scholarly journals THE PROBLEM OF THE NATURE AND DIRECTION OF THE CULTURAL-HISTORICAL MOVEMENT

2020 ◽  
Vol 2 (2(71)) ◽  
pp. 46-49
Author(s):  
Cholpon Bazarbekovna Alisherova
Keyword(s):  
Intrinsic Value ◽  
General Scheme ◽  
Social Consequences ◽  
Soviet Culture ◽  
Cultural Concepts ◽  
Philosophy Of Culture ◽  
History Of ◽  
Social Rhythm ◽  
History Of Culture ◽  
Historical Movement

This article highlights the solution to the problem of the nature and direction of the cultural and historical movement. Different options, concepts are considered. The cultural concepts of Schiller, Herder and others are fected. View on the logic of the development of the cultural and historical process of representation of Soviet culture are revealed in detail. The types of evolutionary concepts of culture, such as single-line volition, are a consideration of the history of culture as the sequential development of various systems (religion, morals, economy e.t.c.) with the identification of general stages in it (E.Taylor, J.Fraser, L. Levy-Bruhl). The second type of evolutionary understanding of the logic of cultural-historical dynamics is the theory of universal evolution. Its essence is to recognize the identity of the development of various ethnic cultures, the denzal of the general stages and the general scheme of movement, but the purpose and meaning, of it is understood by its supporters differently Supporters of this theory are N.Ya Danilevsky, A.Toynbee, V.Solovyov, K. Jaspers, B. Malinvsky and others. Their concepts include the idea of the cultural evolution of mankind, going in different ways to some unity, the idea of polyphonic world culture and recognition the equivalence of all its components. The third type of evolutionary doctrine of culture is theories of multilinear evolution. The views of the representatives of this theory (R.Benedict, M. Herskovitz etc.) affirm the polymerization of the sociocultural space, the intrinsic value of different types and models of culture. Thus, the article gives the basic concepts that offer original solutions to one of the important problems in the philosophy of culture the problems of the logic of the cultural-historical movement. Now, in a period of rapid social rhythm of the development of production and non-production activities, the forecasting of changes in space is becoming especially important/ Taking into account the numerous technical and social consequences of the scientific and technological revolution put forward requirements related to spatial forecasting

scholarly journals Management Culture Metaphysics: Chaos, Order, Harmony

2021 ◽  
Vol 4 (2) ◽  
pp. 3-28
Author(s):  
Yelena Kovalenko
Keyword(s):  
Modern Science ◽  
Management Culture ◽  
General Management ◽  
Philosophy Of Culture ◽  
Logical Method ◽  
History Of ◽  
Deep Meaning ◽  
History Of Culture ◽  
Nature And Society ◽  
First Time

Introduction. Modern science, based on the abstract-logical method of cognition, is not able to comprehend the deep meaning of management culture in the organization processes of nature and society. A manager who uses a purely scientific approach will see only a part of the management object and not all its integrity and completeness. Purpose and methods. The purpose of the article is a metaphysical analysis of chaos, order, and harmony as fundamental concepts of general management culture, which will create a reliable tool for penetrating the depths of things and give not secondary interpretations, but to understand the essence of management culture yesterday, today and in the future. The methodological basis of the study is the metaphysical and dialectical principles of cognition, systemic and culturological approaches to the study of organizational phenomena and processes, as well as the fundamental provisions of the theory and history of culture. Results. The main approaches to the representation of chaos, order, and harmony in the mythopoetic picture of the world are considered. The most significant features of understanding chaos, order, and harmony in the philosophy of culture of the East are determined. The specifics of chaos, order, and harmony reflection in the philosophy of Western culture are revealed. A metaphysical synthesis of philosophical and scientific approaches to understanding chaos, order, and harmony in the context of management culture is carried out, and its deep essence is revealed. Conclusions. For the first time, a metaphysical analysis of chaos, order, and harmony in the organizational and cultural aspect was conducted, which allowed to penetrate the environment of transcendent management culture and to comprehend its deep meaning. The significance of the study is manifested in the addition of science to new theoretical provisions on the management culture metaphysics, as well as the possibility of using them in the training process of organizations’ managers.

Igor Alexandrovich Smirnov and his constructivist concept of Soviet culture

2020 ◽  
pp. 19-25
Author(s):  
I.I. Dokuchaev
Keyword(s):  
First Generation ◽  
Soviet Culture ◽  
Relevant Today ◽  
Russian State ◽  
State Pedagogical ◽  
Long Time ◽  
History Of ◽  
History Of Culture ◽  
Classical Culture ◽  
First Time

The paper presents a new book published by the Russian State Pedagogical University named after A.I. Herzen in 2020, belonging to the pen of one of the most talented culturologists of their first generation in Russia — Igor Alexandrovich Smirnov. The book was written during the work of I.A. Smirnov at the Department of Theory and History of Culture of Russian State Pedagogical University named after A.I. Herzen in 1993, but published for the first time. It is extremely relevant today both in the subject of research and in the method. It presents the original concept of Soviet literature and culture, based on the constructivist methodology. I.A. Smirnov convincingly shows that Soviet culture is a structure created according to the model of classical culture, but not spontaneously, that is, as a result of free creativity or traditions that existed for a long time, but by state order. The paper demonstrates the deformations that inevitably arise as a result of the implementation of such projects.

scholarly journals Subjectivity of the perception of Time in the Myth -making of the Soviet Era

2021 ◽  
Vol 3 (120) ◽  
pp. 155-161
Author(s):  
Tatiyana I. Erokhina ◽  
Keyword(s):  
Theoretical Models ◽  
Semantic Content ◽  
Cultural Knowledge ◽  
Soviet Period ◽  
Soviet Culture ◽  
Cultural Codes ◽  
History Of ◽  
History Of Culture ◽  
Perception Of Time ◽  
Definition Of

Time is the basic concept of modern cultural and socio-cultural knowledge. Being a part of the chronotope, the concept of time in the history of culture becomes self-sufficient and is represented at different levels. The discourse of time sets an axiological system of coordinates and cultural codes that allow us to reveal the essential characteristics of different types of culture. The most representative transformation of ideas about time is represented in Soviet culture, which claims to model a new picture of the world. The article deals with the mythological discourse of time, which reveals the temporality of human existence in the Soviet era. The author analyzes the structure and semantic content of the definition of mythological time, determines the vectors of subjectivization of time in the process of myth-making. Mythological time cycles and holidays created during the Soviet period are outlined, and the futuristic and utopian nature of the time paradigm is revealed. When discussing the topic, the author turns to the representation of the perception of time in artistic and everyday practices, and notes the transformation and evolution of the discourse of timein relation to theoretical models of temporality. The author notes the ritual nature of Soviet culture, in which time becomes not only a condition for the existence of the ritual, but also its content aspect. The time paradigm becomes the ontological basis for the formation of the Soviet canon in art. The article outlines the continuity and originality of the subjectivization of time in the myth-making of the Soviet era, which can become the basis for understanding the evolution and paradoxical nature of the temporal discourse of modernity.

EPITAFIES OF THE RELATIVES OF HADJI IBRAHIM AL-URADI AS A SOURCE ON THE BIOGRAPHY OF THE SCIENTIST AND ON THE HISTORY OF GIDATL

2017 ◽  
Vol 13 (4) ◽  
pp. 13-21
Author(s):  
Sh M Khapizov ◽  
M G Shekhmagomedov
Keyword(s):  
18Th Century ◽  
Medieval History ◽  
Historical Sources ◽  
The Past ◽  
Arabic Script ◽  
History Of ◽  
History Of Culture ◽  
The Look ◽  
Cultural Monuments ◽  
Written Sources

The article is devoted to the study of inscriptions on the gravestones of Haji Ibrahim al-Uradi, his father, brothers and other relatives. The information revealed during the translation of these inscriptions allows one to date important events from the history of Highland Dagestan. Also we can reconsider the look at some important events from the past of Hidatl. Epitaphs are interesting in and of themselves, as historical and cultural monuments that needed to be studied and attributed. Research of epigraphy data monuments clarifies periodization medieval epitaphs mountain Dagestan using record templates and features of the Arabic script. We see the study of medieval epigraphy as one of the important tasks of contemporary Caucasian studies facing Dagestani researchers. Given the relatively weak illumination of the picture of events of that period in historical sources, comprehensive work in this direction can fill gaps in our knowledge of the medieval history of Dagestan. In addition, these epigraphs are of great importance for researchers of onomastics, linguistics, the history of culture and religion of Dagestan. The authors managed to clarify the date of death of Ibrahim-Haji al-Uradi, as well as his two sons. These data, the attraction of written sources and legends allowed the reconstruction of the events of the second half of the 18th century. For example, because of the epidemic of plague and the death of most of the population of Hidatl, this society noticeably weakened and could no longer maintain its influence on Akhvakh. The attraction of memorable records allowed us to specify the dates of the Ibrahim-Haji pilgrimage to Mecca and Medina, as well as the route through which he traveled to these cities.

Consortium of European Research Libraries 2008: New Challenges

2009 ◽  
pp. 80-84
Author(s):  
Nailya F. Verbina ◽  
Andrei C. Masevich
Keyword(s):  
International Organizations ◽  
International Research ◽  
Book History ◽  
Bibliographic Database ◽  
European Research ◽  
Research Libraries ◽  
International Research Institute ◽  
History Of ◽  
New Challenges ◽  
History Of Culture

On the activities of one of the most significant international organizations connected with research of book history - Consortium of European Research Libraries. The creation of a bibliographic database of the printed book from 1452 to 1830, which was supposed to collect materials from libraries of Europe, was the goal of Consortium since the beginning of its foundation. The authors of the article write that today the activities of the Consortium is much broader, it turns into international research institute on the history of culture.

THE UNITY OFTHEME AND IDEA IN FURQAT'S WORK

2020 ◽  
Vol 1 (3) ◽  
pp. 120-124
Author(s):  
Latofat Tajibayeva ◽  
Keyword(s):  
Critical Thinking ◽  
Social Consciousness ◽  
Special Role ◽  
Classical Literature ◽  
History Of ◽  
History Of Culture ◽  
Xix Century

This article discusses the importance of Furkat's work in the semantic renewal of classical literature. Furkat's work, which played a special role in the development of enlightenment literature, has a strong place in the history of culture in the second half of the XIX century and the beginning of the XX century. Critical thinking prevailed in the poet's lyrics, which glorified universal ideas. The expression of social consciousness in an objective and truthful way, the stabilization of realistic principles, begins with Furkat's poetry.

Tusslers, Beatdowns, and Brothers: A Sociohistorical Overview of Video Game Arcades and theStreet FighterCommunity

2017 ◽  
Vol 14 (7-8) ◽  
pp. 742-762
Author(s):  
Michael Ryan Skolnik ◽  
Steven Conway
Keyword(s):  
Video Games ◽  
Identity Formation ◽  
Video Game ◽  
Economic Conditions ◽  
Moral Panics ◽  
The Social ◽  
History Of ◽  
And Performance ◽  
Historical Movement

Alongside their material dimensions, video game arcades were simultaneously metaphysical spaces where participants negotiated social and cultural convention, thus contributing to identity formation and performance within game culture. While physical arcade spaces have receded in number, the metaphysical elements of the arcades persist. We examine the historical conditions around the establishment of so-called arcade culture, taking into account the history of public entertainment spaces, such as pool halls, coin-operated entertainment technologies, video games, and the demographic and economic conditions during the arcade’s peak popularity, which are historically connected to the advent of bachelor subculture. Drawing on these complementary histories, we examine the social and historical movement of arcades and arcade culture, focusing upon the Street Fighter series and the fighting game community (FGC). Through this case study, we argue that moral panics concerning arcades, processes of cultural norm selection, technological shifts, and the demographic peculiarities of arcade culture all contributed to its current decline and discuss how they affect the contemporary FGC.

Christianity and Literature: Covertly Public, Overtly Private

1998 ◽  
Vol 47 (3) ◽  
pp. 261-283
Author(s):  
Martin E. Marty
Keyword(s):  
Cultural Context ◽  
Annual Convention ◽  
Modern Language Association ◽  
Job Description ◽  
Modern Language ◽  
The Public ◽  
Public Religion ◽  
History Of ◽  
History Of Culture ◽  
Christian Century

This article is based upon an address to the Conference on Christianity and Literature at the Annual Convention of the Modern Language Association in Toronto on 29 December 1997. The invitation asked me to comment on the public/private distinction that I make as Director of the Public Religion Project and to accent the “cultural context,” which fits my History of Culture faculty assignment and three decades of writing Context, a newsletter relating religion to culture. I was to inform it theologically, which a divinity professor is supposed to be able to do, and to show some curiosity about the literary theme, as my decades-long stint as literary editor at The Christian Century should poise me to do. Under it all my limiting job description matches a badge provided me at a conference in Tübingen, where the hosts handed out identifications marked “Theologian of History,” “Theological Historian,” and “Historical Theologian.” Mine read simply, “Historical Historian.”—MEM

Spiritual Crisis of the Beginning of the 20th Century: From Philosophical to Religious Interpretations

2021 ◽  
pp. 79-88
Author(s):  
Alexander V. Koltsov ◽  
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
The Other ◽  
German Philosophy ◽  
Religious Consciousness ◽  
Religious Context ◽  
Spiritual Crisis ◽  
History Of ◽  
History Of Culture ◽  
The One

The paper is an attempt to narrow down the notion of spiritual crisis which is now widely applied in research on history of culture of the 19th–20th centuries, with respect to history of German philosophy and observation of modern reli­giosity. The shift from the history of philosophy to the religious context is ful­filled through analysis of texts of two religious thinkers, A. Reinach and S. Frank, whose thought clearly demonstrates strong interconnection between the both fields. Analysis of contemporary studies on history of phenomenological philos­ophy (C. Möckel and W. Gleixner) lets firstly observe ways of application of Koselleck’s notion of crisis to investigations in the history of philosophy. Sec­ondly it discovers two possibilities of philosophical contextualization of the con­cept of spiritual crisis – on the one hand, as a constituent rhetorical element of the philosophical statement (Möckel), on the other hand, as a term which de­scribes the uniqueness of an intellectual situation of the beginning of the 20thcentury (Gleixner). Then these aspects of the rhetoric of crisis are applied to reli­gious philosophy of Reinach and Frank, what leads to interpretation of their works as a particular statement discovering the divine (or the holy) as a new cat­egory of religious consciousness.

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