Formulasi Romance dalam Beauty Case Karya Icha Rahmanti: Kajian Sastra Feminis

2019 ◽  
Vol 10 (2) ◽  
pp. 205-218
Author(s):  
Tania Intan ◽  
Vincentia Tri Handayani Tri Handayani
Keyword(s):  
Theoretical Foundation ◽  
Methodological Approach ◽  
Point Of View ◽  
The Novel ◽  
Female Figure ◽  
Feminist Literature ◽  
Male Characters ◽  
Single Person ◽  
True Love ◽  
Chick Lit

This study aims to reveal the formulation of romance in chick lit Beauty Case (2005), the second work of Icha Rahmanti after Cintapuccino (2004). The methodological approach used is the study of feminist literature and structural analysis methods. Because chick lit always discusses women, the theoretical foundation of this research must be linked to women's perspectives, includes the ideas of Radway, Modlesky, Gill and Herdierckerhoff who were used to explore the narrative aspects of romance formulation, which included plots, characterization, and point of view. The results show that (1) although chick lit is a romance subgenre, the novel Beauty Case storyline does not follow the normative narrative standard of romance because there are changing plots. However, the end of the novel follows the romance formulation, which ends happily; (2) the main female figure in the novel does not really make a search for true love, but rather searches for identity. In addition, the portrayal of male characters also does not follow the formulation of romance that has exemplary characters; (3) the storyteller in this novel is the first single person, the main female figure, with an intimate, subjective, and limited nature of storytelling, according to the formulation of romance.

Formulasi Romansa dalam Beauty Case Karya Icha Rahmanti: Kajian Sastra Feminis

2019 ◽  
Vol 10 (2) ◽  
pp. 205
Author(s):  
Tania Intan ◽  
Vincentia Tri Handayani
Keyword(s):  
Theoretical Foundation ◽  
Methodological Approach ◽  
Point Of View ◽  
The Novel ◽  
Female Figure ◽  
Feminist Literature ◽  
Male Characters ◽  
Single Person ◽  
True Love ◽  
Chick Lit

This study aims to reveal the formulation of romance in chick lit Beauty  Case  (2005),  the  second  work  of  Icha  Rahmanti  after Cintapuccino  (2004).  The  methodological  approach  used  is  the study  of  feminist  literature  and  structural  analysis  methods. Because  chick  lit  always  discusses  women,  the  theoretical foundation  of  this  research  must  be  linked  to  women's perspectives,  includes  the  ideas  of  Radway,  Modlesky,  Gill  and Herdierckerhoff  who  were  used  to  explore  the  narrative  aspects of  romance  formulation,  which  included  plots,  characterization, and point of view. The results show that (1) although chick lit is a romance  subgenre,  the  novel  Beauty  Case  storyline  does  not follow  the  normative  narrative  standard  of  romance  because there  are  changing  plots.  However,  the  end  of  the  novel  follows the  romance  formulation,  which  ends  happily;  (2)  the  main female figure in the novel does not really make a search for true love, but rather searches for identity. In addit ion, the portrayal of male characters also does not follow the formulation of romance that has exemplary characters;  (3)  the storyteller in this novel is the first single person, the main female figure, with an  intimate, subjective,  and  limited  nature  of  storytelling,  according  to  the formulation of romance. Penelitian ini bertujuan untuk mengungkap formulasi romance dalam chick lit Beauty Case (2005), karya kedua Icha Rahmanti setelah Cintapuccino (2004). Pendekatan metodologis yang digunakan adalah kajian sastra feminis dengan metode analisis struktural. Karena chick lit selalu membahas perempuan, landasan teoretis yang menjadi kerangka penelitian ini harus dikaitkan dengan perspektif perempuan, di antaranya gagasan Radway, Modlesky, serta  Gill dan Herdierckerhoff yang digunakan untuk mengupas aspek-aspek naratif dari formulasi romance, yang meliputi pengaluran, penokohan, dan sudut pandang. Hasil penelitian menunjukkan bahwa (1) walaupun chick lit merupakan subgenre romance, tetapi alur cerita novel Beauty Case tidak mengikuti standar narasi normatif romance karena ada beberapa plot yang berubah. Namun demikian, bagian akhir novel ini mengikuti formulasi romance, yaitu berakhir dengan bahagia; (2) tokoh utama perempuan pada novel tersebut tidak benar-benar melakukan usaha pencarian cinta sejati, melainkan pencarian identitas diri. Selain itu, penggambaran tokoh laki-laki juga tidak mengikuti formulasi romance yang memiliki karakter teladan; dan (3) pencerita dalam novel ini adalah orang pertama tunggal, tokoh utama perempuan, dengan sifat penceritaan yang intim, subjektif, dan terbatas, sesuai dengan formulasi romance.

scholarly journals The Appearance and Disappearance of Feminine Voice and the Structure of Masculine Structure A Study in (Shadows of Body … Banks of Desire) By: Sa'ad Mohammed Raheem

2018 ◽  
Vol 227 (1) ◽  
pp. 301-326
Author(s):  
Inst. Dr. Saman Jalil Ibrahim Mohammed
Keyword(s):  
Point Of View ◽  
Cultural Criticism ◽  
General Idea ◽  
The Novel ◽  
Narrative Texts ◽  
Feminine Voice ◽  
Male Characters ◽  
The Feminine

This research aims at studying (Shadows of Body …Banks of Desire) by Sa'ad Mohammed Raheem in its first publication that has been rewarded of (Katara Prize for Arabic Novel ) in 2016 which was classified in the category of unpublished novels. From the cultural criticism point of view, the narrative texts contain much cultural coordination behind the pragmatic meanings as well as the beauty that’s hidden under the skin of the text itself. The study also focuses on the feminine voice and the ways that it appears and disappears in the text especially when it's taken from the symbol of feminism Rawa'a Al- Attar (The Player) who intends to put full constrain on shattering masculine attendance as well as destroying the general idea of traditions. It is more like a breakthrough the old traditions. The novel also contains some male characters that make the tension and argument even bigger along the story

scholarly journals Verskyningsvorme van estetisisme en dekadensie in Sy kom met die sekelmaan en Kaapse rekwisiete

Literator ◽  
1995 ◽  
Vol 16 (1) ◽  
pp. 51-66
Author(s):  
M. Grobbelaar
Keyword(s):  
Nineteenth Century ◽  
Point Of View ◽  
The Self ◽  
Female Character ◽  
Late Nineteenth Century ◽  
Heterosexual Relationships ◽  
Feminist Literature ◽  
Male Characters ◽  
Late Nineteenth ◽  
New Perspective

Manifestations of aestheticism and decadence in Sy kom met die sekelmaan and Kaapse rekwisieteThis article offers a new perspective on the novels of two well-known Afrikaans authors, namely Hettie Smit's Sy kom met die sekelmaan (1937) and Wilma Stockenstrom's Kaapse rekwisiete (1987). Both literary works are read within the framework of late nineteenth-century Western European and British aestheticism and decadence. Characteristic elements of aesthetic and decadent literature, such as an emphasis on artificiality - especially the tendency towards the fictionalization of reality narcissism, sexual perversity, and the utilization of a flowery style are identified in both novels. Stockenstrum 's novel can, however, also be read from a feminist point of view, as is already indicated by the fact that everything is seen through the eyes d f a female character, and by the negative projection of male characters and heterosexual relationships. Lefebvre's Jungian-based search for the Self is a further indication of the feminist character of this novel, as the psychological views of Jung with his accent on identity and individualisation form a myth in its own way in feminist literature.

A Fatal Error of Locke’s?

2017 ◽  
Author(s):  
Galen Strawson
Keyword(s):  
Personal Identity ◽  
John Locke ◽  
A Priori ◽  
Point Of View ◽  
Radical Theory ◽  
Single Person

This chapter argues that the unqualified attribution of the radical theory to John Locke is mistaken if we are to take into account the fact that the theory allows for freaks like [Sₓ]. It first considers [I]-transfer without [P]-transfer—that is, [I]-transfer preserving personal identity—before discussing Locke's response to the idea that personal identity might survive [I]-transfer from an a priori point of view. It suggests that [I]-transfer is possible in such a way that the existence of a single Person [P₁] from t₁ to t₂ can successively (and non-overlappingly) involve the existence of two immaterial substances. It also explains how Locke's claim that [I]-transfer is possible opens up the possibility that it could go wrong, in such a way as to lead to injustice. Finally, it examines Locke's notion of “sensible creature,” which refers to a subject of experience who is a person.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

Wacana Kolonial dalam Novel Max Havelaar: Sebuah Kajian Poskolonial

Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 411
Author(s):  
Abu Bakar Ramadhan Muhamad
Keyword(s):  
Point Of View ◽  
The Other ◽  
The Novel ◽  
Colonial Discourse ◽  
The Impact ◽  
The Voice

AbstrakHegemoni kolonialisme dalam budaya poskolonial merupakan alasan penelitian inikemudian mengkaji wacana kolonial dalam novel Max Havellar (MH) khususnya dampakditimbulkannya. Dampak dimaksud adalah posisi keberpihakan pemikiran tersirat darikarya tersebut. Hasil pembahasan menunjukkan, secara temporal maupun permanen MHmenyuarakan ketidakadilan dalam kondisi-kondisi kolonial menyangkut penindasan sangpenjajah terhadap terjajah. Hanya saja, upaya mengatasnamakan atau mewakili suarakaum terjajah terbukti mengimplikasikan ciri ideologis statis kerangka kolonialisme(orientalisme); yakni cara pandang Eropasentris, di mana “Barat” sebagai self adalah superior,dan “Timur” sebagai other adalah inferior. Dalam konteks poskolonialisme, MH dengan sifatkritisnya yang berupaya “menyuarakan” nasib pribumi terjajah, justru menampilkan stigmapenguatan kolonialitas itu sendiri secara hegemonik. Artinya, “menyuarakan” nasib pribumidimaknai sebagai keberpihankan kolonial yang kontradiktif, di mana stigma penguatankolonialitas justru lebih terasa, ujung-ujungnya melanggengkan hegemoni kolonial. Tidakmembela yang terjajah, tetapi memperhalus cara kerja mesin kolonial.AbstractThe hegemony of colonialism in the culture of postcolonial society is the reason this studythen examines the colonial discourse in the novel Max Havellar (MH) in particular the impactit brings. The impact in question is the implied position of thought in the work. The resultsof the discussion show that, temporarily or permanently, MH voiced injustice in the colonialconditions regarding the oppression of the colonist against the colonized. However, the effort toname or represent the voice of the colonized has proven to imply a static ideological characterin the framework of colonialism (orientalism); ie Eropacentric point of view, in which “West” asself is superior, and “East” as the other is the inferior. In the context of postcolonialism, MH withits critical nature that seeks to “voice” the fate of the colonized natives, actually presents thestigma of strengthening coloniality itself hegemonicly. That is, “voicing” the fate of the pribumiis interpreted as a contradictory colonial flare, where the stigma of strengthening colonialityis more pronounced, which ultimately perpetuates the hegemony of colonialism. No longerdefending the colonized, but refining the workings of the colonial machinery.

Tanggapan dan Horizon Harapan Pembaca terhadap Le Petit Prince Karya A. De Saint-Exupery: Tinjauan Resepsi Sastra

Metahumaniora ◽  
2018 ◽  
Vol 8 (3) ◽  
pp. 300
Author(s):  
Tania Intan ◽  
Trisna Gumilar
Keyword(s):  
Research Data ◽  
Point Of View ◽  
Data Sources ◽  
The Internet ◽  
The Novel ◽  
Literary Reading ◽  
Reading Experience ◽  
Reader Responses ◽  
Qualitative Descriptive ◽  
Research Type

AbstrakPenelitian ini bertujuan untuk (1) mendekripsikan tanggapan pembaca terhadap novel Le Petit Prince (2) mendeskripsikan horizon harapan pembaca terhadap novel Le Petit Prince, dan (3) mendeskripsikan faktor-faktor penyebab perbedaan tanggapan dan horizon harapan pembaca. Penelitian ini termasuk jenis penelitian deskriptif kualitatif. Data penelitian berupa teks yang memuat tanggapan pembaca novel Le Petit Princeyang terdiri dari 20 orang, sedangkan sumber datanya berupa artikel dan makalah yang dimuat di media massa cetak dan elektronik termasuk internet. Instrumen penelitian berupa seperangkat konsep tentang pembaca, tanggapan pembaca, dan horizon harapan. Teknik pengumpulan data dengan cara observasi dan data dianalisis dengan menggunakan teknik deskriptif kualitatif. Hasil penelitian yang didapat sebagai berikut. (1) Seluruh pembaca menanggapi atau menilai positif unsur tema, alur, tokoh, latar, sudut pandang, gaya bahasa, teknik penceritaan, bahasa, dan isi novel Le Petit Prince. (2) Harapan sebagian besar pembaca sebelum membaca novel Le Petit Prince sesuai dengan kenyataan ke sembilan unsur di dalam novel Le Petit Prince, sehingga pembaca dapat dengan mudah menerima dan memberikan pujian pada novel Le Petit Prince. (3) Faktor penyebab perbedaan tanggapan dan horizon harapan pembaca selain perbedaan stressing unsur yang ditanggapi juga karena perbedaan pengetahuan tentang sastra, pengetahuan tentang kehidupan, dan pengalaman membaca karya sastra.Kata kunci: tanggapan pembaca, horizon harapan, Le Petit PrinceAbstractThis study aims to (1) describe reader’s responses to the novel Le Petit Prince (2) to describe the reader's expectations horizon of Le Petit Prince's novel, and (3) to describe the factors causing differences in responses and the horizon of readers' expectations. This research is a descriptive qualitative research type. The research data consist of a set of paragraphs that contains readers' responses to Le Petit Prince's novel, while the data sources are articles and papers published in print and electronic mass media including the internet. The research instruments are a set of reader concepts, reader responses, and expectations horizon. The technique of collecting data is observation and data are analyzed by using qualitative descriptive technique. The results obtained are as follow: (1) All readers respond and valuethe theme elements,plots, characters, background, point of view, language, titles, storytelling techniques, language, and extrinsic novel Le Petit Prince positively. (2) The expectations of most readers before reading Le Petit Prince's novels are in accordance with the nine facts in Le Petit Prince's novel, so readers can easily accept and give prise to Le Petit Prince's novel. (3) Factors causing differences in responses and horizon of readers' expectations other than the stressing differences of the elements being addressed also due to the differences in knowledge of literature, knowledge of life and literary reading experience. Keywords: readers responses, expectations horizon, Le Petit Prince

Mummified Fragments: Characters and Themes in Hariharan’s Novel The Ghosts of Vasu Master

Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 827-835
Author(s):  
R. Ramakrishnan
Keyword(s):  
School Teacher ◽  
The Novel ◽  
Male Characters

Hariharan’s versatility as an author with a mission to subvert the entire tradition can be recognized in every work of fiction she has created. For this purpose in her second novel, The Ghosts of Vasu Master she experiments with a male protagonist and a host of other male characters. Vasu is the protagonist of the novel. He is a retired school teacher from P.G. Boys’ school, Ellipettai. He leads a lonely widower’s life with two of his sons employed and settled away from home. This article scrutinizes the life of an idower is all aspects.

PROBLEMS OF EQUIVALENCE AND ADEQUACY IN THE TRANSLATION OF THE NOVEL “NAVOI” BY AYBEK

2020 ◽  
Vol 5 (3) ◽  
pp. 153-160
Author(s):  
Elmurod Tursunov ◽  
Keyword(s):  
Translation Studies ◽  
Point Of View ◽  
The Novel ◽  
Alternative Translation

Some inappropriatenesses and defects on the issue of equivalence and adequacy in the translated version of the novel “Navoi” by Aybek are revealed in this article. These inappropriatenesses and defects are described in great detail with the help of examples and alternative translation variants are suggested, the problems of equivalence and adequacy in translation studies are researched from the scientific point of view, as well as, views and comments of the Uzbek and foreign translators and scientists are provided on theissue of the two concepts

Assessment and analysis of efficiency system management by innovative factors for sustainable development of national economy from the position satisfaction of vital interests population in Ukraine

2019 ◽  
pp. 6-16
Author(s):  
Оксана Василівна Бондар-Підгурська ◽  
Алла Олександрівна Глєбова
Keyword(s):  
Sustainable Development ◽  
Human Development ◽  
National Economy ◽  
Public Debt ◽  
Methodological Approach ◽  
State Regulation ◽  
Point Of View ◽  
Financial Policy ◽  
System Management ◽  
Stage Of Development

The scientific and methodological approach to the evaluation and analysis of the efficiency of system management by innovation factors for sustainable development of national economy from the point of view satisfaction vital interest’s population is developed. This is the calculation of the modernized index human development based on the adjective model based on 26 indicators (social, economic and environmental subsystems), as well as using the methods of the main components and the slip matrix. The resultant value is the modernized Human Development Index (MHDІ) of Ukraine. The architectonics MHDІ of Ukraine in 2007–2017 from the position of sub-indices of the ecological, social and economic subsystems is analyzed. Consequently, the scientific and methodological approach based on the MHDI change allows us to draw conclusions regarding the effectiveness of the work and public administration bodies in the context of making managerial decisions regarding the satisfaction of the vital interest’s population. MHDI considers the main regulated parameter of the system management in the innovation factors of sustainable development in socially oriented economy. The tendency of steady decline MHDI of Ukraine in 2007–2017 on 53.45 % was confirmed, which confirms inefficient state regulation of crisis situations in Ukraine. In order to increase the efficiency management of innovative factors by sustainable development of the national economy, from the standpoint of satisfaction vital interest’s population, it is proposed to intensify the use of public debt and savings bonds, market and non-market methods of relief and debt load. This is due to the fact that at the current stage of development in the national economy, public external debt is one of the most significant indicators of the state economy. It is at the same time a criterion for the effectiveness of public financial policy, as well as a threat and opportunity for the Ukrainian economy. In order to optimize its size, various methods, approaches, tools are used. Based on the analysis of world experience, it has been established that the securities market, in particular debt securities, plays a strategic role in regulating this issue. Therefore, it makes sense to recommend government debt bonds and government savings bonds to optimize the amount of external public debt.

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