scholarly journals Person and Personality – Dichotomy and the Proper Name

2020 ◽  
Vol 6 (2) ◽  
pp. 50
Author(s):  
Tomislav Frleta ◽  
Zrinka Frleta

In this article we will try to show how the binary structure of the novel is also contained in many small elements that can be found throughout the story. The main story line is told in two main parts: Frankenstein’s story and the Creature’s story. We will show how the author uses small dichotomies/binarisms in order to incorporate them in the bigger frame of the divided story. These dichotomies are mostly incorporated in proper names which mainly show the opposite of the character of the person (Victor – the beaten; Felix – the unlucky; Justine – unjustly murdered…).

2021 ◽  
Vol 25 ◽  
pp. 51-68
Author(s):  
Urszula Kochanowska ◽  

There is a common belief that proper names are not to be translated. The author traced the transfer of urbanonyms in French translations of two Polish crime novels set in contemporary Warsaw. The analysis has been based on the techniques of translating proper names by K. Hejwowski (2004, 2015). The dominant techniques used in various categories of urbanonyms have been distinguished (simple transfer, transfer with spelling modification, translation). In the case of street names, avenues and squares derived from surnames, translators use inflectional neutralization. Another frequent technique is to add the qualifiers rue (‘street’) and quartier (‘district’) to the names of streets and neighbourhoods. In Polish, they are often omitted, which, in the case of street names, is unacceptable in French. Moreover, several techniques allowing removing a proper name or to replace it with a common noun have also been detected. All in all, the techniques applied for translating urbanonyms make it easier for the French recipient to follow the threads of the novel and to read foreign names. However, they deprive him/her of contact with some features of foreign names’ strangeness that characterize a different cultural area.


HUMANIS ◽  
2020 ◽  
Vol 24 (4) ◽  
pp. 386
Author(s):  
Ni Putu Devi Lestari ◽  
I Made Winaya ◽  
I Gst. Ayu Gede Sosiowati

Translation procedure is a procedure or a method to translate the unit of language from the source language to the target language. Every linguistic part needs to be translated. It means including the proper names in the literary work. This study is aimed at identifying and analyzing the types of the proper name and their translation procedures in the novel entitled Pembunuhan di Orient Express. The problems in this study are discussed based on the theory of proper name and the theory of the translation procedure by Newmark (1988). The method used to collect the data was documentation method. This study applied the descriptive qualitative method in analyzing the data. The result of the analysis was presented using an informal method. The analysis showed three types of proper names in the data sources. They are people’s names, the name of an object, and the geographical term. The translator uses seven methods from 18 translation procedures that were proposed by Newmark (1988). 


2020 ◽  
pp. 238-243
Author(s):  
N.V. Komleva

The article deals with the study of proper names as means of nomination, images of reality, and functional units of the main textual categories. The analysis of transformations of characters' names in various narrative forms in the subject organization of the novel allows to reveal the role of a character's proper name in the semantic aspect of the text.


Author(s):  
Olena Karpenko ◽  
Tetiana Stoianova

The article is devoted to the study of personal names from a cognitive point of view. The study is based on the cognitive concept that speech actually exists not in the speech, not in linguistic writings and dictionaries, but in consciousness, in the mental lexicon, in the language of the brain. The conditions for identifying personal names can encompass not only the context, encyclopedias, and reference books, but also the sound form of the word. In the communicative process, during a free associative experiment, which included a name and a recipient’s mental lexicon. The recipient was assigned a task to quickly give some association to the name. The aggregate of a certain number of reactions of different recipients forms the associative field of a proper name. The associative experiment creates the best conditions for identifying the lexeme. The definition of a monosemantic personal name primarily includes the search of what it denotes, while during the process of identifying a polysemantic personal name recipients tend have different reactions. Scientific value is posed by the effect of the choice of letters for the name, sound symbolism, etc. The following belong to the generalized forms of identification: usage of a hyperonym; synonyms and periphrases or simple descriptions; associations denoting the whole (name stimulus) by reference to its part (associatives); cognitive structures such as “stimulus — association” and “whole (stimulus) — part (associative)”; lack of adjacency; mysterious associations. The topicality of the study is determined by its perspective to identify the directions of associative identification of proper names, which is one of the branches of cognitive onomastics. The purpose of the study is to identify, review, and highlight the directions of associative identification of proper names; the object of the research is the names in their entirety and variety; its subject is the existence of names in the mental lexicon, which determines the need for singling out the directions for the associative identification of the personal names.


JURNAL SPHOTA ◽  
2019 ◽  
Vol 11 (2) ◽  
pp. 22-31
Author(s):  
I Wayan Sidha Karya ◽  
Ida Bagus Adhika Mahardika

Long and short sentences affect the reader’s pace of reading story since they have to farce the complexity of the sentences and words used in it. In this study the impact of the use of long and short sentences on the pace of the story as implemented by Anthony Horowitz, a novelist, in his novel Raven’s Gate, is being explored. Especially the researchers looked at what types of long and short sentences were being used in the novel and how they were building up the story line and their effect on the pace of the story. A sentence with the length of up-to fourteen (14) words is considered to be short and the one over 14 words is considered to be long in spite its grammatical form, whether it is simple or complex. The criteria are based on empirical study as mentioned by Casi Newell in the AJE (American Journal Experts) retrieved from https://www.aje.com/en/arc/editing-tip-sentence-length/, that “the average sentence length in scientific manuscripts is 12-17 words,” with JK Rowling—the writer of Harry Potter—who can be considered to be representative of a modern English writer with a general audience, having the average of 12 words. For convenience we take the liberty of taking 14 words for the longest sort sentences and those which have 15 or more words are considered to be long sentences


2018 ◽  
Vol 63 (1) ◽  
pp. 94-117 ◽  
Author(s):  
Kenneth Grima

This paper focuses on the transposition from English into Maltese of the various proper names encountered in Frank McCourt’s memoir Angela’s Ashes (Chapter 1). To achieve this aim, an extended practical translation exercise by the author himself is used. Eight different categories of proper names were identified in the source-text ranging from common people names to nicknames, titles and forms of address. Four different categories of cross-cultural transposition of proper names were considered, although only two were actually used. Various translation strategies were adopted ranging from non-translation to modification, depending on whether the particular proper name has a ‘conventional’ meaning or a culturally ‘loaded’ meaning. Although cultural losses were unavoidable, cultural gains were also experienced. Wherever possible, the original proper names were preserved to avoid any change in meaning and interference in their functionality as cultural markers. Moreover, a semantic creative translation was preferred, especially with proper names that were culturally and semantically loaded to reduce the amount of processing effort required by the target-reader and to minimize the cultural losses of relevant contextual and cultural implications in the target-text.


Author(s):  
L. V. Korobko

The article analyzes features of the proper name of Ludwig van Beethoven as well as represents its intentional use in the process of verbalization of the phenomenon “Music” (based on the novel “A Clockwork” by Orange A. Burgess). On the basis of a stage-by-stage research three models of the proper name Ludwig van Beethoven within the anthroponomical field of the literary discourse of A. Burgess were allocated: MODEL I [Personal name]; MODEL II [Surname]; MODEL III [Surname + Work of Art]. The use of the model [Personal name] – Ludwig van is prepotent and reflects the main character’s personal attitude towards the composer. Functional meanings of the proper name are defined, 4 lexical portraits of Beethoven are allocated: physiological, psychological, emotional and intellectual. Positive and negative signs of Beethoven are expressed by means of evaluative lexicon and antinomies in the analyzed novel. The positive characteristic of the composer prevails, which is connected with the greatness of his figure and is motivated by the main character’s affection to Beethoven. Beethoven’s educational, noble features belong to positive signs. Negative signs of the composer’s personality are reflected in his emotional and intellectual portraits as he is represented as a gloomy, angry, mad person. In Anthony Burgess’s novel “A Clockwork Orange” both universal and specific features of Ludwig van Beethoven are represented. The universal features include physical characteristics of the musician (deafness, long flying hair, etc.), and also recognition of genius of the composer and his creations. Beethoven’s character belongs to the sphere of universal and specific features. The fact of the detached, lonely lifestyle of the musician, his severe, gloomy character, which was caused by his disease, is wellknown. Annoyance, rage, hidden threat, penetrating look are the specific features which are allocated to Beethoven by the author of the novel A. Burgess.


2021 ◽  
Author(s):  
Olga Maximova ◽  
Tatiana Maykova

Proper names reflect the interaction between society and language. They identify unique entities and are used to refer to them. At the same time, it is not uncommon of proper names to serve as a source for word-formation. It should be noted, however, that while in a natural language (notably English) proper names mostly give rise to denominal verbs or adjectives, terminologies are different. Most units that count as terms are nouns, which makes their semantics somewhat special. The paper originates as one of a series towards a typology of sociological terminology and endeavors to analyze the terms whose etymology refers to a proper name (that is, eponymic terms). The research poses the following questions: whether this type of terms is common in Social Science, what are their structural and semantic distinctions as well as mechanisms behind their motivation, whether they are culture specific. The terms were manually retrieved from a set of data of 2500 terminological units extracted from a number of dictionaries and other sources. They were further grouped by structural criteria and the nature of eponymous components and made subject to morphological and semantic analyses. The research shows that structurally eponymic terms are morphological derivatives or two-(or more)-word compounds, with their prevalence estimated at 2%. The authors come to conclusion that terms of this type feature substantial diversity with regard to their eponymous components; they are motivated through the combination of encyclopedic knowledge of the entity, represented by the eponym, and the semantics of derivational morphemes or appellative components. Mythology-based eponymous terminology is represented by two groups, the first tracing back to Antiquity or biblical tradition, and the second of later origin, which requires a specific cultural experience for the meaning to be retrieved. Further analysis shows that the latter type along with toponym-based terminology is culture-specific in relation to American culture.


2004 ◽  
Vol 11 (1) ◽  
pp. 115-145 ◽  
Author(s):  
Georges Kleiber

This study revisits the classic problem posed by the meaning of proper names, and proposes a procedural approach to this problem, by analysing the meaning of proper names as an instruction to find in long-term memory the referent that carries the proper name in question. This is a revision of my earlier theory of ‘naming predicates’ (Kleiber 1981), which captures the meaning of proper names like Louis in terms of paraphrases of the form “the x who is called Louis”. The concept of ‘naming predicate’ was meant to provide an alternative to the inadequacies of the two classic approaches to the meaning of proper names, viz. theories that analyse proper names as semantically empty (e.g. Mills, Kripke 1972) and theories that analyse proper names in terms of uniquely identifying descriptions (Frege, Russell 1956). An analysis in terms of naming predicates (‘the X called Louis’) gives proper names an abstract type of meaning, thus avoiding the disembodied sign that results from analysing them as semantically empty, and at the same time does not go to the other extreme of incoporating aspects of the referent in the proper name’s meaning, thus avoiding the well-known problems with referential identity (e.g. Tullius = Cicero) and the related puzzles of transparence and opacity. In spite of these descriptive advantages, further research has shown that there are a number of problems with the notion of ‘naming predicate’. One of these problems concerns the status of proper names in ‘naming constructions’ like I am called Louis. Applying a naming predicate analysis to such constructions either leads to infinite regression (Wilmet 1995), or — if Louis in the naming predicate ‘the x called Louis’ is regarded as a phonetic form rather than a proper name — to a denial of proper name status in the very construction that expresses the naming link between proper name and referent (Jonasson 1982). Another problem concerns the cognitive naturalness of an analysis in terms of ‘naming predicates’. While this analysis is quite natural in contexts like There is no Louis in this office, it works less well in contexts like This painting is a real Picasso and, most importantly, in prototypical uses like Louis is a painter and a sculpturer, where a naming predicate analysis solely identifies the referent as the carrier of the proper name. These problems have led me to propose a revision to the theory of naming predicates. The descriptive advantages of using the naming relation between proper name and referent as the basis of the semantic description are obvious, which means that this aspect of the theory needs to be maintained. What causes most of the problems, however, is associating this naming relation with a predicate. As an alternative, I propose to reanalyse it in a procedural sense, not as a predicate describing the referent but as a procedural instruction to look for the referent that carries the proper name. This puts proper names in the domain of indexical signs like deictic elements. Common nouns, on the other hand, are not indexical in this sense but stand for concepts, which means that indexicality only comes into the picture when deictic elements are added.


Author(s):  
David Sosa

For an expression to be rigid means (abstracting from some variations) that it refers to one and the same thing with respect to any possible situation. But how is this in turn to be understood? An example will help us work through the definition. Take a word like ‘Aristotle.’ That word is a proper name; and proper names are a clear case of a type of word that refers. ‘Aristotle’ refers to a particular person, the last great philosopher of antiquity; in general, a name refers to the thing of which it is the name. To continue working through the definition of rigidity, we need to make sense of referring with respect to. It is tempting, for example, but mistaken, to understand a word's referring with respect to a possible situation as it's being used, in that situation, to refer to something.


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