Analysis of the Meaning of Instagram @unmermadiun Content in Building the Meaning of Education in FISIP Students at Merdeka Madiun University

Author(s):  
Offy Ayuningtiyas ◽  
Zulin Nurchayati ◽  
Nunik Hariyani

The purpose of this study is to examine the acceptance of followers of the Instagram @unmermadiun account for content (photos, videos, texts) in building the meaning of education on Instagram social media. The paradigm of this research is constructivism with the type of qualitative research. Data were collected using in-depth interviews, observation and documentation. Technical data analyst with the stages of data collection, data selection, data presentation and conclusion drawing. The theory used is Reception Theory Analysis by Stuart Hall. The informants of this study were fourteen people who followed the Instagram account @unmermadiun with different backgrounds. The results showed that three out of ten informants were in the dominant position, four were in the negotiating position, and the informant with the opposite position was not found. (1) In a dominant position, the informants interpret that the contents of the Instagram account @unmermadiun as a goal to build educational meaning, so they also like and agree with it and apply the thoughts conveyed by the account. (2) In a negotiating position, the informant has meaning and is reluctant to take it for granted, understanding the mind at first is important to them.   Keywords : Receptions, Social media, Instagram

Koneksi ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 427
Author(s):  
Ayu Reni Anisa ◽  
Septia Winduwati

Film are widely used as a medium of mass communication because film are considered effective in conveying messages. The presence of film that are usually made to represent the reality of real life that exists in society. As in the film Imperfect which is fully titled Imperfect: Career, Love & Scales, tells a story about the case of self-acceptance with the issue of beauty standards that are assessed by the general public. This study aims to determine the meaning of teenagers in Jakarta in the Imperfect film related to body positivity. This research is a qualitative research which is descriptive and uses reception analysis. The theory used is the reception theory and Stuart Hall's encoding-decoding theory which describe the three positions of the meaning of the audience. The research results were obtained through in-depth interviews which will be grouped into three positions of meaning, namely the dominant position, the negotiation position and the position.Film banyak digunakan sebagai medium komunikasi massa karena film dianggap ampuh dalam menyampaikan pesan. Kehadiran film yang biasanya dibuat untuk merepresentasikan realitas dari kehidupan nyata yang ada di tengah masyarakat. Seperti halnya dalam film Imperfect yang berjudul lengkap Imperfect: Karier, Cinta & Timbangan, bercerita tentang kasus penerimaan diri dengan isu standar kecantikan yang dinilai pada masyarakat umun. Penelitian ini bertujuan untuk mengetahui bagaimana pemaknaan remaja di Jakarta pada film Imperfect terkait body positivity. Penelitian ini adalah penelitian kualitatif yang bersifat deskriptif dan menggunakan analisis resepsi. Teori yang digunakan adalah teori resepsi dan teori encoding-decoding Stuart Hall yang menjabarkan tiga posisi pemaknaan audiens. Hasil penelitian diperoleh melalui wawancara mendalam yang akan dikelompokkan menjadi tiga posisi pemaknaan yaitu pada posisi dominan, posisi negosiasi dan posisi. Hasil penelitian menempatkan sebagian besar informan berada pada posisi negosiasi yang menyetujui bahwa penokohan dan cerita yang disampaikan dalam film Imperfect memiliki nilai body positivity namun dengan pengecuali pada beberapa adegan yang ada.


2020 ◽  
Vol 3 (1) ◽  
pp. 34-54
Author(s):  
Lisa Mardiana ◽  
Anida Fa’zia Zi’ni

AbstrakFenomena  curhat  atau  mencurahkan  masalah  pribadi  sebagai  bentuk pengungkapan diri melalui media sosial semakin marak terjadi. Salah satu media sosial yang dimanfaatkan oleh masyarakat Indonesia adalah akun autobase atau automatic  fanbase Twitter yang bersifat anonim sehingga  menjadi wadah  bagi pengikutnya   untuk   menanyakan   dan   menyampaikan   segala   permasalahan, seperti halnya pada akun @subtanyarl. Tujuan penelitian ini adalah untuk mengetahui  bentuk  dan  alasan  pengungkapan  diri  pengguna  akun  autobase twitter  @subtanyarl  dengan  menggunakan  analisis  teori  self-disclosure. Penelitian dilakukan dengan metode kualitatif melalui wawancara mendalam dengan 7 orang narasumber yang merupakan pengguna akun tersebut. Hasil penelitian menunjukan bahwa pengungkapan diri atau self-disclosure yang dilakukan  oleh  pengguna  akun  @subtanyarl  berupa  pengungkapan  diri evaluative yang dilakukan dengan cara mengeskpresikan  rasa emosi, kesedihan dan kegundahan  pemikiran  melalui pesan  tertulis  yang menceritakan  masalah kehidupan  pribadi. Adapun  alasan pengungkapan  diri dalam akun @subtanyarl dilakukan untuk melepaskan beban perasaan agar lega dan nyaman, tanpa kekhawatiran bahaya ekstrem self disclosure berupa penolakan antarpribadi dan sosial, ataupun kesulitan intrapersonal,  karena dilakukan dalam media anonim. Pengungkapan   diri  juga  dilakukan  dengan   harapan  mendapatkan   dukungan moril, jawaban atau sekedar rasa empati dan simpati dari pengguna lainnya. Kata Kunci: Pengungkapan Diri, Twitter, Autobase, Ekspresi AbstractThe phenomenon  of confiding in or confessing personal problems as a form of self-disclosure through social media is increasingly happening. One of the social media used by the Indonesian  people is an anonymous autobase or automatic Twitter fanbase account so that it becomes a place for followers to ask questions and submit all problems, such as the @subtanyarl  account. The purpose of this study was to determine the form and reasons for self-disclosure  of users of the autobase twitter @subtanyarl account using self-disclosure theory analysis. The research was conducted  using qualitative methods through in-depth interviews with 7 informan  who  are users of the account.  The  results  showed  that  self-disclosure by users of the @subtanyarl account was in the form of evaluative self- disclosure by expressing feelings of emotion, sadness and anxiety through written messages that told about personal life problems. The reasons for self-disclosure in the @subtanyarl account are carried out to release the burden of feelings so that  they  are  relieved  and  comfortable,  without  worrying  about  the  extreme dangers  of self-disclosure  in the  form  of  interpersonal  and  social  rejection,  or intrapersonal difficulties, because it is done in anonymous media. Self-disclosure is also carried out in the hope of getting moral support, answers or just a sense of empathy and sympathy from other users. Keywords: Self-Disclosure, Twitter, Autobase, Expression


Race & Class ◽  
2018 ◽  
Vol 60 (2) ◽  
pp. 82-93 ◽  
Author(s):  
Jessica Perera

In the 2017 UK general election, Grime artists (musicians representing the experience of a young black dispossessed city working class) came out in support of the Labour Party’s radical leader Jeremy Corbyn. The author, drawing on in-depth interviews with Grime experts and leftwing activists and an examination of social media, explains that endorsement in terms of the concept of ‘embedded ethics’ which allows Grime artists to present themselves as authentic social commentators on intersecting forms of poverty, state racism and social exclusion. Using the work of cultural theorists Stuart Hall and Paul Gilroy, she argues that Grime is more than a music genre and more a way of life giving cultural meaning – explaining the mobilisations for both the election and, later, over the Grenfell fire. But the piece asks whether, at a time of blatant neoliberalism and harsh austerity, there is a need now to insert a more direct discussion of class into the cultural theory debate.


JIPSINDO ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 44-65
Author(s):  
Habibudin Habibudin

Nilai-nilai kearifan lokal Sasak dapat berperan untuk membangun perdamaian di tengah kehidupan masyarakat. Namun sayangnya nilai-nilai tersebut hanya hidup dalam alam pikiran, belum berperan dalam membentuk sikap dan perilaku damai. Penelitian ini bertujuan meng-analisis nilai-nilai perdamaian dalam nilai-nilai kearifan lokal etnis Sasak pada kehidupan di sekolah. Penelitian ini menggunakan paradigma kualitatif dengan jenis grounded theory. Pengumpulan data melalui observasi, wawancara mendalam, dan dokumentasi. Analisis data menggunakan model interaktif, yakni pengumpulan data, reduksi data, penyajian data, pengambilan simpulan. Temuan penelitian menunjukkan nilai-nilai perdamaian yang terkandung dalam nilai-nilai kearifan lokal etnis Sasak terdiri atas 10 (sepuluh) nilai, yakni saling ajinang (saling meng-hormati, menghargai), tertip-terpi (tertib-teratur), teguq (tanggung jawab), solah perateq, (baik hati), soloh (toleransi, cinta damai), tetes (partisipatif), saling saduq (saling percaya), besemeton (persaudaraan), ra’i (empati), dan bedadayan (kerja sama).THE VALUES OF SASAK LOCAL WISDOM IN SCHOOLING IN EAST LOMBOKThe values of Sasak local wisdom play a role in building peace in people's lives. But unfortunately, these values only live in the realm of the mind, have not played a role in shaping peaceful attitudes and behaviors. This study aims to analyze the values of peace in the local wisdom values of the Sasak ethnic group in school life. This study uses a qualitative paradigm with a type of grounded theory. Collecting data through observation, in-depth interviews, and documentation. Data analysis used an interactive model, namely data collection, data reduction, data presentation, and drawing conclusions. The research findings show that the peace values contained in the local wisdom values of the Sasak ethnic group consist of 10 (ten) values, namely ajinang (mutual respect, respect), tertip-terti (orderly), teguq (responsibility ), solah perateq, (kindness), soloh (tolerance, love of peace), drops (participative), mutual trust (mutual trust), besemeton (brotherhood), ra'i (empathy), and bedadayan (cooperation).


2019 ◽  
Vol 8 (1) ◽  
pp. 92-103
Author(s):  
Rahman Asri

The movement of the Power of Emak-Emak in the 2019 Presidential Election became significant considering a large number of female voters in the 2019 Presidential Election. Besides potential voters, women were also active social media users. This study aims to see the meaning of mothers towards the movement of The Power of Emak-Emak in relation to women's political participation in Indonesia. This study uses the Reception Analysis by Stuart Hall. The approach used is qualitative by conducting in-depth interviews with four active social media users. The results of the study showed that the dominant meaning of The Power of Emak-Emak Movement was part of the active role in women's political participation in the 2019 Presidential Election.


2016 ◽  
Vol 3 (1) ◽  
Author(s):  
Pijar Suciati

Abstract. This study, in general aimed to describe and know the meaning of the message womenstruggle by users of social media (Facebook and Twitter) to the blog article of Alanda Kariza. Thisstudy uses a critical paradigm of constructionism. The type is descriptive research using case studystrategy. Data collection techniques used is by interview (interview), with the selection ofinformants using purposive judgmental convenience. The conclusion that can be drawn from thisresearch is, in the end a meaning that appears in the mind of the reader to a blog written in socialmedia is influenced by many things, including the background of the blog readers. Whether it'sfamily background, educational background, ideology embraced, blog writing style and choice ofwords. Similarly, the meaning of which is trying to be revealed in this study, namely the meaning ofthe struggles of women was also influenced by the above factors. According to Stuart Hall, there arethree kinds of readings / interpretations of the text, namely (meaning dominant / hegemonic code,negotiated meaning / code, oppositional decoding / code). All three appeared in this study.Keywords: Social Media, Blogs, Meanings, Articles, Women Struggle


2016 ◽  
Vol 5 (2) ◽  
pp. 149
Author(s):  
Margarita Febrica Nonga Putri

<p>Woman’s body is an issue in No Bra Day movement in the social media, basically, mobilizes female netizens to fight breast cancer together by taking off their bras for a day. As it started globally on October 13th, 2013, this movement attracts pro and contra reaction. The responses are linked by the use of related hash tags. As exposing women’s body to the public sphere considered as uncommon, this movement is oftentimes underestimated. On the contrary, this movement brings a new meaning on woman’s body. This encoded meaning cannot be absorbed thoroughly by the female netizens because of the patriarchal construction. The achieved meaning cannot be one hundred percent as it aims to. Furthermore, the decoded meaning still shows the affirmation to patriarchal order. As a media product, the reception theory of Stuart Hall and postmodern feminism of Luce Irigaray are used to examine the new meaning interpreted and reflected in the responses, which also show the affirmation or even internalization to the patriarchal order.</p>


2019 ◽  
Vol 20 (1) ◽  
pp. 30-35
Author(s):  
Agus Prasetya

This article is motivated by the fact that the existence of the Street Vendor (PKL) profession is a manifestation of the difficulty of work and the lack of jobs. The scarcity of employment due to the consideration of the number of jobs with unbalanced workforce, economically this has an impact on the number of street vendors (PKL) exploding ... The purpose of being a street vendor is, as a livelihood, making a living, looking for a bite of rice for family, because of the lack of employment, this caused the number of traders to increase. The scarcity of jobs, causes informal sector migration job seekers to create an independent spirit, entrepreneurship, entrepreneurship, with capital, managed by traders who are true populist economic actors. The problems in street vendors are: (1) how to organize, regulate, empower street vendors in the cities (2) how to foster, educate street vendors, and (3) how to help, find capital for street vendors (4) ) how to describe grief as a Five-Foot Trader. This paper aims to find a solution to the problem of street vendors, so that cases of conflict, cases of disputes, clashes of street vendors with Satpol PP can be avoided. For this reason, the following solutions must be sought: (1) understanding the causes of the explosions of street vendors (2) understanding the problems of street vendors. (3) what is the solution to solving street vendors in big cities. (4) describe Street Vendors as actors of the people's economy. This article is qualitative research, the social paradigm is the definition of social, the method of retrieving observational data, in-depth interviews, documentation. Data analysis uses Interactive Miles and Huberman theory, with stages, Collection Data, Display Data, Data Reduction and Vervying or conclusions.


2021 ◽  
Vol 7 (2) ◽  
pp. 205630512110213
Author(s):  
Brooke Erin Duffy ◽  
Annika Pinch ◽  
Shruti Sannon ◽  
Megan Sawey

While metrics have long played an important, albeit fraught, role in the media and cultural industries, quantified indices of online visibility—likes, favorites, subscribers, and shares—have been indelibly cast as routes to professional success and status in the digital creative economy. Against this backdrop, this study sought to examine how creative laborers’ pursuit of social media visibility impacts their processes and products. Drawing upon in-depth interviews with 30 aspiring and professional content creators on a range of social media platforms—Instagram, YouTube, TikTok, Pinterest, and Twitter—we contend that their experiences are not only shaped by the promise of visibility, but also by its precarity. As such, we present a framework for assessing the volatile nature of visibility in platformized creative labor, which includes unpredictability across three levels: (1) markets, (2) industries, and (3) platform features and algorithms. After mapping out this ecological model of the nested precarities of visibility, we conclude by addressing both continuities with—and departures from—the earlier modes of instability that characterized cultural production, with a focus on the guiding logic of platform capitalism.


2021 ◽  
pp. 1326365X2110037
Author(s):  
D. Guna Graciyal ◽  
Deepa Viswam

Virtual engagement of lives has been made possible with the advent of social media. Almost 80% of the day are spent virtually on Facebook, Instagram, Twitter, YouTube, Snapchat, etc. Usage of social media to connect to and communicate with the ones we care about is always healthy, termed as social networking. Social dysfunction occurs when the constant communication leads to the point where our real or offline life gets replaced by virtual or online life. There is a slight boundary between social networking and social dysfunction. When social networking is advantageous, social dysfunction affects emotional well-being. When emotional well-being is affected, many users experience a compulsion to dissociate from the real world as they find virtual world, full of fantasy and enjoyment. When the Internet was created, perhaps no one was aware of its potential. More than the convenience for sharing of information it has brought the world so close to crumbling the geographical boundaries. The more people-to-people communication is, the more is the strengthening of relationships, bonds grow stronger with ‘more’ social media platforms. Being on ‘more’ social media platforms has become a benchmark for living amidst the younger generation. Either as an activity of happiness or as an activity of pleasure, users tend to use social media at varying levels. This paper aims to conceptualize the the intricacies of social media in young lives and to discern whether their association is happiness or pleasure activity. The research method of this paper has a mixed-methods research design combining data from structured survey with information outputs from in-depth interviews.


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