Introduction: Modernism beyond the Metropolis
This introductory chapter offers a meditation on the spaces and places of modernist activity, positing that the metropolis is incidental, rather than essential, to the production of social and aesthetic modernism. In de-centring the metropolis, this chapter proposes that rural, peripheral spaces—those Raymond Williams memorably dismissed as ‘hinterlands’—should not only be recognized as essential to the development of modernist practices, but also may productively be recognized as part of a broad, modernist impulse toward ‘little’ and small-scale production in general. Working from Wallerstein’s conceptualisation of the networked, capitalist, modern world-system, this chapter makes the case for a more careful, site-specific examination of sub- or extra-urban places in which modernist practices emerged and coalesced and argues for seeing the modern little art colony as a representative modernist space. This chapter also offers a brief historical background to the development of the little art colony in the US, pointing to its nineteenth-century European antecedents as well as US-based utopian colonies (most notably that at Brook Farm), where the social practices associated with modernism fused with new and experimental arts-based practices.