scholarly journals DISTRIK FESYEN NUSANTARA

2020 ◽  
Vol 2 (1) ◽  
pp. 497
Author(s):  
Yanni Nursalim ◽  
Rudy Trisno
Keyword(s):  
Textile Industry ◽  
Fashion Industry ◽  
Open Area ◽  
Ground Floor ◽  
Building Shape ◽  
Building Facade ◽  
Fashion Designer ◽  
Seminar Room ◽  
Fashion Designers ◽  
Made In

Innovation and creativity are prioritized in various aspects to create a new breakthrough. This phenomenon is the result from creative individuals that keeps innovating. Inspired by fashion industry fond by many people and functioning as verbal communicator from person to person, create the need of place to exchange ideas, creativity and to socialize. Pasar Baru is an area that have a chance to be a place where fashion designers can meet and gather, because as many people know Pasar Baru is known as textile industry for so long. Beside that, this area is starting to lose fame because people think it is old style and unorganized. In result, a project is designed so that it can be a place where many fashion communities and can as well functioned as leisure open area a. In this project, methaphor method is used by applying Benji Chinesse batik pattern in building shape by intangible and the using of the batik pattern on the building facade by tangible. On the ground floor, quite programs such as public and leisure areas, parks, courtyars, angkringan, exhibition, and workshop are applied. In the upper floors, programs such as fashion studios, seminar room, drapping room that is  mean to people who likes fashion are applied that is more regulated than first floor. The facilities are made, in hope that Pasar Baru will be fashion center that can influence people to talk more about local trends compared to trends outside Indonesia. Abstrak Inovasi dan kreativitas merupakan hal yang diprioritaskan saat ini dalam berbagai aspek untuk menghasilkan suatu terobosan baru. Fenomena ini tentu tidak terlepas dari peran individu ataupun kelompok di dalam industri kreatif yang terus berinovasi. Dilatarbelakangi oleh dunia fesyen yang semakin digemari oleh berbagai kalangan dan merupakan alat komunikasi non verbal antar individu, maka diperlukan sebuah tempat bagi para pecinta fesyen untuk bertukar pikiran, bersosialisasi, dan berkreativitas. Pasar Baru merupakan salah satu kawasan yang berpeluang untuk dijadikan kawasan berkumpulnya para fashion designer, karena seperti yang banyak orang ketahui Pasar Baru merupakan pusat perbelanjaan tekstil yang terkenal sejak lama. Selain darpada itu, kawasan ini juga sudah mulai ditinggalkan oleh pengunjung karena dianggap membosankan dan tidak teratur. Maka dirancang sebuah proyek yang dapat menjadi tempat komunitas fesyen dan juga sebagai kawasan hiburan yang lebih terbuka dan bersifat “leisure”. Dalam hal ini metode yang digunakan adalah metafora dengan menerapkan motif batik cina benji pada bentuk bangunan secara tidak langsung (intangible) dan penerapan motif batik tersebut pada fasad bangunan (tangible). Di bagian lantai dasar diisi dengan program yang lebih bersifat publik dan leisure  seperti taman, courtyard, angkringan, pameran, dan workshop. Sedangkan dilantai atas lebih yang bersifat regulated seperti studio fashion, r. seminar, r. Drapping yang ditujukan bagi para fashion designer ataupun orang – orang yang menggemari dunia fashion. Dengan adanya fasilitas – fasilitas tersebut diharapkan ke depannya Pasar Baru akan menjadi pusat fashion yang mempengaruhi masyarakat untuk lebih banyak membincangkan tren lokal dibandingkan tren luar negeri.

scholarly journals Gerald McCann: The Rediscovery of a Fashion Designer

Costume ◽  
2018 ◽  
Vol 52 (1) ◽  
pp. 97-122 ◽  
Author(s):  
Kevin Almond ◽  
Caroline Riches
Keyword(s):  
Royal College ◽  
Fashion Industry ◽  
Treasure Trove ◽  
Fashion Designer ◽  
The Usa ◽  
History Of ◽  
The 1950S ◽  
The 1960S ◽  
The Uk ◽  
Fashion Designers

This article was prompted by the discovery of the archive of international fashion designer Gerald McCann, hidden in a garage in Fleetwood, Lancashire, UK. The contents of the archive revealed a treasure trove of press cuttings, photographs, fashion drawings and interviews as well as designs and costings from a once well-known designer, whose significance to the global fashion industry is sparsely documented and largely forgotten. The article reveals the history of the designer, who graduated from the Royal College of Art in London in the 1950s, during the tenure of Professor Madge Garland, and forged a career at the heart of ‘Swinging London’ in the 1960s. He was lured to the USA in the 1970s, returning to the UK in the 1990s as a designer for House of Fraser and Harrods. The research offers the first significant assessment of McCann's position in global fashion and the value and relevance of his legacy, as well as exploring the rationale for documenting the history of forgotten fashion designers.

SARANA PENGEMBANGAN MODE STREETWEAR DI JAKARTA

2021 ◽  
Vol 3 (1) ◽  
pp. 143
Author(s):  
Rivaldo Mark Frans Valentino Tumbelaka ◽  
Suryono Herlambang
Keyword(s):  
Rapid Development ◽  
Office Buildings ◽  
Fashion Industry ◽  
Fashion Designer ◽  
Long Time ◽  
Fashion Designers ◽  
The City

Along with the rapid development of the creative fashion industry in Indonesia, fashion designers are required to be more creative to compete internationally. Streetwear has become a fashion stream loved by millennials & gen-z in the city of Jakarta. Lack of space to accommodate their creativity in the city of Jakarta is the problem of this project. Tebet area is an area located in South Jakarta, Kelurahan Tebet, South Jakarta city. The Tebet area has developed quite rapidly. This area is surrounded by commercial office buildings. This area is surrounded by streetwear fashion distros, some have been developing for a long time and some are just starting to enter the fashion industry. As the streetwear fashion industry develops in Indonesia, it can improve Indonesia's economy, but it can also become a boomerang due to the government's lack of attention to increase the creative streetwear fashion sector. The Tebet area is very suitable to respond to this problem because with the surrounding fashion distributions it can be concentrated into a fashion hub to work and collaborate. Keywords: Community; Public; Tebet; Streetwear AbstrakSeiring berkembang pesatnya industri kreatif fashion di Indonesia, para fashion designer dituntut untuk lebih kreatif untuk bersaing secara internasional. Streetwear sudah menjadi aliran fashion yang digandrungi oleh millenial dan gen-z di kota Jakarta. Kurangnya tempat untuk mewadahi kreatifitas mereka di kota Jakarta menjadi permasalahan proyek ini. Kawasan Tebet adalah suatu kawasan yang berlokasi di Jakarta Selatan, Kelurahan Tebet, kota Jakarta Selatan. Kawasan Tebet sudah berkembang lumayan pesat. Kawasan ini dikelilingi oleh bangunan perkantoran komersil. Kawasan ini dikelilingi oleh fashion distro streetwear, ada yang sudah lama berkembang dan ada juga baru mulai memasuki industri fashion. Seiring berkembangnya industri fashion streetwear di Indonesia, itu bisa menaikan perekonomian Indonesia, tetapi itu bisa juga menjadi boomerang karena kurangnya perhatian dari pemerintah untuk menaikan sektor kreatif fashion streetwear. Daerah Tebet sangat cocok untuk merespon masalah ini karena dengan adanya fashion distro disekilingnya itu bisa dipusatkan ke dalam fashion hub untuk berkarya dan berkolaborasi.

Color Trend Analysis using Machine Learning with Fashion Collection Images

2021 ◽  
pp. 0887302X2199594
Author(s):  
Ahyoung Han ◽  
Jihoon Kim ◽  
Jaehong Ahn
Keyword(s):  
Machine Learning ◽  
Trend Analysis ◽  
Image Data ◽  
Fashion Industry ◽  
Color Palette ◽  
Web Scraping ◽  
Design Variables ◽  
Sales Organizations ◽  
Fashion Designers ◽  
Selection Of

Fashion color trends are an essential marketing element that directly affect brand sales. Organizations such as Pantone have global authority over professional color standards by annually forecasting color palettes. However, the question remains whether fashion designers apply these colors in fashion shows that guide seasonal fashion trends. This study analyzed image data from fashion collections through machine learning to obtain measurable results by web-scraping catwalk images, separating body and clothing elements via machine learning, defining a selection of color chips using k-means algorithms, and analyzing the similarity between the Pantone color palette (16 colors) and the analysis color chips. The gap between the Pantone trends and the colors used in fashion collections were quantitatively analyzed and found to be significant. This study indicates the potential of machine learning within the fashion industry to guide production and suggests further research expand on other design variables.

scholarly journals An Exploration of Digital Fashion in Pandemic Italy: Districts, Designers, and Displays

2021 ◽  
Author(s):  
Keyword(s):  
Digital Technologies ◽  
Field Research ◽  
Research Approach ◽  
Technological Changes ◽  
Design Production ◽  
Definition Of ◽  
Fashion Designers ◽  
Cultural Media ◽  
Made In

Change is at the heart of the definition of fashion, as many theorists, designers and cultural analysts have shown. This article takes up this perspective to question the role of fashion design in the 21st century in the relation to cultural, media and technological changes. Adopting a field research approach, the paper analyses the interaction between fashion, designers and digital technologies that are emerging in Italy in order to re-grasp Made in Italy in a futuring perspective. The case studies were selected for their relevance to the digital in terms of design, production, and display. The paper analyses that the pandemic crisis is having on the Made in Italy, stimulating new ways of designing, understanding, producing, and consuming fashion.

scholarly journals Pengembangan Tekstil Berbasis Motif dan Nilai Filosofis Ornamen Tradisional Sumatra Utara

Panggung ◽  
2018 ◽  
Vol 28 (2) ◽  
Author(s):  
Daulat Saragi
Keyword(s):  
Cultural Heritage ◽  
Cultural Diversity ◽  
Textile Industry ◽  
The North ◽  
The World ◽  
Local Patterns ◽  
Fashion Designers ◽  
North Sumatra

ABSTRACTEthnicity and cultural diversity of North Sumatra is the pride of the communities who contribute to the wealth of cultural heritage. Nowadays, a textile development has been successfully explored with a variety of ornaments and its philosophical values, and it has been brought into fashion trends. The North Sumatra ornamental motifs contribute to the world of fashion today. Fashion designers pay big attention to the advance of the complexity of ethnic motifs in the development of the textile world. The study was conducted by the method of documentation, observation, and interpretation of the meaning of the motifs. Verstehen method (understanding) is used to interpret the symbols of ornamental motifs containing the ideas of community. The result is an alternative of textile motif development of  North Sumatra-based on local patterns. With the richness of textile patterns raised from local ethnic of North Sumatra, make the fashion increasingly popular and in demand, and ultimately contributes to the development of the textile and fashion industry.Keywords: ornamental motifs, philosophical values, textile industry ABSTRAKKeanekaragaman suku dan  budaya Sumatra Utara merupakan kebanggaan masyarakatnya yang berkontribusi kepada kekayaan budaya Nusantara. Perkembangan tekstil dewasa ini berhasil mengeksplorasi aneka motif dan nilai filosofis ornamen tradisi dan mengangkatnya menjadi tren mode. Motif ornamen Sumatra Utara telah berkontribusi pada dunia mode saat ini. Perancang busana  melirik adanya suatu kekuatan corak etnis yang diangkat menjadi corak secara masif dalam perkembangan dunia tekstil. Penelitian dilakukan dengan menggunakan metode dokumentasi dan observasi, interpretasi atau pemaknaan, sekaligus melakukan penafsiran  terhadap data yang terkumpul. Metode verstehen (pemaaman) dilakukan terhadap motif-motif ornamen sebagai simbol yang mengandung ide-ide masyarakatnya. Hasil penelitian menjadi alternatif pengembangan motif tekstil Sumatra Utara yang berbasis corak lokal. Dengan semakin kayanya corak tekstil yang diangkat dari etnis lokal Sumatra Utara akan menjadikan dunia fesyen semakin digemari dan diminati, dan akhirnya berkontribusi terhadap perkembangan industri tekstil dan fashion.Kata kunci:  Motif ornamen, nilai Filosofis, industri tekstil

INLAY OF THE TAJ MAHAL: AN INSPIRATION FOR SURFACE ORNAMENTATION ON HIGH FASHION GARMENTS

2021 ◽  
pp. 13-16
Author(s):  
Falguni Patel ◽  
Komal Thakkar
Keyword(s):  
Cultural Heritage ◽  
Fashion Industry ◽  
Surface Ornamentation ◽  
Fashion Designers ◽  
Design Motifs ◽  
Taj Mahal

India has a rich cultural heritage of costume, art and crafts. Since decades highly developed civilizations continue to produce remarkable, eminent and ornate textiles with its distinct patterns, designs and motifs having different placements and layouts. However, escalating demands of consumers requires modication in the fashion industry with respect to design, motifs, colours, style and technique. Fashion designers used to take their inspiration from architectural buildings normally to create new clothing silhouettes. The researcher attempts to connect between 'fashion' and 'architecture', which can serve as fashion element for designers. The research attempts to document and digitize of the motifs of this architectural wonders. The purpose of the study was an attempt to interpret the technique of the beautiful inlay work of the Taj Mahal and its application to the textiles for high fashion garments. In process of designing various pictures of inlay work were documented which were classied into three categories, namely cut-away lattice, inlay and embossed carving.

The Innovative Management of “Made By” and “Made In” as a Factors in Brand Image and Competitiveness in the Fashion Industry

2020 ◽  
pp. 86-106
Author(s):  
Fernando Olivares-Delgado ◽  
María Teresa Benlloch-Osuna ◽  
Rocío Blay-Arráez
Keyword(s):  
Brand Image ◽  
Country Of Origin ◽  
Empirical Work ◽  
Fashion Industry ◽  
Innovative Management ◽  
The Innovative Management ◽  
Made In

This chapter addresses how fashion brands innovatively manage the “country of origin” (“made by” and “made in”) variable, as well as the consequences in terms of brand image, reputation, and competitiveness. This empirical work gives an account of the fashion brands Spanish millennials wear. Then, the authors assess their degree of brand literacy through their knowledge of the country of origin of the said brands (“made by”) and of the manufacturing country (“made in”). Last, they evaluate how their awareness of “made by” and “made in” affects the millennials' image and feelings.

Changing the face of retail: Where fashion meets technology

2016 ◽  
Author(s):  
Nadire Cavus ◽  
Rudo Muriel Munyavi
Keyword(s):  
Online Shopping ◽  
Online Marketing ◽  
Mobile Technologies ◽  
The Internet ◽  
Fashion Industry ◽  
Brick And Mortar ◽  
The Face ◽  
Similar Area ◽  
Fashion Designers ◽  
Technology Specialists

Prior to the introduction of mobile technologies and the internet, the manual system of going to a brick-and-mortar store to buy clothing was boring and tiresome as customers would spend hours moving from shop to shop trying to find the exact type of outfit they are looking for. The assimilation of technology in fashion designing and online marketing of clothing is marking an incredible venture in the fashion industry. Due to improved security features of online purchasing a lot of people now prefer buying clothing online since it saves time and online shopping provides variety at a click. This paper reviews several ways in which technology is transforming the fashion industry.  However this subject has not been researched in detail therefore there is a missing gap in the literature. We hope that this paper will fill the gap in the literature in order to review the role that technology is playing in the fashion industry. Information provided in this paper is beneficial to fashion designers, entrepreneurs in the fashion industry, information technology specialists as well as other researchers interested in a similar area of study.Keywords: Technology, fashion, virtual fitting room, wearable technology, virtual wardrobe.

Investigating the sustainability of the Korean textile and fashion industry

2015 ◽  
Vol 27 (1) ◽  
pp. 23-33 ◽  
Author(s):  
Youngjoo Na ◽  
Dong Kyu Na
Keyword(s):  
Web Sites ◽  
Textile Industry ◽  
High Speed ◽  
Natural Fibers ◽  
Cold Season ◽  
Fashion Industry ◽  
Design Quality ◽  
Content Type ◽  
The Government ◽  
Recycled Fibers

Purpose – Fashion and textile industry has confronted to participate with the sustainable industry and society proactively not by the government regulations, but by the shareholders or consumers driven with corporate social responsibility. The purpose of this paper is to consider methods applied for the sustainability of products according to Korean domestic fashion and textile companies and clothing types and to investigate the limitation of current sustainability methods of companies. Design/methodology/approach – The study used document analysis and case studies of 396 companies. The study looked into newspapers, monthly magazines, and publications of fashion companies and internet web sites of almost every possible type that have been issued to date and analyzed the previous studies as well. Findings – The companies’ strategies are of three groups, the uses of environmental friendly materials: 36.9 percent (natural fibers, recycled fibers and biodegradable fibers), apparel reuse: 4.5 percent (remodeling/alteration and transform/combination with more materials), and eco-marketing promotions: 58.6 percent. For women’s and casual wear section, the methods used with organic materials and the green-campaign messages appeared frequently, while in the men’s wear section, coolMapsi, 0or warm OnMapsi for business wear did a lot for the low indoor energy consumption, such as no neck-tie in the hot season or wearing underwear in the cold season. Originality/value – Fashion and textile products have provided the key solutions for the generation’s happiness, identity, value, self-realization, health and role. There have been the low quality and similarity of fashion products from mass production and high speed and we should consider sustainability for the next generation and society. But the current problem in the industry is that most of eco-product developments are only short term. Also, from the high cost of eco materials and processes, there is a limited portion of sustainability section among total products and low design quality of fashion or the low profit outcomes.

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