scholarly journals Anatomical museum as one of the clues of the mystery of the human body

2013 ◽  
Vol 17 (2 (66)) ◽  
pp. 230-235
Author(s):  
T. V. Khmara ◽  
B. H. Makar

The paper deals with the history of the development of the anatomical museum of the Department of Human Anatomy named after M.H. Turkevych of Bukovinian State Medical University since the time of the foundation to our days. It has been shown that the development of the anatomical museum is inseparably connected with the organization of the material-technical base of the Department of Human Anatomy and the growth of the scientific potential of the Department staff. The value of the anatomical museum has been corroborated in training future professional doctors and researchers brought up on the best traditions and examples of the history of the Department of Human Anatomy named after  M.H. Turkevych and scientific-methodological achievements of its scientific associates.

2020 ◽  
Vol 28 (3) ◽  
pp. 70-77
Author(s):  
Irina N. Putalova ◽  
Aleksandr P. Suslo ◽  
Svetlana N. Shirochenko ◽  
Andrey A. Slavnov

The article describes the history of the Department of Human Anatomy at Omsk State Medical University. At the stages of its formation, the continuity, preservation and enhancement of the traditions of the Russian anatomical school are traced. It is noted that in the training of doctors, the staff of the department adheres to a reasonable combination of traditional anatomical methods with innovations and modernization of the educational process. Brief biographies, scientific and pedagogical staffs of the heads of the department are presented and the team of teachers at each stage during the centuries-old history is characterized. In teaching of students, the department implements onto- and phylogenetic principles, a functional approach, the doctrine of individual variability, and the clinical orientation of teaching. The main scientific areas of research of the department staff are the study of individual, age-related topographic and projection features of organs and other anatomical structures on the skeleton and skin of the human body, experimental and clinical lymphology and angiology, and the development of the museum.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           


2020 ◽  
Vol 4 (2) ◽  
pp. 114
Author(s):  
Isabela Pereira Almeida ◽  
Andressa Karoline Da silva Malheiro ◽  
Zara Dantas Oliveira

INTRODUCTION: The history of Anatomy, its artistic representation and the history of the human body, with its taboos, have come a long way until the present moment. The objective of this work is to understand the historical points of this area of knowledge, as well as the subjectivity involved, correlating it with Literature and the Arts. DEVELOPMENT: The production of anatomical knowledge begins in prehistory; it is watertight in the Middle Ages; gains momentum in Oriental Medicine and reaches its peak in spectacles of public dissections. Anatomy is established as a form of entertainment through the regulation of public dissections, leading to the trivialization of death, the appreciation of the grotesque, the scarcity of corpses and the fear of misappropriation of bodies. As anatomy has grown as an area of knowledge, it has created the basis for health sciences and human care. It has emerged over time that the study of anatomical pieces requires essential principles - sensitivity, ethics and respect - and allows us to reflect on the transposition of the boundaries between the beautiful versus the grotesque; the pleasant versus the disgusting. It also allows reflection on the trivialization, commercialization and eroticization of the body, as well as on the limits of science. CONCLUSION: Human anatomy, in its multiple aspects, has come a long way and constitutes a precious source of knowledge, however, it is faced with enticement by the most different interests. It is necessary to rescue the beauty of the human body, which is an inseparable part of the being that inhabits / dwelt there in order to resignify its human essence.


2019 ◽  
Vol 36 (04) ◽  
pp. 291-294
Author(s):  
Uliana Pidvalna ◽  
Lesya Mateshuk-Vatseba

AbstractMedical museums are a record of the history of the medical thought processes. The Anatomical museum of the Department of Normal Anatomy located in the Danylo Halytsky Lviv National Medical University was founded in 1894 by Professor Henryk Kadyi (1851–1912). The museum includes a number of unique objects and displays > 2,000 specimens. These medical artifacts include both normal anatomy and malformed artifacts. The museum is divided into three sections that are arranged according to the systems of the body and a method of preparing specimens. The vast array of preserved specimens represents comparative, developmental, gender, systemic, dynamic, plastic, and descriptive anatomy. Besides the Anatomical museum, the historical treasure is the Anatomical Theater, the oldest auditorium at the Danylo Halytsky Lviv National Medical University that preserved its authenticity. These educational places teach us not only about morphology, but also help us appreciate the beauty of the human body.


2021 ◽  
Vol 45 (1) ◽  
Author(s):  
Herwig Czech ◽  
Christiane Druml ◽  
Wolfgang J. Weninger ◽  
Markus Müller

Thanks to a recent donation by Elsevier, the Medical University of Vienna now holds in its collections the known existing original paintings for Eduard Pernkopf's Atlas of Topographic and Applied Human Anatomy. This atlas is widely considered a pinnacle of the art of anatomical illustration. However, it is severely tainted by its historical origins. Pernkopf was a high-ranking National Socialist and co-responsible for the expulsion of hundreds of Jewish scientists and students from the university. Also, the Vienna Institute of Anatomy, which Pernkopf headed, received during the war the bodies of at least 1377 people executed by the regime, many for their political views or acts of resistance, including at least seven Jewish victims. Although it is impossible to individually identify the people used for the atlas, it is to be assumed that a considerable number of the paintings produced during and after the war are based on the bodies of these victims. Against this background, and out of respect for the victims, use of Pernkopf's atlas in medical teaching and training should be — wherever possible without compromising medical outcomes — reduced to a minimum. Given the strong variability of human anatomy, even the most detailed anatomical illustrations cannot replace teaching and training in the dissection room. As the experience at the Medical University of Vienna and elsewhere demonstrates, Pernkopf's atlas is far from irreplaceable. In keeping with the stipulations of the contract of donation, the Medical University of Vienna considers the Pernkopf originals primarily as historical artifacts, which will support the investigation and teaching of this dark chapter of the history of medicine in Austria, out of responsibility towards the victims. Table of Contents image credit: Medical University of Vienna, MUW-AD-003250-5-ABB-352


2014 ◽  
Vol 15 (1) ◽  
pp. 75-77
Author(s):  
Glenn Harcourt

The early 1540s saw the publication of several printed and illustrated books that are properly identified as masterpieces of scientific publishing, including, in 1542, Leonhart Fuchs’s De historia stirpium (On the history of plants); and, in 1543, the De humani corporis fabrica libri VII (Seven books on the fabric of the human body) by the Paduan professor Andreas Vesalius. Now, Sachiko Kusukawa, a Fellow in History and Philosophy of Science at Cambridge, has produced a masterful study of Fuchs and Vesalius that advances a powerful argument about the strategies developed by the two authors, working apparently on two very different . . .


2014 ◽  
Vol 18 (2 (70)) ◽  
Author(s):  
L. D. Todoriko ◽  
A. V. Boiko ◽  
V. P. Shapovalov ◽  
V. O. Stepanenko ◽  
V. I. Slyvka ◽  
...  

The directions of scientific, methodical and clinical activity of the Phthisiology and Pulmonology department staff at each stage of its formation as well as the prospects of its development have been covered in this article. The relevance of further researches concerning the effectiveness of modern chemotherapy program and creation of new vaccines and medications to optimize treatment of patients with drug resistant TB was grounded.


2020 ◽  
Vol 45 (1) ◽  
Author(s):  
Leila Lax

Knowledge of the dark history and inherent ethical dilemmas of Pernkopf's atlas is essential to individual decisions on use. Seventy-five years after the Holocaust, the legacy of Pernkopf’s Atlas of Topographical and Applied Human Anatomy continues to unfold. Informed use of the atlas needs to be integrated in academia and in practice. This paper advocates for the adoption of The Vienna Protocol and improving informed use of the atlas by: (1) updating and inserting an information letter in as many volumes as possible, so that the history can be known before use; (2) conducting and publishing a research study within the medical art community, to examine knowledge of the history of the atlas and elevate awareness; and (3) creating a museum archive and permanent exhibition of the original anatomical illustrations, to document historical facts, disseminate visual evidence, and illuminate embedded controversies. Moving towards informed use, in these ways, provides opportunities for continued ethical discourse, personal reflection and future Holocaust education. Through informed use we memorialize and pay tribute to the Nazi victims portrayed in the atlas. Image credit: Table of Contents image provided by the Medical University of Vienna, MUW-AD-003250-5-ABB-223.  


Author(s):  
Sergey Vasil'ev ◽  
Vyacheslav Schedrin ◽  
Aleksandra Slabunova ◽  
Vladimir Slabunov

The aim of the research is a retrospective analysis of the history and stages of development of digital land reclamation in Russia, the definition of «Digital land reclamation» and trends in its further development. In the framework of the retrospective analysis the main stages of melioration formation are determined. To achieve the maximum effect of the «digital reclamation» requires full cooperation of practical experience and scientific potential accumulated throughout the history of the reclamation complex, and the latest achievements of science and technology, which is currently possible only through the full digitalization of reclamation activities. The introduction of «digital reclamation» will achieve greater potential and effect in the modernization of the reclamation industry in the «hightech industry», through the use of innovative developments and optimal management decisions.


2020 ◽  
Vol 6 (3) ◽  
pp. 21-51
Author(s):  
Debashree Mukherjee

In 1939, at the height of her stardom, the actress Shanta Apte went on a spectacular hunger strike in protest against her employers at Prabhat Studios in Poona, India. The following year, Apte wrote a harsh polemic against the extractive nature of the film industry. In Jaau Mi Cinemaat? (Should I Join the Movies?, 1940), she highlighted the durational depletion of the human body that is specific to acting work. This article interrogates these two unprecedented cultural events—a strike and a book—opening them up toward a history of embodiment as production experience. It embeds Apte's emphasis on exhaustion within contemporaneous debates on female stardom, industrial fatigue, and the status of cinema as work. Reading Apte's remarkable activism as theory from the South helps us rethink the meanings of embodiment, labor, materiality, inequality, resistance, and human-object relations in cinema.


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