scholarly journals Reinterpretasi Pertanggalan Relatif Empat Arca Batu Koleksi Museum Nasional Indonesia

AMERTA ◽  
2021 ◽  
Vol 39 (2) ◽  
pp. 129-146
Author(s):  
Ashar Murdihastomo, S.S. ◽  
Sukawati Susetyo
Keyword(s):  
Qualitative Approach ◽  
National Museum ◽  
Relative Dating ◽  
New Information ◽  
Art Style

Abstract. Reinterpretation of The Relative Date of The Four Stone Sculptures Collection of The National Museum of Indonesia. The results of research on the art style of the Kāḍiri period statues in 2020 show that four statues have been identified as requiring renewal. The information in question is related to the relative dating of the statue. The information written on the museum's information label for the four statues comes from the XI-XII centuries AD. However, when examined based on the art style of the statues, the four have younger characteristics. Therefore, the question arises, what are the characteristics of the sculptures from the four statues in the collection of the National Museum of Indonesia, and when is the relative date indicated by the art style of the statues? This study aimed to determine the art style of the four statues from the collection of the Indonesian National Museum and provide new information on the chronology of the time of the statues. This study uses a qualitative approach based on the descriptive-explanative principle in conducting the analysis using the principles of iconography and ancient sculpture art styles. The results obtained indicate that the four statues have two sculpture characters, namely the Majapahit era and the late Majapahit period, with a relative date range of the XIV-XV centuries AD.   Abstrak. Hasil penelitian tentang gaya seni arca masa Kāḍiri tahun 2020 memperlihatkan ada empat arca yang teridentifikasi memerlukan pembaruan. Informasi yang dimaksud terkait dengan pertanggalan relatif arca. Keterangan yang tertulis pada label informasi museum keempat arca tersebut berasal dari abad XI--XII Masehi.  Namun, apabila dikaji berdasarkan gaya seni arcanya, keempatnya memiliki ciri yang lebih muda. Oleh karena itu, muncul pertanyaan apakah ciri seni arca dari empat arca koleksi Museum Nasional Indonesia tersebut dan kapan pertanggalan relatif yang ditunjukkan oleh gaya seni arca itu? Tujuan penelitian ini adalah untuk mengetahui gaya seni arca keempat arca koleksi Museum Nasional Indonesia dan memberikan informasi baru terhadap kronologi waktu arca tersebut. Kajian ini menggunakan pendekatan kualitatif yang didasarkan pada prinsip deksriptif-eksplanatif. Dalam melakukan analisis menggunakan prinsip ikonografi dan gaya seni arca kuno. Hasil yang diperoleh menunjukkan bahwa keempat arca tersebut memiliki dua karakter seni arca, yaitu masa Majapahit dan masa akhir Majapahit dengan kisaran pertanggalan relatif abad XIV-XV Masehi.

The Effect of Previous Material Research into the Manuscript of Dvůr Králové and the Manuscript of Zelená Hora on their Current State

2018 ◽  
Vol 63 (1-2) ◽  
pp. 5-19
Author(s):  
Martina Ohlídalová ◽  
Karel Křenek ◽  
Jana Tvrzníková ◽  
Michal Pech ◽  
Radka Šefců
Keyword(s):  
Physical Condition ◽  
Fluorescence Analysis ◽  
Material Research ◽  
National Museum ◽  
X Ray ◽  
Current State ◽  
New Information ◽  
Different Types ◽  
New Perspective ◽  
The 19Th Century

In 2017, the National Museum commemorated the bicentenary of the discovery of the Manuscript of Dvůr Králové and the Manuscript of Zelená Hora by further material research into both works and especially by an exhibition of their originals. The main aims of this research into the manuscripts included the documentation and evaluation of their current physical condition and the mapping of the effect of the microchemical analyses performed in the context of the disputes over the authenticity of the manuscripts between the middle of the 19th century and the 1970s. For the achievement of these objectives, a detailed documentation of all the pages of the manuscripts in different types of lighting (visible direct, lateral, transmitted, ultraviolet, infrared), optical microscopy, and the identification of the degradation productions of damaged places by means of X-ray fluorescence analysis and Raman spectroscopy were used. This provided new information on the current physical condition of the manuscripts and documentation of the damage caused by historical microchemical testing. In addition, some previously unpublished historical tests were identified, thus offering a new perspective on some current damage of the two manuscripts.

scholarly journals TEXTUAL EQUIVALENCE IN THE TRANSLATION OF ENGLISH TEXTS INTO INDONESIAN

2017 ◽  
Vol 3 (1) ◽  
pp. 77-83
Author(s):  
Herlyn Triastika
Keyword(s):  
Information Structure ◽  
Qualitative Approach ◽  
Analysis Method ◽  
Thematic Structure ◽  
Source Text ◽  
Scientific Texts ◽  
Cohesive Devices ◽  
New Information ◽  
Content Analysis Method ◽  
The Impact

This research aims to determine textual equivalence in the translation of scientific texts in English into Indonesian in depth. This study used a qualitative approach using the content analysis method. The data to the analysis performed in this study based on the six-step qualitative research developed by Myring. The findings in this study indicate that: (1) The equivalence of thematic structure contained in the translation of textbooks Approaches to Discourse into Indonesian is the equivalence on the pattern/ thematic arrangement of the unmarked theme and a simple theme/topical theme, (2) the information structure equivalence Between source text (ST) and target text (TT) is the equivalence in the form of organization of given and new information. (3) Equivalence in the cohesive devices translation is found in the use of grammatical cohesive devices, (4) The translation method used is the literal translation, (5) The discovered distortion was fully related to the aspects of semantics and linguistic equivalents, (6) The factors causing distortion are the translators’ skills and competencies, (7) The impact inflicted by the various distortion in the target text (TT) is that the translation readersgetdifferent messages from the message of source text (ST).

scholarly journals Catatan Tentang Gaya Seni Relief di Candi Simangambat, Kabupaten Mandailing Natal, Provinsi Sumatera Utara

2018 ◽  
Vol 13 (25) ◽  
pp. 1-12
Author(s):  
Andri Restiyadi
Keyword(s):  
Relative Dating ◽  
The Temple ◽  
Work Relief ◽  
Art Style

AbstractRelief art style that can be interpreted as a redundancy to a certain style, at certain times and places can be used as an indication for the presence of outside influences  that affect a work relief. In addition, by comparing the art style can be a relative dating to the building of the temple, in this case is a temple in Simangambat, North Sumatera.

scholarly journals Statue Art Style of Kāḍiri Era: Study Toward Statues from Gurah Temple and Tondowongso Temple

KALPATARU ◽  
2021 ◽  
Vol 30 (1) ◽  
pp. 1-24
Author(s):  
Sukawati Susetyo ◽  
Ashar Murdihastomo ◽  
Agustijanto Indradjaja ◽  
Dimas Nugroho
Keyword(s):  
Central Java ◽  
Relative Dating ◽  
Absolute Dating ◽  
Dating Method ◽  
Characteristic Style ◽  
Art Style

In the archaeology Hindu-Buddhist era in Indonesia, there are several known art styles temple building architecture and statue art: Early Classical Era and Late Classical Era. In more detail, that several eras can be described that Early Classical Era developed during the Old Mātaram era with the center of its reign at Central Java, and Late Classical Era Style developed during Kāḍiri/Siŋhasāri and Majapahit with the center of its reign at East Java. Late Classical Era Style divided into two subs, Kāḍiri/Siŋhasāri and Majapahit. Kāḍiri as an early dynasty in East Java not yet known clearly what the special characteristic style of its temple is building architecture and its statue art, and only been told that the Kāḍiri Era Style is the connecting line between Early Classical Era Style and Late Classical Era. This essay intends to find out special characteristics of the Kāḍiri Era Style (transition art style). For this reason, the research was carried out on statues comes from Gurah Temple and Tondowongso Temple, both temples knew the date, with relative dating method or absolute dating method. From this iconographic research in detail will describe parts of the statues, from then will obtain several features that always appear, and that’s characteristics are considered as a strong characteristic from statues from Kāḍiri Era Style.

scholarly journals PENGGUNAAN EJAAN PADA JURNAL BUANA PENDIDIKAN, FKIP, UNIVERSITAS PGRI ADI BUANA SURABAYA

2018 ◽  
Vol 11 (21) ◽  
Author(s):  
Ira Eko Retnosari
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Qualitative Approach ◽  
The Other ◽  
Analysis Process ◽  
New Information ◽  
Data Source ◽  
Descriptive Method

university can communicate new information, ideas, studies, and research results. This journal aims to describe the use of the spelling of Buana Pendidikan journal. This study applies a qualitative approach. The data source of this study is the spelling of Buana Pendidikan journal. The data collecting in this research is done by documentation method. The data collection techniques are (1) the journal collection, (2) copying journal, (3) reading journal, (4) marking with highlighter, (5) classification, (6) coding, and (7) making cards. The data analysis used descriptive method. The stages of data analysis process include (1) the data collection, (2) classification of data, (3) the determination of errors frequency, (4) explanation. The result of this journal which is the use of spelling that contained in Buana Pendidikan journal is good. It can be proved from the inaccuracy use of spelling that mostly are the use of comma, while other punctuations are relatively little. In addition, the other inaccuracies use of spelling are (1) writing capital letters, (2) writing italics, (3) the writing of numbers, (4) writing the word, (5) the use of dots, and (7) the use of commas. This journal is expected to give inputs to the lecturers to be able to use spelling correctly when writing a journal. In writing a journal, the use of spelling should be applied properly

scholarly journals Birds, Babuyan Islands, province of Cagayan, northern Philippines: new island distribution records

Check List ◽  
2008 ◽  
Vol 4 (2) ◽  
pp. 137 ◽  
Author(s):  
Carl Oliveros ◽  
A. Townsend Peterson ◽  
Mark Jason C. Villa
Keyword(s):  
National Museum ◽  
Detailed Understanding ◽  
New Information ◽  
Motacilla Alba ◽  
Island Group ◽  
Significant Step ◽  
Bird Fauna ◽  
Migratory Patterns ◽  
Bird Distribution ◽  
The U.S

We present new bird distribution records from the Babuyan Islands in northern Philippines, gathered during recent biotic survey efforts in the area. This information represents a significant step towards a detailed understanding of the biodiversity of the region. We report three subspecies not previously recorded from the country: Ceyx erithaca erithaca, Turdus chrysolaus orii, and Motacilla alba leucopsis, providing new information about migratory patterns in the region. We also provide the first published records from the islets of Mabag and Barit, based on specimens in the collections of the U.S. National Museum of Natural History. With these records, the resident avifauna of this island group is relatively well-known, which will provide a firm foundation for planned studies of systematics and taxonomy of the bird fauna of the region.

scholarly journals Updated checklist of the Cantharidae, Lampyridae, and Lycidae of the Grand Duchy of Luxembourg (Coleoptera: Elateroidea)

Zootaxa ◽  
2021 ◽  
Vol 5047 (1) ◽  
pp. 33-44
Author(s):  
FABRIZIO FANTI ◽  
FRANCESCO VITALI
Keyword(s):  
Natural History ◽  
National Museum ◽  
New Information ◽  
First Time ◽  
Grand Duchy

Here we present a checklist of the families Cantharidae, Lampyridae, and Lycidae of Luxembourg. The earlier references are summarized and new information on the some species is reported. Furthermore, Cantharis (s. str.) paludosa Fallén, 1807, Cantharis (s. str.) terminata Faldermann, 1835, Erotides cosnardi (Chevrolat, 1831), and Lopheros rubens (Gyllenhal, 1817) are cited for the first time for Luxembourg based on specimens preserved in the National Museum of Natural History or on a photo reported on the iNaturalist platform.  

scholarly journals VARIASI PERHIASAN KEPALA ARCA PARWATI KOLEKSI MUSEUM NASIONAL DI INDONESIA [THE VARIETY OF HEADDRESSES OF THE PARVATI STATUE COLLECTION OF THE NATIONAL MUSEUM IN INDONESIA]

2021 ◽  
Vol 15 (2) ◽  
pp. 71-86
Author(s):  
Waridah Muthiah ◽  
Agus Sachari ◽  
Pindi Setiawan
Keyword(s):  
Comparative Method ◽  
National Museum ◽  
Important Place ◽  
Indonesian Archipelago ◽  
Art Style

Pemujaan terhadap Parwati mendapatkan tempat yang penting pada era Hindu-Buddha di nusantara, sehubungan dengan kedudukan Parwati sebagai śakti dari dewa tertinggi dalam Śiwaisme, Dewa Śiwa. Hal ini ditunjukkan oleh keberadaan arca-arca dewi dan arca perwujudan ratu, yang beberapa di antaranya menjadi koleksi Museum Nasional di Indonesia. Akan tetapi, asal waktu dan identitas tokoh pada kebanyakan arca ini belum dapat diidentifikasi. Mahkota atau hiasan kepala sebagai bagian dari atribut (lakṣana) arca dapat digunakan sebagai sumber informasi melalui kajian terhadap gaya atau langgam estetika. Penelitian ini merupakan upaya untuk memahami variasi mahkota arca Parwati yang berasal dari era Majapahit, khususnya abad ke-14 M dan 15 M, berdasarkan identifikasi gaya seni dan kecenderungan penggambaran pada masa tersebut. Penelitian dilakukan menggunakan metode deskriptif-komparatif dengan pendekatan ikonografi dan morfologi estetis. Hasil penelitian menunjukkan bahwa ada dua kecenderungan penggambaran mahkota Parwati. Patung dari Kediri dan Blitar cenderung menggambarkan mahkota Parwati dengan bentuk yang mendekati langgam Klasik Awal (Jawa Tengah), dengan menampilkan mahkota semata-mata sesuai kanon Manasara, seperti jatāmakuta, kesabandha, dan kuntala. Kecenderungan kedua menampilkan Parwati mengenakan kirīṭamakuta, yang merupakan atribut Wisnu, dan penyejajaran sifat dan kedudukannya sebagai sosok pemelihara.The worship of Parvati has an important place in the Hindu-Buddhist era in the Indonesian archipelago, with regard to Parvati's position as the spouse of the supreme god in Shivaism, Shiva. This is indicated by the presence of goddess statues and statues of the embodiment of a queen, which some are in the collections of the National Museum in Indonesia. However, the chronology and identity of the National Museum statues collection have not been distinguished. Information on both aspects of a statue can be achieved by means of the study of style or aesthetic of a crown or headdress as a feature of lakṣana (statue attribute). This research is an attempt to understand the varieties of the crowns of the Parwati statue from the Majapahit era, especially the 14th and 15th centuries, based on the identification of the art style and depiction tendencies during this period. This research was conducted using a descriptive-comparative method with approaches of iconography and aesthetic morphology. The results indicate that there are two trends in depicting Parwati’s crown. The statues from Kediri and Blitar tend to depict Parvati's crown in a form similar to those of the Early Classical (Central Javanese) style, by displaying the crown solely according to the scripture of Manasara, such as jatāmakuta, kesabandha, and kuntala. The second trend presents Parvati wearing the kirīṭamakuta, which is an attribute of Vishnu, which correlates to her nature and position as a guardian.

Lattice Imaging of Twin, Lath and α/Martensite Boundaries in Duplex Low Carbon Steels

1977 ◽  
Vol 35 ◽  
pp. 118-119
Author(s):  
J. Y. Koo ◽  
G. Thomas
Keyword(s):  
High Resolution Electron Microscopy ◽  
Ferrite Matrix ◽  
Carbon Steels ◽  
Bright Field Image ◽  
Low Carbon ◽  
Lattice Imaging ◽  
Bright Field ◽  
Lattice Image ◽  
New Information ◽  
Resolution Electron

High resolution electron microscopy has been shown to give new information on defects(1) and phase transformations in solids (2,3). In a continuing program of lattice fringe imaging of alloys, we have applied this technique to the martensitic transformation in steels in order to characterize the atomic environments near twin, lath and αmartensite boundaries. This paper describes current progress in this program.Figures A and B show lattice image and conventional bright field image of the same area of a duplex Fe/2Si/0.1C steel described elsewhere(4). The microstructure consists of internally twinned martensite (M) embedded in a ferrite matrix (F). Use of the 2-beam tilted illumination technique incorporating a twin reflection produced {110} fringes across the microtwins.

Stereo Electron Microscopy Applied to High Resolution Freeze-Etch Replicas

1970 ◽  
Vol 28 ◽  
pp. 306-307
Author(s):  
L. Andrew Staehelin
Keyword(s):  
Electron Microscopy ◽  
Plastic Deformation ◽  
High Resolution ◽  
Smooth Surfaces ◽  
Small Particles ◽  
Membrane Surfaces ◽  
Wide Acceptance ◽  
New Information ◽  
Number Of Particles ◽  
Small Holes

Freeze-etched membranes usually appear as relatively smooth surfaces covered with numerous small particles and a few small holes (Fig. 1). In 1966 Branton (1“) suggested that these surfaces represent split inner mem¬brane faces and not true external membrane surfaces. His theory has now gained wide acceptance partly due to new information obtained from double replicas of freeze-cleaved specimens (2,3) and from freeze-etch experi¬ments with surface labeled membranes (4). While theses studies have fur¬ther substantiated the basic idea of membrane splitting and have shown clearly which membrane faces are complementary to each other, they have left the question open, why the replicated membrane faces usually exhibit con¬siderably fewer holes than particles. According to Branton's theory the number of holes should on the average equal the number of particles. The absence of these holes can be explained in either of two ways: a) it is possible that no holes are formed during the cleaving process e.g. due to plastic deformation (5); b) holes may arise during the cleaving process but remain undetected because of inadequate replication and microscope techniques.

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