scholarly journals A Comparative Study of Kalidasa’s Abhijnana Shakuntalam and Namita Gokhale’s Shakuntala: The Play of Memory

2019 ◽  
Vol 7 (12) ◽  
pp. 9
Author(s):  
Pankaj Solanki
Keyword(s):  
Women Characters ◽  
Comparative Study ◽  
Indian Literature ◽  
Indian English ◽  
The Real ◽  
Fallen Woman ◽  
Social Customs ◽  
Ancient Times ◽  
First Time ◽  
Modern Work

Shakuntala is one of the most acclaimed women characters of Indian Literature. For the first time Shakuntala’s character originated in The Mahabharata. Since then she has been represented in various texts in various languages of India. The present paper is an attempt to analyze the representation of Shakuntala by the authors from ancient times to the present. For this purpose ancient work Abhijnana Shakuntalam by Kalidasa and the modern work Shakuntala: The Play of Memory by Namita Gokhale are studied. In Kalidasa’s Abhijnana Shakuntalam Shakuntala is the real daughter of Sage Vishvamitra and nymph Menka. However, she is adopted and brought up by Sage Kanva and his wife Gautmi. She is a rustic girl, brought up in a hermitage. With the progress of the play, she is married to King Dushyanta who forgets her because of a curse. Later, she was adopted by sage Kashyapa and his wife Aditi. She gives birth to a brave child Bharat and finally reunites with her husband. Shakuntala: The Play of Memory by Namita Gokhale was Published in 2005 and it is a challenging work of Indian English fiction. Like the remakes of films there may be re-invention and re-interpretation of old myths embodied in literary works. In her masterpiece Shakuntala, Namita Gokhale has portrayed the story of a woman named after the heroine of Kalidasa’s classic drama Abhijnana Shakuntalam. In contrast to her legendary namesake, she is bold, spirited and imaginative. Right from her childhood she is conscious of the discrimination towards female. In her marriage with a mahasamant, Srijan, she feels suffocated by social customs. Hungry for experience she deserts home to travel with a Greek horse merchant, Nearchus. Together they travel far and wide and surrender to unbridled pleasures. Shakuntala assumes the identity of Yaduri: the ‘fallen woman.’ But she forsakes this life as well to meet her salvation in her death at Kashi.

Comparative study of Ethnomedicinal uses for the Treatment of Cold, Cough and Fever in Odisha, India

2021 ◽  
Vol 27 (4) ◽  
pp. 202-219
Author(s):  
Harish Singh ◽  
◽  
P.A. Dhole ◽  
Keyword(s):  
Comparative Study ◽  
Plant Species ◽  
Indian Literature ◽  
Alphabetical Order ◽  
Medicinal Uses ◽  
Ethnomedicinal Plants ◽  
Tribal Communities ◽  
Ethnomedicinal Uses ◽  
First Time

The present paper deals with 112 ethnomedicinal plants used for the treatment of cold cough and fever by major tribal groups and many non-tribal communities of Odisha. These ethnomedicinal uses were compared and cross-checked with the data mentioned in well-known standard Indian ethnomedicinal as well as medicinal literatures and found that most of the medicinal uses of the referred 83 plants have been reported earlier also. 29 plants are being reported here for the first time for the treatment of these diseases. These plant species are arranged in alphabetical order followed by family in bracket, local name(s) along with ethnomedicinal uses and cross check report with well recognized standard Indian literature.

scholarly journals Self-Empowerment as Revealed in the Two Canadian Women Characters Lou and Maria: A Comparative Study

2021 ◽  
Vol 9 (1) ◽  
pp. 169-173
Author(s):  
S Udhayakumar
Keyword(s):  
Women Characters ◽  
Comparative Study ◽  
Physical Abuse ◽  
Social Pressure ◽  
The Novel ◽  
The Real ◽  
Maria Campbell ◽  
The Social ◽  
Real Growth ◽  
Characteristic Features

Self-empowerment has been achieved by women at various levels and under various circumstances. These circumstances are not naturally made where as it is the construct of the male chauvinistic society. Despite the social pressure and circumstances, emerging out as independent women autonomously from the social bondages such as women suppression, physical abuse, etc. is the real growth of women who hail from all walks of life. These social pressures and bondages which have impacted greatly in the lives of Lou the protagonist from the novel Bear and Maria Campbell from the memoir Halfbreed have been widely studied and analyzed in this paper. Tracing out the similar and contrastive characteristic features of the two characters Lou and Maria, their different social backgrounds, their reaction to the social pressure are the major premises of the paper. Further, it deals with how feminism has worked in the two different contexts and their emergence is brought to the light.

Yury Nagibin and shadows of the Niernsee House

2020 ◽  
pp. 42-60
Author(s):  
S. N. Liutova ◽  
I. I. Dronova
Keyword(s):  
Life Story ◽  
Manufacturing Plant ◽  
The Real ◽  
Best Friend ◽  
Real People ◽  
State Archives ◽  
First Time

The article reveals the names of the prototypes of certain characters in Nagibin’s long story My Golden Mother-in-Law [Moya zolotaya tyoshcha] (the mother-in-law being A. Likhachyova, the wife of the director of the Moscow Car Manufacturing Plant ZIL). For the first time we read the names and learn about the destiny of M. and L. Kostromin, the real people behind the characters of Matvey Matveevich, the neighbour, and Nina Petrovna, the female protagonist’s best friend. The life story of these personalities, residents of the legendary Niernsee House in Bolshoy Gnezdnikovsky Lane, enables the authors, who are related to L. Kostromina, to explain the underpinnings of the relationships between the prototypes of Nagibin’s characters, often a mystery for the writer himself, and share first-hand accounts that confirm his amazing flair for imagination. The article uses materials of family lore, the authors’ private archive (letters and photographs), as well as hitherto unsearched materials from state archives.

Risk and Return of Retail Sukuk and Retail Bond in Indonesia Period 2008-2017 (Comparative Study)

2020 ◽  
Vol 15 (1) ◽  
Author(s):  
Rahma Yudi Astuti ◽  
Asad Arsya Brilliant Fani
Keyword(s):  
Standard Deviation ◽  
Comparative Study ◽  
Stock Exchange ◽  
Secondary Data ◽  
Bond Market ◽  
Bond Pricing ◽  
Risk And Return ◽  
Underlying Asset ◽  
The Real ◽  
The World

Sukuk and Bonds has differences and similarities. Fundamental differences between sukuk and bonds are first, underlying asset in every sukuk issuance, concept of profit loss sharing and the use of Islamic contracts. Whereas conducted research in practice of differences between sukuk and bonds are still an on-going discussion. This study aims to add the evidence in the discussion regarding whether there is differences between sukuk and bonds in the world of practice, provide investment preferences as well as educating investors in choosing sukuk or bonds as a sustainable and smooth instrument. The method used is Mann Whitney U-Test to test whether there is a different between yield to maturity (return) and standard deviation (risk) of both instruments. Using secondary data of Retail Sukuk (SR) and Retail Bonds (ORI) period 2008-2017 obtained from Indonesia Stock Exchange, Indonesia Bond Market Directory and Indonesia Bond Pricing Agency. The result shows that there is no significance difference of retail sukuk return and risk with retail bonds in Indonesia. Besides retail bonds are show higher return than retail sukuk because of higher coupon and longest mature date. While, retail sukuk is more stable rather than bonds as it backed up by the real underlying asset. Keywords: Retail Sukuk (SR), Retail Bonds (ORI), Yield to Maturity

Rekonstruktion des Ursprungs und Neudatierung zweier magischer Gemmen mit Hilfe einer Zauberzeichensequenz

2020 ◽  
Vol 147 (2) ◽  
pp. 153-163
Author(s):  
Kirsten Dzwiza
Keyword(s):  
Comparative Study ◽  
Fine Arts ◽  
17Th Century ◽  
The State ◽  
Roman Period ◽  
16Th Century ◽  
New Findings ◽  
State Museum ◽  
Museum Of Fine Arts ◽  
First Time

SummaryThere are only a few sequences of ancient magic signs known to us today that have been preserved on multiple artefacts. A previously unnoticed sequence of 17 signs on a gem in the Museum of Fine Arts in Vienna occurs with minor but significant variations on two other gems in the State Museum of Egyptian Art in Munich. The Viennese gem is dated to the 16th century and is documented as a drawing in a 17th century publication. The first Munich gem has been assigned to the Graeco-Roman period. The second gem, which, according to the inventory card of the museum, also belongs to the Graeco-Roman period, is published here for the first time. A comparative study of the three gems and the drawing has lead to a number of new findings, including the re-dating of the Munich gems.

A comparative study of children’s Chinese character textbooks in Korea and China, with a focus on Yu Hap

2021 ◽  
Vol 5 (2) ◽  
pp. 145-153
Author(s):  
Jeong Yeon Sil ◽  
Jang Eun Young ◽  
Park Heung Soo
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Chinese Character ◽  
Significant Proportion ◽  
Written Language ◽  
Chinese Characters ◽  
Children's Books ◽  
High Learning ◽  
Modern Chinese ◽  
Ancient Times

This study examines why and how Chinese characters spread into Korea. It subsequently conducts a comparative analysis of Korean and Chinese children’s textbooks with a focus on Yu Hap from the perspective of the acceptance and acculturation of Chinese characters. It also explores how commonly used the characters in Yu Hap are, and the text’s learning value as one of Korea’s children’s textbooks. Yu Hap is very significant as the first written language textbook published in Korea. A comparative analysis of the characters used in four children’s books published in Korea found that the characters in Yu Hap are very common, and the text has a high learning value. Approximately 50% of the characters in San Bai Qian and Yu Hap are the same, showing that both China and Korea had similar perceptions of the characters in common use. A very significant proportion of characters overlap in Basic Chinese Character for Educational Use, List of Common Words in Modern Chinese, and Yu Hap; this supports the idea that the same characters have continued to be used from ancient times to the present day.

Neo-Confucian Hermeneutics at Work:Cheng Yi's Philosophical Interpretation of Analects 8.9 and 17.3

2008 ◽  
Vol 101 (2) ◽  
pp. 169-201 ◽  
Author(s):  
Yong Huang
Keyword(s):  
Song Dynasty ◽  
Traditional View ◽  
Philosophical Concept ◽  
The Real ◽  
The Song Dynasty ◽  
Philosophical Interpretation ◽  
Chinese Scholars ◽  
First Time ◽  
The Relationship

In this article, I discuss the Song 宋 Neo-Confucian Cheng Yi's 程頤 (1033–1107) interpretation of two related controversial passages in the Analects, the recorded sayings of Confucius. The term “neo-Confucianism” was coined by Western scholars to refer to the Confucianism of the period from the Song dynasty to the Ming 明 dynasty (and sometimes through the Qing 清 dynasty). Among Chinese scholars, neo-Confucianism is most commonly referred to as the Learning of Principle (li xue 理學). Although before Cheng Yi and his brother Cheng Hao 程顥 (1032–1085) there were three other philosophers who are normally also regarded as neo-Confucians— Shao Yong 邵雍 (1011–1077), Zhou Dunyi 周敦頤 (1017–1073), and Zhang Zai 張載 (1020–1077)—we can justifiably regard the Cheng brothers as the real founders of neo-Confucianism in the sense that principle becomes the essential philosophical concept for the first time in their works. There is no consensus among scholars as to the relationship between the philosophies of these two brothers. The traditional view regards them as substantially different due to the two different schools of neo-Confucianism that developed from their teachings, the realistic school synthesized by Zhu Xi 朱熹 (1130–1200) from the teachings of Cheng Yi and the idealist school culminating in Wang Yangming 王陽明 (1472–1529) from the teachings of ChengHao. I, however, tend to think that the philosophical positions of the two brothers are largely similar. Unfortunately, since Cheng Hao did not live as long as Cheng Yi, there is insufficient material to create a systematic picture of his view of the Analects passages with which this article will deal.

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