scholarly journals Deuki Pratha in Nepal: Problems and Changing Beliefs

2020 ◽  
Vol 35 (2) ◽  
pp. 89-102
Author(s):  
Dipendra Bahadur K.C.

In the far-western region of Nepal, particularly, in Doti, Baitadi and Dadeldhura, deuki pratha has been practiced as a long established tradition. However, Deuki pratha is considered illegal in Nepal. Deukis are offered to different deities by parents or others (wealthier couples). The reason behind deuki pratha rests on the belief that one’s family gets protection and good favour from the gods. Once offered as Deuki, the girl is not allowed to get married and is devoid of the family support. The major duty of Deuki is to serve the goddess and temple such as cleaning and looking after the temple. The study was conducted in Melauli Municipality of Baitadi district in Sudurpaschim province. This paper aims to highlight the social issues due to deuki in the study area. The study aimed to understand the socio-cultural beliefs of deuki tradition in the changing social and cultural contexts from the gender perspective and development. The study was based primarily on qualitative methods. The study revealed that deuki tradition is still practiced, though it is reported to be declined in the recent years. Unlike in the past, with the growing awareness by the joint efforts of government and non-government organizations' agencies, practice of Deuki has declined to a great extent but not abolished yet. There was mixed reaction regarding beliefs upon Deuki tradition among the locals. The study found that Deuki women who had been offered to the deity was unknowingly been isolated, when still as a girl and abused from the society as these came at the cost of personal and social life of women. With the growing awareness, and changing society, the locals and the followers of deuki pratha seem to welcome the changes and attitudes towards deuki pratha. However, the social and economic life styles of deukis are at stake. Though, some deukis own some private property, due to the lack of emotional and social support are bound to live forbidden and isolated life. Unlike, in the past, where deukis received reverence and importance, the perception towards deukis has worsened in the study area often belittled as prostitution and the disgrace to the society.

Humanus ◽  
2020 ◽  
Vol 19 (1) ◽  
pp. 104
Author(s):  
Indrayuda Indrayuda ◽  
Marzam Marzam ◽  
Mohd. Effindi Samsudin

Randai Arts is a cultural heritage used by the Minangkabau community as an entertainment which is called Pamenan in Minangkabau language means game. This article will reveal the social representation of the Minangkabau people in the past through the Randai show. As part of traditional Minangkabau performance art, Randai is packaged in a comprehensive form of performance, including motion, music, literature, and theater. Usually the stories shown are about the life stories of people from the past Minangkabau community. This research is a qualitative research using ethnographic and descriptive methods. Informants were selected using the purposive sampling technique, and used complementary instruments namely interview and observation guidelines. Data was collected through interviews, direct observation, and literature studies, as well as documentation studies. The analysis was carried out by adopting ethnographic methods, namely: (1) determining the object of study; (2) conducting domain analysis; (3) conducting taxonomic analysis; (4) conducting part analysis; (5) analyzing cultural themes; and (6) interpreting and concluding. The results of the research revealed that the art of Randai has never presented a story outside of humanitarian issues, namely the story of the social problems of the Minangkabau people of the past until now. This social problem is caused by social crises that often occurred in the past, in social life in Minangkabau. The problem revolves around love, household, and social status. To be cultural learning for the audience, the social issues in the past are brought up again in the story that is delivered in the Randai show.


Author(s):  
Emre Rıfat Güpgüpoğlu

From the past to the present day, societies have established institutions to address their needs for social assistance, solidarity and security within their structures. Some social assistance and social security practices established in modern societies had been carried out by the foundation in Islamic societies in the past. In the Ottoman Empire, as in the Turkish-Islamic states, the foundation institution had played an essential role in the provision of the social order and the cooperation and solidarity of the society. The allocation of private property to the public service gives a social content to the property in question. The allocation of the wealth and income of the founders of the foundation to public service and transferring them to the persons belonging to the lower income group reveal the social function of the foundation. In this context, the main aim of the study is to reveal the function of the foundation institution in the context of social assistance, social solidarity and social security in the Ottoman Empire after first considering the definition, function and a short history of the foundation.


Literator ◽  
2013 ◽  
Vol 34 (2) ◽  
Author(s):  
Marlies Taljard

This article aims to illustrate how Hans du Plessis, in his novel Die pad na Skuilhoek [The path to Skuilhoek] (a place of shelter), subverts the way in which history had been presented in historical novels in the past by addressing social issues that contemporary readers find relevant. The first part of the article deals with the social codes that shape the identities of the main characters and how these identities are relevant in terms of the social framework within which the novel is received. In the second place the focus will shift towards Du Plessis’s representation of cultural and national identities. The question: ‘Who were the Afrikaners at the time of the Great Trek?’ will be answered with reference to these identities. In conclusion it will be pointed out how Du Plessis avoids dated practices of historical interpretation by choosing ecocrticism as the ideological framework for his novel and is, in this way, constructing a new social myth about the Great Trek.


2017 ◽  
Vol 43 (1) ◽  
pp. 51-71
Author(s):  
Jennifer R. Cash

Research on godparenthood has traditionally emphasized its stabilizing effect on social structure. This article, however, focuses attention on how the practices and discourses associated with marital sponsorship in the Republic of Moldova ascribe value to the risks and uncertainties of social life. Moldova has experienced substantial economic, social, and political upheaval during the past two decades of postsocialism, following a longer period of Soviet-era modernization, secularization, and rural–urban migration. In this context, godparenthood has not contributed to the long-term stability of class structure or social relations, but people continue to seek honor and social respect by taking the social and economic risks involved in sponsoring new marriages.


2021 ◽  
pp. 135-153
Author(s):  
I.V. Demin

The article analyzes and compares two interpretations of the “social question” and the ways of solving it as they are offered in the works of N.A. Berdyaev and S.L. Frank. A particular attention is paid to the connection between the “social question” and the problem of “Christian socialism”. While acknowledging the general importance of the social issues for the Christian mindset, both philosophers traced the origin of social injustice to the human nature rather than to the social structure. In both interpretations, in fact, the value of social justice is inferior in its hierarchal status to the value of Christian love. However, while they both rejected the socialist utopia of a “paradise on Earth” and the idea of a “Christian socialism”, Berdyaev and Frank radically diverged in their interpretation and assessment of socialism as a social system. This article highlights the fact that Berdyaev combines a criticism of the ideological claims concerning atheistic and materialist socialism with an uncritical acceptance of a number of socialist ideologies (e.g. “class struggle” and “exploitation”) and assumptions. Unlike Berdyaev, in interpreting the “social issue” Frank tended to distance himself from both classical liberalism (with its notions of private property, freedom, and state) and from socialism, which he considered as another ideological extremity. Frank’s social philosophy treats the thesis that the socialist system is more consistent and successful than others in tackling the “social issue” as an empirically dubious assumption. On the contrary, Berdyaev took this thesis for granted and used it as the starting point of his reasoning. This divergence, along with the fact that the same key terms were often used by the two philosophers in different (ideological) meanings, partly accounts for their differences in the interpretation of the “social question” and in the assessment of socialism.


Aksara ◽  
2021 ◽  
Vol 32 (2) ◽  
pp. 223-234
Author(s):  
Ni Nyoman Tanjung Turaeni ◽  
Puji Retno Hardiningtyas

Abstrak Kritik sosial sebagai sebuah ide atau berbagai bentuk gagasan yang bertolak belakang dengan kenyataan yang tidak sesuai dengan tujuan dan harapan dari tatanan dalam masyarakat. Penelitian ini bertujuan membahas aspek sosial yang meliputi struktur cerita, masalah sosial dan kritik sosial bermuatan lokal Bali yang tercermin dalam kumpulan cerita pendek berbahasa Bali Nguntul Tanah Nulengék Langit karya I Made Suarsa. Metode analisis yang digunakan dalam penelitian ini adalah deskriptif kualitatif dan teknik interpretatif. Dalam pengolahan data dilakukan tahapan klasifikasi, pendeskripsian, penerjemahan, dan penganalisisan data. Untuk mengetahui masalah sosial dan kritik sosial dalam cerpen tersebut, digunakan teori sosiologi sastra dan teori struktural untuk mengetahui struktur formal yang membangun cerita tersebut. Hasil dan pembahasan penelitian ini menunjukkan bahwa kritik sosial yang dapat terhimpun dalam cerita tersebut adalah kritik sosial terhadap kemiskinan, kritik sosial disorganisasi keluarga dan kritik terhadap adat dan tradisi serta serta kehidupan sosial masyarakat Bali. Dengan demikian, lahirnya cerpen karya I Made Suarsa ini memperlihatkan kemegahan pariwisata, masih terdapat ketimpangan sosial dalam masyarakat Bali. Kata kunci: cerpen, kritik sosial, masalah sosial, muatan lokal Bali Abstract Social criticism as an idea or various forms of ideas that are contrary to reality is not in accordance with the goals and expectations of the order in society. This study aims to discuss the social aspects which include story structure, social issues and social criticism with local Balinese content as re ected in a collection of short stories in Balinese language “Nguntul Tanah Nulengék Langit” by I Made Suarsa. The method used in this research is descriptive qualitative and note taking techniques. In data processing, the stages of classi cation, description, translation and data analysis are carried out. To nd out the social problems and social criticism in the short story, the sociology approach of Sapardi Djoko Damono’s view is used and is assisted by a structural approach to determine the formal structure that builds the story. The results of the study show that the social criticisms that can be collected in the story are social criticism of poverty, social criticism of family disorganization and criticism of customs and traditions as well as the social life of Balinese people who seem famous by tourism, but in fact there are still social inequalities in Balinese society. Keywords: social problems, social criticism, short stories 


2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.


2021 ◽  
Vol 37 (10) ◽  
Author(s):  
Mariana Prandini Assis

Misoprostol is a medicine with a “double” social life recorded in several places, including Brazil. Within formal and authorized health facilities, it is an essential medicine, used for life-saving obstetric procedures. On the streets, or in online informal markets, misoprostol is treated as a dangerous drug used to induce illegal abortions. In the Brazilian case, despite a rich anthropological and public health analysis of the social consequences of misoprostol’s double life, there are no studies on the legal implications. This article offers such descriptive analysis, presenting and examining a comprehensive dataset of how Brazilian courts have treated misoprostol in the past three decades. It consists of an encompassing mapping of the “when, where, how, and who” of misoprostol criminalization in Brazil, pointing to the unjust consequences of the use of criminal law for the purpose of protecting public health.


Author(s):  
Amal Adel Abdrabo

The plight of refugees fleeing from Palestine in 1948 raises several key questions regarding their historical fragmentation as a nation and their future. From a social anthropological point of view, the existing literature seems to tackle the Palestinian case from different perspectives influenced by the mass exodus of Palestinians from their homeland. Such perceptions took for granted the recognition of the state of “refugeeness” of the exiled Palestinians around the globe, while, in reality, it is a mutual interaction between people, place, and time. In the aftermath of the Arab-Israeli War at the beginning of the year 1948, more than 700,000 Palestinians fled their homes in Palestine to the nearby Arab countries, among them was Egypt. Some thousands settled in different areas all over Egypt. Based on a preliminary research on the literature, the author can argue that this is the first ethnographic study of the social life of the village of Jaziret Fadel and its Palestinian inhabitants in Egypt. The chapter is about tackling the historical trajectories, genealogies, memories, and present of the inhabitants of this village who seemed to be torn between two nostalgic pasts. The author's emphasis within this chapter is about how the narratives of the past memories could reveal a lot about the present time of the human societies and their future.


Resources ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 158 ◽  
Author(s):  
Manuela D’Eusanio ◽  
Monica Serreli ◽  
Luigia Petti

An increasing global focus on sustainability has affected the jewellery industry by raising questions about its environmental and social impacts and ethics due to the negative impacts of gold mining. It is essential to consider the social aspects of mining activities on the socio-economic environment and the affected individuals in order to understand the sustainability of the jewellery industry in a better way. Nonetheless, this is a gap in the evaluation of the issues of jewellery in the other phases of the life cycle, observed in the literature. For these reasons, the goal of this study is to assess the social and socio-economic aspects of a piece of jewellery from the artisan’s point of view by considering the relationship between a piece of jewellery and the local community. The United National Environmental Programme/Society of Environmental Toxicology and Chemistry (UNEP/SETAC) Guidelines on Social Life-Cycle Assessment, the UNEP/SETAC Methodological Sheets and the Subcategory Assessment Method were implemented. The findings show that a piece of jewellery can play an important role in supporting the local cultural heritage by innovating the traditional product, and promoting educational activities related to the history of the product and the territory. Consequently, the local community with its historical background gives an added value to the piece of jewellery. Further research on this topic is desirable in order to improve the knowledge of this particular sector and to identify other social issues that can be involved in this product.


Sign in / Sign up

Export Citation Format

Share Document