Creative Environment in the Context of Coworking Center Design

2021 ◽  
Vol 10 (4) ◽  
Author(s):  
Kseniia Prуkhod'ko ◽  
Keyword(s):  
Main Property ◽  
Ease Of Use ◽  
Human Needs ◽  
Complex Design ◽  
Aesthetic Pleasure ◽  
Spatial Environment ◽  
Creative Space ◽  
Human Orientation ◽  
Artistic Image ◽  
Creative Environment

The article is devoted to identifying the features of the creative environment in the context of the specifics of the space of the coworking center and to determine the basic design principles and means of its creation. The concept of "creative space" in the context of the specifics of the design of the coworking center has been clarified and supplemented. In this study, the concept of creative environment is considered by us as a subject-spatial environment, in the process of development and creation of which the designer takes into account not only the specifics of the philosophy of self-realization, but also tools to meet this need in anthropocentric approach. The study found that modern coworking centers, thanks to unique design approaches, are positioned as a favorable creative environment for the work of the creative class in the context of the implementation of new creative ideas. It is proved that functionality, artistic image, providing the necessary conditions for efficiency, ease of use, safety and aesthetic pleasure from being in the space of the coworking center and interaction with objects is achieved only through a systematic approach to design, which takes into account functional and technological and social -cultural factors. It is determined that the creation of a creative environment of a coworking center by a designer is the result of complex design - joint technical, aesthetic and artistic activities, the main property of which is anthropocentrism, ie human orientation. Accordingly, in the design process, the designer proceeds solely from human needs (in this case during work) to avoid unwanted adaptation of visitors to the coworking center to the environment created by him.

scholarly journals “SYSTEM OF IMAGE IN CREATIVITY OF CHINGIZ AYTMATOV”

2021 ◽  
Vol 58 (1) ◽  
pp. 5558-5569
Author(s):  
Raima Shirinova Et al.
Keyword(s):  
Artistic Expression ◽  
Individual Person ◽  
Aesthetic Pleasure ◽  
Artistic Images ◽  
Artistic Image

Background: this article is devoted to the work of the Kyrgyz Soviet writer ChingizAytmatov. In the vast world of fiction, Aytmatov's works amaze us with their figurative system. Against the background of everything and everyone, admires us with the simplicity, beauty, the variety of images created by the writer, whether it is the image of a person, politician, journalist, village shepherd, tree, horse, whale, ocean, etc.The Sarozek steppes, the vastness of space, Issyk-Kul, the Kremlin, Red Square in Moscow, a yurt in a Kyrgyz village, a church choir, Shostakovich's music, Georgian singing, Baikonur, legends about mankurt and many other concepts and phenomena of humanity make up the figurative system of ChingizAytmatov. The created artistic images cover huge layers of the life of peoples, an individual person, accompanying a person with his constant anxieties, experiences, joy, gains, losses and much of what we call life. Results: Reading Aytmatov, getting imbued with his images, we are more and more convinced that literature in a number of other arts is closer and more understandable to a person, because the main means of artistic expression is the word, this is a natural need for communication between people. We love to speak out, hear someone's confession; we simply cannot do without speech. And then we ask ourselves the question, what is this - the art of the word, how the word turns into an artistic image and makes us compassionate, laugh and cry, think, agree and argue, and most importantly receive aesthetic pleasure, because literature is an art. Conclusions: All ingenious is simple. Characters, descriptive elements of the plot, used by the author to create certain images, are in a certain system, filled with aesthetic, philosophical, realistic meaning.

FORMATION OF A CREATIVE SPACE IN A MODERN CITY

2021 ◽  
pp. 100-110
Author(s):  
Svyatoslav I. Prokhorov ◽  
Keyword(s):  
Leisure Time ◽  
Urban Landscape ◽  
Industrial Society ◽  
Human Needs ◽  
Social Mapping ◽  
Creative Space ◽  
The Individual ◽  
Post Industrial ◽  
Urban Sites

The article considers an issue of the formation and embedding of the newest spaces (in particular, creative ones) into the urban landscape, the formation of which became both a consequence and a condition for the formation of a post-industrial society in the digital economy, which is actively discussed not only among foreign researchers, but also in the Russian humanitarian discourse. The emergence of such spaces updated the themes of using the creative potential of people in the formation or conversion of urban sites, revitalizing abandoned industrial areas, choosing a place to live, ways of spending the leisure time and much more. Creative spaces have become objects for the realization of human needs in the newest conditions of our time due to their key property – the use of the individual creativity of the site users. The article presents the results of a number of qualitative studies conducted from 2018 to 2020, including: content analysis “Creative space in Russian and Western practice”, expert interviews “Formation of creative spaces in modern Moscow through the eyes of experts”, and social mapping “Map of art-clusters of Moscow”, which made it possible to describe the hierarchy of creative spaces, the general algorithm for their formation, the conditions for the long-term existence of such clusters, as well as the peculiarities of their appearance on the map of Moscow.

Stage Design as a Spatial Environment of the Performance: Definition of the Concept

2021 ◽  
Vol 10 (4) ◽  
Author(s):  
Oksana Popova ◽  
Keyword(s):  
Human Life ◽  
Visual Image ◽  
Main Task ◽  
Conceptual Approach ◽  
Stage Design ◽  
Decorative Art ◽  
Spatial Environment ◽  
Art Activities ◽  
Definition Of ◽  
Artistic Image

The article is devoted to the definition of "stage design". On the basis of terminological analysis, the essence of the concept of "stage design" is revealed, its essential features are determined and the connection with other concepts in the context of artistic design of a theatrical production is analyzed. With the help of comparative analysis, common and different features between the concept of "scenography" and "theatrical and decorative art" were revealed. The definition is understood by us as a list of essential features of an object or phenomenon that represent the concept and verbal expression of those specific features that distinguish this concept from related to it. The study found that stage design as a type of design and art activities involves the design, construction and organization of stage space with elements of other types of design, composition and stylistic devices. Its main task is to work with the environment of human life in a conventional play space, to create an artistic image of the play, which will make the viewer an emotional impression, relevant to the issue of staging. In our opinion, the term "stage design" most accurately reflects the state of the essential and conceptual approach to the solution of scenographic design of plays in domestic directing theater, the process of creating a unique visual image due to the synthesis of symbolic means to reveal the author's concept and meaningful content.

scholarly journals Leading transformation techniques of the traditional Japanese decorative art in design of modern restaurants

2020 ◽  
pp. 47-58
Author(s):  
Marina Borisovna Grigoreva
Keyword(s):  
Design Solution ◽  
Decorative Art ◽  
European Culture ◽  
Spatial Environment ◽  
Solution Methods ◽  
Innovative Solution ◽  
The Difference ◽  
Key Techniques ◽  
Far Eastern ◽  
Artistic Image

This article is aimed at studying and systematization of key techniques in designing ethnic interior, namely in Japanese restaurants located in Russia. The research defines the difference in perception of space in Japanese and European culture, as well as determines usage of traditional and innovative solution methods of an artistic image. In practice, the conducted research may become an evaluation category in analysis of creative techniques of modern authors who implement Far Eastern theme in designing restaurant environment. The subject of this research is the artistic and decorative approaches in the context of interpretation of authentic Japanese environment. Within the framework of established approaches, the author determines the additional design solution methods. The object of this research is the restaurants of Japanese cuisine that are located in Russia and designed by European authors. The novelty consists in systematization of the key compositional techniques in design of modern restaurants with ethnic concept in Russia. It is established that the leading approach in design is the interpretation of components borrowed from authentic architectural objects and decorative art, as well as formation of associative impressions for reflecting the ethnic theme. The approach based on interpretation of the known by European recipient architectural and decorative techniques of object-spatial environment is dominant, which allows viewing the elements of interior and traditional decorative art as a leading component of authentic culture that undergoes stylization in formation of an artistic image of modern restaurants.  

Monuments on the planning structure ensembles of the Novocherkassk

2016 ◽  
Vol 4 (4) ◽  
pp. 0-0
Author(s):  
Александр Тумасов ◽  
Ольга Волк ◽  
Olga Volk
Keyword(s):  
Urban Environment ◽  
Urban Space ◽  
Monumental Sculpture ◽  
Spatial Environment ◽  
Artistic Image ◽  
The City

An important role in shaping the architectural and artistic image of the city have a monumental sculpture. The article analyzes the compositional principles of inclusion monuments in the spatial environment of the city. The analysis of individual fragments of urban space Novocherkassk enriched plastic elements. Based on the analysis the negative patterns of switching sites in the urban environment in recent years.

scholarly journals Human–Robot Collaboration Acceptance Model: Development and Comparison for Germany, Japan, China and the USA

2019 ◽  
Vol 11 (5) ◽  
pp. 709-726 ◽  
Author(s):  
Christina Bröhl ◽  
Jochen Nelles ◽  
Christopher Brandl ◽  
Alexander Mertens ◽  
Verena Nitsch
Keyword(s):  
Cultural Context ◽  
Model Development ◽  
Human Robot Interaction ◽  
Ease Of Use ◽  
Perceived Usefulness ◽  
Perceived Ease Of Use ◽  
Human Needs ◽  
The Usa ◽  
Acceptance Model ◽  
Human Robot Collaboration

Abstract The use of robots in the national economy—especially in industrialized countries—is growing. At the same time, the interdependency between humans and robots is getting increasingly closer: they are engaging in direct contact with each other as more and more organizations let robots and humans work hand-in-hand. One factor that predicts successful human–robot interdependency is the acceptance of the robot by the human. Generally, only when an innovative assistive working system covers human needs and expectations, it is perceived to be useful and hence accepted. Furthermore, it has been found that cultural context has an impact on human–robot interaction, as people feel more comfortable interacting with a robot in a culturally normative way. Therefore this paper aims at presenting a human–robot collaboration acceptance model (HRCAM) with regard to the collaboration between humans and robots that is based on prior acceptance models, while also considering technology affinity and ethical, legal and social implications. Additionally, similarities and differences in robot acceptance are shown for four selected countries—both in comparison to the overall human–robot collaboration acceptance model and between the countries. The HRCAM additionally shows which variables influence perceived usefulness and perceived ease of use, and thus behavioral intention to use and use behavior. A further distinction is made between anchor variables, which can be influenced in the long term, and adjustment variables, which can be influenced in the short to medium term. The model therefore offers practitioners in the field of human–robot collaboration recommendations to increase the acceptance of robots.

scholarly journals VALUES, THEIR CLASSIFICATION AND INFLUENCE ON LABOR RESULTS

2017 ◽  
pp. 88-91
Author(s):  
Zoriana Pushkar ◽  
Bohdan Pushkar
Keyword(s):  
Job Satisfaction ◽  
Personnel Management ◽  
Human Behavior ◽  
Human Needs ◽  
Effective System ◽  
Personal Qualities ◽  
Human Orientation ◽  
The Individual ◽  
The Impact

The article examines the values, their classification and the impact on the results of labor. The place of values in the creation of an effective system of personnel management is determined. The role of personality in the process of personnel management is highlighted. The main features of the personality that influence its behavior are revealed: internalize, externalism, authoritarianism, Machiavelli’s, orientation towards achievement, predisposition to risk. The most important values (economic, social, aesthetic, theoretical, religious, political) that form the behavior of a person in an organization are determined. It was established that the primary determinants of human behavior and its outcome are personal qualities of a person, environment, interests, guidelines, human needs, social status and status, previous experience, goals, human orientation and desire to study. The most typical relations of the individual in the organization are distinguished: job satisfaction; interest in work; organizational commitment - orientation of the individual to the organization within the framework of identifying oneself with her and feeling of independence and loyalty; the search for the reduction of dissonance - an attempt to reduce the contradiction between the life position and the behavior of the individual. The emphasis is on those values that are the priority in everyday life.

scholarly journals WAYFINDING DESIGN IN THE SPATIAL ENVIRONMENT OF AN EDUCATIONAL INSTITUTION: DESIGN AND METHODOLOGICAL ASPECTS

2020 ◽  
pp. 16-16
Author(s):  
Olga V. Khomenko
Keyword(s):  
Educational Institution ◽  
Public Spaces ◽  
Ease Of Use ◽  
Educational Institutions ◽  
Empirical Methods ◽  
Environmental Friendliness ◽  
Visual Elements ◽  
Spatial Environment ◽  
Analysis And Synthesis ◽  
Methodological Aspects

The paper considers theoretical aspects of navigation design in public spaces of educational institutions. The research is based on theoretical and empirical methods: literature analysis, target audience surveying, comparative analysis, and synthesis. Requirements for signage are specified, concerning: information content, visibility, uniformity of visual elements, esthetics, ease of use, cost-effectiveness in production and ease of replacement of information, environmental friendliness of materials, and safety for humans and the environment.

Morphogenetic machines revealed: Microscopy of living cells in the embryo of the frog, Xenopus laevis

1993 ◽  
Vol 51 ◽  
pp. 172-173
Author(s):  
Ray Keller
Keyword(s):  
Image Processing ◽  
Fluorescent Dyes ◽  
Cell Movement ◽  
Living Cells ◽  
Ease Of Use ◽  
Low Light ◽  
Amphibian Embryo ◽  
Large Populations ◽  
Light Fluorescence ◽  
Video Image Processing

The amphibian embryo offers advantages of size, availability, and ease of use with both microsurgical and molecular methods in the analysis of fundamental developmental and cell biological problems. However, conventional wisdom holds that the opacity of this embryo limits the use of methods in optical microscopy to resolve the cell motility underlying the major shape-generating processes in early development.These difficulties have been circumvented by refining and adapting several methods. First, methods of explanting and culturing tissues were developed that expose the deep, nonepithelial cells, as well as the superficial epithelial cells, to the view of the microscope. Second, low angle epi-illumination with video image processing and recording was used to follow patterns of cell movement in large populations of cells. Lastly, cells were labeled with vital, fluorescent dyes, and their behavior recorded, using low-light, fluorescence microscopy and image processing. Using these methods, the details of the cellular protrusive activity that drives the powerful convergence (narrowing)

Relationships Between Grain Boundary Structure and Material Properties

1980 ◽  
Vol 38 ◽  
pp. 366-369
Author(s):  
Brian Ralph ◽  
Barlow Claire ◽  
Nicola Ecob
Keyword(s):  
Grain Boundary ◽  
Material Properties ◽  
Main Property ◽  
Grain Structure ◽  
Boundary Structure ◽  
Grain Boundary Structure ◽  
Property Changes

This brief review seeks to summarize some of the main property changes which may be induced by altering the grain structure of materials. Where appropriate an interpretation is given of these changes in terms of current theories of grain boundary structure, and some examples from current studies are presented at the end of this paper.

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