scholarly journals VISUAL IMAGES OF THE INVISIBLE IN MODERN CULTURE

2019 ◽  
pp. 39-42 ◽  
Author(s):  
N. V. Shmeleva ◽  
A. A. Klyuev
Keyword(s):  
Modern Art ◽  
Sensory Perception ◽  
Visual Images ◽  
Human Being ◽  
Modern Culture ◽  
Cultural Images ◽  
Reality Show ◽  
Visible Images ◽  
The Given ◽  
The Invisible

The given article is analysing images of the invisible by example of sensory perception visual cultural images by a human being. Qualia, which is a problem phenomena in philosophical society, to this day, provoking discussions of the very fact of its existence, is embodied in art, and claim a human being not be, what he or she is really, but wants to be. Such a desire is expressed in an active position of art to intensify taste for life, adorn our reality, show an alternative for a possible development of a human being, who becomes a culture character. In culture, a great deal is based not on presentation of other worlds, but on their sensation of other worlds, and the latter changes his or her concept of the art visual constituent. Moreover, such a concept translates a new aesthetics of beauty through visible images, and the aesthetics raise a human being over his or her homeliness. In many respects, this phenomena is originated from semiotic practices of modern art, embedded the idea into human conscience as follows: He or she is always a creator and co-author of the all new, that is why, should strain every effort to endow art images with his or her symbolic sense and increase importance of the new. Facing an artwork, a human being raised its aesthetical status, attributing the art his or her individual senses, which his or her self-sentiment is traced with. At the same time, cultural images emphasise internal human beauty with its semiotic models; such a phenomena generates the modern idea of Kalokagathia, connected with aesthetics of being felt beauty.

Der fliegende Pfeil

2010 ◽  
Vol 55 (1) ◽  
pp. 69-89
Author(s):  
Katharina Münchberg
Keyword(s):  
Lyric Poetry ◽  
Modern Art ◽  
Sensory Perception ◽  
Spatial Change ◽  
Modern Age ◽  
Time Space

Die Kunst der Moderne, insbesondere die Lyrik, entwickelt eine eigene ästhetische Konzeption der Bewegung, die mit der klassischen Vorstellung der Bewegung als räumlicher Veränderung eines Körpers in der Zeit bricht. Baudelaires À une Passante, Rimbauds Bateauivre und Paul Valérys Le Cimetière marin sind drei paradigmatische Texte der französischen Moderne, in denen Bewegung als zeiträumliches Kontinuum reflektiert und in der Dynamik der Sprache materialisiert wird. Die moderne Kunst, so erweist sich, ist selbst Bewegung und stiftet Bewegung. Sie wird zu einer Kunst des Werdens, nicht der Substanz, zu einer Kunst der reinen sinnlichen Wahrnehmung, nicht des Begriffes, zu einer Kunst der diskontinuierlichen Erlebnisse, nicht der Erfahrung.<br><br>The art of the modern age, particularly the lyric poetry, develops an own aesthetic conception of the movement which breaks with the classic idea of the movement as a spatial change of a body in time. Baudelaires À une Passante, Rimbauds Bateau ivre and Paul Valérys Le Cimetière Marin are three paradigmatic texts of the French modern age, in which movement is reflected as a time-space-continuum and materialized in the dynamic of language. Modern art is itself movement and causes movement. It becomes an art of the development, not sub- stance, an art of pure sensory perception, not concept, an art of discontinuous adventures, not experience.

scholarly journals Словообразовательные модели немецкоязычных неологизмов в интернетдискурсе

2021 ◽  
Vol 70 (7) ◽  
pp. 12-18
Author(s):  
Т.В. Аникина ◽  
О.Ф. Родин
Keyword(s):  
Vocabulary Development ◽  
The Internet ◽  
German Language ◽  
Internet Communication ◽  
Modern Culture ◽  
New Words ◽  
The Given

Communication in the Internet is an important characteristic of modern culture. The Internet has a significant impact on the vocabulary development. Due to this process new words known as neologisms appear in the Internet communication. Neologisms penetrate actively into any language, as such words react quicklier to all changes in the society life and in the language. The given article deals with the derivational models of German-language neologisms. The study showed that the main ways to form German neologisms are affixation, compounding, abbreviation, borrowing, blends and semantic derivation

Approaching the Invisible

2022 ◽  
pp. 137-148
Author(s):  
John Christopher Woodcock
Keyword(s):  
20Th Century ◽  
World Wide ◽  
New Materialism ◽  
Western Philosophy ◽  
Late 20Th Century ◽  
Modern Culture ◽  
Spiritual Emergency ◽  
Modern Times ◽  
The World ◽  
The Invisible

In modern times, Western philosophy eschews any metaphysical or occult references to invisible reality as being culturally obsolete. Modern culture now privileges language that reflects our unshakeable allegiance to materialism in which the things of the world no longer have any depth of meaning. This chapter compares two modern cultural approaches to invisible reality emerging in the late 20th century in response to the growing world-wide crisis of meaninglessness. The first approach gathers many different methodologies under the umbrella term The New Materialism. The second approach focusses on initiatory experiences once known as Spiritual Emergency. Both approaches are moving us towards a new understanding of matter, based on the reality of the invisible. Throughout the chapter, the author will italicise words such as “invisible,” “life,” “alive,” “alien,” “ether,” “spatial,” “virtual,” “fluid,” and “absence” in order to refer to a new kind of fluid, living, invisible matter that we are bringing to language in modern times.

scholarly journals "Life is a dream": Ibn ‘Arabī on the Mysteries of Divine

1970 ◽  
Author(s):  
James W. Morris
Keyword(s):  
Human Relation ◽  
Human Being ◽  
Film Festival ◽  
Personal Meanings ◽  
Shadow Play ◽  
Ibn Arabi ◽  
First Time ◽  
Shadow Theater ◽  
The Invisible

We are the bees of the invisible. Lovesick, we forage for the honey of the visible, to store it in the great golden hive of the Invisible.Rainer Maria Rilke For Ibn ‘Arabī, as for Plato and Dante (or Calderon), all of earthly life and existence is essentially a divine Dream:” a singular, ongoing, timelessly interpenetrating, profoundly meaningful and ultimately transformative cinematic drama that cosmic “Play” and universal shadow-theater whose personal meanings and mysteries each of us must gradually discover through all our hastily improvised roles as audience, author, reader, performer, and even critic.This essay, centering on key passages translated for the first time from the concluding volume of our Murcian master's immense book of Meccan Illuminations, highlights some of the key elements of the universal process of spiritual realization within which each human being gradually moves from the perception of this unfolding shadow-play in sharply limited worldly terms toward the deepening recognition of its aim and fulfillment as a shared, never-ending adventure of divine-human discovery. In order to provide a basic metaphysical framework for these more focused and practical insights, I have begun here with a few more familiar selections from Ibn ‘Arabī 's earlier foundational chapter (63) devoted to outlining our human relation to this entire Play of our earthly (and posthumous spiritual) existence conceived as a cosmic divine "Imagining” (ḫayāl) within which we and our familiar worlds are both the dreamed and yet also in so many shifting ways active dreamers.Given the larger film festival context of this conference, I had originally hoped to draw out more explicit connections at each stage between Ibn ‘Arabī's teachings and observations and particular cinematic illustrations fitting each of these short passages. However, given both the greater time that would require and the need to clearly explain each of the chosen examples we might take up, I must ask each of you instead, as we proceed, simply to notice the pertinent illustrations that will inevitably come to mind. 

'The Invisible Reality Show': Performative intervention and the production of the contemporary space

2011 ◽  
Vol 2 (2) ◽  
pp. 267-278
Author(s):  
FERNANDA GOMES
Keyword(s):  
Rio De Janeiro ◽  
Public Spaces ◽  
Urban Context ◽  
Site Specific ◽  
Reality Show ◽  
Artistic Experience ◽  
The Invisible

The performance intentions that interfene into public spaces− ‘site-specific performances' – can raise several issues, and this article will debate some of them. From artistic, sociological, cultural and geographic perspectives, urban interventions and performances take place in the artistic scenario and in the development of contemporary space. This article starts with the experience of the Danish group 'Udflugt', that has been in Rio de Janeiro presenting the methodologies and processes which arose after the birth of the concept of 'The Invisible Reality Show' which is used in their work. Through this article I intend to make connections between the perceptive changes of daily space, the processes of sociability, and the artistic experience in the urban context.

scholarly journals Membangun Insan Kamil dari Perspektif Media; Media Literasi sebagai Kontrol Sosial

2017 ◽  
Vol 1 (2) ◽  
pp. 211
Author(s):  
Khomsiyatul Mukarromah
Keyword(s):  
Media Literacy ◽  
Driving Force ◽  
Media Influence ◽  
Human Being ◽  
Reality Show ◽  
The Media ◽  
Human Quality ◽  
Educated Person

Insan kamil (the perfect human) is the most ideal concept in achieving the best quality of human being in all its dimensions. The extent of media influence on the knowledge, attitude, mental, and spiritual quality of human being is not something that needs to be debated again. Television with its capacity has the same great potential as a driving force or a barrier at the same time for the development of human quality. A growing phenomenon about the content of television in Indonesia is increasingly revealing the colors of mourning in its massive dissemination. The composition of the broadcast is full with entertainment which is ranging from the telenovela, infotainment, reality show, charity show, comedy, crime to other news are very far from the role of educating. Thus, where are broadcasting program rules that must contain 70% of the educative elements? Even an impressed classy broadcasting program such as talk show which is hosted by an “educated person” have not been off completely from the framing of the media. This paper seeks to offer a media literacy concept in response to these problems. Media literacy is an ability to access, understand, analyze, evaluate, and producing media information in a variety of contexts. This is intended so that the community can afford to be critical and creative, not merely subject to exploitation by the media but make them explore and have media skilled.

scholarly journals Crimean Tatar Ornament in Modern Art and Design

2021 ◽  
Vol 4 (1) ◽  
pp. 93-103
Author(s):  
Liliana Vezhbovska
Keyword(s):  
Visual System ◽  
Modern Art ◽  
Semiotic Analysis ◽  
National Cultures ◽  
Modern Culture ◽  
Art And Design ◽  
Modern Times ◽  
Communicative Ability ◽  
Cultural Dialogue ◽  
Crimean Tatar

The purpose of the research is to identify the functioning features of Ornek, a traditional Crimean Tatar ornament in modern culture, art and design. The research methodology is based on the application of art history, comparative and semiotic analysis. The novelty of the research is to identify the functioning of the Crimean Tatar ornament in modern times, to determine special symbolic and graphic structures in the visual system Ornek, which allow not only to develop in modern Crimean culture but also show the high communicative ability to establish a cross-cultural dialogue. Conclusions. The study of Crimean Tatar ornament in modern art and design testifies to its high ability to adapt to new conditions, which allows us to talk about the flexibility of its visual system. In modern art and design projects, it appears as a phenomenon that can abstract from archaic forms and organically combine not only with the latest materials and techniques but also to create unity with the phenomena of other national cultures.

scholarly journals Implementasi Algoritma Squeezer dan Term Frequency Ranking dalam Pembangunan Sistem Rekomendasi Tempat Makan

2014 ◽  
Vol 6 (1) ◽  
pp. 25-32
Author(s):  
Vincentius Wirawan ◽  
Seng Hansun ◽  
Hargyo Tri Nugroho I.
Keyword(s):  
Human Being ◽  
Term Frequency ◽  
Search Results ◽  
Index Terms ◽  
The Given

Food is something that can not be separated from the life of every human being. Its variation makes a lot of people interested in tasting many types of food, even they have not known yet. The detail information of restaurants, especially their location could be a problem. So, the restaurants recommendation website is made to help them. The recommendations are given by the Squeezer algorithm using the user’s input as references. The accuracy of the given recommendations are determined from the amount and consistency of the user at the time of selecting the item. The Term Frequency Ranking is used as a searching feature to display the search results in ordered manner by their relevancy rank. Experiment result shows that the Term Frequency Ranking gives high value of Recall, 1, and 0.46 for the Precision value. Index Terms—Recommended System, Squeezer, Term Frequency Ranking, Website.

scholarly journals Specifics of using foreign language loanwords in chinese and russian advertising

2021 ◽  
Vol 1 (24) ◽  
pp. 128-136
Author(s):  
Li Xiaotao ◽  
◽  
Svetlana A. Koloda ◽  
Keyword(s):  
Chinese Language ◽  
Linguistic Features ◽  
Modern Culture ◽  
Main Research ◽  
Brand Advertising ◽  
Significant Phenomenon ◽  
Diachronic Analysis ◽  
Chinese Advertising ◽  
The Given

The article presents the main research on the problem of using borrowings of world famous brands in chinese and russian. The author of the article analyzes the features of penetration and functioning of borrowings in the structure of advertising text, since it is advertising that has become a significant phenomenon of modern culture, reflecting not only typical visual images and mental stereotypes, but also representing the linguistic habits of different language speakers. Advertising demonstrates not only linguistic, but also social, cultural and linguistic processes taking place in different languages. The study provides a comparative analysis of borrowings, describes their main linguistic features. Particular attention is paid to examining the ways of penetration of borrowings into the chinese language. Both a brief description of the lexical base of borrowings in the chinese language and a diachronic analysis of borrowings are given. The article provides certain data on the dynamics of the appearance of foreign words in the modern chinese language. The given synchronous analysis of foreign lexical units in chinese and russian advertising has made it possible to demonstrate how various factors influence the frequency of the use of borrowings in different languages: from linguistic to social and cultural. The thematic classification of borrowings describes various methods of penetration of foreign vocabulary into chinese and russian advertising. The analysis is based on the names of world famous brands. The classification of the main types of borrowings in russian and chinese advertising is given. The study notes that the number of borrowings in chinese advertising is equal to their number in russian one. In many cases, brand advertising in chinese uses duplication, a method that best preserves the words of the recipient language in the new lexical format. The authors come to the conclusion that the specificity of using borrowings in these languages has both specific intralingual factors characteristic of these languages and external, economic and social factors.

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