scholarly journals Die mythische Existenz eines Romans und seine Wirklichkeit. Ein Prosamanuskript der siebenbürgischen Dichterin Gerda Mieß

2021 ◽  
Vol 47 (1) ◽  
pp. 23-30
Author(s):  
Joachim Wittstock

Abstract Gerda Mieß (born in Bistrita in 1896, dies in Cisnădie in 1954), is know for her verses published in periodicals and anthologies as well as for only collection of her poems (by Dr. Stefan Sienerth in 1987 in Kriterion Verlag Bucharest published). People interested in the history of literature knew that she had also written a novel in her youth, which, howeser, never came to the public during her lifetime or afterwards. Her descendants (the Herbert-László family) hade the manuscript prose work translated into computer script and took steps to publish the novel. It offers an insight into the mentality and behavior of the time around 1910, into the school system of the time and the problems of that time and the problems of women (education and employment of women).

LETS ◽  
2019 ◽  
Vol 1 (1) ◽  
pp. 44-57
Author(s):  
Muh. Taufiq Syam

This research studied about the kinds of propaganda expressions and what messages are conveyed through the propaganda expressions in Angel and Demon novel by Dan Brown. The research used the propaganda theory by Harold Laswell, that divided in four kinds; agitation, integration, horizontally and vertically propaganda. In the methodology of research, the writer used descriptive qualitative method and intrinsic and extrinsic approach. In this research, the writer found there are some expressions that contain agitation propaganda, integration propaganda, horizontally propaganda and vertically propaganda that could be giving influence to the reader. In general, an expression of propaganda in “Angel and Demon” novel by Dan Brown wants to change the mindset of people towards their views to the brotherhood of the „Illuminati. The novel attempts to explain the history of the birth of a conflict between the Christian and the „Illuminati‟ and how much influence they had been, the author packed them into a dialogue delivered by characters that are in the novel in which there are propaganda expressions. The implication of this research as a information to the public that a novel is not only use full as a reading at leisure or entertainment, but the novel can also be functioning as media of propaganda.


2007 ◽  
Vol 35 (103) ◽  
pp. 108-137
Author(s):  
Carsten Sestoft

Romanens status i det 17. århundredes Frankrig The hesitations of a genre: The status of the novel in seventeenth-century FranceIn answering the question: What was the novel in seventeenth-century France? – this article provides insight into some important points of the early history of the genre. The contradiction between its non-existence in official (Aristotelian) poetics and its existence as a popular commodity on the book market was, in the course of the seventeenth century, reconciled in the emergent category of belles lettres as a plurality of genres mainly defined by their public of honnêtes gens, while attempts at legitimizing the novel as belonging to such Aristotelian genres as epic or history generally failed; and at the end of the century a number of convergences – between epic and novel, between the designations roman and nouvelle, and between the ‘high’ and ‘low’ forms of the novel – seem to point to the fact that the social existence of the genre had been strengthened, even if it was the English novel of the eighteenth century that could be said to reap the profits of this stronger position. Using historical semantics and cultural sociology to study the status of the novel in seventeenth-century France thus leads to a clearer understanding of the specificity of the novel as a literary and cultural genre.


1998 ◽  
Vol 15 (3) ◽  
pp. 205-215 ◽  
Author(s):  
Timothy Jon Curry

This paper extends the research conducted on male bonding in locker rooms to another well-known but under-researched site, the campus bar. Through a life history of a former athlete, we learn about the connection between what is said in the locker room and behavior outside. We also gain insight into the role campus bars play in facilitating aggression and sexual misconduct by male athletes.


Author(s):  
Dominique De Courcelles

Résumé: Le Royaume de València, au XVème siècle, tient une place majeure dans l’histoire de la littérature et de la spiritualité et dans l’histoire religieuse de la péninsule Ibérique, cependant que s’achève la Reconquista et que s’unifient les Espagnes. Une même quête de réforme morale et d’élévation spirituelle s’exprime aussi bien dans les sermons du dominicain Fra Vicent Ferrer que dans les traductions d’auteurs classiques et de la Renaissance effectuées par un autre dominicain, Fra Antoni Canals. La spiritualité valencienne est militante : elle veut convaincre, séduire, donner et parfois imposer ce qu’elle reconnait comme indispensable à la perfection et au salut. Les héros valenciens du XVème siècle sont des chevaliers et des religieux, des saints et des saintes. Ils manient l’épée ou la parole, ou les deux, pour défendre les valeurs du christianisme, l’art d’aimer et de mourir chrétiennement, la vérité, la justice, la paix. C’est ainsi que l’anonyme roman de Curial e Güelfa ou le Cant espiritual du chevalier Ausiàs March témoignent de la jonction entre chevalerie et théologie, cependant que Joanot Martorell, chevalier auteur du roman de Tirant lo Blanc, et Sor Isabel de Villena, abbesse des clarisses de la Trinité, auteur d’une Vita Christi, désignent, chacun à sa mesure, une ouverture spirituelle de l’histoire, une nécessaire conversion intérieure. Des joutes poétiques et théologiques réunissent clercs et chevaliers, entrelaçant sainteté et amour sensible et permettant l’élaboration des goigs, célèbres prières chantées qui prendront toute leur importance dans la vie spirituelle des fidèles après le concile de Trente.  Mots clef: Chevalerie, Joutes, poétiques, Littérature, Spiritualité, Théologie Abstract: The Kingdom of Valencia, in the 15th century, holds a major place in the history of literature and spirituality and in the religious history of the Iberian Peninsula, while the Reconquista is completed and the Spanish are united. The same quest for moral reform and spiritual elevation is expressed in the sermons of the Dominican fra Vicent Ferrer as well as in the translations of classical and Renaissance writers by another Dominican, Fra Antoni Canals. Valencian spirituality is militant: it wants to convince, seduce, give and sometimes impose what it recognizes as indispensable to perfection and salvation. Valencian heroes of the 15th century are knights and religious and saints. They wield the sword or the word, or both, to defend the values of Christianity, the art of loving and dying Christianity, truth, justice, peace. Thus the anonymous novel by Curial e Güelfa or the Cant espiritual of the knight Ausiàs March testify to the junction between chivalry and theology, while Joanot Martorell, knight author of the novel of Tirant lo Blanc, and Sor Isabel de Villena, Abbess of the clares of the Trinity, author of a Vita Christi, designate, each to its own measure, a spiritual opening of history, a necessary interior conversion. Poetic and theological games bring together clergy and knights, intertwining holiness and sensitive love and allowing the development of goigs, famous sung prayers that will take all their importance in the spiritual life of the faithful after the Council of Trent.Keywords: Chivalry ,Poetic, Jousting, Literature, Spirituality, Theology.


2021 ◽  
Vol 26 (3) ◽  
pp. 519-528
Author(s):  
Olga V. Albrekht

This paper deals with using the Rabelaisian cultural code, which the author of the article suggests to be applied to the reading and interpreting of some novels by E. Zola. From the authors point of view, such an experiment allows us to look at French naturalism from a new point of view, as a variant of a typologically recurring phenomenon in the history of literature. For the French naturalistic novel Rabelaisianism is considered as a kind of meaning-generating model, as appropriated communication or as an element of traditional literary discourse. The latter is actualized in a period when the cultural conditions and the nature of the main ideological and aesthetic conflicts became similar to the time of the French Renaissance. The author attempts to apply the theory of the carnival chronotope, which is developed by M.M. Bakhtin, to the interpretation of some of E. Zolas texts. Meanwhile, the concept of the chronotope is considered more widely than that of M.M. Bakhtin: it is proposed to understand the chronotope as a universal model of space-time relations in the novel. The author also views the poetics of the real in the naturalistic novel through the prism of the carnival (i. e. extremely detailed material world); as examples, the motives of food and wine, as well as the motive of rebellion and war as a variant of the war for food and the carnival battle of Shrovetide (pancake week) and Lent are analyzed in the article. The main material used for the analysis is taken from the novels Le Ventre de Paris , 1873 ( The Belly of Paris ), LAssommoir , 1877 ( The Trap ), and Germinal , 1885, by E. Zola.


Caminhando ◽  
2019 ◽  
Vol 24 (2) ◽  
pp. 19
Author(s):  
Matthias Grenzer - Translation of João Batista Ribeiro Santos

The Pentateuch is a cultural heritage of Humanity. The world narrated in it belongs to the second millennium B.C., and the narratives, poems, and sets of laws contained therein were composed during the first six centuries of the first millennium B.C. On the one hand, by bringing together epic, lyrical, and legal poetry, the one hundred and eighty-seven chapters constitute, in the form of five books, a masterpiece in the history of literature. On the other hand, it is literature that proposes to cultivate memory, either in relation to the narrated world, or in view of the period of its composer, sometimes narrating, sometimes legislating, sometimes singing. Moreover, as literature aimed at history, the texts of the Pentateuch promote enormous theological reflection. The main goal seems to be to think God. Thus the first five books of the Jewish Bible and the Christian Bible, with their narrated models of faith and behavior, turned into poems and defined by legal formulations, became the foundational reference for the religion of ancient Israel, of which Judaism was born and, from the latter, Christianity. Also Jesus of Nazareth, in the four New Testament Gospels, is presented in relation to Abraham and Moses, and stands out as a unique teacher with regard to the laws contained in the Pentateuch.


Author(s):  
Brian Cowan

The two most influential works for the study of eighteenth-century literary culture in the last half-century must surely be Ian Watt’s The Rise of the Novel (1957) and Jürgen Habermas’s The Structural Transformation of the Public Sphere (1962). This essay discusses the influence of both Watt and Habermas on studies of the novel and the public sphere, and it explores the reasons for the endurance of their arguments despite decades of substantial criticism devoted to their interpretative shortcomings. It also explains the emergence of a post-Habermasian approach to the history of public-making in response to these criticisms. It concludes by discussing how recent post-Habermasian studies of news culture and political partisanship may illuminate the history of the origins of the English novel.


2021 ◽  
pp. 55-63
Author(s):  
Timmesha A. Butler ◽  
Shelbie Dixon-Brown ◽  
Rena′ Glass-Dixon ◽  
Jennifer McLaurin

The purpose of this chapter is to provide new school social workers with an understanding of the inequality that is rooted in public education and how it relates to their professional practices. An overview of the history of the U.S. public school system and the history of school social work is provided, focusing on the public school system’s role in the academic achievement gaps that continue to exist between marginalized populations and their peers. The school social worker’s roles as advocate and connector, facilitator, and clinician are outlined. Maslow’s hierarchy of needs, Bronfenbrenner’s ecological systems theory, and strengths-based practice theories are discussed. Evidence-based strategies and resources that can be used to address the needs of marginalized populations are explained.


2021 ◽  
Vol 6 (12) ◽  
pp. 57-67
Author(s):  
Leyla ZALIYEVA

Vasif Adigozalov was one of the artists who attracted attention during the brilliant development of the Azerbaijani composition school in the 70 s of the XX century. Born in Karabakh, a fascinating sorner of Azerbaijan, in the family of the famous and talented singer Zulfu Adigozalov’s works reflected the priceless pages of the national music culture. The story-based opera “The Dead”, which entered the history of literature as a comedy, is also regarded as the first comedy opera in our music history. However, every Azerbaijani who knows the work realizes what a great tragedy is actually happening here. V.Adigozalov began writing this work after graduating from the conservatory. The play was performed at the Azerbaijan State Opera and Ballet Theater named after M.F.Akhundof, in 1963. In V.Adigozalov’s opera, the choir acts as one of the main characters in the dramatic development of the work. Each choral stage server as a driving force within, as well as conditioning the course of events. The choir also represents the image of the public and character that expresses the main idea of the work. In this respect, particular attention should be paid to women’s choir. Because women who are victims of this ignorance. Therefore, the screams, deep tragedies and dramas of the women’s choir are reflected. Another concrete example of the women’s theme is seen in the scenes with Nazli and her mother. In particular, choral scenes, which express Nazli’s belief in the return of his dead sister, eventually lost all hope, and the moaning of traumatized young girls, are the dramatic culmination of the tragedy in opera. When we look at the musical language of the choirs, national intonation and rhythmic features draw attention. The intonations of folk music, characteristic of the composer’s musical language, are clearly felt in all stages of the opera and in the choir. Considering the unique melodies of V.Adigozalov’s vocal music in the vocal and choral performance is important. This direction is also reflevted in other music and stage work, including the composer’s vocal music.


2010 ◽  
Author(s):  
Helge Nowak

Literature in Britain and Ireland is a survey of literature on the British Isles since the time of the Anglo-Saxons. Despite this wide angle, the linguistic, regional and ethnic differentiations in each particular period are being emphasised. Because of its combination of traditional and innovative components of English Studies, this history of literature is useful as a study book accompanying courses as well as an incentive for discoveries while reading. The chapters are systematically structured to allow profiles along the history of genres. In addition to poetry, drama, short stories and the novel, different forms of non-fictional prose are being highlighted, too. Innovative tendencies in teaching English literature are taken into account beyond the consideration of popular and contemporary literature.


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