scholarly journals Feminism in song of jineman kenya ndesa laras slendro pathet sanga

2021 ◽  
Vol 19 (2) ◽  
pp. 154-158
Author(s):  
Sukesi Rahayu ◽  
Katrhryn Emerson ◽  
Phakkharawat Sittiprapaporn

AbstractFeminism in Sukesi Rahayu's Jineman Kenya Ndesa laras slendro pathet sanga is a study that reviews feminist discourses on the creation of gamelan music based on the issues of gender equality between women and men. The purpose of this research is to prove and show that the creation of Javanese karawitan is not only based on male paradigm domination, but women also have a role in speaking out about feminism through karawitan works. The research methodology used is descriptive qualitative by positioning the object of study as the primary focus and writings on feminism as supporting sources. The results of this study indicate that in Sukesi Rahayu's Jineman Kenya Ndesa Slendro Sanga, there is feminist content, namely an attempt to elevate the dignity of women, which in this case is sindhen, within the scope of Javanese art culture as well as women in general.Keywords: Feminism; Sindhenan; Javanese culture

2020 ◽  
Vol 4 (1) ◽  
pp. 91
Author(s):  
J Sutarjo ◽  
Nurwadjah Ahmad ◽  
Andewi Suhartini

One object of study of God is God's order for humans, commonly known as Sunatullah. Allah SWT as a substance that is the creator of all beings both human and the entire universe is one of the regularities of Allah SWT. Furthermore, the phenomenon of the order of God Almighty in His creation can be seen starting from the creation of humans and nature and their contents. In the level of theology, God's order for human beings (Sunatullah) is not limited to the regularities possessed by His creatures, but more than that, the various regularities that occur in creatures are the will of Allah SWT. Allah Almighty is the substance that wills, and controls the order in His creatures. Sunnatullah as a concept should be invested in Islamic education. Therefore it is necessary to understand about sunnatullah as something that must be believed, used as guidelines and translated at the level of education. After being translated into the education curriculum, the next task of education is to implement sunnatullah as a theological concept into a practical action for students.


2021 ◽  
Vol 12 (2) ◽  
pp. 168
Author(s):  
Budi Waluyo ◽  
Andrik Purwasito ◽  
Warto Warto ◽  
Slamet Subiyantoro

Nyai Ontosoroh is a character in Pramudya Ananta Toer's novel Bumi Manusia, which depicts a woman's struggle against injustice in her life. R. Giryadi adapted Nyai Ontosoroh's struggle in this novel into a short drama titled "Nyai Ontosoroh." The plot of this drama revolves around Nyai Ontosoroh's opposition to her husband and the Dutch government, which wants to take over the company and custody of her child. A Javanese woman's resistance to the colonial government was courageous at the time. Despite being defeated, Nyai Ontosoroh had fought for his rights in a dignified manner. She deserved to be referred to as a "hero." The purpose of this study is to explain and describe the various forms of gender injustice against women in R. Giryadi's drama script "Nyai Ontosoroh." This study is descriptive qualitative in nature. It is tailored to the formulation of determined research problems. It is a qualitative study that is thoroughly and analytically described. Forms of gender injustice against women are described. The conclusion of this paper indicates that women in Indonesia continue to face numerous gender injustices. Women must fight for gender equality as they should.


2020 ◽  
Vol 202 ◽  
pp. 07055
Author(s):  
Sri Sudarsih

This study aims to describe the life together in society according to Teilhard de Chardin. Then the researchers tried to reveal the value of justice in it. This research is a qualitative research. The basis of this research theory is the value of justice, while the object of study is life together in society according to Teilhard de Chardin. The methodical elements used are description, interpretation, and analysis-synthesis. The results achieved are as follows: the value of justice in the relations between individuals and society is closely related to human nature. Every individual has freedom in building relationships with others. The value of justice is reflected in the form of mutual respect, giving and receiving, and loving. Love becomes the energy for the creation of justice in society. Justice according to Teilhard de Chardin is justice towards oneself, other people or the community, and God. The value of justice can be used as a basis for strengthening the character of younger generation in Indonesia.


2019 ◽  
Vol 4 (2) ◽  
pp. 177 ◽  
Author(s):  
Imam Syafi'i

This research aims to examine and analyze the opinion of Syafi'iyyah scholars about intention in prayer. On this problem, Syafi'iyyah scholars are divided into two opinions, namely from the previous period scholars (Mutaqoddimin) whit his opinion intention of al-Muqoronah al-Hakikiyyah, and from the contemporary scholars (mutaakhkhirin) whit his opinion intention of al-Muqoronah al-Urfiyyah. This research is important because the intention in prayer is compulsory case (rukn) and is the beginning of all forms of worship. Other than that many Muslims doubt in his intention so anxiety arises in them. As research that examines the opinions of the scolars, the method used in this research is library research which descriptive qualitative research, where the object of study is literature in the form works in the yellow books, journal and other books. From the explanation and studies that has done, the intention of al-Muqoronah al-Hakikiyyah as stated by the previous period scholars is a law of origin, one must do when praying. Whereas the intention of al-Muqoronah al-Urfiyyah as stated by the contemporary scholars is rukhsah wajibah because of the udzur that befell a person while doing the prayer.


2020 ◽  
pp. 50-51
Author(s):  
Daniel Grizante

In 2019, I was with the design team of the exhibition Paul Klee - Equilíbrio Instável, held in the various spaces of the Banco do Brasil Cultural Center, in the cities of São Paulo, Rio de Janeiro and Belo Horizonte. It was an exclusive exhibition for Brazil that brought together 120 works by the artist, from the collection of Zentrum Paul Klee from Bern, Switzerland. At that time, I made an audiovisual display on five screens, which presented to the visitors aspects of the artistic techniques developed and used by the artist in his vast work. This research is part of a broader one, on the use of audiovisual in expographic projects that is the subject of my doctoral thesis, in progress. At this moment, however, a reflection will be presented on this specific audiovisual display, held for the exhibition cited. Our goal was to look at the various tensions that apply to the process of construction of a piece of this type, from the point of view of the design project. As well as the search for the function performed by it within the exhibition project. To do this reflection we started with a contextualization of this modality of exhibition using as object of study its edition held at the Banco do Brasil Cultural Center of São Paulo (CCBB-SP), looking at the spaces and their exhibition issues and its influence on the development of the project. We present, in the sequence, a description of the exhibition as a whole from the visitor point of view and from its catalog. Production files from this audiovisual display were researched, such as first drawings, scripts, concept development archives, photographic material and versions developed until its final. This material was observed from the concept of the creation networks, by Cecília Almeida Salles. We also held a dialogue with other members of the creative team, from different levels of the production process, in order to know the tensions that are applied in the production of this limited element of an expographic project like this. We saw, in this specific case of producing an audiovisual display, how each constituent element of an exhibition like this is traversed by tensions of various types, which are common within an exhibition design project, with many professionals from different areas involved. In addition to the identification of external factors that directly influence its production. We conclude then that the development of an exhibition is now inserted within what we know as a culture of design, which allows us to look at thistype of cultural manifestation as something that can no longer be limited to previous models of idealization of the exhibition space or abstain from the use of technologies and possibilities of connection with the public.


2021 ◽  
Vol 6 (3) ◽  
pp. 161-184
Author(s):  
Serguey N. Yakushenkov

This article is the second part of the study of regional foodways. If the first part is devoted to the analysis of the foodscape of Astrakhan, the second part analyzes the food system of the Republic of Peru. The choice of this object of study is based on the frontier nature of the region, the diversity of economic and cultural types, and hybridity. All these factors allow us to compare the ways of formation of the foodways of these regions. The Peruvian alimentary landscape began to form in the 16th century, after the conquest of Peru by the Spanish conquistadors. As a result of mutual influences and struggles between elements of autochthonous and alien cultures, a new "hybrid" phenomenon takes shape. The turning point in the development of national cuisine was in the 1930s, when, as a result of gastropolitical strategies, the government managed to create a food system accessible to the workers of large cities. The opening of “people's restaurants” allowed workers to have calorie-dense food. It also contributed to the creation of a national food system. The search for national identity among the Peruvian elite led to the “discovery” of their national roots. The fact that Peruvian culture was based on natural and ethnic diversity made the country's alimentary system diverse and rich. This process coincided with global trends in the approach to food in the sense of a focus on “simple” and “healthy” peasant foods, as opposed to foods undergone of maximum processing. Ultimately, this was manifested in the creation of a “new Andean cuisine” that embraced Peru's centuries-old traditions and the country's natural diversity. In doing so, Peruvian restaurateurs used both familiar approaches to business and invented new ones that went beyond the culinary arts. As a result of the efforts of many culinary masters and restaurateurs, in competition with internationally renowned culinary brands, a new global culinary brand has been created, recognized around the world.


Buana Bastra ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 1-9
Author(s):  
Endah Maria Ulfah

This research is made because the occurance of the unfairness gender to the woman inEntrok novel by Okky Madasari that effects woman resistance to gain gender equality. Thepurpose of the research is to describe the unfairness gender and woman resistance in Entrok novelby Okky Madasari by using gender unfairness analysis based on sosialist feminism theories. Thisresearch uses descriptive qualitative method. The gender unfairness of woman in Entrok novel iscaused by man’s opinion that is sevoregein in a relative or a sociaty or called by domination ofpatriarki. it influences sociaty’s culture and tradition. It causes misunderstanding between societyabout what is gender and sex. That gender unfairness is a booster of feminism movementapperance. It appears because of the meaning of gender that is not understood well by the society.Feminism movement which is done by woman is a woman resistance caused by unfairnessgender that adverses herself.Based on the data analysis the researcher found five kinds ofunfairness of woman that effects domination of patriaki. It causes gender unfairness. Those arestereotype, subordination, marginalization, double burden, and violence to the woman. Genderunfairness makes the woman do resistance and demands equity for herself. There are sevenresistences that is done by woman in Entrok novel. Those are the resistance to the stereotip thatwoman is weak and man is strong, the resistance to the stereotip that woman who becomes thesecond wife is called a bitch. The resistance to the marginalization in occupation, the resistance tothe marginalization in household, the resistance to the marginalization caused by govermentpolicy, the resistance to the double burden cause by patriaki system and resistance to the violenceand rape. But all of the resistances that are done is note able to change gender unfairness happens.This because of man’s patriaki domination that is valided by culture construction that is increasingly glutinous in society’s opinion.  


Author(s):  
Suly Sendy Pérez Castañeda

El objetivo de esta investigación es determinar los componentes de innovación del sector pirotécnico. La metodología de investigación tiene un enfoque cualitativo, por su alcance exploratorio, por la manipulación de las variables no experimental, por la temporalización del fenómeno, transversal y por el lugar donde se realiza, de campo. La población fueron los productores pirotécnicos del Municipio de Tultepec, Estado de México, mismos que se abordaron de forma aleatoria. El muestreo fue no probabilístico a conveniencia del investigador, tomándose 204 productores pirotécnicos. El objeto de estudio son los polvorines de Tultepec, Estado de México. Palabras clave Componentes, innovación, tecnología, Tultepec Abstract The objective of this research is to determine the innovation components of the pyrotechnics sector. The research methodology has a qualitative approach, by its exploratory scope, by the manipulation of non-experimental variables, by the temporalization of the phenomenon, transversal and by the place where it is performed, field. The population were the pyrotechnic producers of the Municipality of Tultepec, Estado de Mexico, which were addressed randomly. Sampling was not probabilistic at the investor's convenience, with 204 pyrotechnic producers taking over. The object of study is the powders of Tultepec, Estado de Mexico. Keywords Components, innovation, technology, Tultepec


2021 ◽  
Vol 2 (1) ◽  
pp. 86-95
Author(s):  
Aminah Aminah ◽  
Muliawati Muliawati

Dunia dihebohkan dengan adanya COVID-19, berbagai negara telah menetapkan berbagai peraturan untuk menekan dan mengurangi penyebaran virus tersebut. Tidak terkecuali Indonesia, bahkan Aceh, dalam hal ini Walikota Banda Aceh telah menetapkan aturan untuk membatasi gerak masyarakat dengan pemberlakuan jam malam. Penelitian ini bertujuan untuk mengetahui penerapan kebijakan pemberlakuan jam malam dalam penanganan COVID-19 di Kota Banda Aceh. Adapun metode penelitian yang digunakan yaitu deskriptif kualitatif. Sumber data yang digunakan yaitu berasal dari informan penelitian, situs web resmi, dan jurnal ilmiah. Hasil penelitian menjelaskan bahwa kebijakan penerapan jam malam dalam penanggulangan wabah COVID-19 di Kota Banda Aceh sudah berjalan efektif. Keterlibatan pihak Aparatur Gampong sangat membantu program pemerintah dalam menanggulangi COVID-19, dikarenakan pihak Aparatur Gampong lebih memahami situasi dan kondisi masyarakat di lingkungannya. Selain itu, keterlibatan TNI/ Polri dan Satpol PP dan juga WH sangat membantu demi terciptanya ketertiban serta keamanan selama penerapan kebijakan pemberlakuan jam malam berlangsung. Pembatasan jam malam ini bertujuan untuk menekan angka positif COVID-19 di Kota Banda Aceh. The world is shocked by the presence of COVID-19, various countries have set various regulations to suppress and reduce the spread of the virus. Indonesia is no exception, even Aceh, in this case, the Mayor of Banda Aceh has set rules to limit the movement of people by imposing a curfew. This study aims to determine the implementation of a curfew policy in handling COVID-19 in Banda Aceh City. The research method used is descriptive qualitative. The data sources used are research informants, official websites, and scientific journals. The results of the study explain that the policy of implementing a curfew in dealing with the COVID-19 outbreak in Banda Aceh City has been effective. The involvement of the Gampong Apparatus is very helpful for government programs in tackling COVID-19 because the Gampong Apparatus understands the situation and conditions of the people in their environment better. In addition, the involvement of the TNI/Polri and the Satpol PP as well as the WH are very helpful for the creation of order and security during the implementation of the curfew policy. The curfew restrictions are aimed at suppressing the positive number of COVID-19 in Banda Aceh City.


2015 ◽  
Vol 41 (4) ◽  
pp. 913-930 ◽  
Author(s):  
Neiva Furlin

This article aims to contribute to the studies of research methodology. To this end, we seek to reflect on the experience of an engaged research that clearly shows the influence of the researcher’s existential trajectory on the choice of her object of study, as well as the methodological perspectives that favor the experience of intersubjectivity in the production of knowledge. The ultimate goal is to show that scientific research can be conducted based on a methodological paradigm that breaks with the subject-object dichotomy. As a reference to this discussion, we take an investigation that sought to understand how women constitute themselves as female subjects of theological knowledge and what power dynamics pervade the processes of entering and constructing a female faculty career in a place marked by hegemonic discourses and gender logics of a male social order. Therefore, we emphasize the hermeneutic perspective, as it allows to capture the meanings that female professors assign to their actions and experiences in the universe of theological knowledge. Hermeneutics as a research methodology favor the production of knowledge that is not intended as universal, but rather situated, subjective, and open to new interpretation perspectives. Such characteristics are central in the feminist epistemologies that seek to demystify the pure objectivity and universality of knowledge, showing that the subjects of knowledge are always immersed in a certain situation, position, and circumstance, and that, therefore, no knowledge is produced from nowhere.


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