Review of Kulagin, A. (2015). Pushkin: Sources. Traditions. Poetics: Collected articles. Kolomna: Mosk. gos. obl. sots.-gumanit. in-t. 274 pages; Kulagin, A. (2017). Kushner and Russian classics: Collected articles. Kolomna: Gos. sots.-gumanit. un-t. 240 pages; Kulagin, A. (2017). Shpalikov. Moscow: Molodaya gvardiya. 278 pages.

2018 ◽  
pp. 378-383
Author(s):  
V. I. Novikov
Keyword(s):  
Literary Studies ◽  
Modern Poetry ◽  
Russian Poetry ◽  
History Of ◽  
Comprehensive Study

The paper reviews three works by the Kolomna-based literary historian A. Kulagin, a specialist in Russian classical and modern poetry, and a leading researcher of theory and history of songs written and performed by authors. A.Kulagin’s strategy as a scholar is to study Russian poetry as an indivisible spiritual and aesthetic system, and reveal inner connections and mutual references in works by different poets. He researches the traditional sources of Pushkin’s poetry and Pushkin motifs in poems by Brodsky, Vysotsky, Galich, Kushner, and Okudzhava. His is the first comprehensive study of the traditional context of Aleksandr Kushner’s poetry. A. Kulagin’s interpretation of songs written and performed by authors shows the genre as organically woven into the fabric of Russian poetry, with a compelling example in the book on Gennady Shpalikov. Here we have a manifestation of a typical trend in modern literary studies: transition from individual poetic legacy to solving the mystery of the poet’s personality. 

scholarly journals Features of plot building of the lyrical cycles of travels in Russian poetry of Mordovia of the late XX – early XXI centuries

2020 ◽  
Vol 10 (3) ◽  
pp. 436-445
Author(s):  
S. P. Gudkova ◽  
◽  
O. Yu. Osmukhina ◽  
V. A. Samoylenko ◽  
◽  
...  
Keyword(s):  
Specific Form ◽  
The State ◽  
Literary Studies ◽  
Compositional Structure ◽  
The World ◽  
Russian Poetry ◽  
Russian Literary ◽  
Geographical Space ◽  
Comprehensive Study ◽  
Modern Russian

Introduction: the article is devoted to the study of genre and aspect specifics of the travel lyric cycle as a major genre form in modern Russian poetry of Mordovia and it fits into the complex of research of Russian literary studies concerning the problem of genre synthesis. The subjects of the analysis are the features of plot building of the lyrical cycles of travels. Objective: to reveal the genre and problem-thematic originality of the lyrical cycles of travels in the works of modern poets of Mordovia. Research materials: cycles of travels of V. Gadaev, V. Yushkin, K. Smorodin. Results and novelty of the research: in modern Russian poetry of Mordovia large genre forms as the most flexible actively develop. Among them, a special place is occupied by lyrical cycles with diverse thematic lines. In this context, travel cycles that synthesize the features of genre forms of the cycle and travelogue are quite remarkable. The complex compositional structure marked by the presence of a real geographical route, the image of a traveler comprehending the cultural and historical atmosphere of the visited country / city, reflects the author’s worldview, historiosophy, and the idea of the world space. In the works of V. Gadaev, V. Yushkin and K. Smorodin such cyclic forms carry out various creative objectives. For V. Gadaev, trip brings the opportunity to rethink the tragic moments of history, to understand the state of a person who is far from his homeland. The plot-forming beginning of his works is the opposition «native – alien», where the image of the Mordovian region turns out to be the semantic artistic center. In V. Yushkin’s lyrical cycles, the traveler’s route is connected with the comprehension of semantic codes of geographical space, contact with important cultural and literary places. In the K. Smorodin’s center of attention is an image of a lyrical hero-traveler who is under the impression of the surrounding world’s beauty. The motif of travel in the works of Russian poets of Mordovia is largely enriched by landscape and philosophical, love motifs, which indicates the synthetic nature of this genre-specific form. The scientific novelty of the work is connected with the fact that it represents the first experience of the comprehensive study of the features of the lyric cycle of travels in Russia

Presentation

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH
Keyword(s):  
Cultural History ◽  
Social Reality ◽  
Point Of View ◽  
The Body ◽  
Literary Studies ◽  
The Third ◽  
The Social ◽  
Feminist Theories ◽  
History Of

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>

Reading Max Weber's Sociology of Law

2020 ◽  
Author(s):  
Hubert Treiber
Keyword(s):  
Sociology Of Law ◽  
Important Work ◽  
Research Setting ◽  
Stages Of Development ◽  
History Of ◽  
History Of Law ◽  
The Law ◽  
Comprehensive Study

More than a simple guide through a complicated text, this book serves both as an introduction and as a distillation of more than thirty years of reading and reflection on Max Weber's scholarship. It is a solid and comprehensive study of Weber and his main concepts. It also provides commentary in a manner informed both historically and sociologically. Drawing on recent research in the history of law, the book also presents and critiques the process by which the law was rationalized and which Weber divided into four ideal-typical stages of development. It contextualizes Weber's work in the light of current research, setting out to amend misinterpretations and misunderstandings that have prevailed from Weber's original texts. Ultimately, this volume is an important work in its own right and critical for any student of the sociology of law.

COMPARATIVE LITERATURE: EAST AND WEST STUDIES

2021 ◽  
Vol 02 (09) ◽  
pp. 8-14
Author(s):  
Aziza Komilovna Akhmedova ◽  
Keyword(s):  
Comparative Literature ◽  
Professional Ethics ◽  
Research Work ◽  
Literary Studies ◽  
The Novel ◽  
World Science ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Ideal ◽  
The Ideal

The article analyzes the results of the research on the representation of the aesthetic ideal through the image of the ideal hero in two national literatures. For research purposes, attention was paid to highlighting the category of the ideal hero as an expression of the author's aesthetic views. In Sinclair Lewis’s “Arrowsmith” and Pirimkul Kodirov's “The Three Roots”, the protagonists artistically reflect the authors' views on truth, virtue, and beauty. In these novels, professional ethics is described as a high noble value. The scientific novelty of the research work includes the following: in the evolution of western and eastern poetic thought, in the context of the novel genre, the skill, common and distinctive aspects of the creation of an ideal hero were revealed by synthesis of effective methods in world science with literary criteria in the history of eastern and western literary studies, in the example of Sinclair Lewis and Pirimkul Kodirov.

Creative communication of artistic systems M. Tsvetaeva and B. Pasternak

2021 ◽  
Vol 6 (2) ◽  
pp. 74-82
Author(s):  
Anastasia Valerievna Sebeleva
Keyword(s):  
Comparative Analysis ◽  
Comparative Studies ◽  
Mutual Influence ◽  
Integrated Approach ◽  
Literary Studies ◽  
Textual Information ◽  
Priority Direction ◽  
Literary Process ◽  
History Of ◽  
Mutual Communication

This article proceeds from the fact that the problem of interaction and mutual influence is quite acute in literary studies. In this regard, the relevance of the research is due, firstly, to the correspondence to the priority direction of modern literary studies associated with the comparative analysis of the text, and secondly, to the need to disclose the deep theoretical and artistic content of creative communication of such artistic personalities of the XX century as M. Tsvetaeva and B. Pasternak, whose legacy still contains many lacunae. The methodological basis of the research is an integrated approach, including comparative-historical, historical-literary, comparative-typological, system-analytical and biographical methods, as well as the method of comparative studies, which allows to study literary analogies and connections of different national literatures, their refraction in the texts of the authors studied. Hermeneutics contributed to the mental comprehension of the analyzed texts, the mental processing of textual information. An important episode in the history of world poetry was the correspondence-dialogue of iconic poets for their time: M. Tsvetaeva and B. Pasternak. Correspondence is valuable not only because it shows us the life of poets in relation to time. The creative aspect of correspondence is very important. The rapprochement manifested in it and at the same time the repulsion was deeply creative and left deep traces in the legacy of all its participants. Poets, albeit to varying degrees, concentrated and passionately, sought to define for themselves the essence of life and poetry. In the course of the research, the author of the article comes to the conclusion that, firstly, the literary process is characterized by a systematic nature in which authors and their works are in certain relationships to each other. Secondly, the thirteen-year correspondence of M. Tsvetaeva with B. Pasternak was very significant for literature. Thanks to mutual communication, creative interaction, the poets created unique, emotionally deep works.

METAL MIRRORS FROM THE COLLECTION OF THE MUSEUM OF ARCHAEOLOGY AND ETHNOGRAPHY OF GORNO-ALTAI STATE UNIVERSITY

2021 ◽  
Vol 27 ◽  
pp. 406-412
Author(s):  
Seregin N. ◽  
◽  
Konstantinov N. ◽  
Keyword(s):  
Archaeological Site ◽  
State University ◽  
Pazyryk Culture ◽  
Small Collection ◽  
History Of ◽  
Detailed Characteristic ◽  
Comprehensive Study

The article presents the characteristics of metal mirrors from the collection of the Museum of Archaeology and Ethnography of Gorno-Altai State University. The history of the formation of this small collection, which includes four items from the burials of the Pazyryk culture of the Bike-III and Taldura-II necropolises, is considered. Due to the fact that publications devoted to the introduction into scientific circulation of the results of excavations of the indicated burials did not imply a detailed characteristic of metal mirrors, a description of these objects is given. It has been established that the analyzed finds from the Museum of Archaeology and Ethnography of GAGU are represented by two types of products. All mirrors are relatively small in size, which is one of the important chronological features of such objects. The lifetime of products with similar characteristics is determined within the wide boundaries of the late 5th -early 3rd centuries BC with the possibility of limiting this period to the framework of the 4th century BC. Prospects for further comprehensive study of metal mirrors from museums in Altai and other regions are obvious. Keywords: metal mirror, altai, museum, archaeological site, Pazyryk culture

FROM THE HISTORY OF SCIENTIFIC-THEORETICAL RESEARCH OF ALISHER NAVOI’S HERITAGE(ON THE PAGES OF AZERBAIJANI LITERATURE AND LITERARY CRITICISM

2021 ◽  
Vol 1 (1) ◽  
pp. 146-152
Author(s):  
Almaz Ulvi Bi̇nnatova ◽  
Keyword(s):  
Literary Criticism ◽  
Research Work ◽  
Theoretical Research ◽  
Literary Studies ◽  
Systematic Research ◽  
History Of

The research work named “From the history of scientific-theoretical research of Alisher Navoi’s heritage (on the pages of Azerbaijani literature and literary criticism)” was grouped in several directions. In the systematic research within the sections named - 1. “The influence of Alisher Navoiy’s creativity on Azerbaijani literature”, 2. “The influence of Azerbaijani literature on the creativity of Alisher Navoiy”, 3. “Studying of Alisher Navoiy’s legacy in Azerbaijani literary studies

scholarly journals Some Data on Pottery of Osipovskaya and Mariinskaya Cultures of the Lower Amur Region

2018 ◽  
Author(s):  
Ю.Б. Цетлин ◽  
В.Е. Медведев
Keyword(s):  
Amur Region ◽  
Early Neolithic ◽  
Technological Processes ◽  
Left Behind ◽  
Lower Amur Region ◽  
Ethnocultural Groups ◽  
History Of ◽  
Neolithic Cultures ◽  
Comprehensive Study

Статья посвящена результатам всестороннего изучения гончарных традиций в технологии, формах и орнаментации посуды у носителей осиповской и мариинской неолитических культур в российском Приамурье. Осиповская культура является древнейшей на земном шаре, и ее керамика отражает первые этапы становления гончарного производства в истории человечества. Керамика мариинской культуры характеризует следующий этап развития гончарства и относится к раннему неолиту на этой территории. Авторы приходят к выводу, что эти культуры оставлены разными в этнокультурном плане группами древнего населения. The paper describes results of the comprehensive study of pottery traditions through the prism of technological processes, shapes and ornamentation of vessels developed by the Osipovka and Mariinskoye Neolithic cultures in the Russian Amur Region. The Osipovka culture is the earliest on our planet and its pottery reflects first stages of pottery development in the history of humanity. The Mariinskoye pottery characterizes the next period of pottery development and is dated to the Early Neolithic of this region. The authors conclude that these cultures were left behind by different ethnocultural groups of the earliest population.

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