scholarly journals Digital Humanities and Renaissance Studies in Canada: A Graduate Student’s Perspective

2015 ◽  
Vol 37 (4) ◽  
pp. 195-214
Author(s):  
Sarah M. Loose

This article focuses on digital humanities and Renaissance studies in Canada, highlighting established projects such as Iter and newer efforts such as Serai, and addressing recent interest in historical GIS. This survey of projects demonstrates how the work of Renaissance studies faculty and graduate students in Canada is increasing accessibility to sources, creating new knowledge environments and spaces for collaboration, and encouraging new ways to map and visualize Renaissance data, with an end result that enhances our understanding of the past and the ways that digital technology is changing humanities scholarship. The article also suggests that from the perspective of graduate students, participation in these endeavours provides not only training in digital technologies but also the opportunity to contribute knowledge to the field in concrete ways and the chance to establish a foundation in methodologies and practices that will shape approaches to Renaissance studies research and teaching in the future. Cet article se penche sur les humanités numériques et les études de la Renaissance au Canada, en présentant des projets établis tels qu’Iter et plus récents tels que Serai, ainsi qu’en examinant l’intérêt plus récent pour le système d’information géographique (SIG) historique. Ce survol de différents projets montre comment le travail de professeurs et d’étudiants aux études supérieures dans le domaine améliore l’accès aux sources, créent des environnements pour de nouvelles connaissances et des espaces de collaboration, et favorisent de nouvelles façons de visualiser des données relatives à la Renaissance, enrichissant ainsi notre compréhension du passé, tout en mettant en lumière les transformations des sciences humaines provoquées par les technologies numériques. Cet article avance également qu’en ce qui concerne les étudiants aux études supérieures, la participation dans ces projets non seulement leur donne de l’expérience en humanités numériques, mais leur donne aussi la chance de pouvoir contribuer de façon concrète à l’avancement des connaissances dans leur domaine. Ces expériences leur donne également l’opportunité de développer une méthode et des pratiques qui détermineront leurs approches dans leur recherche et leur enseignement à venir en études de la Renaissance.

2020 ◽  
Vol 8 (12) ◽  
pp. 261-271
Author(s):  
Soundaria Saravanan ◽  
◽  
Chalakuzhiyil Abraham Mathew ◽  
Suresh Kumar Singaravelu ◽  
Praveene Kumar Raju ◽  
...  

Implants are considered as potential alternatives while replacing missing teeth. Accurate planning and placement of implants in a predetermined position, plays an important role in determining the success of the prosthesis. Digital technology refers to the usage of computer controlled components that minimize manual work. In the past decade, digital technologies, like cone beam computer tomography, have been used right from diagnostic phase to treatment planning phase. With the advent of augmented reality, digital technology can be used even during the surgical phase.


Author(s):  
Brendan Daniel Mahoney

In the past several decades, Black publics have increasingly employed digital technologies to advance Black liberation movements, culture, and joy. This proliferation of Black publics online has prompted many scholars to ask whether the internet as a tool ultimately works to the benefit or detriment of marginal publics. Proponents of internet technology cite the aforementioned growth of these discursive communities online as well as their success in organizing demonstrations and producing independent media. Critics of the internet argue that its construction by powerful institutions forecloses the possibility of it being used to truly challenge those institutions. This essay seeks to contribute to this discussion not by advocating for one side or another but exploring the ways in which these two literatures may be inclusive. It does so by putting the theoretical construct of the Black public in conversation with an oft-discussed digital affordance: transparency. It first outlines the historical relationship between the two, noting both the threats and opportunities that transparency has created for Black publics. It moves on to discuss the forces of the state and the market that built transparency into the infrastructure of the internet. It then synthesizes the histories of Black publics and the internet by discussing how the historical threats and opportunities of transparency are impacting Black publics online. Finally, this paper concludes with some thoughts on the idea that digital technology might simultaneously aid and harm marginal publics, particularly with regard to its implications for digital strategy.


2012 ◽  
Vol 3 (2) ◽  
Author(s):  
Craig Saper

In the last decade, much digital humanities research involved databases. Digital technology allowed not only for expansion of concordances, but also, and more importantly, for new types of tagged, hyperlinked, and radiant texts. Databases changed the experience of reading. My research also involves a database, but I now realize that the consequence of building this peculiar database has led to what I believe is the next major aspect of research on the experience of reading: simulation. The reading machines on my website (www.readies.org) allude to Bob Carlton Brown’s machine proposed, in one iteration, in the late 1920s and early 1930s. He called the texts prepared for the machine “readies.” This project led to a realization that one could simulate reading situations and experiences usually only described. So, the Brown machine simulation becomes a prototype for a series of simulations on other reading situations both in the past and potential futures.


2020 ◽  
pp. 1-12
Author(s):  
Sarah Fuchs

The spate of sharply critical think-pieces published over the past few years might seem to suggest that the digital humanities are in crisis, but the discipline continues to thrive: public and private funding bodies remain robustly supportive of digital humanities initiatives, laying the groundwork for research that is orientated towards the capacity for communication beyond traditional readerships. The digital humanities glow with such promise that some of us – among whom I must include myself – have quietly set aside our misgivings, instead finding ways of incorporating digital technologies and methodologies into our work. But mute complicity is not the only alternative to vocal censure, as is made clear by the many accounts of experiments and other personal experiences posted on blogs and, increasingly, published in peer-reviewed journals. Grounded in self-reflective practices, this sort of autoethnography offers a productive means of coming to terms with our complex and sometimes contradictory motivations for engaging with the digital humanities. In this essay, I reflect on a digital network visualization and analysis project I have pursued over the past five years, the final iteration of which – entitled ‘Visualizing the French Voice’ – attempted to use algorithms to make sense of the relationships between professors and pupils active at the Paris Conservatoire around the turn of the nineteenth century. I try to understand my motives at each turn, which are clearly bound up with that seductive promise of a broader readership, but also, albeit much less clearly, of ‘impact’.


2020 ◽  
Vol 83 (2) ◽  
pp. 429-448
Author(s):  
Robert Nowatzki

ABSTRACT This article examines several projects that apply digital technologies to the study of transatlantic slavery and assesses the potential benefits of these projects while also noting their limitations. It argues that despite the absence of race, and specifically African American history and culture, in much digital humanities scholarship, the study of slavery has been considerably enhanced and transformed by the work of archivists and digital humanities scholars who apply digital technologies to the study and representation of slavery and enslaved people. This subject must continue to be studied so that we understand not only the past but also slavery's impact on the present. Digital technologies such as databases and geographic information system mapping have been useful in helping us understand this chapter of human history more fully and in new ways. Digital applications to archival materials relating to transatlantic slavery not only increase access to these materials for students and researchers, but also offer ways of obtaining new insights into this topic. However, to enhance our understanding of the history of slavery and to be effective agents of progressive social change, such initiatives should be cognizant of how data analysis can be driven by false assumptions of neutrality and can unwittingly contribute to the reification and dehumanization of people of African descent that was characteristic of transatlantic slavery. Digital humanities as a field should both continue such digitizing initiatives and also use digital tools to create critical analyses of oppressive hierarchies to weaken or destroy them.


2016 ◽  
Vol 7 (4) ◽  
pp. 168-171
Author(s):  
Nigel Knott

The complete denture solution by Nigel Knott The production of a complete set of dentures that restores function and personal confidence to the edentulous patient throws up a number of challenges that require a deep understanding of the manufacturing issues involved and the needs of the patient. Fortunately, advances in digital technology mean that much of the guesswork of the past can be eliminated. Here, the best approach towards the patient, the potential and limitation of current digital technologies and benefits of a comprehensive process control are discussed.


2019 ◽  
Vol 13 (1-2) ◽  
pp. 95-115
Author(s):  
Brandon Plewe

Historical place databases can be an invaluable tool for capturing the rich meaning of past places. However, this richness presents obstacles to success: the daunting need to simultaneously represent complex information such as temporal change, uncertainty, relationships, and thorough sourcing has been an obstacle to historical GIS in the past. The Qualified Assertion Model developed in this paper can represent a variety of historical complexities using a single, simple, flexible data model based on a) documenting assertions of the past world rather than claiming to know the exact truth, and b) qualifying the scope, provenance, quality, and syntactics of those assertions. This model was successfully implemented in a production-strength historical gazetteer of religious congregations, demonstrating its effectiveness and some challenges.


2021 ◽  
pp. 1-11
Author(s):  
P. N. R. L. Chandra Sekhar Author ◽  
T. N. Shankar Author

In the era of digital technology, it becomes easy to share photographs and videos using smartphones and social networking sites to their loved ones. On the other hand, many photo editing tools evolved to make it effortless to alter multimedia content. It makes people accustomed to modifying their photographs or videos either for fun or extracting attention from others. This altering brings a questionable validity and integrity to the kind of multimedia content shared over the internet when used as evidence in Journalism and Court of Law. In multimedia forensics, intense research work is underway over the past two decades to bring trustworthiness to the multimedia content. This paper proposes an efficient way of identifying the manipulated region based on Noise Level inconsistencies of spliced mage. The spliced image segmented into irregular objects and extracts the noise features in both pixel and residual domains. The manipulated region is then exposed based on the cosine similarity of noise levels among pairs of individual objects. The experimental results reveal the effectiveness of the proposed method over other state-of-art methods.


2021 ◽  
Vol 13 (12) ◽  
pp. 6612
Author(s):  
Peter Jones ◽  
Martin Wynn

The increasingly stellar attraction of the digital technologies and the growing, though not universal, consensus of the need to build a sustainable future, are two powerful trends within society. The aim of this article is to offer an exploratory review of how the leading companies within the digital transformation market have addressed sustainable development. As such, the article’s originality and value lie in offering a review of current corporate thinking within that market. The study adopts an inductive, qualitative approach based on an examination of published company reports, and identifies six major sustainability themes being actively promoted and supported. The article concludes that the current sustainability objectives of the technology companies are driven as much by commercial reality as any altruistic motives, and that support and promotion of the circular economy may offer the best opportunity for digital technologies to meaningfully impact sustainable development.


Author(s):  
Zhuo Zhao ◽  
Yangmyung Ma ◽  
Adeel Mushtaq ◽  
Abdul M. Azam Rajper ◽  
Mahmoud Shehab ◽  
...  

Abstract Many countries have enacted a quick response to the unexpected COVID-19 pandemic by utilizing existing technologies. For example, robotics, artificial intelligence, and digital technology have been deployed in hospitals and public areas for maintaining social distancing, reducing person-to-person contact, enabling rapid diagnosis, tracking virus spread, and providing sanitation. In this paper, 163 news articles and scientific reports on COVID-19-related technology adoption were screened, shortlisted, categorized by application scenario, and reviewed for functionality. Technologies related to robots, artificial intelligence, and digital technology were selected from the pool of candidates, yielding a total of 50 applications for review. Each case was analyzed for its engineering characteristics and potential impact on the COVID-19 pandemic. Finally, challenges and future directions regarding the response to this pandemic and future pandemics were summarized and discussed.


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