scholarly journals DERIVATIONAL ADAPTATION OF ENGLISH LOAN WORDS INTO THE ADJECTIVE SUBSYSTEM OF THE UKRAINIAN LANGUAGE

Author(s):  
Ya. V. Bytkivska

The article tackles the issue of the behavior of English loan-words (adjectives) in the derivational system of the Ukrainian language. It particularly covers the issue of their adaptation to the word-building norms of the target language, collocations with domestic lexemes, as well as the influence of foreign elements upon the microstructures of the target language. The practical material consists of the anglicisms used in mass media, fiction, conversational speech and internet resources. The terms “direct anglicism” (English lexemes borrowed from the source language by means of transcription or/and transliteration) and “mediated anglicism” (borrowed English lexemes that on the ground of the target language obtained new word-buildings and form-building affixes) are introduced. According to the research that social orders as well as the popularity of some anglicisms accelerate their adaptation to the word-building peculiarities of the Ukrainian language. After the attachment of the derivative formants the mediated anglicisms widen their denotation range by means of new semes. The modification suffixes emphasize the subjective attitude of a speaker towards the nomination object. Transpositional and mutative suffixes cause the expansion of word-building nests. The widespread usage of anglicisms in everyday speech and slang caused their adjustment to phonetic games and linguistic experiments. On the other hand, the utilizations of suffixoids as well as word-building substantive structures show the influence of the source language on the target one.

2020 ◽  
pp. 333-355
Author(s):  
Joanna Szerszunowicz ◽  

The aim of this paper is to discuss the usefulness and reliability of the onomasiological approach in the cross-linguistic analysis of fixed multiword expressions based on the example of Polish phrases coined according to the model: ADJECTIVENOM FEM SING + GŁOWA ‘HEAD’ and their English and Italian counterparts. The three corpora are constituted by expressions registered in general and phraseological dictionaries of the respective languages to ensure that the units belong to the canon of Polish, English and Italian phraseological stock. The analysis of units collected for the purpose of the study clearly shows that in order to determine the true picture of cross-linguistic equivalence, the study should be focused on semantics of analysed phrases. Furthermore, the formal aspectmay be of minor significance in some cases due to the similarity of imagery of a source language idiom and the target language lexical item. On the other hand, stylistic value may have a great impact on the relation of cross-linguistic correspondence of the analysed units.


Author(s):  
Ali Hassan Sayed Morsy, Ph.D.

According to Ryding (2005), "conditional propositions are ones in which hypothetical conditions are specified in order for something else to take place." He adds "there are two clauses, one that specifies the condition…" and "one that specifies the consequences or result of those conditions" (p.671).  On the other hand, "the equivalent terms in Arabic are شرط /ʃartˤ/ (for the condition clause) and جواب /jawaab/ (for the consequence clause)"(p.671).  The writer divides conditions into "reasonably realizable" (if you study hard, you will pass) and "simply expressions of impossible or “contrary to fact” conditions"(p.671) (If he were rich, he would buy your car).  In brief, conditional sentences in both English and Arabic can be grouped into two categories, namely, real conditionals and unreal ones.  Real conditionals are indicated by a speaker who believes positively about the achievement of the condition, while the speaker of the unreal ones believes negatively about this achievement.   Moreover, the use of different conditional particles appoints the type of the condition in Arabic, but it is identified by the cluster of verb forms in English.  In English, the conditional sentence may precede or follow the main sentence, but it generally precedes the main sentence in Arabic. The tense of the verbs used in English conditional sentences differ in most cases from their Arabic counterparts. Furthermore, the most common type of conditionals in English involves ‘if’ and ‘unless’ but there are three common conditional particles and about ten conditional nouns in Arabic.  Ryding (2005) states that, "Arabic uses different particles to express possible conditions and impossible conditions"(p.671). The English conditional article ' if ' has three equivalents in Arabic: /?in/, /?iðaa/ and /law/.  The verbs of the two English conditional clauses in each of the four cases are in a sort of harmony in tense, but in Arabic such tense agreement is not a must.  Hence, we conclude that there is a general tense harmony between the English conditional clauses, but in Arabic, this is not commonly the case.  This dissonance leads to some extent of confusion while translating the source language(SL) into the target language(TL) in general and from the Quran ( as SL) into English (as TL) in particular.


English Today ◽  
2008 ◽  
Vol 24 (4) ◽  
pp. 26-33 ◽  
Author(s):  
Jiang Yajun ◽  
Ren Zaixin

ABSTRACTThis paper investigates the notion of ‘translated English’, in contrast to ‘non-translated English’. Its focal point is that translated English texts differ from comparable non-translated texts in English, the target language (TL), in the sense that they have specific properties that cannot be found in the latter. Translated English, therefore, is a distinct variety of English. What makes it distinct is that, on the one hand, translated English texts, regardless of the source language (SL), have been found to share significant lexical, syntactic, and textual features and, on the other hand, they are inevitably SL-specific, exhibiting unique characteristics due to, among other factors, features of the source language and the translation tradition involved.


2008 ◽  
Vol 7 (1) ◽  
pp. 63
Author(s):  
Abdul Malik

The question whether communicating message can be done correctly in a translation process is a problematic issue. The process of translating is not only doing the conversion of text from one language to another, but also communicating the message, which is culturally bounded. Translators always risk inappropriate spill-over of source-language idioms and forms into the target-language translation. On the other hand, spill-overs have imported useful source language calques and loanwords that have enriched the target languages. Indeed, translators have helped substantially to shape the languages into which they have translated. 


2020 ◽  
Vol 1 (2) ◽  
pp. 107-123
Author(s):  
Farid Pribadi

This article discusses the symbiotic relationship of mutualism between mass media andterrorism. Whether we realize it or not, acts of terrorism in the homeland are still interestingand economically valuable news material in front of the mass media. On the other hand, onthe part of terrorists, the news about terrorist acts actually becomes a strategic campaignarea to show their existence. The research uses a qualitative approach to narrative analysismethod. The results of the study are www.okezone.com and www.tribunnews.com placingthe terror terror events in Medan Mapolrestabes as interesting and economically valuablenews material. The style of the news flow is arranged with a choice of tense, dramatic andsensational nuances of words. In addition, the display of photo and video illustrationsshortly after the explosion also aims to display as if the news of the explosion event is true,not engineering, objective and valid. The combination technique of choice of words, storyline, placement techniques and the size of photos and videos all aim to make the emotions ofthe reader participate dissolved in a tense situation as the situation at the scene of theexplosion. The practice of compiling this kind of news flow is called, as Jean Baudrillard'spractice of simulation. The practice of simulation through the practice of compiling newslines and the touch of visual image technology will eventually create conditions ofhyperreality. Namely the conditions between reality will be mixed with the pseudo so it isdifficult to distinguish which is original and fake. Next, the airing of a list of victims ofunknown origin will actually give birth, as Pierre Bourdie calls it symbolic violence. That is,the practice of violent symbols aimed no longer at the physical target but rather consciousthoughts. Symbolic violence in the appearance of the victim list really has the potential tocreate traumatic feelings towards the families of the victims.


2021 ◽  
pp. 238-256
Author(s):  
Amal Arrame

Translation is not simple transpositions operations or transcoding processes from one language to another, it involves complex mental processes where linguistics alone cannot be sufficient. It is a communication situation between two languages, Arabic and French in this case, where the objective of the translator is the transmission of his final product in a clear way, respecting the meaning and the author intention of the original version. Translation of phrases is a real dilemma for translators; however, it turns out that it is a necessity in order to discover the other, and to try to keep the same effect as the source text by giving it a stylistic touch typical to the target language. To this end, we have carefully chosen the corpus that we have translated. A corpus that reflects the originality of the Arabic language and the possibility of reducing the linguistic, cultural and discursive gaps between Arabic and French through translation. The translation processes we have chosen, take into account the target language, French in this case, its idioms, phrases and proverbs inventory, its particularity and, finally, its ability to comprehend the idea contained in the idioms of the source language.


2019 ◽  
Vol 4 (2) ◽  
pp. 154-170
Author(s):  
Nasimah Abdullah ◽  
Lubna Abd. Rahman ◽  
Abur Hamdi Usman

A mutashabihat verse (anthropomorphism) is a verse that contains many interpretations as it has various dimensions of meaning. Explicitation is one of the translation procedures introduced by Vinay and Darbelnet as an effort to make the target language readers understand clearly the implicit meaning contained in the source text. In other words, the implicit meaning contained in the source text can be revealed into the target text through this procedure. A translator whose role is to transfer the meaning of source text is always bounded by a certain ideology that will influence his translation works. This study aims to examine the forms of explicitation used in the translation of the mutashabihat verses in the Quran and relate them to translators’ ideologies. This study adopted a qualitative approach that led to the analysis of text content of the Quran, which is elaborated descriptively by selecting three (3) words found in the text of the Quran that is related to Allah, as the sample of the study which are )يد( ,)استوى( and (أعين ). The corpus texts used are the Malay Quran translation by Abdullah Basmeih, Mahmud Yunus, and Zaini Dahlan. The findings showed that the translation of the mutashabihat verses used various forms of explicitation to enhance a clearer understanding of the target readers to the meaning of the Qur'an, such as lexical specification, the addition of explanatory remarks, additional information in brackets and footnotes. In addition, studies found that Mahmud Yunus and Zaini Dahlan retained the meaning of translated mutashabihat verses literally without giving an esoteric interpretation of the Quran and sometimes inclined towards the ideology of al-Ta’wil. On the other hand, Abdullah Basmeih was more prone to the ideologies of al-Ta’wil and al-Ithbat bi Dawabit in translating the verses. ABSTRAK Ayat mutashabihat ialah ayat yang mengandungi banyak pentafsiran kerana mempunyai pelbagai dimensi makna. Eksplisitasi pula ialah salah satu prosedur terjemahan yang diperkenalkan oleh Vinay dan Darbelnet sebagai usaha agar pembaca bahasa sasaran memahami dengan jelas makna implisit yang terkandung di dalam teks sumber. Melalui prosedur ini, bentuk makna implisit yang terkandung di dalam teks sumber dapat dizahirkan ke dalam teks sasaran. Penterjemah selaku pihak yang memainkan peranan dalam memindahkan makna sebenarnya sentiasa terikat dengan ideologi tertentu yang akan mewarnai teks sasaran yang dihasilkannya. Kajian ini bertujuan meneliti bentuk eksplisitasi yang terdapat dalam terjemahan ayat-ayat mutashabihat dalam al-Quran serta menghubungkaitkannya dengan pengaruh aliran pemikiran yang dipegang oleh penterjemah. Kajian ini menggunakan pendekatan kualitatif yang menjurus kepada analisis kandungan teks al-Quran yang dihurai secara deskriptif dengan memilih tiga (3) perkataan yang dinisbahkan kepada Allah SWT yang terdapat dalam teks al-Quran sebagai sampel kajian iaitu lafaz )ىوتسا(, )دي( dan (أعين ). Korpus kajian pula adalah teks al-Quran yang diterjemahkan oleh Abdullah Basmeih, Mahmud Yunus dan Zaini Dahlan. Hasil kajian menunjukkan bahawa terjemahan ayat-ayat mutashabihat menggunakan pelbagai bentuk eksplisitasi untuk memberi kefahaman yang lebih jelas kepada pembaca sasaran terhadap makna al-Quran iaitu bentuk pengkhususan, penambahan maklumat, maklumat tambahan dalam kurungan dan nota kaki. Selain itu, kajian juga mendapati bahawa Mahmud Yunus dan Zaini Dahlan mengekalkan makna literal teks al-Quran tanpa takwilan dan kadang-kadang condong kepada aliran pemikiran al-Ta’wil dalam menterjemahkan ayat mutashabihat. Manakala Abdullah Basmeih pula lebih cenderung kepada aliran pemikiran al-Takwil dan al-Ithbat bi Dawabit dalam memberikan maksud ayat mutashabihat.


Author(s):  
Dite Liepa ◽  
Ilva Skulte

This paper is based on reflections after an emotional discussion on the word and term medijs(i) (‘medium’) in Latvian that broke out during the yearly conference The Word: Aspects of Research at Liepāja University, in November 2019. The aim of this paper is not to blame or replace the broadly spread two-word term plašsaziņas līdzekļi with an anglicism mediji. In Latvia, there are many titles and documents where this term has a permanent and stable place. Such as, for example, The National Electronic Mass Media Council. At the same time, it is time to recognise the use of the word medijs(i) as an entirely accepted synonym of plašsaziņas līdzeklis(ļi) and even as a semantically more broadly usable term in the context of developing information and communication technologies. As this short insight into the research of the word shows, the term is already currently used not only among professionals but also on the level of state institutions, public and private organisations, and companies. On the other hand, especially in the contexts of communication science, arts, and philosophy, the spectrum of meanings of the word medijs(i) in the vocabulary of modern Latvian must be broadened.


Author(s):  
Hikari Hori

It is impossible to understand the media-scape of Japan from the 1920s through 1945 without analyzing the implications of representations of the emperor as well as the effects of state-led- and voluntary self-censorship on their production and reception. The emperor’s portrait photograph (goshin’ei) was too sacred to gaze upon, and citizens and soldiers even died to protect it. It was preserved with extreme care in public institutions and battleships. On the other hand, paradoxically, Hirohito was the first emperor whose public appearances were covered by multiple mass media, ranging from personalized collectible postcards to newsreels, which were readily available for viewers’ scrutiny. These contradictory viewing practices, one prohibited and another accessible, disrupted the visual culture of emperor-centered disciplined and nationalized imperial citizenship. (122 words)


Author(s):  
Simber Atay

Seduction is a sexual act, a sex instinct expression, a love practice, a body performance, a psychoanalytical problematic, a philosophical issue, a creative strategy full of phantasies from art to politics, from advertising to entertainment, from personal intimacy to mass-media. Seduction is basis of strip-tease profession, of course! But it is also a cultural metaphor. Seduction is an indispensable part of acting in performing arts. In cinema, actors and actress seduce spectators. In photography, photographer and photographed one, they seduce reciprocally. Seduction has very strong mythological origins. On the other hand, superman of Nietzsche, gaze of Bataille, objet petit a of Lacan are some adequate contemporary parameters to discuss the seduction concept. In this context, Le Samura? (1967) of Jean-Pierre Melville, Magic Mike (2012) of Steven Soderbergh, Jupiter Ascending (2015) of Lana and Andy (Lilly) Wachowski are our cinematographic examples. Eikoh Hosoe's project ‘Barakei' (1961), Duane Michals' project ‘Questions without Answers' (2001), Mehmet Turgut's self-portrait series (2000's) are our photographic examples. Within the text, we evaluate all these popular culture examples by using the mentioned parameters to describe what the seduction is.


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