scholarly journals LAGU ISTIKHARAH CINTA KARYA YEDO KURNIAWAN DARI GRUP SIGMA, DUMAI: INTUISI MUSIKAL SEBAGAI METODE PENCIPTAAN DALAM KAJIAN HIPERSEMIOTIK

Widyaparwa ◽  
2018 ◽  
Vol 46 (1) ◽  
pp. 61-74
Author(s):  
Zulkarnaen Iskandar Zaini ◽  
Wilma Sriwulan ◽  
Zainal Warhat

This research discusses about the creation of Istikharah Cinta song written by Yedo Kurniawan of Sigma Group Dumai City, in which the song was created with musical intuition. The purpose of this research is to understand how far the interrelation between the literation which derived from literature work and listened-song, which then acquired and became the intuition of the artist or the song writer such as Yedo Kurniawan. This research uses descriptive analytic method through literature study. The research result shows that the creation of Yedo Kurniawan's Istikharah Cinta song was inspired from his personal experience before marrying his beloved woman, his intuition which influenced by the songs he used to listen, literature work, and from his experiences which related to music. Istikharah Cinta is the most famous song of Sigma that it is accepted by Nasheed Lover, and both national and international music label.Penelitian  ini membahas tentang penciptaan lagu Istikharah Cinta oleh Yedo Kurniawan grup Sigma dari Kota Dumai yang mengandalkan intuisi musikal dalam penciptaannya. Tujuan penelitan untuk mengetahui sejauh mana keterkaitan antara literasi yang bersumber dari karya sastra dan lagu-lagu yang sering didengar melekat dan menjadi intuisi kepada pengkarya/pencipta lagu seperti Yedo Kurniawan.  Penelitian ini menggunakan metode deskriptif analitik melalui studi kepustakaan. Hasil penelitian menunjukkan bahwa terciptanya lagu Istikharah Cinta ciptaan Yedo Kurniawan terinspirasi dari pengalaman pribadi sebelum menikahi perempuan pilihannya, intuisi yang diperoleh dari lagu-lagu yang sering didengar, karya sastra yang dibaca, dan pengalaman yang berkaitan dengan musik. Lagu Istikharah Cinta paling tenar dalam grup Sigma sehingga diterima oleh kalangan pencinta Nasyid dan label music, baik nasional maupun mancanegara.

2019 ◽  
Vol 42 (2) ◽  
pp. 32-39
Author(s):  
LaNada War Jack

The author reflects on her personal experience as a Native American at UC Berkeley in the 1960s as well as on her activism and important leadership roles in the 1969 Third World Liberation Front student strike, which had as its goal the creation of an interdisciplinary Third World College at the university.


Panggung ◽  
2019 ◽  
Vol 29 (3) ◽  
Author(s):  
Ade Surya Firdaus ◽  
Hendra Santosa ◽  
Ni Wayan Ardini

ABSTRACT           The Megoak-goakan tradition from a Panji Village is played with Balaganjur Teruna Goak music, both of which are very interesting when they are transformed into jazz because they have the same basic musical form. This article aims to provide an overview of the process of transformation of Balaganjur Teruna Goak Village in Panji Village into jazz music. The process of transformation into jazz music was carried out with the creation method of exploratory which began with a literature study on the Megoak-goakan tradition in Panji Village, Buleleng, and then conducted participant observations, interviews, and continued with experiments on various musical motifs which were considered suitable with a jazz music. The results are obtained from observing and analyzing the process using the theory of basic form of music of Pono Banoe and Prier’s. It is found that Balaganjur Teruna Goak's music had a lively expression with the phrases of antecedent (question) and consequent (answer). Furthermore, the experimental stage begins with pouring musical inspiration that is used in this work in several stages through writing notation. The formation step is done by assembling existing motifs and then formed into a unified whole composition. The creation of jazz music is based on Balaganjur music, and in its creating processes does not neglect the work of others so that it is possible that in its motifs and patterns on musical arrangements have adopted the previous works.Keyword: Teruna Goak, Balaganjur, Jazz Music, Transformation, Panji VillageABSTRAK           Tradisi Megoak-goakan dari Desa Panji dimainkan dengan musik Balaganjur Teruna Goak. Keduanya sangatlah menarik jika ditransformasikan ke dalam musik jazz karena memiliki bentuk dasar musik yang sama. Artikel ini bertujuan memberikan gambaran bagaimana proses transformasi musik Balaganjur Teruna Goak Desa Panji ke dalam musik jazz. Proses transformasi ke dalam musik jazz dilakukan dengan metode penciptaan dari penjajakan yang diawali dari studi literatur tentang tradisi Megoak-goakan di Desa Panji Buleleng, kemudian melakukan pengamatan langsung, wawancara, dan dilanjutkan dengan percobaan berbagai motif musik yang diperkirakan cocok dengan musik jazz. Hasil yang didapat dari pengamatan dan proses analisis menggunakan teori bentuk dasar musik Pono Banoe dan teori bentuk musik dari Prier. Musik Balaganjur Teruna Goak memiliki ekspresi yang bersemangat dengan frase antiseden (tanya) dan konsekuen (jawab). Selanjutnya, pada tahap percobaan dimulai dengan cara menuangkan inspirasi musik yang akan digunakan dalam garapan ini secara bertahap melalui penulisan notasi. Tahap pembentukan dilakukan dengan merangkai motif-motif yang telah ada kemudian dibentuk menjadi suatu kesatuan komposisi yang utuh. Penciptaan musik jazz yang berdasarkan musik Balaganjur ini, pada penggarapannya tidak mengabaikan hasil karya orang lain sehingga kemungkinan dari segi motif dan pola garap musikal mengadopsi yang sudah ada sebelumnya.Kata Kunci: Teruna Goak, Balaganjur, Musik Jazz, Transformasi, Desa Panji


Al-Ahkam ◽  
2021 ◽  
Vol 31 (1) ◽  
pp. 109-140
Author(s):  
Ainol Yaqin

This paper described the formulation of Yūsuf al-Qarḍāwī's isntinbāṭ method towards moderate fiqh. The choice of this theme was based on the existence of two demeanours in religion, between permissive and inclusive. Two main questions in this research were, first, how did Yūsuf al-Qarḍāwī formulate the istinbāṭ method for moderate fiqh? Second, how is the implementation of this method in formulating Islamic law? This paper concluded two things through a literature study with the descriptive-analytic method. First, there were six formulations of the istinbāṭ method for the moderation of Islamic law. a. Examining the maqāṣid contained in the text before determining Islamic law, b. Linking texts and Islamic law with texts and other Islamic laws. c. Understanding texts in the frame of asbāb (al-nuzūl or al-wurūd), both micro and macro. d. Distinguishing between constant maqāṣids and changing instruments. e. Adjusting between al-thawābit and al-mutaghayyirāt. f. Observing the difference between worship and mu’āmalah in terms of wisdom, ‘illah and maqāṣid. Second, this method of istinbāṭ could produce fiqh with a flexible, elastic, dynamic, adaptive, and easy-to-practice.


2016 ◽  
Vol 9 (5) ◽  
pp. 194
Author(s):  
Abdolsamad Doulah ◽  
Mirshahbiz Shafee

The present thesis has analyzed the legal regime of oil and gas transit in energy charter treaty and law of Iran by the use of descriptive analytic method. The research findings show that the law of transportation and the transit of foreign goods through the Islamic Republic of Iran’s territory passed in 1995 and its executive by law generally deals with the transit affairs although because of its general application it can be stated that it includes energy transit especially oil and gas. This law has referred to the energy transit in a limited way and therefore the lack of law in this respect is quite conspicuous. The transportation law of Iran which was ratified about 14 years ago and since it was codified for the needs of those days need to be revised in case Iran intends to join the charter because in several cases there is lack of law. But despite the legal vacuum there is no contrast between the aforementioned law and the contents of the charter treaty in terms of the oil and gas transit. In fact it can be stated that the law of transportation of Iran has no limitation in accepting the contents of the charter but only in some cases for the sake of clarification and preventing the creation of difference some new rules need to be ratified and some of the present rules need to be modified.


2019 ◽  
Vol 36 (4) ◽  
pp. 637-674 ◽  
Author(s):  
Mara Frascarelli ◽  
Giorgio Carella

AbstractBased on the theory proposed in Frascarelli (2007), according to which the interpretation of null subjects depends on an Agree relation betweenproand a specific type of Topic (i.e. the A-Topic, cf. Frascarelli & Hinterhölzl 2007), the first objective of this paper is to evaluate this theory from an acquisitional perspective on children from 3 to 9 years old. Furthermore, since the A-Topic is argued to be systematically associated to specific discourse, prosodic and syntactic properties, a second objective of this paper is to check whether the relevant acquisition correlates with information-structural and interface-related competences. Based on an original experiment designed to examine Topic chains in children’s narrative, evidence is provided that this productive ability is not fully acquired at the age of 9 and that its progress proceeds in three steps, involving different levels of grammar. Specifically, in a first phase children tend to assume their personal experience and discourse intentions as familiar to their interlocutors. Hence, they start their narration linking null subjects to silent A-Topics, without overt links for their interpretation (‘Emperor Strategy’). Then, at the age of 6 the creation of Topic chains seems to be part of children’s competence at a discourse-syntactic level and overt copies are progressively produced in the chains. Nevertheless, since children still assume their ‘hero’ to be a familiar entity, G[iven]-Topics are frequently realised as first link for null subjects. Finally, at around 7–7.11 the adult-like association between discourse-syntactic and prosodic properties is attested.


10.23856/3404 ◽  
2019 ◽  
Vol 34 (3) ◽  
pp. 36-46
Author(s):  
Lidiia Matsevko-Bekerska

The article presents the study of some aspects in the specificity of the dialogue between the artistic text and the consciousness of the addressee. This issue is quite actively discussed in the modern literary criticism – both in theoretical approaches to analysis and in applied poetics studies. To a large extent, the methodological and terminological apparatus for examining the cognitive specificity of literature has been formed in classical narratological studies and refined in the latest developments. The article focuses on clarifying the essence of the reader as an important element of representing the consciousness, present in the artistic narrative. The specificity of the reader's presence is determined not only by its mediation status, but also by active participation in the creation and coexistence of several worlds: the intentional modus, its fiction embodiment, as well as the individual personal experience of their synthesis. Possible forms of the addressee’s presence in the space of the literary world are modelled in accordance with narrative coordinates. The specificity of each form of reader’s presence is determined by the conventional status, the narrative contour of the text, the objective intentional premises, as well as the ways of permeating into the artistic world, the ways of discovering the meaning, due to which the reading takes place as a holistic phenomenon. From the standpoint of cognitive narratology, every reader's projection has its own peculiarities that influence its place in the process of literary communication. It has been shown that the receptive significance of the literary work consists in the possibility of multiplying the meanings, implementation of the harmonious reader's understanding, corresponding to the original sense. With the increase of interval between the author and the reader, the content of the work is proportionally schematized, and with refinement of the scheme, every single interpretation acquires reliability.


2020 ◽  
Vol 5 (2) ◽  
pp. 289
Author(s):  
Fazli Rachman ◽  
Ilham Fitra

This article aims to parse and identify the participation of citizens in handling the coronavirus pandemic in Indonesia. This article tries to “unfold” an overview of the relationship between citizenship studies and health. This research was conducted by a qualitative approach and descriptive design. Collecting data were obtained by using observation, documents study, interview, and literature study technique that was held on during January until Mei 2020. The data obtained were then analyzed by an interactive model. The research result shows that citizen has a central rule for handling the spread of corona virus. Citizen participation for handling COVID-19 conducted by educating people about coronavirus and COVID-19, and preventive measures. Another participation form is direct philanthropy action. Citizen participation for handling COVID-19 in Indonesia. Categories Level of citizen participation in Indonesia is the degree of citizen power. Urgent to develop synergy between state and citizen to improve the highest standard, comprehensive, and sustainable health.  


Author(s):  
Timothy Hurley

Makerspaces have continued to be a popular addition to the services offered by libraries. This article will address the creation and implementation of one at a mid-sized medical library. The writer will summarize their personal experience of the steps taken towards opening the makerspace and give insight into the process. This article will also address the trying times brought on by Covid-19 and the challenges faced in an operational perspective.


Palíndromo ◽  
2021 ◽  
Vol 13 (29) ◽  
pp. 54-74
Author(s):  
Francisco Javier Buendía ◽  
Lidia Alvira ◽  
Juan Sebastián Hernández

Recognizing the importance of Tributo as a creation space where pedagogical and digital processes are linked, allows the Fashion Design program of the Corporación Unificada Nacionalde Educación Superior CUN in Bogota to move from a personal experience to virtual teaching, as a result of the context variables, to guide the creation processes of the students that areconsolidated from the distant viewpoint of the professor. Three fundamental elements are identified to articulate the research process: the otherness to understand the strategies from the virtual education; the possibility of diversifying the products from the digital creation andthe use of didactic tools, where it gamifies to harness the levels of motivation of the students;the pedagogic and creative practice from the sustainability. We find that teachers establish strategies to take the training of university students through a motivating route that is evidenced in the diversity of products that goes beyond the conventional costume format and focuseson the iconic message, photography, editing, visual and musical remix, which enhance other skills that fashion students in the search for a comprehensive, competitive, sensitive and creative professional.  


Author(s):  
Antonio Carlos Bento

This study presents the results of an experimental research with the use of 3D resources, such as the creation and printing of physical objects, that can serve as interface for 3D devices, The creation of solutions for the internet of things, requires, besides the knowledge of programming, electronics, internet and computing, also requires the creation of parts, which are often complex, for coupling and manipulation of devices to the internet of things. Personal experience during computer classes was the main motivation for the development of this work, demonstrating how to create solutions that can meet the different projects that involve the internet of things. In addition to presenting the results of a comparison between some tools evaluated during the research. The results were collected during the creation of the objects in 3D systems, besides presenting the results in pieces that were printed with this technology, these results demonstrated the possibility of creating viable solutions and that can serve as a model for new projects, facilitating the development of solutions to the internet of things.


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