Tylko słabość czy już choroba? Zabłocki — poeta o polskim zaniechaniu

2021 ◽  
pp. 111-129
Author(s):  
Grzegorz Zając

The paper focuses on several poems by Franciszek Zabłocki (or more precisely: poems unanimously attributed to this poet), written during the session of the Great Sejm and in various ways: using irony, but also the language proper to sharp name satire — referring to the phenomenon that due to their content could be seen in terms of a disease that consumed the elite of the Republic of Poland. This disease is an omission. The ways of thinking and (dis)acting behind this word are shown by Zabłocki as part of the penetrating diagnosis of the Polish reality of the last decades of the 18th century, characteristic of this writer, as well as in the perspective of the resulting threats to both Polish statehood and the morale of society.

Prospects ◽  
1998 ◽  
Vol 23 ◽  
pp. 23-38
Author(s):  
David Haven Blake

Of the many authorities Thomas McGrath rejected during his life, one of the most significant was the American Revolution, for his work explicitly questions the founders as a source of aesthetic and political creativity. “The National Past has its houses,” he writes in Letter to an Imaginary Friend, “but their fires have long gone out!” From his pronouncing the death of Virginia's deified presidents to his condemnation of the “local colorist” hunting for patriotic “HEADwaters” by which to camp, the poet's renunciation of the “false Past” amounts to a coherent commentary on the relations between American politics and modernist poetry (Letter, 315). E. P. Thompson has remarked in paving homage to his friend that “McGrath is a poet of alienation…. His trajectory has been that of willful defiance … At every point when the applause – anyone's applause, even the applause of the alienated – seemed about to salute him, he has taken a jagged fork to a wilderness of his own making.” Although his language strongly recalls that of Emerson's “Self-Reliance,” Thompson views McGrath as more than a romantic individualist. McGrath's alienation was not simply the estrangement that Marx saw afflicting all of capitalist society, nor was it a momentarily fashionable pose; rather, it was a calculated and thorough opposition to what Thompson calls “official culture” and its destruction of political, historical, and literary values. McGrath's refusal to make a “usable past” out of the American Revolution participates in this general defiance of “official culture,” as his work insistently reminds us that among the regular patrons of Monticello and Mt. Vernon were the many establishment poets well entrenched in bourgeois universities. In defying modernism's efforts to renovate the 18th century, McGrath makes a wilderness of his own, a wilderness which grows in opposition to the wellplowed fields of American empire.


Author(s):  
Ranus R. Sadikov

Introduction. One of the regions of compact settlement of the Mordovian people is the Republic of Bashkortostan. The Mordovian population of the region was formed during the resettlement migration process of the ethnic groups to the Bashkir lands in the 17th and early 20th centuries. There is a small stand-out group of Mordva-Erzya in Bashkiria. They call themselves Murza and they have their own identity. They live in the village of Kozhay-Andreevo in the Tuimazinskiy district and in the village of Kozhay-Maximovo in the Ermekeevskiy district. Materials and Methods. This work attempts to reconstruct the history of formation of the class community of Mordva-Murza and to identify its ethno-cultural features. The study is based on the principle of historicism; the main methods are historical-genetic, comparative-historical, and problematic-chronological. Results. Based on the study of published sources and literature, it is shown the chronology and the main stages of the formation of the Mordva-Murza community in Bashkiria. It was revealed, this community was formed on the basis of a resettlement group of the Mordovian sluzhilye-served people in the 18th century. Field ethnographic materials testify to their ethno-cultural identity. Discussion and Conclusion. Mordva living in the villages under consideration can be defined as a separate ethnic-class community, which has its own identity, self-name, specific linguistic and ethno-cultural characteristics. In their language and culture, it is interweaved both Erzya and Moksha traits. Almost disintegrated in the 1980s the community of the “Kazhay Murzas” began to revive in the year of 2000. The observations show the desire of the inhabitants and natives from these villages to preserve and develop their “Murza language” and traditions.


2019 ◽  
Vol 168 (2) ◽  
Author(s):  
Mihkel Truman

Abstract: Arno Rafael Cederberg as a Professor at the Estonian Republic’s University of Tartu Soon after the Republic of Estonia declared itself independent on the 24th of February 1918, academics and politicians of the newly formed nation wished to found a new national university built on the foundation of the former Imperial University of Tartu. This university would teach in the Estonian language, with the aim of offering higher educational studies in Estonian, as well as building up Estonian national sciences. By the spring of 1919, the committee for reopening the university was ready to open the university for studies and research in the autumn of the same year. However, they were struggling to find suitably qualified professors, as Estonians had generally been excluded from the imperial university. Prior to 1918, only three Estonians had worked as professors at the University of Tartu, while others were forced to find positions at Russian universities. In order to avoid delaying the opening of the new university, the committee decided to invite foreign professors to fill the vacant positions. They were particularly keen on Finnish professors, with whom Estonians had formed strong ties during the early 20th century. Thus, in the first half of the 1920s, Estonian research and university life was supported by eight Finnish professors. This article focuses on one of them, namely Professor A. R. Cederberg, Professor of Estonian and Nordic History, and his activity and contributions to the formation of a new field of science and its study at the University of Tartu, as well as in the rest of Estonia. As Cederberg was an experienced archivist, he was asked to help build up the archives of Estonia and organise the collection of the Estonian National Museum, while working for the University in parallel. Despite his large workload, he was able to quickly set goals and priorities for the development of Estonian historical science and its study programme at the university. Prior to the opening of the national university, Estonian history had primarily been researched by Baltic Germans, whose goals and visions of history differed significantly from those of Estonians. Cederberg believed that historical research efforts should focus more on the period of Swedish rule from the 16th century until the beginning of the 18th century. This period of Estonian history had previously been largely ignored by the historical community in favour of other historical periods. While working in mainly Finnish and Scandinavian archives during summer and winter holidays, he found many sources that shed light on the period of Swedish rule in Estonia. By directing students towards researching the early modern era in Estonia, he ensured that dozens of seminar works and Master’s and Doctor’s theses were written on this subject. Cederberg was not convinced that the foundation of Estonian historical science could be based only on research conducted at the university. As such he decided to found the first Estonian Academic Historical Society right after his arrival in Tartu in the early 1920s. While the primary goal of this society was to get students interested in history, particularly Estonian history, the society quickly developed into the centre of Estonian historical science. During the eight-and-a-half years he worked at the University of Tartu, Cederberg contributed enormously to the development of Estonian historical science. He built up an entirely new field of science and study based on the histories of Estonia and the Nordic countries, and educated a plethora of outstanding young historians (such as H. Sepp, H. Kruus, P. Treiberg (Tarvel), J. Vasar, E. Blumfeldt, A. Soom, O. Liiv, G. Rauch, etc.), who vigorously and effectively continued the work their professor had started.


Author(s):  
Zbigniew Wójcik ◽  
Tomasz Boraczyński ◽  
Michał Boraczyński

The aim of the research was to recreate the processes determining the development of the concept of the Polish horse riding school. In the implementation of the previously adopted scheme, there were used methods in the field of historical and pedagogical science. As a result of the query, a lot of the material was obtained at the Central Military Archives in Warsaw and the Sports Museum in Olsztyn. It should be emphasized that the use of horses in the Republic of Poland has centuries of tradition. Yet in the 18th century, Polish horse riding school dominated in Europe. However, due to the subsequent partitions and the loss of independence, there were no conditions for further improvement of the equestrian art system. The next opportunity did not appear until 1918, when Poles created the foundation of statehood. Therefore, shortly thereafter, three military horse riding schools were established for the needs of the reviving weapon. They were dominated by the old classical-manege system, cultivated by senior officers from the former Armed Forces of Austria-Hungary. The new trends were initiated in the ranks of cavalry due to soldiers who had previously served in the army of the Russian partitioner. The results of the carried out research enabled to formulate the conclusion that allows to state that the clash of views among the officers resulted in the development of the principles of the Polish horse riding school. It was a combination of the Italian system and extensive experience of the former manege school.  It was developed by horse riding instructors at the Cavalry Training Center in Grudziądz. Thanks to that, Polish horsemanship in the inter-war period was included in the world leaders.


Author(s):  
Christopher Ebert

The concept of “Latin America” gained currency only in modern times, and its use as an organizing concept for the early modern period is limited. The best way to understand the involvement of the Dutch Republic in overseas colonizing efforts is through the idea of Atlantic history. This involvement was part and parcel of the fitful consolidation of the Republic in the latter decades of the 16th century, as the “rebellious provinces” took their war with Habsburg Spain to Spanish Atlantic possessions. A more sustained assault on the Iberian Atlantic began with the chartering of the first Dutch West India Company (WIC) in 1621. A short-lived invasion of Salvador da Bahia, Brazil’s colonial capital, was followed by a successful occupation of the rich sugar-producing captaincy of Pernambuco from 1630 to 1654. Dutch New York, by way of comparison, was a small venture. Grand schemes for large Dutch colonies in territories claimed by the Spanish and Portuguese monarchies came to nothing, and the WIC was reorganized in 1674 with more modest ambitions. The Dutch subsequently established a vigorous presence in Suriname, Curaçao, and a handful of islands in the Lesser Antilles embracing plantation agriculture, trade, and financial services. This bibliography examines Dutch Atlantic world historiography with a focus on competition with the Iberian empires, especially in Brazil. It also discusses works on other Dutch outposts, which are considered collectively as a “Caribbean zone,” whether mainland or island. Administered only loosely by the second WIC, these colonies became sites of vigorous interaction with all the other European Atlantic powers throughout the 18th century. Other sections list works on the Dutch in the Atlantic slave trade and slavery in Dutch colonies, the history of Portuguese Jews in the Dutch Atlantic world, and published primary sources relevant to Dutch Atlantic history.


2017 ◽  
Vol 10 (0) ◽  
pp. 52-66
Author(s):  
Viachaslau Shved

This article is an attempt to reconstruct the main street of Grodno – a city of the last Sejm of the Polish-Lithuanian Commonwealth – in order to portray what could be seen by the residents and deputies to the Sejm which ratified the Second Partition of Poland. The author describes the buildings of the contemporary streets: E. Orzeszkowa Street, Soviet Street, Zamkovaya Street and Soviet Square. Reconstruction of the main (central) streets of Grodno’s historical centre shows that at the end of the 18th century the city was in a state of development, starting from its historical heart: Castle-Marketplace expanded its territory at the expense of the Horodnica and its surroundings. The first in the streets were the temples, magnate palaces, tenements of entrepreneurs and public buildings. Many of them or their owners were featured in the interesting novel by W. Reymont The Last Sejm of the Republic.


Author(s):  
Ю.И. Гутарёва

В статье исследуются особенности корейской пейзажной живописи, развитие которой с начала XVIII века оказывается неразрывно связано со знаменитой горной цепью Корейского полуострова Кымгансан. Утвердившись как центральный образ в пейзажах «подлинного вида», горы Кымган со временем приобретают значение не только художественного феномена, но и знакового национального символа родной земли в корейском культурном сознании, оставаясь для художников воплощением естественных красот и сплетением разнообразной символики. Цель статьи — определить значимость образа гор Кымган в корейском изобразительном искусстве как выразителя национальной самобытности искусства Кореи и хранителя художественно-ценностных традиций. В статье изложен анализ произведений корейских художников с XVIII столетия и до наших дней. Исследуются произведения ряда современных северокорейских и южнокорейских художников, чьи работы, разные по стилю и технике исполнения, объединяет единство мировосприятия гор Кымган как духовного источника, репрезентируя стремление к этнической аутентичности, возрождение традиций и выражение патриотизма в современном искусстве Республики Корея и КНДР. Предлагается обзор тенденций в корейском изобразительном искусстве, где в данном образе проявился национальный подход, натурное видение природы родной страны и творческое переосмысление открытий великих корейских пейзажистов в контексте адаптации новых художественно-выразительных особенностей в рамках традиционной системы дальневосточной живописи тушью и творческих экспериментов с разнообразными техниками. В заключение делается вывод о важности художественного образа гор Кымган, который, утвердившись в корейском пейзаже в XVIII веке, стал прочной основой для развития корейской живописи современного периода, демонстрируя не только приверженность традициям, но и способность к новациям как в приобретении новых символических оттенков в его прочтении, так и в расширении творческих поисков для выражения его эстетического идеала в картине мира современности. The article examines the features of Korean landscape painting, the development of which since the beginning of the 18th century is inextricably linked with the famous mountain range of the Korean Peninsula Kumgangsan (Diamond Mountains). Having established itself as the central image in landscapes of “true appearance”, the Kumgang Mountains over time acquire the significance of not only an artistic phenomenon, but also an iconic national symbol of the native land in the Korean cultural consciousness, remaining for artists the embodiment of natural beauties and the interweaving of various symbols. The purpose of the article is to determine the significance of the image of the Kumgang Mountains in Korean fine art of past and present eras, as an exponent of the national identity of Korean art and a keeper of artistic value traditions. The main objective of the article is to study the image of the Kumgang Mountains based on the analysis of the works of Korean artists from the 18th century to the present day, with the definition of its role and place in the contemporary fine arts of Korea. The article analyzes the works of a number of modern North Korean and South Korean artists, different in style and technique of execution, but similar in perception of the Kumgang mountains as a spiritual source, representing the desire for ethnic authenticity, the revival of traditions and the expression of patriotism in contemporary art of the Republic of Korea and the DPRK. The article provides an overview of trends in Korean painting, where this image manifests a national approach, a natural vision of the native country and a creative rethinking of the discoveries of the great Korean landscape painters in the context of adapting new artistic and expressive features within the traditional system of Far Eastern ink painting and creative experiments with various techniques. It is concluded that the artistic image of the Kumgang mountains is important as it has established itself in the Korean landscape in the 18th century, and become a solid foundation for the development of Korean painting in the modern period, demonstrating not only adherence to traditions, but also the ability to innovate, both in acquiring new symbolic shades, and expanding artistic and expressive means to display its aesthetic ideal in the picture of the world of our time.


Author(s):  
Danara Suseeva ◽  

The results of the analysis of morphonological phenomena in the words of the Kalmyk language of the 18 th century are presented in the article. The research material is comprised of the official business documents of the Kalmyk khans of the 18 th century and their contemporaries, written in the old Kalmyk language, called Todo bichig "clear letter", which were deposited in the National Archive of the Republic of Kalmykia (Fund 36, Inventory1). In Kalmyk linguistics, for the first time, information was obtained about the compatibility of morphemes of the Kalmyk language of the 18 th century and about morphonological phenomena caused by the processes of word- and form building. It was found out that at the junction of morphemes such morphonological phenomena as truncation, overlap, augmentation, alternation, interfixation, vowels lengthening often occurred, and within morphemes – the alternation of short and long vowels. It is revealed that the paradigms of root and subordinate morphemes of the 18 th -century Kalmyk language differ from similar paradigms of the modern language. The results obtained are important not only for understanding the historical grammar of the Kalmyk language, but also for the theoretical grammar of the modern Kalmyk language. The perspective of this study is that its results are the starting point for a new direction – the comparative study of morphemics and morphonological phenomena of related Mongolian languages belonging to the agglutinative type of languages. It becomes possible to compare and contrast not just their single identical root and affixal morphemes (the traditional approach), but also their morphemic paradigms, consisting of allomorphs and variants in both diachronic and synchronous aspects.


2017 ◽  
Vol 13 (2) ◽  
pp. 5-13
Author(s):  
G M-R Orazaev

The article presents a historiographic review of various Russian translations of two Dagestan historic works - Muhammad AvabiAktashi’s «Derbend-nameh» and Mirza-HaidarVezirov’s «Darband-nama-yijadid» made from the early 18th century to the early 21st century. The author calls attention to the translations, which are still in handwritten form and have not yet been studied by scientists. Particular attention is also paid to those Russian translations that were published in incomplete or full versions. The first Russian translation of the «Book of Derbent» was done by Peter the Great’s companion YusupIzhbulatov in 1726, however, it remained unpublished. Among unpublished translations there are two manuscripts stored in the National Manuscript Center of the Republic of Georgia and the translation done in 1886 or 1887 by the famous Mountain-Jewish scholar I.Sh. Anisimov. The collection of unpublished Russian translations done by the staff of the Dagestan Scientific Institute in the 1930s is stored in the funds of the Scientific Archives of our Institute. The places of their storage in various cities - Petersburg, Moscow, Tbilisi, Makhachkala - are pointed out in the article. Some texts were published by the authors of Russian translations - Abas-Kuli Bakikhanov, Alexandra Kozlova, Maksud Alikhanov-Avarsky, Patimat Alibekova, Magomed-Said Saidov, Amri Shikhsaidov, Alikber Alikberov, Gasan Orazaev. Of particular interest to researchers is the translation of those lists of the «Derbend-nameh», in which there is a preface of Muhammad Avabi Aktashi from Endirei, the author of the historic work «Derbend-Nameh». It should be noted that the translations of this work into Russian were done not only from the Turkic language, in which the «Derbend-nameh» was written, but also from the Arabic language, in which it was presented many times.


Author(s):  
V. V. Lygdenova ◽  
O. B. Dashinamzhilov

The paper is dedicated to studying the history of population, songs and wedding traditions of the Barguzin Buryats, who live in Barguzin and Kurumkan regions of the Republic of Buryatia. Barguzin Buryats represent the local ethnical group of Buryats who moved from the banks of the Lena River in the 18th century and settled in the Barguzin Valley, where they have lived up to now. Wedding traditions of Buryats were studied by many scholars such as M. N. Khangalov, S. P. Baldayev, K. D. Basaeva, G. R. Galdanova, and others. The paper’s relevance is due to the novel field materials collected by the authors in 2018−2019, including songs, wishes, cliché dialogues, etc. For in- stance, the tradition assumes many cliché dialogues during the ritual of matchmaking, and they are also described in the paper. Also, different fragments of songs for putting on different parts of wedding clothes and accessories are considered. All the songs were collected from the old women living in different villages of Barguzin and Kurumkan regions. They were recorded in the Barguzin dialect of the Buryat language. The songs were sung by their mothers, and the women inherited their traditional performance. The paper summarizes the peculiarities of modern wedding traditions of Barguzin Buryats, with the fragments of songs provided. Each wedding stage is described, and the sequence of actions is specified.


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