scholarly journals Otras imágenes y otras palabras de la Transición española

Neuróptica ◽  
2020 ◽  
pp. 103-118
Author(s):  
Pablo Dopico

Resumen: Desde un enfoque inter y multidisciplinar, el estudio conjunto de la obra de Eduardo Haro Ibars, Alberto García-Alix y Ceesepe se presenta como punto de partida para abordar algunos nexos y relaciones existentes entre el cómic underground, la fotografía y la poesía realizadas en la España de la Transición democrática. Con el objetivo de establecer vínculos entre el cómic y otras artes, este análisis pretende descubrir múltiples afinidades entre los tres autores y entre ambos lenguajes, el visual y el literario, reivindicando su valor como documento histórico de excepcional interés que ofrece un reflejo directo de los acontecimientos ocurridos en España entre la prometedora década de los setenta y el desencanto de los ochenta del pasado siglo XX. Abstract: From an inter and multidisciplinary approach, the joint study of the work of Eduardo Haro Ibars, Alberto García-Alix and Ceesepe is presented as a starting point to address some links and relationships between underground comics, photography and poetry made in the Spain of the democratic transition. With the aim of establishing links between the comic and other arts, this analysis aims to discover multiple affinities between the three authors and between both languages, the visual and the literary, claiming their value as a historical document of exceptional interest that offers a direct reflection of the events in Spain between the promising decade of the seventies and the disenchantment of the eighties of the last century.

2021 ◽  
Vol 137 (2) ◽  
pp. 344-361
Author(s):  
Philippe Del Giudice

Abstract A new project has just been launched to write a synchronic, descriptive grammar of Niçois, the Occitan dialect of Nice. In this article, I define the corpus of the research. To do so, I first review written production from the Middle Ages to the present. I then analyze the linguistic features of Niçois over time, in order to determine the precise starting point of the current language state. But because of reinforced normativism and the decreasing social use of Niçois among the educated population, written language after WWII became artificial and does not really correspond to recordings made in the field. The corpus will thus be composed of writings from the 1820’s to WWII and recordings from the last few decades.


2020 ◽  
Vol 6 (1) ◽  
pp. 216-224
Author(s):  
Luis Guerra Salas ◽  
María Elena Gómez Sánchez

AbstractThe aim of this article is to analyze journalistic texts on migratory movements appeared on the main newspapers of Spanish-speaking countries along 2017. The focus is put on the subjects that the newspapers highlight, the regions selected and the linguistics elections being made. The research has a multidisciplinary approach that uses the concept of representation, as being used in linguistics pragmatics and cultural anthropology. We use the database Factiva® as the starting point to collect the journalistic pieces that we use for our analysis. The search has been refined using linguistic, contextual, geographic and chronological criteria. Two sub-corpora have been built with the texts obtained through the search. One focuses strictly on Spanish press and the second one is related to the Hispanic area (seven newspapers have been chosen to build this corpus, and each one of them represents one of the seven ample dialectal areas of Spanish language). The qualitative analysis is based on the key words of each of these sub-corpora; such key words are stablished from a text-mining technique that offers the most relevant words and sentences of the first 100 texts obtained through every specific search.


1977 ◽  
Vol 71 (10) ◽  
pp. 439-440
Author(s):  
Donna Cech ◽  
Ardis Pitello

An exploration of the impact of combining a vision specialist's abilities with those of a physical therapist when working with low functioning, preschool, visually and physically impaired children. Individually prescribed programs are cited to demonstrate the utility of a multidisciplinary approach. The authors view this article as an exploratory starting point for educators for further program development serving low incidence students.


2021 ◽  
Vol 26 (1) ◽  
pp. 75-78
Author(s):  
Camelia Ionescu ◽  
Mădălina Adriana Malița ◽  
Viorel Ștefan Perieanu ◽  
Mihai Burlibașa ◽  
Magdalena Natalia Dina ◽  
...  

Abstract When talking about dental assistance we actually refer to the prevention, detection and treatment of diseases of the oral and maxillo-facial region which, in most cases, have as a starting point or interest the dento-maxillary system. In this material, we tried to present a comparative study on the typology and complexity of different stages of dental treatments that can be performed in urban areas, compared to various stages of dental treatments that are performed and / or could be made in rural dental offices from in Romania.


2017 ◽  
Vol 12 (2) ◽  
pp. 112
Author(s):  
Manuel Kingman

ResumenEl presente artículo referencia teorías sobre la cultura popular ubicadas en las décadas del 80 y el 90 del siglo pasado, un período de reflexión pertinente y profunda en torno al término. Se visibiliza la complejidad de la noción de cultura popular, así como las distintas significaciones y sentidos que ha tenido el concepto. También se estudian ciertas entradas teóricas que son útiles para analizar la cultura popular. Se piensa en estos insumos teóricos como herramientas para reflexionar sobre las representaciones, diálogos y tensiones entre el arte contemporáneo y las manifestaciones estéticas populares.Palabras clavesCultura popular; arte contemporáneo; teoría cultural; antropologíaWork, Dialogue, Occupation and Cooperativism at Casa TomadaVictoria Rodríguez do CampoAbstractThe interdisciplinary art project Casa Tomada operates as a trigger for addressing issues of the social and artistic contemporary juncture. The fiction created by the National House of the Bicentennial, cultural space of the City of Buenos Aires, opens the way to consider alternative forms of creation in which the status of the artist's work is put in check and renewed interstices are glimpsed through the action of the multiple actors that surround the project. With illegal political action as a starting point – the forced occupation of a public space, Casa Tomada is committed to showing a multiplicity of conflicts, tensions, questions as well as possible answers, which are always contingent and applicable both to the social and the artistic spheres.KeywordsContemporary art; occupation, politics; collective work; interdisciplinarity La noción de lectura popular  interés debatekunape entre 80 y 90 siglo XX iuiarengapa contemporaniedadmandaManuel kiingman Maillallachiska:Kai articulok referenciame teoriakuna cultura kaska decadape posagchunga y  iskun chunga ialiska siglomanda, sug suma iuiarei entorno  terminomanda. Kauarenme complejidad nocionpe cultura popularpe chasallata sug rigcha significación y sentido iukarka chi concepto. Chasallata analizare sug entradakuna  teóricas valenkuna analizangapa cultura popular. Iuairenme  kai insumo teóricos herramientasina iuiarengapa representacionkunamanda, rimai tensiones arte contemporaneanope y manifestación estéticas populares. Rimangapa Ministidukuna:Cultura popular; arte contemporáneo; teoría cultural; antropologíaLa notion de culture populaire : intérêts des débats entre les années 80 et 90 du XXe siècle pour réfléchir sur la contemporanéitéManuel KingmanRésuméCet article se réfère à des théories sur la culture populaire dans les années 80 et 90 du siècle dernier, une période de réflexion pertinente et profonde sur le terme. Il présente la complexité de la notion de culture populaire, ainsi que les différentes significations et usage du concept. Il étudie également certains éléments théoriques utiles à l'analyse de la culture populaire. Nous pensons à ces apports théoriques comme outils pour réfléchir sur les représentations, les dialogues et les tensions entre l'art contemporain et les manifestations esthétiques populaires.Mots clésCulture populaire; art contemporain; théorie culturelle; anthropologie


Author(s):  
Annarita Teodosio

Abstract: The relationship between Le Corbusier and the visual arts (drawing, photography and cinema) is deep and complex and, although the subject of numerous publications and research since the late 60s, still arouses much interest, as evidenced by the many events organized in the last years - "Le Corbusier. Vue sur la mer ", Maison La Roche, Paris, 2012; "Construire the image: Le Corbusier et la Photographie", Musée des Beaux-Arts, the Chaux-de-Fonds, 2013; or the recent "Le Corbusier and photography", IUAV, Venice, May 2015-. The paper, starting out from the researches already developed, proposes a further reflection on the relationship between the Swiss architect and the photography, paying particular interest to the shooting made in first person. The study analyzes the different approaches and the different subjects photographed in the course of his life and it is proposed to include the work of Le Corbusier in the broader cultural context of the twentieth century, a period in which the relationship between architecture and visual communication, thanks to the many possibilities offered by technological innovations, it becomes increasingly close and inevitable. Resumen: La relación entre Le Corbusier y las artes visuales (dibujo, fotografía y cine) es profunda y articulada y, aunque es objeto de numerosas publicaciones y investigaciónes desde el finales de los años 60es, todavía despierta mucho interés, como lo demuestran los diversos eventos realizados en los últimos años - “Le Corbusier. Vue sur la mer”, Maison La Roche, Parìs, 2012; “Construire l’image: Le Corbusier et la photographie”, Musée des Beaux-Arts, la Chaux-de-Fonds, 2013; o la más reciente “Le Corbusier e la fotografia”, IUAV , Venezia, mayo 2015-. El articulo, a partir desde investigación ya desarrollado, propone una reflexión más sobre la relación entre el arquitecto suizo y la fotografía, prestando especial interés a las realizata en primera persona. El estudio analiza los diferentes enfoques y diferentes sujetos fotografiados en el curso de su vida y se propone de insertar la obra de Le Corbusier en el contexto cultural más amplio del siglo XX, un período en el que la relación entre la arquitectura y la comunicación visual, gracias a las muchas posibilidades que ofrecen las innovaciones tecnológicas, se vuelve cada vez más estrecha e inevitable.  Keywords: Le Corbusier; photography; representation of architecture. Palabras clave: Le Corbusier; fotografia; representaciones de la arquitectura. DOI: http://dx.doi.org/10.4995/LC2015.2015.947


2009 ◽  
Vol 41 (1) ◽  
pp. 247-269 ◽  
Author(s):  
Maude Gathy ◽  
Claude Lefèvre

This paper is concerned with a nonstationary Markovian chain of cascading damage that constitutes an iterated version of a classical damage model. The main problem under study is to determine the exact distribution of the total outcome of this process when the cascade of damages finally stops. Two different applications are discussed, namely the final size for a wide class of SIR (susceptible → infective → removed) epidemic models and the total number of failures for a system of components in reliability. The starting point of our analysis is the recent work of Lefèvre (2007) on a first-crossing problem for the cumulated partial sums of independent parametric distributions, possibly nonstationary but stable by convolution. A key mathematical tool is provided by a nonstandard family of remarkable polynomials, called the generalised Abel–Gontcharoff polynomials. Somewhat surprisingly, the approach followed will allow us to relax some model assumptions usually made in epidemic theory and reliability. To close, approximation by a branching process is also investigated to a certain extent.


2021 ◽  
Author(s):  
April Lindgren ◽  
Christina Wong

Critics have suggested that scholars seeking to advance journalism studies must adopt a more multidisciplinary approach to research, one that looks beyond the strict confines of sociology, history, language studies, political science, or cultural analysis. This paper argues that the geography of news coverage is a valuable starting point for scholars who wish to understand what local news gets reported, why and how it gets reported, and the potential consequences of such news coverage. The work of the Local News Research Project at Ryerson University is introduced to illustrate how maps that reveal the geospatial aspects of local news can foster multidisciplinary investigations that push researchers beyond the traditional silos of journalism scholarship.


2019 ◽  
Vol 27 (1) ◽  
pp. 57-63
Author(s):  
R. Watling

A brief history of the early days of mycology in Scotland is given to act as a starting point from which to view the fungal records made in the gardens at Sandyford and Kelvinside. The former was vacated in 1842 and the garden transferred to the present site at Kelvinside under the authority of the Glasgow City Council. The role of J.F. Klotzsch in generating the earliest records is emphasised and the compilation of fungal records, mainly of macrofungi, until the present day is discussed. A short account of the microfungi is given. A complete list of the fungi recorded from the two gardens is provided.


Author(s):  
Rita de Cássia Pereira ◽  
Carlo Gabriel Porto Bellini ◽  
Fernando Bins Luce

Relationship marketing evolves both in quantity and quality, as we can tell from the continuous incorporation of new constructs, models and technologies, the myriad of applications in different contexts, and the interaction with other marketing and management areas. Concepts and processes in relationship marketing continue to mature significantly with the help of developments made in other research fronts. In this sense, the concept of value as communicated by authors in the field (e.g., Hogan, 2001; Möller & Törrönen, 2003) brought light to the problem of relationship assessment, if we agree that value creation is critical for companies working together in a business relationship (Walter et al., 2001); thus, value creation must be the starting point for companies and customers to assess their relationships.


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