping of the “when, where, how, and who” of misoprostol criminalization in Brazil, pointing to the unjust consequences of the use of criminal law for the purpose of protecting public health.

Jaziret Fadel

2021 ◽  
pp. 104-126
Author(s):  
Amal Adel Abdrabo
Keyword(s):  
Social Life ◽  
Arab Countries ◽  
Ethnographic Study ◽  
Point Of View ◽  
Mutual Interaction ◽  
The Past ◽  
The Social ◽  
Preliminary Research ◽  
The Village ◽  
Key Questions

The plight of refugees fleeing from Palestine in 1948 raises several key questions regarding their historical fragmentation as a nation and their future. From a social anthropological point of view, the existing literature seems to tackle the Palestinian case from different perspectives influenced by the mass exodus of Palestinians from their homeland. Such perceptions took for granted the recognition of the state of “refugeeness” of the exiled Palestinians around the globe, while, in reality, it is a mutual interaction between people, place, and time. In the aftermath of the Arab-Israeli War at the beginning of the year 1948, more than 700,000 Palestinians fled their homes in Palestine to the nearby Arab countries, among them was Egypt. Some thousands settled in different areas all over Egypt. Based on a preliminary research on the literature, the author can argue that this is the first ethnographic study of the social life of the village of Jaziret Fadel and its Palestinian inhabitants in Egypt. The chapter is about tackling the historical trajectories, genealogies, memories, and present of the inhabitants of this village who seemed to be torn between two nostalgic pasts. The author's emphasis within this chapter is about how the narratives of the past memories could reveal a lot about the present time of the human societies and their future.

scholarly journals Social Life-Cycle Assessment of a Piece of Jewellery. Emphasis on the Local Community

Resources ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 158 ◽  
Author(s):  
Manuela D’Eusanio ◽  
Monica Serreli ◽  
Luigia Petti
Keyword(s):  
Life Cycle Assessment ◽  
Life Cycle ◽  
Social Life ◽  
Local Community ◽  
Social Issues ◽  
Assessment Method ◽  
Added Value ◽  
Historical Background ◽  
Social Life Cycle Assessment ◽  
The Social

An increasing global focus on sustainability has affected the jewellery industry by raising questions about its environmental and social impacts and ethics due to the negative impacts of gold mining. It is essential to consider the social aspects of mining activities on the socio-economic environment and the affected individuals in order to understand the sustainability of the jewellery industry in a better way. Nonetheless, this is a gap in the evaluation of the issues of jewellery in the other phases of the life cycle, observed in the literature. For these reasons, the goal of this study is to assess the social and socio-economic aspects of a piece of jewellery from the artisan’s point of view by considering the relationship between a piece of jewellery and the local community. The United National Environmental Programme/Society of Environmental Toxicology and Chemistry (UNEP/SETAC) Guidelines on Social Life-Cycle Assessment, the UNEP/SETAC Methodological Sheets and the Subcategory Assessment Method were implemented. The findings show that a piece of jewellery can play an important role in supporting the local cultural heritage by innovating the traditional product, and promoting educational activities related to the history of the product and the territory. Consequently, the local community with its historical background gives an added value to the piece of jewellery. Further research on this topic is desirable in order to improve the knowledge of this particular sector and to identify other social issues that can be involved in this product.

scholarly journals Presenting unwieldy pasts

2020 ◽  
Vol 13 (3) ◽  
pp. 245-252
Author(s):  
Katherine Hite ◽  
Daniela Jara
Keyword(s):  
Social Life ◽  
Social Dynamics ◽  
Late Phase ◽  
The Political ◽  
History And Memory ◽  
The Past ◽  
The Social ◽  
Political Struggles ◽  
Intellectual Traditions ◽  
The Rich

In the rich and varied work of memory studies, scholars have turned to exploring the meanings that different communities assign to the past, the social mediations of memories, as well as how the memories of subaltern subjects re-signify the relationship between history and memory. This special issue explores the ever present dynamics of unwieldy pasts through what have been termed “the spectral turn” and “the forensic turn.” We argue that specters (which appear in the literature as ghosts, or as haunting) and exhumations defy notions of temporality or resolution. Both trace the social dynamics that redefine the meanings of the past and that voice suffering, expose institutions’ limits, reveal disputes, explore affect and privilege political resistance. They draw from significant intellectual traditions across disciplinary and thematic boundaries in the natural and social sciences, the humanities, art and fiction. Their intellectual subjects range from work that explores the political struggles of confronting slavery and the possibility of reparations in the Americas long after it was formally abolished, to sensitive treatments of graves of Franco’s Spain. We suggest that both the spectral turn and the forensic turn have provided lenses to conceptualize the social life of unwieldy pasts, by exploring its dynamics, practices, and the cultural transmissions. They have also offered a language to communities that mobilize the political strength of resentment, deepened by the late phase of global capitalism and its consequent, deepening inequalities.

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