scholarly journals Mode Harmonic Concept of Oleksandr Cherepnin’s Composer Creativity

2021 ◽  
pp. 121-127
Author(s):  
Hayun Chen
Keyword(s):  
Harmonic Component ◽  
Single Mode ◽  
Point Of View ◽  
Practical Significance ◽  
Musical Language ◽  
Musical Culture ◽  
Harmonic Language ◽  
Cultural World ◽  
Conceptual Foundations

The relevance of the topic is determined by the existing contradiction between the great importance of Olexandr Cherepnin’s compositional works, which are widely recognized in the modern cultural world and contain many innovative artistic and theoretical ideas, and the lack of proper coverage in the scientific literature. The analysis of the array of musicological literature devoted to the peculiarities of the musical culture of the XX century proves the fact that the artistic personality of O. Cherepnin and his life and creative path still generally remain beyond the attention of researchers. The purpose of the article is to reveal the meaningful and terminological features of the mode harmonic concept of O. Cherepnin’s compositional works. The methodology. The main methods applied in this study are systematic approach and methods of comparative and musicological (mainly mode harmonic) analysis. The results. O. Cherepnin’s musical language has overcome a long way before it was formed into a single mode harmonic concept. This mode harmonic concept of the artist’s works was first embodied in many of his works, and then was theoretically comprehended by him and given in the article “Basic Elements of My Musical Language” (1962). Therefore, from the beginning, the features of the composer’s mode harmonic language were formed under the influence of artistic necessity and were not subjected to theoretical conceptual principles. The mode harmonic concept of the artist, which became a generalization of his creative activity and artistic ideas, is based mainly on the theory of ambivalence of major and minor. At the same time, the composer does not use the major­minor as the mode basis for his works, basing (as the author himself and researchers of his work emphasize) primarily on the theory of modality. Cherepnin’s mode harmonic concept of musical language is based on a nine­stage scale, which is considered by the composer as universal and is found in most of his works. The most separate and independent components of the nine­stage scale are the three major­minor tetrachords and the two hexachords. The presence of different pitch positions of the scale allows to determine the tonal center at the level of separate fragments of the musical fabric of the work. The harmonic vertical (harmonic structure) of the majority of O. Cherepnin’s works is also formed on the basis of the vertical segments of the specified nine­stage scale. Such mode segments, which in separate works of the composer or their parts play the role of mode harmonic basis, are defined by us as “submodes” (my term — Ch. H.). The most common are tritone consonances, and each “submode” has its own chord that performs the function of the tonic one. The most important among them, according to the composer’s point of view, is a major­minor tetrachord, i.e. vertical four­tone chord. All these consonances are very diverse in their interval structure and intensity of sound. Five­ and six­tone chords are used by the artist much less due to their intense phonism and the need for at least an acoustic solution. Pentatone scales, which are constantly presented in an incomplete form (with the omission of one or two tones), and symmetrical modes are also widely used in O. Cherepnin’s works. Bright ethnic elements of the composer’s mode harmonic concept, which are widely used in his works, are the specific tritone consonances, called by O. Cherepnin as “Georgian trisounds”. The topicality of the study lies in the disclosure of one of the main conceptual foundations of the multifaceted musical language of O. Cherepnin — his mode harmonic component, which has not yet been sufficiently studied. The practical significance. The obtained results of the research allow to reveal the world importance of O. Cherepnin’s artistic figure and composer’s works, to highlight his innovative musical­theoretical ideas and to determine the special place of the artist in the constellation of contemporary composers who actively experimented with tonal­harmonic systems. The obtained conclusions generally expand the view on the nature and structure of mode harmonic thinking of composers of the XX century.

The Role of Criminalistic Classification and Defendants’ Typification in the Formation of Forensic Recommendations for Prosecuting in Court

Lex Russica ◽  
2020 ◽  
pp. 69-83
Author(s):  
S. L. Kislenko
Keyword(s):  
Decisive Role ◽  
Criminal Activity ◽  
Point Of View ◽  
Practical Significance ◽  
Public Prosecutor ◽  
Criminal Prosecution ◽  
Criminal Proceedings ◽  
First Case ◽  
Court Proceedings

Systemic characteristics of the doctrine dealing with the person committing a crime predetermine the complexity of the use of information about him or her in the process of criminal prosecution. Systemic information on the behavioral aspects of the person in the process of genesis of criminal and post-criminal activity, as well as its procedural status, will be of great importance in the work of law enforcement agencies as a systematic structure. Criminalistically significant aspects of criminal activity (and behavior) as a systemic holistic structure should be discussed when the decisive role of personal features is determined not only in the mechanism of the criminal act, but also beyond it. The activity of the person that takes place both before the criminal prosecution (criminal aspect) and during the proceedings (post-criminal aspect) should be investigated. Therefore, the identity of the defendant should be considered in the context of such categories as the identity of an offender and the identity of an accused (a suspect). The typification of defendants is necessary In order to improve the effectiveness of the prosecution of offenders in court proceedings. The classification approach allows us to develop targeted recommendations (methods, tactical complexes) to maintain the prosecution. Obtaining and using information about the identity of the defendant implies the need for the public prosecutor to interact with other authorities involved in prosecution process. The author comes to the conclusion that the study of personal and behavioral characteristics of the defendant has important theoretical and practical significance. In the first case, the generalization of such knowledge contributes to the development of criminalistic theory in general and its certain sections in particular. From a practical point of view, accumulation of such knowledge contributes to the formation of targeted criminalistic recommendations used to improve the effectiveness of criminal prosecution of persons who committed crimes within the framework of criminal proceedings.

scholarly journals Musical Shevchenko Series of Vladyslav Zaremba

2019 ◽  
pp. 78-92
Author(s):  
Tetiana Krulikovska
Keyword(s):  
19Th Century ◽  
Social Issues ◽  
Musical Language ◽  
Main Attention ◽  
Musical Culture ◽  
Inner World ◽  
Vocal Works ◽  
The Individual ◽  
The 19Th Century

The article deals with a generalized musicological analysis of the songs from two vocal collection series, titled «Kobzar Tarasa Shevchenka» (Taras Shevchenko’s Kobzar) by the 19th century Ukrainian composer of Polish origin Vladyslav Zaremba in order to attract attention to the composer’s creative heritage, reveal the most typical features of his musical language and determine their stylistics in the context of the 19th century musical culture. Also the article attempts to specify the significance of the vocal works collection in the context of developing the Ukrainian romance and the 19th century Ukrainian T. Shevchenko series.The article focuses on the content of vocal compositions associated with typical folk characters, as well as the composer’s vision of his characters’ complex and rich inner world. The article considers the works devoted to the themes of orphanhood, loneliness, alien land, love, typical romantic motives of the Cossack will, sentiments of grief and melancholy, which form the figurative and poetic content of Shevchenko’s poems.The analysis is focused not only on V. Zaremba’s lyrical songs, but also his vocal works, which raise the complex social issues of difficult maidenhood, orphanhood, the search for better life, the main characters’ romantic attempts to realize their dreams and the sad realities. The main attention is focused on the role of the piano, which is interpreted by the composer as an active participant in the dramatic action. However, the piano version of V. Zaremba’s vocal works highlights an extremely important and vivid element of the national sound sphere, namely the imitation of playing the bandura, which performs the semantic role of the national Ukrainian symbol and is perceived as an important component of the national culture. Thus, the conducted analysis allows visualizing the figurative and emotional world of T. Shevchenko’s poetry and deducing the values of the bandura as a semiotic sign in the 19th century Ukrainian musical culture, which will become especially noticeable in M. Lysenko’s works. An important issue in analyzing the composer’s style is the focus on the synthesis of European school achievements with the individual elements of the national school as a certain stage in the development of Ukrainian professional music, which replaces amateurism and dilettantism.

scholarly journals Conceptual Foundations of Project Activities for the Formation of the Musical Culture of the Younger Generation

2021 ◽  
Vol 7 (1) ◽  
pp. 61-67
Author(s):  
A.V. Kamenets ◽  
◽  
L.V. Molina ◽  
◽  
Keyword(s):  
Entire Range ◽  
Modern Society ◽  
Practical Experience ◽  
Russian Society ◽  
Topical Problem ◽  
Musical Culture ◽  
Younger Generation ◽  
Musical Interests ◽  
Conceptual Foundations

the article is devoted to the topical problem of increasing the role of concert activity in the formation of the musical culture of the younger generation. The article examines potential for improving concert activity within the framework of the project ideology corresponding to various conceptual foundations. The main conceptual approaches are the activity-based, axiological and interactive, which make it possible to take into account the entire range of possible musical interests and demands in modern society and to outline further strategies for improving project practice in the field of organizing concert activity. The authors analyze practical experience of conducting musical cultural and educational projects aimed at enhancing the musical culture of the younger generation in modern Russian society.

scholarly journals A Triumph of Musical Order? Multiple Sources of Inspiration in “Prelude and Canon,” Forty-Four Duos no. 37

2021 ◽  
Vol 62 (1-2) ◽  
pp. 117-138
Keyword(s):  
Art Music ◽  
Folk Song ◽  
Point Of View ◽  
Musical Language ◽  
Multiple Sources ◽  
Actual Performance ◽  
Compositional Technique ◽  
Original Theme ◽  
Insight Into

Abstract It has been a hot topic in Bartók literature whether he followed some particular order, or relied on creative intuition when he composed. His own statem ents appear to be ambiguous, that is, he occasionally stressed that he consciously worked out his musical language, but on other occasions he emphasised the role of intuition. A contrapuntal short piece from the Forty-Four Duos, namely no. 37 “Prelude and Canon”, can be considered an appropriate material in order to examine how these different viewpoints are applied in an analysis (and to evaluate how appropriate the application of these viewpoints is). From a technical point of view, the Canon part of this piece deserves special attention, as it contains three different types of canon one after another. While the dux always remains in E, each comes is on different degrees (G, A, then B) and different temporal distances (one, two, and three crotchets). This can be regarded as a kind of compositional virtuosity; especially because it is not easy to write such canons on an original theme, much less on an original folk tune. Thus, this piece might be considered an example of how Bartók rationally and consciously worked out his compositions. Such a view can be refined, or possibly superseded by the examination of the original folk tune. The genre of the original folk tune, “párosító” [matchmaking song], as well as the way of its actual performance on the original recording gives us an insight into how an apparently systematic application of the compositional technique is nevertheless related to what we would call a secret programme. Thus, it was probably not only a particular folk song but also the people's life surrounding the folk song which fascinated the composer, and he tried to vividly encode a typical village scene into a piece of art music.

scholarly journals Pastoral and the Principles of Its Stylization (Based On the Material of Vocal Music)

2021 ◽  
pp. 104-112
Author(s):  
Lei Huang
Keyword(s):  
Vocal Music ◽  
Point Of View ◽  
Practical Significance ◽  
Musical Language ◽  
Republic Of China ◽  
Human Voice ◽  
The World ◽  
Poetic Text ◽  
Psychological Mechanism ◽  
Mechanism Of Recognition

The purpose of this paper is to reveal the role of stylization as a style­forming principle in the evolution of the pastoral genre based on textbook chamber­vocal compositions (arias by W. A. Mozart), as well as little­known ones. The methodology. The proposed research differs from other studies, which are close in the topic (T. Livanova, A. Korobova, A. Taylor and others), by an interpretative­cognitive approach dictated by the challenges of modern performing practice. A comparative analysis of pastoral semantics in European and Chinese poetics was also used. The results. On the basis of vocal miniatures created in the XX century (S. Vasylenko “Pastoral” op. 45, No. 5 and A. Rudianskyi “Lotus” and “The Flute on the Water” from the cycle “The Lake of White Lotus” (2001), a parallel of the European pastorals and ancient Chinese poetry from the point of view of a pastoral person in different pictures of the world has been drawn. The onto­sonological foundation of the pastoral is made up of a human voice accompanied by a shepherd’s pipe, landscape sound painting (the singing of birds, the murmur of a brook), and the vastness of natural landscapes (plain air). The author develops the conceptual apparatus of the theory of the pastoral to reveal the richness of various composing interpretations of the genre, its dynamics: “semantics of the pastoral”, “ontology of the pastoral image”, “pastoral person”, “pastoral picture of the world”. The topicality of the interpretative­comparative analysis is the conclusion about the necessary principles of stylization of the pastoral: the presence of a genre invariant with its own stable, psychological mechanism of recognition by listeners; historical distancing from the prototype (ancient poetry, baroque opera); creative synthesis of many traditions of the artistic existence of the genre and the signs of its national musical attribution. Poetic text and symbolization of the musical language are also the mechanisms of stylization of the pastoral in vocal music. Musical and poetic symbols, created by the author’s intuition, form a new life for the pastoral in the creative work of the XX century composers. If the composer’s interpretation of the genre invariant of the pastoral has ensured its viability for millennia, then the performer of pastoral compositions is responsible for their genre and style “purity”. The performers must master the technique of recreating the sound­like world of a pastoral person. The practical significance of the topic is confirmed by the fact of the actualization of the pastoral in the performance of the XXI century, due to the systematic inclusion of its samples into the concert repertoire of vocalists (including those from the People’s Republic of China), which requires appropriate historical and theoretical knowledge when modelling the behaviour of a pastoral person in the modern cultural situation.

scholarly journals Czynniki rozwoju turystyki przygranicznej na rosyjsko-fińskim pograniczu = Factors underpinning the development of tourism in Russian-Finnish borderland areas

2019 ◽  
Vol 91 (4) ◽  
pp. 573-587 ◽  
Author(s):  
Svetlana V. Stepanova
Keyword(s):  
Economic Development ◽  
Point Of View ◽  
Practical Significance ◽  
Murmansk Oblast ◽  
Border Regions ◽  
Cross Border ◽  
Finnish Lapland ◽  
Border Trade ◽  
The Republic

In line with the observation that tourism is becoming a key element of economic development in border regions, the author describes an approach to a specific form characteristic of border regions alone, i.e. cross-border tourism and its role as a factor in the development of regional and local economies. Cross-border tourism gains presentation here in relation to the mobility of tourists (with differing purposes) between neighbouring border regions of the Russian Federation and Finland, with no account taken, however, of the development and functioning of the tourist system overall. The aim has thus been to seek to substantiate the importance of the development of cross-border tourism in the socio-economic development of the Russian-Finnish borderland. In its several parts, this article focuses first on theoretical and practical developments of Russian and foreign academic thinking as regards the development of cross-border tourism. A second part then reveals (and looks for structure among) factors influencing the nature and dynamics of cross-border tourism development in the Russian-Finnish borderland. The role of these factors in the phenomenon’s development is identified. Empirical data are then used in a third part identifying features and general trends, with the stimulation of cross-border tourism considered a direction of importance in the development of border regions either side of the state border under study. Given the positive effect of cross-border trade on the development of Finnish border regions, it would seem crucial that Finnish tourists should be attracted to the Russian border area. Finally, the significance of the development of cross-border tourism in the Russian-Finnish borderland is deliberated, where the area in question is taken to encompass Murmansk Oblast, the Republic of Karelia and Leningrad Oblast in Russia, as well as Finnish Lapland, Northern Ostrobothnia, Kainuu, North Karelia, South Karelia and Kymenlaakso. Median indices are calculated. The outcomes of the research are regarded as of both academic and practical significance to the development of cross-border tourism, seen academically and from the point of view of both regional and municipal authorities and representatives of the tourist industry.

scholarly journals State regulation of rural development in the context of the implementation of regional development programs

2021 ◽  
Vol 210 (07) ◽  
pp. 87-92
Author(s):  
A. Zagurskiy
Keyword(s):  
Rural Development ◽  
Regional Development ◽  
Rural Areas ◽  
Spatial Development ◽  
State Regulation ◽  
Practical Significance ◽  
Development Programs ◽  
Infrastructural Support ◽  
Conceptual Foundations

Abstract. The goal. The research is aimed at studying the role of rural areas from the perspective of the implementation of regional development programs in the process of state regulation. Methods. In the course of the study, methods of observation, abstraction, analysis and synthesis were used. The conceptual foundations of state regulation of rural development through the implementation of state programs in the period of a sustainable process of urbanization, in the conditions of a post-industrial (information) society are described. Results and practical significance. In the study presented by the author, from the position of state regulation carried out by implementing the relevant tasks of state development programs, a scientific assessment of the modern role of rural territories in the socio-economic and spatial development of Russia is given. The author's position on the issue of the conceptual foundations of the processes of rural development in relation to the current development programs is given. The importance of infrastructural support of connections between rural territories and agglomerations to reduce the «economic distance» between them is reflected. The scientific novelty of the study. The results of the study of the role of rural territories from the perspective of state regulation processes are presented. An updated idea of the position of rural territories at the present stage of socio-economic and spatial development of the regions of Russia is given.

Elucidation of block boundaries as the dissolution channels in hydrated cement

1978 ◽  
Vol 36 (1) ◽  
pp. 484-485
Author(s):  
N.V. Belov ◽  
U.I. Papiashwili ◽  
B.E. Yudovich
Keyword(s):  
Liquid Phase ◽  
Grain Boundaries ◽  
Benzoyl Peroxide ◽  
Phase Contrast ◽  
Active Role ◽  
Point Of View ◽  
Hardened Cement ◽  
Hydrated Cement ◽  
Hardened Cement Paste

It has been almost universally adopted that dissolution of solids proceeds with development of uniform, continuous frontiers of reaction.However this point of view is doubtful / 1 /. E.g. we have proved the active role of the block (grain) boundaries in the main phases of cement, these boundaries being the areas of hydrate phases' nucleation / 2 /. It has brought to the supposition that the dissolution frontier of cement particles in water is discrete. It seems also probable that the dissolution proceeds through the channels, which serve both for the liquid phase movement and for the drainage of the incongruant solution products. These channels can be appeared along the block boundaries.In order to demonsrate it, we have offered the method of phase-contrast impregnation of the hardened cement paste with the solution of methyl metacrylahe and benzoyl peroxide. The viscosity of this solution is equal to that of water.

Specimen Preparation for Clinical Applications of X-Ray Microanalysis

1990 ◽  
Vol 48 (2) ◽  
pp. 328-329
Author(s):  
J.D. Shelburne ◽  
G.M. Roomans
Keyword(s):  
Carbon Coating ◽  
Clinical Applications ◽  
Point Of View ◽  
Practical Significance ◽  
Sweat Test ◽  
Specimen Preparation ◽  
Tissue Preparation ◽  
X Ray ◽  
Gallbladder Stones ◽  
Clinical Problems

Proper preparative procedures are a prerequisite for the validity of the results of x-ray microanalysis of biological tissue. Clinical applications of x-ray microanalysis are often concerned with diagnostic problems and the results may have profound practical significance for the patient. From this point of view it is especially important that specimen preparation for clinical applications is carried out correctly.Some clinical problems require very little tissue preparation. Hair, nails, and kidney and gallbladder stones may be examined and analyzed after carbon coating. High levels of zinc or copper in hair may be indicative of dermatological or systemic diseases. Nail clippings may be analyzed (as an alternative to the more conventional sweat test) to confirm a diagnosis of cystic fibrosis. X-ray microanalysis in combination with scanning electron microscopy has been shown to be the most reliable method for the identification of the components of kidney or gallbladder stones.A quantitatively very important clinical application of x-ray microanalysis is the identification and quantification of asbestos and other exogenous particles in lung.

Whatever Happened to the Cambridge Capital Theory Controversies? (With comments by L. Pasinetti, F. Fisher, J. Felipe and J. McCombie, R. Greenfield and reply by the authors)

2009 ◽  
pp. 4-27
Author(s):  
A. Cohen ◽  
G. Harcourt
Keyword(s):  
Economic Theory ◽  
Economic Thought ◽  
Point Of View ◽  
Chronological Order ◽  
Capital Theory

The article written by the well-known theorists and historians of economic thought contains a detailed overview of the Cambridge capital controversy, which had raged from the mid-1950-s through the mid-1970-s. The authors track the origins of the controversy and cover arguments of both sides in chronological order. From their point of view, the discussion hasnt been resolved, and its main underlying aspects were ideological beliefs and fundamental methodological controversies on the nature of equilibrium and on the role of time in economic theory. The article is published with comments written by other leading theoreticians.

Sign in / Sign up

Export Citation Format

Share Document