The Sunday Press

2020 ◽  
pp. 538-555
Author(s):  
Martin Conboy
Keyword(s):  
Twentieth Century ◽  
Social Class ◽  
News Media ◽  
Production Cycle ◽  
Success Story ◽  
High Profile ◽  
Daily Press ◽  
The World ◽  
Colour Photography

The Sunday newspaper is an often-neglected success story of the twentieth century news media landscape. The popularity and profitability of Sunday papers grew throughout the century to establish themselves as flagships of cultural and commercial trends and an essential complement to most national daily productions. On account of their production cycle, Sunday newspapers were always able to do things that the daily press with its punishing routines and pressure of deadlines were never able to achieve. Mapped onto the characteristic social class and politically stratified perspectives of British and Irish newspaper reading publics, the Sunday newspaper became a prominent vehicle for the experiments in layout and content after the full computerization of newspapers in the mid-1980s; lifestyle, commentary, colour photography all were pioneered in this format. The range of geographical variants of the Sunday newspaper are also considered from the regional Sunday Sun published in Newcastle from 1919 to the Irish Sunday Independent and Scottish Sunday Post to the migration of English titles across Britain into Ireland with increasing national specialization in their content and appeal. The chapter also considers the varying reasons for the failure of high-profile Sunday papers such as the Sunday Correspondent and the News of the World.

scholarly journals A feminist new materialist experiment: Exploring what else gets produced through encounters with children’s news media

2019 ◽  
Vol 20 (4) ◽  
pp. 363-380 ◽  
Author(s):  
Jayne Osgood ◽  
Camilla Eline Andersen
Keyword(s):  
High School ◽  
Early Childhood ◽  
News Media ◽  
School Shooting ◽  
Important Work ◽  
News Reports ◽  
High Profile ◽  
The United Kingdom ◽  
The World ◽  
Sticky Tape

In this paper we grapple with the ways in which real-world issues directly impact children’s lives and ask what else gets produced through encounters with children’s global news media, specifically within the contexts of the United Kingdom and Norway. Our aim is to experiment with storytelling and worldling practices as a means to open up generative possibilities to encounter and reconfigure difficult knowledges. We take two contemporary events, the 2017 Grenfell Tower fire tragedy in London and the 2018 Marjory Stoneman Douglas High School shooting massacre in Florida, as a means to attend to ways in which affects are materialised across multiple times and spaces. News reports of these harrowing events, alongside what they produced in terms of child activism, racism and toxic masculinity, provided a catalyst for a feminist new materialist experiment in generating other knowledges through material-affective-embodied encounters. Newspapers, glue, sticky tape, string, torches, bags and a cartridge for a firearm were used in important work within a speculative workshop, where a small number of early childhood researchers came together to be open to multiple and experimental ways of (k)not-knowing to formulate collectively shared problems. Following Manning (2016), we recognise that to avoid getting stuck in familiar ways of thinking and doing we need to undertake research differently. We wondered how the re-materialisation of these events (through objects, artefacts, sounds and images) might shift our thinking about childhood in other directions. We dwell upon the affective work that these high-profile news events perform and how they might become rearticulated through affective encounters with materiality. Attending to how these events worked on us involves staying with the trouble (Haraway, 2016) as it becomes reignited, mutated and amplified across time and in different contexts. Our goal is to generate other possibilities that seek to reconfigure the ‘image of the child’. By resisting comforts of recognition, reflection and identification, we reach beyond what we think we know about how children are in the world and instead argue for their entanglement with difficult knowledges through our and their world-making practices.

Pragmatism and Prophecy: H. G. Wells and the Metaphysics of Socialism

2017 ◽  
Vol 112 (2) ◽  
pp. 409-422 ◽  
Author(s):  
DUNCAN BELL
Keyword(s):  
Twentieth Century ◽  
Evolutionary Theory ◽  
Political Thought ◽  
Philosophical Orientation ◽  
High Profile ◽  
Early Twentieth Century ◽  
The World ◽  
History Of ◽  
Main Components ◽  
Political Thinker

Read throughout the world, H. G. Wells was one of the most famous political thinkers of the early twentieth century. During the first half of the 1900s, he elaborated a bold and idiosyncratic cosmopolitan socialist vision. In this article, I offer a new reading of Wells's political thought. I argue that he developed a distinctivepragmatistphilosophical orientation, which he synthesized with his commitments to Darwinian evolutionary theory. His pragmatism had four main components: a nominalist metaphysics; a verificationist theory of truth; a Jamesian “will to believe”; and a conception of philosophy as an intellectual exercise dedicated to improving practice. His political thought was shaped by this philosophical orientation. Wells, I contend, was the most high-profile pragmatist political thinker of the opening decades of the twentieth century. Acknowledging this necessitates a re-evaluation of both Wells and the history of pragmatism.

Land symbol in the trilogy The House of Earth by Pearl S. Buck

2020 ◽  
Vol 65 (8) ◽  
pp. 61-67
Author(s):  
Anh Le Thi Ngoc
Keyword(s):  
Twentieth Century ◽  
Social Class ◽  
Real Estate ◽  
World Literature ◽  
William Dean Howells ◽  
The Real Estate ◽  
Arts And Sciences ◽  
The People ◽  
The World ◽  
To Receive

Pearl S. Buck was the first American female writer (later Toni Morrison) to receive the prestigious Nobel Prize for literature in 1938. Her writing pages have created streaks of spectroscopy that have a strong, lasting effect on world literature from the 30s of the twentieth century. In particular, with Good Land, Divided Sons and Families are works in the trilogy of The House of Earth, and she received the William Dean Howells medal from the Academy of Arts and Sciences. Arts and Literature for the best writing in 1931-1935, at the same time, it also helps her name in the world. Up to the present time, nearly 70 of her compositions can still be found in isolated villages and farms in Tanzania, New Guinea, India, Colombia or in a hut in Malawi. The object of literature, after all the "land" and "the", and each writer often "freeze" a land of their own, a social class to tell, to describe and dissect. Pearl Buck chose vast country like China and the most populous in the world, rather than her native country, to "ground" his art. Despite of living in the land of China only about three decades, time only a third of the life she lived, but the land and the people here have written off the source of her career, which she wrote more works profound value. Through the land symbol in the trilogy of The Real Estate, Pearl S. Buck pointed out the organic relationship between land and people.

Dalla potenza alla moneta. La sindrome autodistruttiva dell'Europa

2012 ◽  
pp. 17-23
Author(s):  
Francesco Aqueci
Keyword(s):  
Twentieth Century ◽  
Economic Crisis ◽  
Global Competition ◽  
Success Story ◽  
Cultural Roots ◽  
The World ◽  
Global Economic Crisis ◽  
Mortal Danger

For centuries, Europe has dominated the world, but after the catastrophes of the twentieth century, has had to adapt to it. The ambition of power, inscribed in its cultural roots, has not disappeared, but was transfigured into the money. The euro, in fact, with its budgetary rules laid down at Maastricht, was designed to ensure Europe a regular and infinite growth, in order to excel in the global competition. But the global economic crisis highlights the limits of this project, which is in danger of no longer being a success story but, on the contrary, a mortal danger.

Development of the Jewish religious movement "Khabad" in Ukraine in the 20's of the twentieth century

2001 ◽  
pp. 85-90
Author(s):  
O. V. Kozerod
Keyword(s):  
Twentieth Century ◽  
Religious Movement ◽  
Important Research ◽  
The World ◽  
Research Problems

The development of the Jewish religious movement "Khabad" and its organizations in the first quarter of the twentieth century - one of the important research problems, which is still practically not considered in the domestic Judaica. At the same time, this problem is relevant in connection with the fact that the religious movement "Khabad" during the twentieth century became the most widespread and influential area of Judaism in Ukraine and throughout the world.

Coda: The Rosetta Stone

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
Twentieth Century ◽  
New Media ◽  
Digital Media ◽  
The Novel ◽  
Digital Code ◽  
Media Technologies ◽  
Rosetta Stone ◽  
The World ◽  
Western Imagination ◽  
Origin Point

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

Hard Objects in George Oppen's Discrete Series

2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock
Keyword(s):  
Twentieth Century ◽  
Ludwig Wittgenstein ◽  
Discrete Series ◽  
Human Experience ◽  
John Ruskin ◽  
Gerard Manley Hopkins ◽  
Marcel Duchamp ◽  
The World ◽  
Production History ◽  
History Of

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.

On Metaphysics and the Political: A Polemics of Reading Baudelaire in the 1930s

2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto
Keyword(s):  
Twentieth Century ◽  
Political Crisis ◽  
The Political ◽  
Modern Poetry ◽  
Progressive Politics ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
Insight Into

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.

Features of the development of an unmanned rocket-culture technology in the first half of the twentieth century

2018 ◽  
pp. 135-144
Author(s):  
O. O. Gubka
Keyword(s):  
Twentieth Century ◽  
Subsequent Formation ◽  
Technical Schools ◽  
Space Industry ◽  
The World ◽  
Culture Technology

The features of unmanned rocket and space engineering´s development in the USSR and in the world in the first half of the XX century were considered in the article. They defined subsequent formation of scientific and technical schools in the rocket and space industry.

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