This chapter trace the rise of scholarly misinterpretations of Dighton Rock in the eighteenth century in writings of Cotton Mather and Harvard professors Isaac Greenwood, John Winthrop, and Stephen Sewall. The parallel evolution of human migration theories is traced in the writing of Jean-François Lafitau. Gothicism, a fusion of White race destiny, Noachic lineage, culture, republican liberty, and civilization, is introduced through the works of Olf Rudbeks, Pierre-Henri Mallet, and the Baron de Montesquieu. Ideas about Indigenous origins and human evolution are presented by the Comte de Buffon. Ezra Stiles includes Dighton Rock in his ideas about ancient Hebrew and Phoenician migrants. Phoenicians become the leading candidates for the rock’s markings. Contributions to migration theories are noted by Pehr Kalm and Johann Forster. Linnaeus, a protégé of Rudbeks’ son, develops his human racial scheme with Europeans a superior race, with further refinements by Johann F. Blumenbach and Christoph Meiners. Gothicist Europeans are championed as the superior human form while Indigenous people are thought to have descended from inferior Asian Tartars.