scholarly journals Hybrid presence: Integrating interprofessional interactions with digital consultations

2021 ◽  
Vol 42 (s4) ◽  
pp. 22-44
Author(s):  
Line Maria Simonsen

Abstract Healthcare practitioners struggle to adapt to the changes that new digital media entail for social interactions, but what does the struggle look like, and how is it embedded in these professionals’ everyday experiences? I investigate these questions in this study of how digitalisation conditions social interactions in the context of the Danish medical setting by drawing on ethnographic work. Moreover, via a video-recorded case study, this article shows how two practitioners organise social actions by exploiting features of a digital communication system in a situation where they manage a practical problem. I propose the concept of hybrid presence related to the scientific fields of dialogism and distributed cognition as an explanation of how the participants are capable of immersing themselves with both the digital technology and the social interaction. Hybrid presence thus proves useful in the discussion of how practitioners may struggle with technology.

2021 ◽  
Author(s):  
Lysle Hood

In the digital age, technology and digital media shapes virtually every aspect of our lives. Poetry, which has seen a surprising revival in recent years, is no exception. One of the most popular contemporary poets today is Rupi Kaur, made famous for her verse posted on the social media platform Instagram. This MRP seeks to answer the following research questions: 1) In what ways has the digital age effected contemporary poetry? 2) What role has digital media played in shaping the success and formal elements of Rupi Kaur’s body of work? This MRP begins by offering a brief history of poetry’s relationship with media and an account of how poetry is produced and consumed in the digital age. The core of the MRP is a case study of contemporary Insta-poet Rupi Kaur. Through qualitative visual and textual analysis, the case study considers: 1) Kaur’s poetry, 2) her Instagram content, 3) her readership, and 4) the criticisms of her work. As to the discussion, the analysis of the four categories reveals


2020 ◽  
Vol 42 (7-8) ◽  
pp. 1343-1359
Author(s):  
Anthony Ridge-Newman

In Britain, by 2015, Web 2.0 had become a more widely accepted and established mode of civic engagement of which political e-participation became an observable extension. However, in the run-up to 2010, social media were newer, less understood and largely associated with younger generations. These changes present questions about how wider technocultural developments impacted political engagement between the 2010 and 2015 UK general elections. This article aims to go some way in examining this question with a theoretical focus on the role of Facebook as a driver of change in political organisation. Using the British Conservative Party as a case study, the article analyses and compares events, observations and shifting power relations associated with digital technology and organisational change observed over two election cycles spanning from 2005 to 2015. A focal aim is to examine changes in Conservative Party campaigns and organisation in order to contribute to wider debates about the impact of digital technology in changing the organisation and activities of actors, like political parties and political participants, in democratic contexts. The article concludes that a complex combination of internal and external, technological and human, and grassroots and centralised factors played roles in changing the Conservative Party.


2011 ◽  
Vol 141 (1) ◽  
pp. 98-106
Author(s):  
Yeran Kim ◽  
Irkwon Jeong ◽  
Hyoungkoo Khang ◽  
Bomi Kim

This article explores how Korean bloggers, in contestation, participate in the social structure of communication and potentially transform it through their vernacular practices of decoding and recoding in the blogosphere. As a neo-liberal regime has been established, citizens practise discursive politics in a seemingly democratic and technologically advanced society that is actually a coercive-controlled communication system. Through the analysis of news blogs on the Cheonan disaster, it is suggested that a majority of bloggers are seen to utilise news media stories to gain leverage for their points of view or to provide counter-arguments against the dominant frames generated by the established news media. The critical reframing of the digital network in Korean society allows a reflexive reading of the Korean digital wave, which should be contextualised within generation politics, economic polarisation and ideological contestation. In order to avoid a nationalistic celebration of the IT power of the country, citizens' digital media practices are analysed as contributions to the democratisation of the public sphere and the enhancement of social openness and participation in the digitised arena of discursive politics.


2021 ◽  
Author(s):  
◽  
Fiona Walls

<p>This thesis presents the findings of a project that explored the ways in which primary school children developed understandings about mathematics, mathematical 'learning' and 'knowing' and themselves as learners of mathematics. The research aimed to describe the children's mathematical learning environments, to explore the ways in which children made meaning about mathematics through social interactions within these environments, and to identify elements of these environments that appeared to enhance or inhibit the children's learning of mathematics. Located within the body of literature that takes a sociocultural view of teaching and learning, the study adopted the theoretical framework of symbolic interactionism because of its usefulness in explaining how, through the social interactions of everyday life, an individual constructs and reconstructs personal versions of 'reality', including a sense of identity. Through this lens, familiar objects, routine events and everyday language surrounding the teaching and learning of mathematics were examined for their significance to young learners. The concept of the sociomathematical world was created and developed to describe the mathematical environment of the child as positioned within wider social networks. The sociomathematical world of the child was seen as the world of everyday life, the arena in which the child, through regular and routine interactions with others, negotiated meanings about, and made personal sense of, mathematics. The research focussed on ten case study children - four girls and six boys - all attending different schools, and selected randomly from the primary schools in the Wellington region of New Zealand. For three years, from the beginning of their third year at school to the end of their fifth, the children were regularly interviewed and observed in their classrooms. Other key participants in their sociomathematical worlds were also interviewed, including families, teachers, principals, and classmates. Evidence of teaching and learning was also gathered from children's books and assessment records, and linked to local and global curriculum documentation. A cumulative picture was compiled of the mathematical teaching and learning environments of these ten children. Originally intended to be presented as separate biographies, the data were instead collated and reported according to the four distinctive recurring themes that emerged from the findings: the emphasis of speed in mathematics teaching and learning; identification and differentiation based on socially constructed perceptions of mathematical 'ability'; the establishment of 'doing maths' as solo written work; the presentation of mathematics as consisting of 'correct' and non-negotiable facts and procedures. These dominant approaches to teaching and learning of mathematics were found to conform to deeply entrenched traditions, in which the learner was viewed as the passive recipient of, rather than an active participant in, education in general and mathematics education in particular. It was found that these taken-for-granted pedagogical cultures were not explicitly supported by the official curriculum. Marked negative effects of these common teaching practices were commonly observed: alienation, marginalisation and impoverished learning. These impacts were experienced in varying forms and at varying times, by all the case study children, suggesting that changed views of mathematics and of mathematical teaching and learning are needed if the learning potential of all children is to be fully realised.</p>


2019 ◽  
Vol 9 (3) ◽  
pp. 498
Author(s):  
Ahmad Mulyana

The sustainability of industrial business depends on the ability of organizations to manage the needs and desires of consumers so that the products produced become part of consumer life. The radio broadcast industry in the era of digital technology is threatened no longer able to meet the needs of its listeners because social media has changed the behavior of audiences in consuming radio media. on that basis the radio broadcast industry must adapt to managing radio broadcasts by synergizing the behavior of the use of digital media with radio characters that are personal to the audience so that the radio broadcast industry continues to survive. The purpose of this study was to determine the management of social media and identify the added value it generates to maintain the business continuity of radio broadcast programs, especially Iradio 89.6 FM. The related concept is digital media management, product added value for business continuity. The research method used is a case study with a qualitative approach with the support of data triangulation so that the analysis can meet the validity aspects of the data. The results showed that the management was carried out with a strategy to build emotional bounding audiences through social media by synergizing digital technology with broadcast radio-based programming content. This helps the business continuity of IRadio 89.6 FM significantly. The existence of digital media for the radio industry is as a complement rather than as a competitor and digital media makes radio easier to access from various areas


2020 ◽  
Vol 18 (12) ◽  
Author(s):  
Fatin Farhana N Murtaza ◽  
Illyani Ibrahim ◽  
Alias Abdullah

The orientation of buildings is one of the factors that define the characteristics and pattern of a settlement. The purpose of this paper is to analyse the orientation setting of the buildings in one of the gazetted traditional Malay settlements in Melaka, namely Kg Seri Tanjung, which has been listed as Heritage Village in Melaka State Structure Plan 2035. The objective of this research is to identify the orientation setting of the built-up areas and analyse the factors of the orientation of the built up. This research has used the drone technology to identify the orientation setting of each built up in the settlements, which is also supported by the ground survey to confirm the social interactions among the settlers. The findings indicate that the orientation of a building is influenced by the geographical factors and distribution of houses that depends on the family ties among the dwellers. It is identified that the geographical factors and relationship among the neighbours are highly related to the orientation of the buildings, which is also contributed by the factors of orientation of the buildings towards the natural environment, road, qiblat and its adjacent buildings. This analysis highlights and acknowledges some potential values in the traditional Malay settlement settings that can be used as a reference for the preservation of the characters of the future traditional settlement. The findings of this study are also a part of the urban design principles of the traditional Malay settlement that is important to preserve the identity of Malay in future development.


Author(s):  
Cornelia Lund

Digital technology increasingly has offered new possibilities of combining audio and visual elements, be it in live performances, installations, or videos. The Canadian artist and musician Herman Kolgen plays the different genres like a virtuoso, exploring overarching themes in audiovisual performances as well as audiovisual installations. This chapter offers a case study that takes Kolgen’s work as an example of artistic production that pushes its investigation of audiovisual combinations in different directions by its flexible use of analog and digital media formats. The chapter first discusses the status of Kolgen’s work in terms of categories of audiovisual production such asvisual music, live cinema, andsound art. It then focuses on an analysis of his work under three aspects: exploration of media formats, use of technology, and relation to performance and performativity. At the same time, the chapter situates Kolgen’s work in the wider context of audiovisual art.


Author(s):  
Sun Kyong Lee ◽  
James E. Katz

A group of young adults were observed and interviewed as they spent a weekend without access to the mobile phone and Internet. Thirty-seven students participated in a program, entitled “unplugged weekend.” How they experienced the social interactions and flow of time without the usual interruption by mobile communication was the main point of examination. Contrary to our expectations, the 48-hour period of disconnection was judged to be a unique, entertaining, and satisfactory experience for most participants. Using humor, establishing common grounds, and uses of the body were three main characteristics of co-present social interactions observed during the trip. There were “dual” perceptions of time flow: Some reported that time slowed down whereas others reported that time flew rather quickly throughout the weekend. Overall, many participants rediscovered the value of co-present embodied interactions by sharing various activities while giving undivided attention to one another.


2019 ◽  
Vol 14 (1) ◽  
pp. 108-124
Author(s):  
Regev Nathansohn

This is a story and analysis of a film production that has never materialised. The case study features a group of neighbourhood residents who wished to produce a film representing their experiences of living in a mixed neighbourhood in the northern Israeli city of Haifa, where Jews and Arabs live together. The ethnography of their work documents the incommensurability between the social interactions within the group and the content of the film’s script. While the group dynamic reflected the mixing atmosphere of the neighbourhood, their script succumbed to the hegemonic discourse of separation in Israel and to steering away from ambiguities. The group’s aspiration to create a realistic representation required a political and visual language that was not available as an objective possibility and thus was challenging to imagine.


2021 ◽  
Author(s):  
Lysle Hood

In the digital age, technology and digital media shapes virtually every aspect of our lives. Poetry, which has seen a surprising revival in recent years, is no exception. One of the most popular contemporary poets today is Rupi Kaur, made famous for her verse posted on the social media platform Instagram. This MRP seeks to answer the following research questions: 1) In what ways has the digital age effected contemporary poetry? 2) What role has digital media played in shaping the success and formal elements of Rupi Kaur’s body of work? This MRP begins by offering a brief history of poetry’s relationship with media and an account of how poetry is produced and consumed in the digital age. The core of the MRP is a case study of contemporary Insta-poet Rupi Kaur. Through qualitative visual and textual analysis, the case study considers: 1) Kaur’s poetry, 2) her Instagram content, 3) her readership, and 4) the criticisms of her work. As to the discussion, the analysis of the four categories reveals


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