scholarly journals From the prehistoric to the posthuman selfie

Sæculum ◽  
2019 ◽  
Vol 48 (2) ◽  
pp. 91-103
Author(s):  
Radu Stănese

AbstractLeRoy McDermott’s hypothesis proposes a perceptual interpretation of the Venus statues from to the Upper Paleolithic period these being in fact the first examples of human self-representations. The arguments he brings are of an artistic nature par excellence and they refer to the visual distortions arising from the subject’s point of view. The fantasy of being admired by others through the means of the nude selfie has generated a whole trend in today’s pop culture and Kim Kardashian is a prime example in this sense. The “shareware body” has gone through an entire history of significance, from Albrecht Dürer’s mystical meaning of the body, to Érika Ordosgoitti’s activist take on the matter. The widespread presence of the nude selfie raises the issue of virtual identity “pornification” while Katherine N. Hayles’ hypothesis questions the future of a posthuman reality that has already been foreshadowed.

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


Articult ◽  
2021 ◽  
pp. 19-31
Author(s):  
Leila F. Salimova ◽  
◽  

Modern scientific knowledge approaches the study of the physical and aesthetic bodies with a considerable body of texts. However, on the territory of the theater, the body is still considered exclusively from the point of view of the actor's artistic tools. Theatrical physicality and the character of physical empathy in the theater are not limited to the boundaries of the performing arts, but exist in close relationship with the visual and empirical experience of the spectator, performer, and director. The aesthetic and ethical aspect of the attitude to the body in the history of theatrical art has repeatedly changed, including under the influence of changing cultural criteria of "shameful". The culmination of the demarcation of theatrical shame, it would seem, should be an act of pure art, independent of the moral restrictions of society. However, the experiments of modern theater continue to face archaic ethical views. The article attempts to understand the cultural variability of such a phenomenon as shame in its historical and cultural extent using examples from theater art from antiquity to the present day.


Killing Times ◽  
2019 ◽  
pp. 87-118
Author(s):  
David Wills

What is called the “temporal technology” of the human can be analyzed as a relation between time and blood. The death penalty reveals that relation not as a natural one but as a “prosthetic” one, whereby time gets attached to the human body in such a way that it mimics the flow of blood but at the same time shows that flow to be mechanically produced. That conclusion is reached by tracing a history of mortal time that links Socrates to Heidegger and by examining in detail Hegel’s promotion of blood as a figure for dialectical sublation in general, a blood that is simultaneously inside and outside the body. As a result, blood is “shed” by means of an execution whether it involves the guillotine or lethal injection.


2019 ◽  
pp. 323-344
Author(s):  
Kerry O’Brien

For most of 1968 and early 1969, Steve Reich devised and constructed his Phase Shifting Pulse Gate, a machine he designed along with an engineer. However, after only two performances Reich abandoned the machine and renounced the future use of electronic technology in his music, save amplification. Despite this compositional move, various critics of the early 1970s continued to describe Reich’s works in technological or mechanical terms, calling his music “controlling” or akin to the German word “Fließband” (assembly line). Rather than mechanical control, Reich claimed to seek bodily control and often compared his musical practice to yoga, a practice he had maintained for nearly a decade, which markedly informed his notions of musical time, compositional control, and performer freedoms. Drawing from unpublished essays and unreleased recordings, this chapter situates Reich’s music of the 1970s—from Drumming to Music for 18 Musicians—within a broader history of technologies of the body and mind.


2013 ◽  
pp. 145-148
Author(s):  
Francesco N. Gaspa ◽  
Giuliano Pinna

Pain and suffering represent unavoidable experiences that have left a deep mark on the history of mankind. In this review, pain is examined from an anthropological point of view, because there is no pain without suffering, and every biophysical event is brought to the consciousness of an individual by an emotional signal. The body is an entity that changes from culture to culture and operates within particular historical and social contexts. Each society incorporates the concept of pain into its particular worldview, assigning it a specific meaning and value. Few human experiences can be read in as many different keys: from neuroscience to linguistic research, perspective selection, and emotional and cognitive functions. Although pain is currently regarded as a destructive force that is per se pathological, it is actually a form of protection. In today’s society, pain is experienced as a problem in itself, a disease within a disease, and its physiopathological aspects have been extensively characterized. But pain must also be analyzed within its anthropological, sociological, political, and economic contexts. The phenomenon of pain lies at the crossroads between nature and culture, and analysis from this perspective is essential for explaining the multiplicity of related data. The ‘‘anthropology of pain’’ explains, among other things, the assortment of reactions to identical pain stimuli among individuals and groups: for example, the higher opposition to pain observed among individuals living in poverty, the phenomenon of ‘‘combat analgesia’’, and the wide variety of analgesics used by traditional populations.


Prospects ◽  
1995 ◽  
Vol 20 ◽  
pp. 387-404
Author(s):  
Emily Miller Budick

InPlaying in the Dark, Toni Morrison sets out to chart a new “geography” in literary criticism, to provide a “map” for locating what she calls the “Africanist” presence in the American literary tradition. The assumption of Americanist critics, she argues, has been that “traditional, canonical American literature is free of, uninformed, and unshaped by the fourhundred-year-old presence of, first, Africans and then, African Americans in the United States. It assumes that this presence — which shaped the body politic, the Constitution, and the entire history of the culture — has had no significant place or consequence in the origin and development of that culture's literature.” For Morrison, recording the Africanist presence produces nothing less than an absolute revision of our notion of what constitutes the American literary tradition.


1902 ◽  
Vol 70 (459-466) ◽  
pp. 74-79

I have found it necessary in labelling a series of models of the malaria parasite in the Central Hall of the Natural History Museum to use as simple and clear a terminology as possible. I think that this terminology will be found useful by others who are perplexed by such terms as “sporozoites,” “blasts,” “ookinetes,” “schizonts,” “amphionts,” and “sporonts”—terms which have their place in schemes dealing with the general morphology and life-history of the group Sporozoa, but are not, as experience shows, well suited for immediate use in describing and referring to the stages of the malaria parasite. It is necessary to treat the malaria parasite from the point of view of malaria; that is to say, to consider its significant phases to be those which it passes in the human blood. In reality its mature condition and most important motile, as well as its most prolific reproductive, phases are passed in the body of the mosquito.


2020 ◽  
pp. 1-6
Author(s):  
Brenda Ivonne MORALES-BENÍTEZ ◽  
Ramiro MORALES-HERNÁNDEZ ◽  
Ramsés Josafath ALCARAZ-GONZÁLEZ

Sport is regularly seen as one of the forms of activation of the body that provide motor skills and contribute to healthy health, however it is important to appreciate it from the point of view of knowledge, so its contribution in aspects of academic competencies in students was analyzed upper middle level. In the first part, the history of sport was discussed, as well as the contributions of authors about educational sport and the learning generated. Subsequently, a comparison was made in young upper-middle-level students divided into two groups: the experiential group (they practice and perform exercise, sport and physical activity) and the control group (individuals who are totally sedentary), in order to observe performance. in school performance, class participation, decision making as well as knowing how influential or manipulable their peers can be to analyze and solve problems, in the study a questionnaire was applied to both groups using the Likert scale to know these results. The information obtained shows the positive influence that sport has on the development of educational capacities in students.


Author(s):  
Sara Diani

The Coronavirus pandemic is a major challenge to human wellbeing; it directly affects health, and indirectly involves the economic, politic and social spheres. This, in turn, is going to have major systemic, worldwide health, social and environmental consequences. In this paper, I will briefly sum up the history of the pandemic, the worldwide diffusion, the major different political reactions, as well as health and political countermeasures, and the economic consequences / evaluations for the future. The aim of this paper is to show and address all the different spheres involved and their relationships. Emphasis will be placed on the paradoxical presence of a large amount of data and the big uncertainty for the future. The outcomes will be briefly analyzed on a healthcare, political and socio-economical level. The point of view is systemic with human beings, institutions and the environment seen as a whole. Systemic thinking allows interdisciplinary research to be decisive in understanding the worldwide reaction to the pandemic. The global response to this crisis is of historical significance, and therefore potentially decisive for the multi-layered future of the world.


2019 ◽  
Vol 67 (1) ◽  
pp. 1-22
Author(s):  
Martin Saar

Abstract It is not evident in what sense philosophy relates to its own time and present. From the history of philosophical thought, several models have been suggested, ranging from a strong reliance on tradition to the wholesale rejection of the present and demand for a ‘philosophy of the future,’ from the suspicion that philosophy is nothing but one ideology among others to the demand that philosophy should engage in the struggles and conflicts of its time in order to prepare for a better future. The essay presents an assessment and problematization of these approaches and argues for a point of view that starts from philosophy’s precarious, ambivalent and contingent relation to its time and contemporaneity. Neither wholly independent of nor entirely subjected to its own time, philosophy can inhabit a shifting position from which critique and resistance are possible even if not ultimately guaranteed.


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